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You've selected:
New York, New York, Theme from: Cello
Sheetmusic to print
47 sheet music found
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26
New York, New York, Theme from: Cello
Cello (band part)
By John Kander. Arranged by John C. Whitney. For Full Orchestra. Instructional. Part. 1 pa…
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By John Kander. Arranged by John C. Whitney. For Full Orchestra. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
2.76 €
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Cello (band part)
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John Kander
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New York, New York, Theme from: Cello
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
New York, New York
Piano Quartet: piano, violin, viola, cello
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.816407 Composed by Ryan Adams. Arranged by Maksym Kravchenko. Contemporary. Score and parts. 12 pages. Julia Samarska #6503271. Published by Julia Samarska (A0.816407). Theme from New York, New York performed by Frank Sinatra, arr. for piano quartet - piano, violin, viola, cello (score and parts).
$60.00
55.26 €
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Piano Quartet: piano, violin, viola, cello
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Ryan Adams
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New York, New York
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Julia Samarska
#
SheetMusicPlus
Theme From "new York, New York"
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1250755 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Sarah Cellobat Chaffee. Film/TV,Jazz,Pop,Standards. 16 pages. Sarah Cellobat Chaffee #845029. Published by Sarah Cellobat Chaffee (A0.1250755). New York, New York is really a song that needs no introduction! Written as the theme for the Martin Scorsese film of the same name in 1977, the song was originally performed by Liza Minnelli, and her version received a Golden Globe nomination that year. However, it didn't really become a mainstream hit until 1978, when Frank Sinatra included it in his performances at Radio City Music Hall; his version quickly became a massive success, and it's now considered one of his signature songs. To this day, it's still one of the best-known songs of all time about New York City, and it's been included in AFI's list of the top 100 songs in American cinema -- so you can't go wrong adding this one to your gig books! This Cellobat arrangement for your string quartet features the soaring melodies, catchy big-band horn riffs, fun jazz harmonies, and feel-good vibe of the original for a chart your group will love to play...and you're sure to get your audience singing along, too! Rated advanced-intermediate for a few tricky rhythms and accidentals; this will be playable for more advanced students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
15.65 €
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String Quartet: 2 violins, viola, cello
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Frank Sinatra
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Theme From "new York, New York"
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Sarah Cellobat Chaffee
#
SheetMusicPlus
Theme From "new York, New York"
Cello (band part)
Cello Solo - Level 1 - Digital Download SKU: A0.1160617 By Frank Sinatra. By Fred E…
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Cello Solo - Level 1 - Digital Download SKU: A0.1160617 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Fabio Eduardo de Oliveira. Film/TV,Jazz. Individual part. 2 pages. Fabio Eduardo #760912. Published by Fabio Eduardo (A0.1160617). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadTheme from New York, New York, often abbreviated to just New York, New York, is the theme song from the Martin Scorsese film New York, New York (1977), composed by John Kander, with lyrics by Fred Ebb. It was written for and performed in the film by Liza Minnelli. It remains one of the best-known songs about New York City.
$4.99
4.6 €
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Cello (band part)
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Frank Sinatra
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Theme From "new York, New York"
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Fabio Eduardo
#
SheetMusicPlus
New York, New York, Theme from: Cello
Cello (band part)
By John Kander and Fred Ebb. Arranged by Bob Cerulli. For Full Orchestra. Instructional. P…
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By John Kander and Fred Ebb. Arranged by Bob Cerulli. For Full Orchestra. Instructional. Part. 2 pages. Published by Alfred Music. Digital Sheet Music
$3.00
2.76 €
#
Cello (band part)
#
John Kander and Fred Ebb
#
New York, New York, Theme from: Cello
#
Alfred Music. Digital Sheet Music
#
SheetMusicPlus
Theme From "New York, New York"
Cello (band part)
Cello Solo - Level 3 - Digital Download SKU: A0.599250 By Frank Sinatra. By John Ka…
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Cello Solo - Level 3 - Digital Download SKU: A0.599250 By Frank Sinatra. By John Kander. Arranged by Kevin Busse. Jazz. Individual part. 2 pages. Kevin Busse #3426587. Published by Kevin Busse (A0.599250). This is a transcription of New York, New York by Frank Sinatra for Cello.
