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My first concert for flute - book 1
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Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.79 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
My First Rock for Beginning Band
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.779816 Composed by Alexandre CARL…
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Concert Band - Level 1 - Digital Download SKU: A0.779816 Composed by Alexandre CARLIN. Children,Contemporary,Rock. Score and parts. 34 pages. Alexandre CARLIN #5009815. Published by Alexandre CARLIN (A0.779816). Destined to beginners,My FirstRock is an original work for beginning band, in a rock style. Built from a driving bass line and a rock pattern on the drums, the piece introduces the rest of the band with a simple and nice melody, using only the first notes. The central passage changes the mood, with sections playing one after another, building a nice chord. Then, the piece goes on with the return of the first material, ending with a subtile effect played by the woodwinds and brass, while the drumset brings some rhythmic motion. Let's Rock !Composed for beginning band by Alexandre CARLIN. Grade 0.5 (1 for the drumset). Very fun to play ! All instruments parts provided : flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, trumpet, horn, trombone, euphonium, tuba, glockenspiel, drum set, percussion. Duration : 2:00. 8 pages score. 26 pages of parts.www.alexandrecarlin.com
$29.99
27.24 €
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Concert band
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Alexandre CARLIN
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My First Rock for Beginning Band
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Alexandre CARLIN
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SheetMusicPlus
Sheep May Safely Graze " The Birthday Cantata " by Bach for flute choir / ensemble
Flute ensemble
Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Piccolo,Soprano Flute - Level 3…
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Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Piccolo,Soprano Flute - Level 3 - Digital Download SKU: A0.874253 Composed by Johann Sebastion Bach , J S Bach. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Baroque,Easter,Holiday,Praise & Worship,Sacred. Score and parts. 36 pages. As do Ray meflute studio production #4573517. Published by as do Ray meflute studio production (A0.874253). Https://www.youtube.com/watch?v=05dsgxhs9qM&feature=youtu.beSheep May Safely Graze Sheep may safely graze (German: Schafe können sicher weiden) is a soprano aria by Johann Sebastian Bach setting words by Salomon Franck. The piece was written in 1713 and is part of the cantata Was mir behagt, ist nur die muntre Jagd, BWV 208. The cantata's title translates The lively hunt is all my heart's desire, and it is also known as the Hunting Cantata. Like the same composer´s Jesu, Joy of Man's Desiring, it is frequently played at weddings.[1] However, it was originally written for a birthday celebration, that of Christian, Duke of SaxeWeissenfels. Bach was based at the nearby court of Weimar, and musicians from both courts appear to have joined together in the first performance in Weißenfels. Bach is known to have used the music again for other celebrations, but it remained unpublished until after his death. Perfect for church, religious holidays, weddings, Easter, Birthdays , concerts, program performances, themed performances, recital, you name it.. this arrangement is a must.Score for a larger nsemble , Piccolo, G soprano flute or 1st c flute , 2nd flute, 3rd flute, 4th flute, 5th flute, 6 th flute , Alto flute in g , Bass flute and contrabass flute . Definiately a piece that will get used many times for many occasionals.also, check out my other arrangements! Real flute choir / ensemble arrangements for real flutes, and real parts ( no piano funny business ) for real performances. **ALSO check out my other arrangemnts - https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545
$15.99
14.52 €
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Flute ensemble
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Johann Sebastion Bach , J S Bach
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Sheep May Safely Graze " The Birthday Cantata " by Bach for flute choir / ensemble
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as do Ray meflute studio production
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SheetMusicPlus
Flûte en suite
Flute and Piano
Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and …
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Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99
50.85 €
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Flute and Piano
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
The Moldau for Flute Quartet - Easy Version
Flute Quartet: 4 flutes
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528788
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528788 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 25 pages. Diego Marani #6480633. Published by Diego Marani (A0.528788). The Moldau, Czech Vltava, symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882.This arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) is the easier version than the https://www.sheetmusicplus.com/title/the-moldau-for-flute-quartet-digital-sheet-music/22053645.
$12.99
11.8 €
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Flute Quartet: 4 flutes
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Bedrich Smetana
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The Moldau for Flute Quartet - Easy Version
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Diego Marani
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SheetMusicPlus
The Moldau for Flute Quartet
Flute Quartet: 4 flutes
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528766
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528766 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 25 pages. Diego Marani #6446901. Published by Diego Marani (A0.528766). The Moldau, Czech Vltava, symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882.This arrangement for flute quartet includes the following parts: Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute.
