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You've selected:
Nice Work If You Can Get It: String Bass
Sheetmusic to print
4 sheet music found
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1
Nice Work If You Can Get It: String Bass
Doublebass (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0014740_SB String Bass. Compo…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0014740_SB String Bass. Composed by George Gershwin. Arranged by Dave Wolpe. Classical. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014740_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014740_SB). ISBN 9780757934919. UPC: 654979009283.A great combination of Gershwin and Wolpe! This vocal solo with big band chart is written in two different keys for your flexibility---it works for your female or male vocalist. A great Gershwin song with wonderful lyrics, this chart has reversible parts---just flip the page for female or male vocal key. Scored with easy vocal ranges, tasty backgrounds, a tenor sax solo and a swinging ensemble, it's the perfect chart for any concert or dance. (Male vocal in F, female vocal in C).
$3.00
2.76 €
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Doublebass (band part)
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George Gershwin
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Nice Work If You Can Get It: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Nice Work If You Can Get It: String Bass
Doublebass (band part)
For Choir. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
For Choir. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$4.00
3.68 €
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Doublebass (band part)
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Nice Work If You Can Get It: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
27.62 €
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Choral SATB
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Stuart Brown
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An Omani Dance Suite - COMPLETE BUNDLE
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Stuart Brown Music
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SheetMusicPlus
Que Pasa
Double Bass,Drum Set - Level 3 - Interactive Download SKU: A0.1297026 By Joe Hender…
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Double Bass,Drum Set - Level 3 - Interactive Download SKU: A0.1297026 By Joe Henderson. By Horace Silver. Arranged by Horace Silver. This edition: Interactive Download. Jazz. 37 pages. Duration 355. George Kaplan #C5SAErxqDpwnfFE1mI7uF. Published by George Kaplan (A0.1297026). Key: Db major.This is a note-for-note transcription of the October 31, 1963 trio recording of Horace Silver’s tune Que Pasa. It is notated for piano, bass and drums, although the bass is a three-note figure that hardly ever varies. For his improvisations, Horace employed a call-and-response pattern between his two hands, with little overlap. This means that the solo pianist can play the string bass part with her left hand while handling both piano staves with her right. Horace observed, “We never used this trio version but I really like this earlier version. I approached it differently in that I didn’t always resolve it when I was improvising. It’s different and I like it.†See bar 67 for an example of his reluctance to resolve. To create Que Pasa, Horace took the first line of Gershwin's Nice Work If You Can Get It (“Holding hands at midnightâ€) and put a samba bassline underneath. It is written in the theoretical key of Db minor, together with the non-diatonic chords G13 and F13. The tune stayed in his bandbook for the next three years and has become something of a mini-standard over the years.
$9.99
9.2 €
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Joe Henderson
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Que Pasa
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George Kaplan
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SheetMusicPlus
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