$4.99
4.6 €
#
Cello (band part)
#
Frank Sinatra
#
Theme From "New York, New York"
#
Kevin Busse
#
SheetMusicPlus
Theme From "New York, New York"
String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.1419194 By Frank Sina…
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String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.1419194 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Sarah Cellobat Chaffee. Broadway,Film/TV,Jazz,Musical/Show,Pop,Standards. 12 pages. Sarah Cellobat Chaffee #1000626. Published by Sarah Cellobat Chaffee (A0.1419194). *INSTRUMENTATION: 2 VIOLINS & CELLO*New York, New York is really a song that needs no introduction! Written as the theme for the Martin Scorsese film of the same name in 1977, the song was originally performed by Liza Minnelli, and her version received a Golden Globe nomination that year. However, it didn't really become a mainstream hit until 1978, when Frank Sinatra included it in his performances at Radio City Music Hall; his version quickly became a massive success, and it's now considered one of his signature songs. To this day, it's still one of the best-known songs of all time about New York City, and it's been included in AFI's list of the top 100 songs in American cinema -- so you can't go wrong adding this one to your gig books! This Cellobat arrangement for your two-violin and cello trio features the soaring melodies, catchy big-band horn riffs, fun jazz harmonies, and feel-good vibe of the original for a chart your group will love to play...and you're sure to get your audience singing along, too! Rated advanced-intermediate for a few tricky rhythms and accidentals; this will be playable for more advanced students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99
13.81 €
#
Frank Sinatra
#
Theme From "New York, New York"
#
Sarah Cellobat Chaffee
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Cello, 1 Ba
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533937. Published by Regis Bookshar (A0.813834). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection which a.
$15.00
13.82 €
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Antonin Dvorak
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Largo
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Regis Bookshar
#
SheetMusicPlus
Theme From "new York, New York"
Violin, Cello (duet)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1298907 By Fran…
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1298907 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Saki Uetsuhara. Jazz,Pop. 2 pages. Saki Uetsuhara #888757. Published by Saki Uetsuhara (A0.1298907).
$5.99
5.52 €
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Violin, Cello (duet)
#
Frank Sinatra
#
Theme From "new York, New York"
#
Saki Uetsuhara
#
SheetMusicPlus
Theme From "New York, New York"
String Quartet: 2 violins, viola, cello
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.861721 By Frank Sinatra. By John Kander. Arranged by Marcelo Onetta Fermiano. Jazz. Score and parts. 34 pages. Marcelo Onetta Fermiano #5205343. Published by Marcelo Onetta Fermiano (A0.861721). File type: PDF Key: D Total Pages: 34 (Score and Parts) **{Score: 17 pages} **{Violin I: 2 pages} **{Violin II: 3 pages} **{Viola: 3 pages} **{Violoncello: 3 pages} **{Violoncello 2 or Double Bass: 3 pages} [Optional] Parts: Violin I - Violin II - Viola - Violoncello *In addition to the violoncello, there is a violoncello 2 or Double Bass part. This one is an optional part.
$19.99
18.41 €
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String Quartet: 2 violins, viola, cello
#
Frank Sinatra
#
Theme From "New York, New York"
#
Marcelo Onetta Fermiano
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violoncello Quintet)
String Ensemble,String Quintet Cello - Level 3 - Digital Download SKU: A0.813841 Co…
(+)
String Ensemble,String Quintet Cello - Level 3 - Digital Download SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533955. Published by Regis Bookshar (A0.813841). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violoncello Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violoncello Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of.
$15.00
13.82 €
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Theme From "New York, New York"
Small Ensemble Cello,Double Bass,Viola,Voice - Digital Download SKU: A0.837374 By F…
(+)
Small Ensemble Cello,Double Bass,Viola,Voice - Digital Download SKU: A0.837374 By Frank Sinatra. By John Kander. Arranged by Jonathan Allentoff. Jazz. Score and parts. 21 pages. Allentoff Music #4802985. Published by Allentoff Music (A0.837374). Theme from New York, New York by John Kander and Fred Ebb, arranged for voice & string ensemble by ASCAP/ASMAC composer Jonathan Allentoff. .