$16.99
15.43 €
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Flute Quartet: 4 flutes
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Bedrich Smetana
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The Moldau for Flute Quartet
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Diego Marani
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SheetMusicPlus
Evening Commute (flute quartet)
Flute Quartet: 4 flutes
Flute Quartet,Woodwind Ensemble Alto Flute - Level 5 - Digital Download SKU: A0.817942
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Flute Quartet,Woodwind Ensemble Alto Flute - Level 5 - Digital Download SKU: A0.817942 Composed by Adrian Dee. Contemporary. 61 pages. Adrian Dee #4574933. Published by Adrian Dee (A0.817942). This piece began as a tune in my head while I was on the bus on the way home from work one evening, hence the title. I first wrote it as a flute quartet and then arranged it for flute choir (also available) . The movements are: Traffic, Watch for Bicycles, Yield to Pedestrians, and Home Soon. The piece is playful, rhythmically challenging, a little humorous, and completely joyful. Play time is aprox. 10 1/2 minutes. Very upbeat 4th movement would make a good concert closer. Let me know what you think! adriandeeflute@gmail.com.
$12.95
11.76 €
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Flute Quartet: 4 flutes
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Adrian Dee
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Evening Commute
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Adrian Dee
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
Flute Quartet: 4 flutes
Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. I…
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Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.54 €
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Flute Quartet: 4 flutes
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
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Slide Ride
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SheetMusicPlus
Ah, My Children (part 1 of Second Suite from Razumov) for wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.787230 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.787230 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. 24 pages. Burke & Bagley #41307. Published by Burke & Bagley (A0.787230). The Second Suite from Razumov derives from the second act of Razumov, Greg Bartholomew’s chamber opera based on the novel Under Western Eyes by Joseph Conrad. The opera tells the story of a young Russian, Razumov, who is caught up in the consequences when a fellow university student, Victor Haldin, assassinates a government minister. Themes for Part 1 are taken from the opening scene of Act Two, in which Haldin’s mother, in exile in Geneva and worried by the lack of news from her son, learns that Victor was the assassin and has now been caught and executed. Part 2 is an instrumental interlude. Part 3 is based on the scene in which Razumov is urged to visit Mrs. Haldin, an encounter Razumov dreads because it was he who informed on Haldin to the government. The final Part corresponds to the scene in which Razumov learns that news received from Russia has released him from suspicion for Haldin’s death by placing responsibility on an innocent man. The Suite was commissioned by a consortium of ensembles led by the Aeolian Winds of Pittsburgh, who presented the world premiere performance on November 9, 2008, at the First Baptist Church of Pittsburgh. For more information about the Suites from Razumov, visit www.gregbartholomew.com/suiteraz.html
$9.99
9.07 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Greg Bartholomew
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Ah, My Children
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Burke & Bagley
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SheetMusicPlus
Money For Nothing
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1398158 By Dire Straits. By Mark …
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Concert Band - Level 3 - Digital Download SKU: A0.1398158 By Dire Straits. By Mark Knopfler and Sting. Arranged by Lorenzo Bocci. Pop,Rock. 119 pages. Lorenzo Bocci #981451. Published by Lorenzo Bocci (A0.1398158). MONEY FOR NOTHING Performed by Dire Straitsfor Concert Band (with Fanfare Band parts) - Grade 3 - Digital Download Composed by Mark Knopfler, Sting. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 6'00''. Published by Lorenzo Bocci.Create The Best of Dire Straits with:- Money For Nothing - Sultans Of Swing - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Walk Of Life - YouTube ScorePlay - Sheet Music Direct - Sheet Music PlusInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Cowbell, Tambourine), Electric Guitar, Keyboard.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Money for Nothing is a song by British rock band Dire Straits, being the second track on their fifth studio album, Brothers in Arms (1985). It was released as the album's second single on 28 June 1985 through Vertigo Records. The song features a guest appearance by Sting who sings the signature falsetto introduction, background vocals and a backing chorus of I want my MTV. The groundbreaking video was the first to be aired on MTV Europe when the network launched on 1 August 1987. It was Dire Straits' most commercially successful single, peaking at number 1 for three weeks on both the US Billboard Hot 100 and Top Rock Tracks chart and number 4 in the band's native UK. In July 1985, the month following its release, Dire Straits and Sting performed the song at Live Aid. At the 28th Annual Grammy Awards in 1986, Money for Nothing won Best Rock Performance by a Duo or Group with Vocal and was nominated for Record of the Year and Song of the Year as well. At the 1986 MTV Video Music Awards, the music video received 11 nominations, winning Video of the Year and Best Group Video. Subscribe to my YouTube Channel to stay updated on new releases.
