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Musicology
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Musicology
Piano, Vocal and Guitar
By Prince. For piano, voice and guitar (chords only). Pop; R & B; Rock. Piano/Vocal/Gu…
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By Prince. For piano, voice and guitar (chords only). Pop; R & B; Rock. Piano/Vocal/Guitar (chords only). 11 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.58 €
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Piano, Vocal and Guitar
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Prince
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R &
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Musicology
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Violin Solos on Brazilian Themes
Violin
By Flavio Henrique Medeiros. For Violin. Brazilian. 32 pages. Published by Mel Bay Publica…
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By Flavio Henrique Medeiros. For Violin. Brazilian. 32 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619112544. Brazil offers a great and luxurious musical variety, not only for its large extension of land, but also for the multiple cultural interchange established along centuries among the several peoples which contributed to the forming of its rich and varied musical map. From that triple (though not always conscious) alliance among the native Indigenous, the European colonizer and the African (those latter brought here as slave workers), resulted a "Brazility" feeling which is common to every country side, despite the distances that separate them: joyous, melancholic, nostalgic or ritual, Brazilian music is always the most authentically expression of its people, their happiness and sorrows. This work is an effort to display some Brazilian popular melodies arranged for violin and piano. The themes chosen, coming from the country as well as urban areas, are part of a repertoire quite familiar to every Brazilian, some of them already belonging for centuries to Brazil's memory. No intention of producing a scientific or musicological work has been nourished by the arrangers. What guided them in the choice of the songs presented in this book was, above all, a poetic sense and deep love for the music of their country. Enclosed are 19 violin solos on historic Brazilian themes. A free piano accompaniment is available free online.
$8.99
8.25 €
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Violin
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Flavio Henrique Medeiros
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Violin Solos on Brazilian Themes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Clarinet Quintet: 5 clarinets
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamar?a released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamar?a's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamar?a released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamar?a's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamar?a, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamar?a's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamar?a at friend Donald Byrd's urging. Santamar?a started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamar?a later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamar?a recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamar?a included the track on his album Watermelon Man (1962). Santamar?a's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benz?l? Pygmies (1966), by Simha Arom and Genevi?ve Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.76 €
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Clarinet Quintet: 5 clarinets
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Herbie Hancock
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
Twelve Duos for Trumpets based on Armenian Folk Songs
2 Trumpets (duet)
Trumpet Duets - Advanced - Digital Download Composed by Petros Shoujounian. 21st Cent…
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Trumpet Duets - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. Score. 27 pages. Published by Cherry Classics Music
Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trumpets based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trumpets.
My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.
Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 has reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.
This is the motivation behind my own work and these Twelve Duos for Trumpets: to make the essence of our ethnographic music accessible through Komitas.
These Twelve Duos are appropriate for advanced performers and are written for C Trumpets, B-flat Trumpets, Cornets, B-flat Piccolo Trumpets, and Flugelhorns.
$22.50
20.65 €
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2 Trumpets (duet)
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Petros Shoujounian
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Twelve Duos for Trumpets based on Armenian Folk Songs
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Cherry Classics Music
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SheetMusicPlus
Twelve Duos for Trombones based on Armenian Folk Songs
2 Trombones (duet)
Trombone - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. …
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Trombone - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. 23 pages. Published by Cherry Classics Music
Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trombones based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trombones.
My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.
Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 have reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.
This is the motivation behind my own work and these Twelve Duos for Trombones: to make the essence of our ethnographic music accessible through Komitas.
These Twelve Duos are appropriate for advanced performers and may be performed on Alto, Tenor, and Bass Trombones.
$22.50
20.65 €
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2 Trombones (duet)
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Petros Shoujounian
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Twelve Duos for Trombones based on Armenian Folk Songs
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Cherry Classics Music
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SheetMusicPlus
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