$49.99
46.04 €
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Frank Sinatra
#
Theme From "New York, New York"
#
Allentoff Music
#
SheetMusicPlus
Theme From "New York, New York"
Large Ensemble Cello,Double Bass,Drums,Flute,Guitar,Piano Accompaniment,Viola,Violin - Lev…
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Large Ensemble Cello,Double Bass,Drums,Flute,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.887507 By Frank Sinatra. By John Kander. Arranged by Boni de Souza. Jazz. Score and parts. 22 pages. De Souza et Music LLP #3464567. Published by De Souza et Music LLP (A0.887507). This arrangement of New York New York is especially for an 8-10pc ensemble comprising Violins 1 and 2, Viola, Cello, Double bass, Piano, Guitar and Drums with the Lead Melody lines taken by either Clarinet or Flute. It is suitable for Early Intermediate level players and would be very appropriate for School Concerts, Cocktail events and other gatherings where easy listening jazz and Broadway tunes are required. If the Lead instruments are not utilised the arrangement can be used for Vocal accompaniment by using just the String Quartet and Piano or a combination of String Quartet, Piano, Drums, Guitar (optional) and Double Bass.
$21.99
20.25 €
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Frank Sinatra
#
Theme From "New York, New York"
#
De Souza et Music LLP
#
SheetMusicPlus
Theme From "new York, New York"
Large Ensemble Bass Voice,Cello,Double Bass,Drums,Guitar,Piano,Saxophone,Trombone,Trumpet,…
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Large Ensemble Bass Voice,Cello,Double Bass,Drums,Guitar,Piano,Saxophone,Trombone,Trumpet,Viola,Violin - Level 4 - Digital Download SKU: A0.718626 By Frank Sinatra. By John Kander. Arranged by Daryl McKenzie. Jazz. Score and parts. 56 pages. Daryl McKenzie #6474087. Published by Daryl McKenzie (A0.718626). Female Vocal. Based on the Frank Sinatra Version but follows the Key changes of the Liza Minelli Version. Starts in C major. Goes to Bb major then ends up in B major at the end. Big Band with Optional Strings. 5 Saxes, 4 Trumpets, 4 Trombones, Piano, Guitar , Bass, Drums, Violin1, Violin2, Viola, Cello, Contrabass. Playable with reduced instrumentation. Minimum is Alto Sax1, Tenor Sax 1, Trumpets 1 &2, Trombone 1, Piano, Bass, Drums. Note: No Voice part included.More arrangements by Daryl McKenzie: https://tinyurl.com/y4tjxfen
$59.99
55.25 €
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Frank Sinatra
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Theme From "new York, New York"
#
Daryl McKenzie
#
SheetMusicPlus
A Salute to the Big Apple: Cello
Orchestra
Full Orchestra - Digital Download SKU: AX.00-PC-0016098_VC1 Cello. Arranged …
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Full Orchestra - Digital Download SKU: AX.00-PC-0016098_VC1 Cello. Arranged by Calvin Custer. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016098_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016098_VC1). UPC: 029156208528.The Big Apple! There can be no doubt in anyone's mind about which city we are referring. The glamour, the vibrant life that is like no other city on the earth. Musically, our salute includes Theme from New York, New York, Forty-Second Street, Lullaby of Broadway, and New York, New York. Audiences and musicians will be thrilled with this stunning work that contains sophisticated and supremely atmospheric sounds! (6:48).
$3.00
2.76 €
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Orchestra
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A Salute to the Big Apple: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Theme From "new York, New York"
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.750442 By Frank Sinatra. By Joh…
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Full Orchestra - Level 3 - Digital Download SKU: A0.750442 By Frank Sinatra. By John Kander. Arranged by Matt Amy. Jazz. Score and parts. 57 pages. Matt Amy Music #4615573. Published by Matt Amy Music (A0.750442). Medium Swing for male vocal in the key of D/Eb. 126 BPM, Duration: 2'56Instrumentation: vocal, 5 saxes, 4 trumpets, 4 trombones, 1st violin, 2nd violin, viola, cello, guitar, piano, bass, drums.
$75.00
69.08 €
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Orchestra
#
Frank Sinatra
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Theme From "new York, New York"
#
Matt Amy Music
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SheetMusicPlus
The Vampire: A Dramatic Theme
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
3.68 €
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Guitar
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Sol Paul Levy
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
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