$89.00
80.83 €
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Concert band
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Dire Straits
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Mark Knopfler, Sting
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Money For Nothing
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Lorenzo Bocci
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SheetMusicPlus
Evening Commute (flute choir)
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.817941 Composed by Adrian Dee. Contemporary. 90 pages. Adrian Dee #4574905. Published by Adrian Dee (A0.817941). This piece began as a tune in my head while I was on the bus on the way home from work one evening, hence the title. I first wrote it as a flute quartet (also available) and then arranged it for flute choir. The movements are: Traffic, Watch for Bicycles, Yield to Pedestrians, and Home Soon. The piece is playful, rhythmically challenging, a little humorous, and completely joyful. Play time is aprox. 10 1/2 minutes. Very upbeat 4th movement would make a good concert closer. Let me know what you think! adriandeeflute@gmail.com
$24.95
22.66 €
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Flute ensemble
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Adrian Dee
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Evening Commute
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Adrian Dee
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SheetMusicPlus
Star Trek(R) First Contact
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1475449 Composed by Jerry Goldsmi…
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Concert Band - Level 3 - Digital Download SKU: A0.1475449 Composed by Jerry Goldsmith. Arranged by Lorenzo Bocci. Film/TV. 58 pages. Lorenzo Bocci #1053000. Published by Lorenzo Bocci (A0.1475449). STAR TREK®: First Contact - Theme From The Paramount Motion Picture Star Trek: First Contactfor Concert Band - Grade 3 - Digital Download - More Star Trek MusicComposed by Jerry Goldsmith. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 2'46''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone 1, 2, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Star Trek: First Contact is a 1996 American science fiction film directed by Jonathan Frakes in his feature film debut. It is the eighth movie of the Star Trek franchise, and the second starring the cast of the television series Star Trek: The Next Generation. Jerry Goldsmith scored First Contact, his third Star Trek feature. Instead of composing a menacing theme to underscore the Borg, Goldsmith wrote a pastoral theme linked to humanity's hopeful first contact. The theme uses a four-note motif used in Goldsmith's Star Trek V: The Final Frontier score, which is used in First Contact as a friendship theme and general thematic link. Star Trek: First Contact was released on November 22, 1996, and was the highest-grossing film on its opening weekend. Critical reception was mostly positive. First Contact was nominated for the Academy Award for Best Makeup, and won three Saturn Awards. Subscribe to my YouTube Channel to stay updated on new releases.
$94.00
85.37 €
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Concert band
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Jerry Goldsmith
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Star Trek(R) First Contact
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Lorenzo Bocci
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SheetMusicPlus
Intermediate Music for Four, Christmas - Part 1 for Bb Clarinet or Soprano Sax 73113DD
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.530271 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.530271 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Concert,Hanukkah. 49 pages. Last Resort Music Publishing #3221195. Published by Last Resort Music Publishing (A0.530271). Part 1 for Bb Clarinet - Fantastic and festive arrangements of Christmas and Hanukkah songs for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series.Each part is sold separately.Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.Table of ContentsA La Nanita Nana Angels From The Realm Of Glory The Boar's Head Carol Christmas Day in the Morning Christ Was Born On Christmas Day Coventry Carol The First Noel O Come, All Ye Faithful The Twelve Days of Christmas Up On The Housetop Christ-Child is Born O Christmas Tree Christmas Concerto from Concerto Grosso, Op. 6 #8 For Unto Us A Child Is Born Joy To The World Pastoral Symphony Pifa from The Messiah Fum, Fum, Fum The Song of the Birds Gesu Bambino Good King Wenceslas Hanukkah Medley - Hanukkah, S’Vivon, My Dreidel, Rock of Ages Hark! The Herald Angels Sing He Is Born, The Divine Christ Child I Heard the Bells on Christmas Day It’s Christmas Time Again Jingle Bells O Holy Night, Cantique de Noel O Little Town of Bethlehem Sleigh Ride from German Dance, K. 605 #3 Wexford Carol www.lastresortmusic.com
$18.50
16.8 €
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Flute, Oboe, Clarinet, Bassoon
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Various
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Intermediate Music for Four, Christmas - Part 1 for Bb Clarinet or Soprano Sax 73113DD
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Last Resort Music Publishing
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SheetMusicPlus
Intermediate Music for Four, Christmas Part 3 for Clarinet or Trumpet in Bb 73133
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.530439 Arra…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.530439 Arranged by Daniel Kelley. Baroque,Christmas,Classical,Concert,Standards. 49 pages. Last Resort Music Publishing #3602763. Published by Last Resort Music Publishing (A0.530439). Fantastic and festive arrangements of Chistmas and Hanukkah songs for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series.Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Each part is sold separately.Table of ContentsA La Nanita Nana Angels From The Realm Of Glory The Boar's Head Carol Christmas Day in the Morning Christ Was Born On Christmas Day Coventry Carol The First Noel I Wonder As I Wander O Come, All Ye Faithful The Twelve Days of Christmas Up On The Housetop Christ-Child is Born O Christmas Tree Christmas Concerto from Concerto Grosso, Op. 6 #8 For Unto Us A Child Is Born Joy To The World Pastoral Symphony Pifa from The Messiah Fum, Fum, Fum The Song of the Birds Gesu Bambino Good King Wenceslas Hanukkah Medley - Hanukkah, S’Vivon, My Dreidel, Rock of Ages Hark! The Herald Angels Sing He Is Born, The Divine Christ Child I Heard the Bells on Christmas Day It’s Christmas Time Again Jingle Bells O Holy Night, Cantique de Noel O Little Town of Bethlehem Sleigh Ride from German Dance, K. 605 #3 Wexford Carol
$18.50
16.8 €
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Flute, Oboe, Clarinet, Bassoon
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Intermediate Music for Four, Christmas Part 3 for Clarinet or Trumpet in Bb 73133
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Last Resort Music Publishing
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SheetMusicPlus
The First Nowell
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.1467103 Composed by English Tradi…
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Concert Band - Level 1 - Digital Download SKU: A0.1467103 Composed by English Traditional. Arranged by Lorenzo Bocci. Christmas. 27 pages. Lorenzo Bocci #1045650. Published by Lorenzo Bocci (A0.1467103). THE FIRST NOWELL - Flexible Seriesfor Variable wind quartet - Grade 2 - Digital Download English Traditional. Arranged by Lorenzo Bocci. Christmas. Flexible Series. Variable wind quartet. Score A4 (21 x 29,7 cm) and card size parts A5 (19,5 x 14,2 cm). Duration 2'10''. Published by Lorenzo Bocci.Available parts: Part 1 C' FlutePart 1 C'' Oboe, TrumpetPart 1 Bb Clarinet, Trumpet, Soprano Saxophone, Flugel Horn, CornetPart 1 Eb Clarinet, Cornet Part 2 C'' TrumpetPart 2 Bb Clarinet, Trumpet, Flugel Horn, Cornet Part 2 Eb Alto Clarinet, Alto Saxophone, HornPart 2 F English Horn, HornPart 3 Bb (TC) Tenor Saxophone, Trombone, Baritone, EuphoniumPart 3 Bb (BC) Trombone, EuphoniumPart 3 C Bassoon, Trombone, EuphoniumPart 3 Eb (TC) Alto Clarinet, HornPart 3 F (TC) HornPart 4 Bb (TC) Bass Clarinet, Trombone, Euphonium, BassPart 4 Bb (BC) Trombone, Euphonium, Tenor Tuba, BassPart 4 C' Bassoon, Trombone, Euphonium, Double BassPart 4 C'' BassPart 4 Eb (TC) Eb Baritone Saxophone, BassPart 4 Eb (BC) BassSubscribe to my YouTube Channel to stay updated on new releases.
