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You've selected:
My Dwelling Place
Sheetmusic to print
16 sheet music found
<
1
My Dwelling Place (Psalm 91)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1450023 Composed by Chris Ea…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1450023 Composed by Chris Eaton, Julian Getty, Kelly Minter, Kristyn Getty, and Stuart Townend. Arranged by Pamela Tucker. Christian,Praise & Worship,Religious. Score. 8 pages. Pamela Tucker #1029719. Published by Pamela Tucker (A0.1450023). My Dwelling Place (Psalm 91) by Keith and Kristyn Getty from the album The North Coast Sessions in the Key of G Major. PIANO and VOICE Score. VIOLIN Part is also included in file (if using a C Instrument such as Flute- you would have to raise an octave on some parts).
$9.99
9.06 €
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Piano, Voice
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Chris Eaton, Julian Getty, Kelly Minter, Kristyn Getty, and Stuart Townend
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My Dwelling Place
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Pamela Tucker
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SheetMusicPlus
The Lord's My Shepherd, I'll Not Want
Handbells
3, 4, 5, 6, or 7 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB979 …
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3, 4, 5, 6, or 7 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB979 Psalm 23. Composed by Alex Guebert. Arranged by Alex Guebert. General, Estertide. With Flute. Score. 12 pages. Chorister's Guild - Digital #CGB979. Published by Chorister's Guild - Digital (C7.CGB979). UPC: 749193024553.Uplifting and sweet, this arrangement of The Lord’s My Shepherd, I’ll Not Want (BROTHER JAMES’ AIR) makes use of stirring crescendos and orchestral-sounding sweeping musical lines. The quiet waters of the Psalm 23 text are reflected in the shimmering, peaceful first verse. The second verse gains momentum (My soul He doth restore again) and the powerful crescendo into the third verse brings a confident sense of peace (Yea, though I walk in death’s dark vale / yet will I fear no ill). At the final cadence, ethereal, unusual harmonies give way to a serene resolution, symbolizing heaven as a final resting place, calling to mind the last lines of the text: and in God’s house forevermore / my dwelling place shall be. The optional flute part sweetens the lovely soft sections and adds flourish and weight to the majestic third verse and coda.
$5.50
4.99 €
#
Handbells
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Alex Guebert
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The Lord's My Shepherd, I'll Not Want
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Chorister's Guild - Digital
#
SheetMusicPlus
How Lovely Is Your Dwelling Place
Choral SATB
SATB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: …
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SATB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8800-E Composed by Mark Shepperd. Church Anniversary. Instrument part. 11 pages. Duration 4 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8800-E. Published by E. C. Schirmer Music Company - Digital (MQ.8800-E). English. Psalms 84:1-4.The text of How Lovely Is Your Dwelling Place is taken from Psalm 84:1–4 (NIV). The piece is an attempt to portray the beauty of the heavenly place where our Lord dwells. It is so lovely that the “soul yearns, even faints†to be in presence of the Lord. The opening statement returns near the middle of the piece and then again at the end. The climax comes at “O Lord Almighty, my King and my God,†followed by the worship of those dwelling in God’s house.
$2.65
2.4 €
#
Choral SATB
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Mark Shepperd
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How Lovely Is Your Dwelling Place
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
How lovely is your dwelling place
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1003546 Composed by John Dav…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1003546 Composed by John David Coupland. Celtic,Christian,Folk,Jewish,Praise & Worship. Score. 1 pages. John David Coupland #2862759. Published by John David Coupland (A0.1003546). A modern Scottish version of psalm 84 with a basic piano arrangement and guitar chord symbols. Intended for congregational singing and an easily learned tune. I have used it successfully with my home church.