$33.00
29.97 €
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Concert band
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English Traditional
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The First Nowell
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Lorenzo Bocci
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SheetMusicPlus
Automania - Galop / March - L.P. Laurendeau for Concert or Marching Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.770383 Composed by Louis-Philippe…
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Concert Band - Level 3 - Digital Download SKU: A0.770383 Composed by Louis-Philippe Laurendeau. Arranged by Ivan Marini. 20th Century,Contest,Festival,Folk,Holiday,Patriotic. Score and parts. 26 pages. Www.dalsegno.eu #4579941. Published by www.dalsegno.eu (A0.770383). (en/fr)Galop (march-like dance) composed by Canadian L.P. Laurendeau and arranged for modern band by Ivan Marini.The title refers to the automobile mania that swept in the USA and Canada during the first years of the 20th century.Grade 2 1/2, suitable for smaller ensembles and marching bands too.Galop (danse rapide) composé par le Québécois L.P. Laurendeau et adapté pour la moderne orchestre d'harmonie par Ivan Marini.Le titre fait référence à la manie automobile qui a balayé les États-Unis et le Canada au cours des premières années du XXe siècle.Grade 2 1/2, convenant aussi aux petits ensembes et aux défilées.Full Score and Condensed Score.Card size Parts for:Piccolo, Flute 1+2, Oboe (or Soprano Sax)Clarinet 1+2, Bass Clarinet, Alto Sax 1+2, Tenor Sax, Baritone SaxBb Trumpet 1+2+3, F/Eb Horn 1+2, Trombone 1+2+3Euphonium BC (also Bassoon) and TC, TubaTimpani, Bells, Percussion (SD, BD, Cym.)Other arrangements, missing parts or custom settings available at simply request.Duration: ca. 2'15'' minutes, 26 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$9.99
9.07 €
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Concert band
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Louis-Philippe Laurendeau
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Automania - Galop / March - L.P. Laurendeau for Concert or Marching Band
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www.dalsegno.eu
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SheetMusicPlus
Symphony No. 8 ... City of Light (2011) for chamber orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
9.07 €
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Chamber Orchestra
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Thomas Oboe Lee
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Symphony No. 8 ... City of Light
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Thomas Oboe Lee
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SheetMusicPlus
It Is Well With My Soul
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.897950 Composed by Phillip P. Bli…
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Concert Band - Level 2 - Digital Download SKU: A0.897950 Composed by Phillip P. Bliss. Arranged by Dana Usealman. Christian,Praise & Worship,Spiritual. Score and parts. 20 pages. Dana Usealman #3861451. Published by Dana Usealman (A0.897950). It Well With My Soul for small Concert Band. Includes score and parts: Flute, Clarinet, Alto Sax 1, Alto Sax 2, Bb Trumpet, Trombone (or Baritone), Mallets, Bass Drum, and Cymbals. When I arranged this, I only had early elementary clarinet players so that part is entirely written below the break. It can be taken up an octave for more advanced players. There is a flute solo for your best flute player, it could also be omitted if necessary. The mallet part could also be omitted in a pinch. It Is Well With My Soul is a hymn penned by hymnist Horatio Spafford and composed by Philip Bliss. First published in Gospel Songs No. 2 by Ira Sankey and Bliss (1876), it is possibly the most influential and enduring in the Bliss repertoire and is often taken as a choral model, appearing in hymnals of a wide variety of Christian fellowships. Horatio Spafford's original lyrics are included below. I had verses 1, 2, 3, and 6 in mind for this arrangement: When peace like a river, attendeth my way,When sorrows like sea billows roll;Whatever my lot, Thou hast taught me to knowIt is well, it is well, with my soul.RefrainIt is well, (it is well),With my soul, (with my soul)It is well, it is well, with my soul.Though Satan should buffet, though trials should come,Let this blest assurance control,That Christ has regarded my helpless estate,And hath shed His own blood for my soul.My sin, oh, the bliss of this glorious thought!My sin, not in part but the whole,Is nailed to the cross, and I bear it no more,Praise the Lord, praise the Lord, O my soul!For me, be it Christ, be it Christ hence to live:If Jordan above me shall roll,No pang shall be mine, for in death as in life,Thou wilt whisper Thy peace to my soul.But Lord, 'tis for Thee, for Thy coming we wait,The sky, not the grave, is our goal;Oh, trump of the angel! Oh, voice of the Lord!Blessed hope, blessed rest of my soul.And Lord, haste the day when the faith shall be sight,The clouds be rolled back as a scroll;The trump shall resound, and the Lord shall descend,A song in the night, oh my soul!