$2.99
2.71 €
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Piano, Voice
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John David Coupland
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How lovely is your dwelling place
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John David Coupland
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SheetMusicPlus
Many and Great (3, 4 or 5 oct)
Handbells
3, 4, or 5 octaves handbells - Level 1 - Digital Download SKU: C7.CGB972 Wakanta…
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3, 4, or 5 octaves handbells - Level 1 - Digital Download SKU: C7.CGB972 Wakantanka Taku Nitawa. Composed by Cathy Moklebust. Arranged by Cathy Moklebust. Thanksgiving, General. With Finger cymbals, ankle bells (or sleigh bells), tambourine, buffalo drum (or other American Indian drum). Score. 8 pages. Chorister's Guild - Digital #CGB972. Published by Chorister's Guild - Digital (C7.CGB972). UPC: 749193023075.Uplifting and sweet, this arrangement of The Lord's My Shepherd, I'll Not Want (BROTHER JAMES' AIR) makes use of stirring crescendos and orchestral-sounding sweeping musical lines. The quiet waters of the Psalm 23 text are reflected in the shimmering, peaceful first verse. The second verse gains momentum (My soul He doth restore again) and the powerful crescendo into the third verse brings a confident sense of peace (Yea, though I walk in death's dark vale / yet will I fear no ill). At the final cadence, ethereal, unusual harmonies give way to a serene resolution, symbolizing heaven as a final resting place, calling to mind the last lines of the text: and in God's house forevermore / my dwelling place shall be. The optional flute part sweetens the lovely soft sections and adds flourish and weight to the majestic third verse and coda.
$4.50
4.08 €
#
Handbells
#
Cathy Moklebust
#
Many and Great
#
Chorister's Guild - Digital
#
SheetMusicPlus
A Psalm of Hope - Accompaniment MP3 (Digital Download)
Digital Download SKU: LX.99-4114L Composed by Becki Slagle Mayo. Sacred Anthem. Acc…
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Digital Download SKU: LX.99-4114L Composed by Becki Slagle Mayo. Sacred Anthem. Accompaniment MP3. Lorenz Publishing - Digital Sheet Music #e99/4114L. Published by Lorenz Publishing - Digital Sheet Music (LX.99-4114L). Accompaniment MP3 (Digital Download) for 10/5411L Inspired by Psalm 23, Becki Slagle Mayo's tender anthem prayerfully acknowledges the rest that is found in God's company and the hope and peace that it brings. Goodness and mercy all my days shall surely follow me, and in God's house forevermore, my dwelling place shall be. The optional flute or C-instrument accompaniment enhances the delicate musical nature of this anthem.
$14.95
13.56 €
#
Becki Slagle Mayo
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A Psalm of Hope - Accompaniment MP3
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
A Psalm of Hope - Flute or C instrument Part (Digital Download)
Flute, C Instrument - Digital Download SKU: LX.30-3761L Composed by Becki Slagle Ma…
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Flute, C Instrument - Digital Download SKU: LX.30-3761L Composed by Becki Slagle Mayo. Sacred Anthem. Flute or C instrument Part (Digital Download). 1 pages. Lorenz Publishing - Digital Sheet Music #e30/3761L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3761L). Flute or C instrument Part (Digital Download) for 10/5411L Inspired by Psalm 23, Becki Slagle Mayo's tender anthem prayerfully acknowledges the rest that is found in God's company and the hope and peace that it brings. Goodness and mercy all my days shall surely follow me, and in God's house forevermore, my dwelling place shall be. The optional flute or C-instrument accompaniment enhances the delicate musical nature of this anthem.
$4.95
4.49 €
#
Becki Slagle Mayo
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A Psalm of Hope - Flute or C instrument Part
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Hölderlin’s Tower for 2 cellos (mp3)
Cello
Cello - Digital Download SKU: A0.1103564 By Ölveti Mátyás and Mády-Sza…
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Cello - Digital Download SKU: A0.1103564 By Ölveti Mátyás and Mády-Szabó Eszter. By David Warin Solomons. Chamber,Contemporary. Full Performance. Duration 194. David Warin Solomons #706833. Published by David Warin Solomons (A0.1103564). Instrumental Duo based on my setting of Marie Keyser's Poem La Tour de Hölderlin Elle est près du fleuve dormeur debout mais le saule incliné toucherait de sa cîme l'eau L'église vieille dit les heures de l'île où la nuit descend Je la vois encore son toit de gris dans le gris de l'eau. pressens dans la tour de bois ma demeure la folie la folie le silence clos clos vigilance Oh Ne pas altérer ce qui reste qui reste, et le doit. Was bleibt aber stiften die Dichter. (It stands by the sleepy river But the bending willow would touch the water with its very top The church - an old church - tells the hours from the island where the night descends I can still see it, its grey roof in the grey of the water I have a presentiment in the tower of wood, of my dwelling place, of madness, of silence Closed in, closed in but keeping watch Oh never change what remains and should remain Was bleibt aber stiften die Dichter.....) [What remains, however, is the stuff of poetry This quote from Hölderlin himself is reflected in the second cello at bars 43 to 45] Performed by Ölveti Mátyás and Mády-Szabó Eszter of Budapest Scoring Cellos.