$14.99
13.61 €
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Concert band
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Phillip P
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It Is Well With My Soul
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Dana Usealman
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SheetMusicPlus
Tears from My Eyes: Reflection and Contemplation (For Flute Choir)
Alto Flute,Bass Flute - Digital Download SKU: A0.1070239 Composed by Tito Abeleda. …
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Alto Flute,Bass Flute - Digital Download SKU: A0.1070239 Composed by Tito Abeleda. Concert,Contemporary,New Age. Full Performance. Duration 486. Visionary Quest Records #4718101. Published by Visionary Quest Records (A0.1070239). FLUTE CHOIR: Piccolo, E Flat Flute Solo, E Flat Flute 1-2, Flute 1-3, Alto Flute 1-2, Bass Flute 1-2 Compose by Tito Abeleda (1964 - ) Music score plus parts = 72 pages digital download. Duration: 8:26In 2019 I composed a three-movement piece titled Tear from My Eyes. Tears from My Eyes: Reflection and Contemplation is the second movement to this piece. The first movement is Tears from My Eyes: Remember Your Feelings for full orchestra. The third movement is Tears from My Eyes: Mourning in the Rain for clarinet choir. The entire piece is dedicated to my father and mother. This movement was written for flute choir comprised of piccolo, E flat flutes, flutes, alto flutes, and bass flutes. It is tranquil and meditative to allow one to reflect and contemplate. For me this piece meant reflecting and contemplating in a positive way what my parents have meant to me and all that they have done to support my dreams throughout my life. I wrote these songs to express musically the depth of my gratitude and love for them.
$2.99
2.72 €
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Tito Abeleda
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Tears from My Eyes: Reflection and Contemplation
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Visionary Quest Records
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SheetMusicPlus
Intermediate Music for Four, Christmas - Part 1 for Alto Saxophone 73115DD
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.530272 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.530272 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Hanukkah,Romantic Period. 49 pages. Last Resort Music Publishing #3221201. Published by Last Resort Music Publishing (A0.530272). Part 1 for Eb Alto Saxophone - Fantastic and festive arrangements of Christmas and Hanukkah songs for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series.Each part is sold separately.Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.Table of ContentsA La Nanita Nana Angels From The Realm Of Glory The Boar's Head Carol Christmas Day in the Morning Christ Was Born On Christmas Day Coventry Carol The First Noel O Come, All Ye Faithful The Twelve Days of Christmas Up On The Housetop Christ-Child is Born O Christmas Tree Christmas Concerto from Concerto Grosso, Op. 6 #8 For Unto Us A Child Is Born Joy To The World Pastoral Symphony Pifa from The Messiah Fum, Fum, Fum The Song of the Birds Gesu Bambino Good King Wenceslas Hanukkah Medley - Hanukkah, S’Vivon, My Dreidel, Rock of Ages Hark! The Herald Angels Sing He Is Born, The Divine Christ Child I Heard the Bells on Christmas Day It’s Christmas Time Again Jingle Bells O Holy Night, Cantique de Noel O Little Town of Bethlehem Sleigh Ride from German Dance, K. 605 #3 Wexford Carol www.lastresortmusic.com
$18.50
16.8 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Various
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Intermediate Music for Four, Christmas - Part 1 for Alto Saxophone 73115DD
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Last Resort Music Publishing
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SheetMusicPlus
Intermediate Music for Four, Christmas - Part 4 for Baritone Sax in Eb 73145DD
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.530274 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.530274 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Hanukkah,Romantic Period. 49 pages. Last Resort Music Publishing #3221213. Published by Last Resort Music Publishing (A0.530274). Part 4 for Baritone Sax in Eb - Fantastic and festive arrangements of Christmas and Hanukkah songs for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series.Each part is sold separately.Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.Table of ContentsA La Nanita Nana Angels From The Realm Of Glory The Boar's Head Carol Christmas Day in the Morning Christ Was Born On Christmas Day Coventry Carol The First Noel O Come, All Ye Faithful The Twelve Days of Christmas Up On The Housetop Christ-Child is Born O Christmas Tree Christmas Concerto from Concerto Grosso, Op. 6 #8 For Unto Us A Child Is Born Joy To The World Pastoral Symphony Pifa from The Messiah Fum, Fum, Fum The Song of the Birds Gesu Bambino Good King Wenceslas Hanukkah Medley - Hanukkah, S’Vivon, My Dreidel, Rock of Ages Hark! The Herald Angels Sing He Is Born, The Divine Christ Child I Heard the Bells on Christmas Day It’s Christmas Time Again Jingle Bells O Holy Night, Cantique de Noel O Little Town of Bethlehem Sleigh Ride from German Dance, K. 605 #3 Wexford Carol www.lastresortmusic.com.
$18.50
16.8 €
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Flute, Oboe, Clarinet, Bassoon
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Various
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Intermediate Music for Four, Christmas - Part 4 for Baritone Sax in Eb 73145DD
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Last Resort Music Publishing
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SheetMusicPlus
Händel's Opera pieces for string trio formations - Voice 1 for violin
String Trio: violin, viola, cello
String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998994 Composed by…
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String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998994 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio TudurÃ. Baroque,Instructional,Standards. Score and parts. 17 pages. Antonio Tuduri #5310841. Published by Antonio Tuduri (A0.998994). Händel's Opera pieces - Voice 1 for violinFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1 Violin, flute, oboe or clarinet.Voice 2 Violin, viola, flute, oboe or clarinet.Voice3 Violin, viola, cello, bassoon, flute, oboe or clarinet. They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1. L’ultimo ballo (Alceste)2. Menuet (Almira )3. Final Gavotte of act I (Arianna in Creta)4. Overture Mussette (Alcina)5. Overture Andante (Berenice)6. Gavotte7. Symphony of act III (Xerxes)8. Il primo ballo (Alceste )9. 3d movement of overtura (Arianna in Creta)10. 3d movement overture (Ottone Re di Germania)11. Menuet I of organ concerto HWV 308 .12. Menuet II of òrgan concerto HWV 30813. Final Chorus (Lucio Cornelio Silla)14. Final Chorus ( Siroe Re di Persia)15. Overture menuet (Alcina)16. Menuet I of organ concerto HWV 310 17. Duetto Il vostro maggio (Rinaldo)18. Overture menuet of acte I (Arminio)19. Act II Symphony (Arminio)20. Act III Symphony (Deidamia)21. Act I Symphony (Giustino).22. Passacaglia.23. Menuet from Tamerlano24. Scene 3 prelude (Agrippina)25. Act I Symphony (Xerxes)26. Overture 3d movement (Faramondo).27. Scene 3 act II (Teseo - Arianna in Creta)
$2.99
2.72 €
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String Trio: violin, viola, cello
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G
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Händel's Opera pieces for string trio formations - Voice 1 for violin
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Antonio Tuduri
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SheetMusicPlus
March-Scherzo from Symphony No. 1
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.840481 Composed by Camille Saint-…
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Concert Band - Level 4 - Digital Download SKU: A0.840481 Composed by Camille Saint-Saens. Arranged by Ted R. Marcus. 19th Century,Classical,Contest,Festival,March,Romantic Period. Score and Parts. 109 pages. Ted R. Marcus #3088637. Published by Ted R. Marcus (A0.840481). Camille Saint-Saëns was only 17 when he wrote his first published symphony. But he already had a mature mastery of orchestral writing, along with the courage to defy convention: A march takes the place of the normal triple-meter scherzo movement. It's an unconventional march that starts with an elegant melody, surveys a wide range of emotions, and dissipates into a quiet ending. It's really neither a march nor a scherzo, but something all its own.This colorful concert band arrangement was written for an adult community band. It's appropriate for a college or community band, or an adventurous high school wind ensemble. It features two solo flutes, two solo clarinets, soprano saxophone, vibraphone, and marimba (the vibraphone part is cued to allow performance without the marimba). It also requires strong oboe and bassoon players. Extensive cues allow rehearsal and performance without oboes, bassoons, soprano saxophone, and/or mallet percussion.  Duration: approx. 5:00. The audio clip is a complete performance by the Peninsula Symphonic Winds. Instrumentation: Flute 1A and 1B (two solo players) / Flute 2 / Oboe 1-2 / Clarinet 1A and 1B (two solo players) / Clarinet 2-3 / Alto Clarinet / Bass Clarinet / E-flat Contra-alto clarinet (optional alternate for string bass) / B-flat Contrabass Clarinet (optional alternate for string bass) / Bassoon 1-2 / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / String Bass / Vibes / Marimba (Vibes part has cues for performance without marimba)  Please visit my Web site to explore more classics for adventurous concert bands.
$45.00
40.87 €
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Concert band
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Camille Saint-Saens
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March-Scherzo from Symphony No. 1
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Ted R. Marcus
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SheetMusicPlus
Concertino - for clarinet, mandolin and symphony orchestra
Chamber Orchestra
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.04 €
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Chamber Orchestra
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, mandolin and symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
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