$5.50
4.99 €
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Cello
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Ölveti Mátyás and Mády-Szabó Eszter
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Hölderlin’s Tower for 2 cellos
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David Warin Solomons
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SheetMusicPlus
I just want to be where You are
C Instruments
C Instrument - Level 1 - Digital Download SKU: A0.1500595 By Don Moen. By Don Moen.…
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C Instrument - Level 1 - Digital Download SKU: A0.1500595 By Don Moen. By Don Moen. Arranged by Don Moen. Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Steven See #1076680. Published by Steven See (A0.1500595). Verse 1I just want to be where You are,dwelling daily in Your presenceI don't want to worship from afar,draw me near to where You areVerse 2I just want to be where You are,in Your dwelling place foreverTake me to the place where You are,I just want to be with YouChorusI want to be where You are,dwelling in Your presenceFeasting at Your table,surrounded by Your gloryIn Your presence,that's where I always want to beI just want to be,I just want to be with YouVerse 3I just want to be where You are,to enter boldly in Your presenceI don't want to worship from afar,draw me near to where You areCodaOh, my God,You are my strength and my songAnd when I'm in Your presenceThough I'm weak You're always strong(Repeat Verses 1 and 2)EndingI just want to beI just want to be with You.
$3.99
3.62 €
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C Instruments
#
Don Moen
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I just want to be where You are
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Steven See
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SheetMusicPlus
How Can I Serve Thee Lord? - sacred music for SATB choir
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1461686 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1461686 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 10 pages. Kevin G. Pace #1040433. Published by Kevin G. Pace (A0.1461686). Gorgeous, sacred choral anthem with music composed by Kevin G. Pace and text by Kathryn W. Hales.Text:How Can I Serve Thee Lord? (based on Mosiah 2:17)How can I serve Thee, Lord,When Thou art so far away?I can only hope You hear,When I kneel each day to pray,To give thanks for thy giftsOf bounteous gracious love,Bestowed by thy gentle hands,From Thy dwelling place above.How can I serve Thee, Lord,When Thou art so far away?I can only trust Thy word,And Thy precepts all obey,Going through my daily lifeAs if Thou were by my side,To feel Thy nearness, joy,Oh, Lord, with me abide!How can I serve Thee, Lord,When Thou art so far away?I can be Thy hands on earth,To help others on their way,To lend an ear, to lift a load,To share a friendly smile,To walk with others who are in need,Down their road of trial.Chorus:I can serve Thee, Lord, with trust and with faith,I can all Thy commandments keep,I can help my fellow beings along,For serving them is like serving Thee.
$1.99
1.8 €
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Choral SATB
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Kevin G
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How Can I Serve Thee Lord? - sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
How Can I Serve Thee Lord? - a sacred hymn
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1439299 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1439299 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1019306. Published by Kevin G. Pace (A0.1439299). A beautiful, sacred hymn with music by Kevin G. Pace and text by Kathryn W. Hales.Text:How Can I Serve Thee Lord? (based on Mosiah 2:17)How can I serve Thee, Lord,When Thou art so far away?I can only hope You hear,When I kneel each day to pray,To give thanks for thy giftsOf bounteous gracious love,Bestowed by thy gentle hands,From Thy dwelling place above.How can I serve Thee, Lord,When Thou art so far away?I can only trust Thy word,And Thy precepts all obey,Going through my daily lifeAs if Thou were by my side,To feel Thy nearness, joy,Oh, Lord, with me abide!How can I serve Thee, Lord,When Thou art so far away?I can be Thy hands on earth,To help others on their way,To lend an ear, to lift a load,To share a friendly smile,To walk with others who are in need,Down their road of trial.Chorus:I can serve Thee, Lord, with trust and with faith,I can all Thy commandments keep,I can help my fellow beings along,For serving them is like serving Thee.
$1.99
1.8 €
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Choral SATB
#
Kevin G
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How Can I Serve Thee Lord? - a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.07 €
#
Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
#
SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.07 €
#
Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
#
Dots and Beams
#
SheetMusicPlus
A Hymn A Day Volume 3
Harp, Voice
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. C…
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Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship. 108 pages. Published by Afghan Press Music for the Harp
This valuable collection of hymns is the third in a series of five! You will find many wonderful titles arranged for harp, from well-known favorites to songs that are lesser known yet equally important. Mr. Callison came to the harp as an adult after retiring from 40 years as a music educator. His arrangements are interesting and have lovely harmonies. The left hand in a few of the tunes is quite active.<br> Table of Contents: Lord Jesus Think on Me, Blessed Jesus, at Thy Word, All Praise to Thee, My God This Night, From Greenland’s Icy Mountains, Cleanse Me, Praise the Savior, Ye Who Know Him, O Master Let Me Walk with Thee, More Love to Thee, O Christ, Nearer, My God, to Thee, Come, Thou Font of Every Blessing, Rise Up, O Men of God, Sun of My Soul, My Faith has Found a Resting Place, The King of Love, My Shepherd Is, Savior, Like a Shepherd Lead Us, How Sweet the Name of Jesus Sounds, May the Grace of Christ Our Savior, At the Name of Jesus, Glorious Things of Thee Are Spoken, A Charge to Keep I Have, Join All the Glorious Names, Almighty God, Thy Lofty Throne, What a Friend We Have in Jesus, Blessing and Honor and Glory and Power, Great God, Attend, While Zion Sings, How Lovely Is Thy Dwelling Place, Trust and Obey, I Am Not Skilled to Understand, Jesus Loves Me, Brethren, We Have Met to Worship, Come, Let Us Tune Our Loftiest Song, Rescue the Perishing, Have Thine Own Way, Lord!, Thy Faithfulness, Lord, Each Moment We Find, To God Be the Glory, Fill Thou My Life, O Lord My God, God of Our Fathers, Known of Old, Jesus Call Us, Let Thy Blood in Mercy Poured, O Jesus, King Most Wonderful, Not What These Hands Have Done, Under His Wings I Am Safely Abiding, Shepherd of Eager Youth, Lamb of God!, Just a Closer Walk with Thee, Open My Eyes, That I May See, O Splendor of God’s Glory Bright, The Lord Is King, For All the Saints, A Mighty Fortress Is Our God, Thy Works, Not Mine, Thee Will I Love, My Strength, My God, How Wonderful Thou Art, O Christ, Our True and Only Light, Teach Me, My God and King, Zion to Thy Savior Singing, O Christ, Our King, Creator, Lord, God of the Earth, the Sky, the Sea, In Christ, There Is No East or West, How Lovely Shines the Morning Star, God, in the Gospel of His Son, Praise, My Soul, the King of Heaven, Gentle Jesus, Meek and Mild, Songs of Thankfulness and Praise, Who is This So Weak and Helpless, Savior of the Nations, Come, O Dearest Jesus, O Lord, How Shall I Meet Thee, O Lord of Heaven and Earth and Sea, Jesus, Thou Joy of Loving Hearts, O Perfect Love, I Heard the Voice of Jesus Say
$25.00
22.67 €
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Harp, Voice
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A Hymn A Day Volume 3
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SheetMusicPlus
The Poor Old Tramp
Choral SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4459 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4459 Composed by Will. L. Thompson. Poor persons, Homeless persons, Families, Blizzards, Ice, Dogs, Victims, Dwellings, Distress. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4459). The Poor Old Tramp. Words & Music by Will. L. Thompson. Published 1877 by W.L. Thompson & Co. in East Liverpool, Ohio. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Poor persons, Homeless persons, Families, Blizzards, Ice, Dogs, Victims, Dwellings, Distress. First line reads I'm only a poor old wanderer, I've no place to call my home.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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Choral SATB
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Will
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The Poor Old Tramp
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Poor Old Tramp
Choral SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4460 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4460 Composed by Will. L. Thompson. Poor persons, Homeless persons, Families, Blizzards, Ice, Dogs, Victims, Dwellings, Distress. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4460). The Poor Old Tramp. Words & Music by Will. L. Thompson. Published 1877 by W.L. Thompson & Co. in East Liverpool, Ohio. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Poor persons, Homeless persons, Families, Blizzards, Ice, Dogs, Victims, Dwellings, Distress. First line reads I'm only a poor old wanderer, I've no place to call my home.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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Choral SATB
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Will
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The Poor Old Tramp
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
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