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Nico
Recorder Quartet
Sheetmusic to print
8 sheet music found
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1
Nocturne in C for recorder quartet
Recorder Quartet
Alto Recorder,Bass Recorder,Tenor Recorder,Treble Recorder - Level 2 - Digital Download
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Alto Recorder,Bass Recorder,Tenor Recorder,Treble Recorder - Level 2 - Digital Download SKU: A0.1225660 Composed by Nicolai Tcherepnin. Arranged by Clive Lane. 19th Century,Classical. Recorder Ensemble. 2 pages. Clive Lane #821730. Published by Clive Lane (A0.1225660). Nicolai Tcherepnin (1873-1945) was a Russian composer. This beautiful Nocturne in C is from his Opus 35, 6 Horn Quartets, here arranged for recorder quartet.
$1.99
1.86 €
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Recorder Quartet
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Nicolai Tcherepnin
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Nocturne in C for recorder quartet
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Clive Lane
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SheetMusicPlus
Estro armonico, Concerto, Op.3, no.5 (Arrangement for 4 recorders (AATB))
Recorder Quartet
Alto Recorder,Bass Recorder,Tenor Recorder - Digital Download SKU: A0.1216153 By An…
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Alto Recorder,Bass Recorder,Tenor Recorder - Digital Download SKU: A0.1216153 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Gil Garty. Baroque. Recorder Ensemble. 46 pages. Gil Garty #812761. Published by Gil Garty (A0.1216153). Originally for 2 violins, string orchestra and continuo. Arranged for 4 recorders (AATB).
$10.00
9.33 €
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Recorder Quartet
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Antonio Vivaldi
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Estro armonico, Concerto, Op.3, no.5
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Gil Garty
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SheetMusicPlus
Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
Recorder Quartet
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.903300 By K…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.903300 By Keith Terrett. By Johann Sebastian Bach. Arranged by Keith Terrett. Baroque,Classical,Praise & Worship. 15 pages. Keith Terrett #509473. Published by Keith Terrett (A0.903300). A transcription of J.S. Bach's Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet consisting of two Alto's, Tenor & Bass Recorder. The sixth movement, Mein Freund ist mein! (My Friend is mine!), is another duet for soprano and bass with obbligato oboe. This duet, like the third movement, is a love duet between the soprano Soul and the bass Jesus.Gardiner notes that Bach uses the means of contemporary operatic love-duets in his use of chains of suspensions and parallel thirds and sixths. Dürr describes it as giving expression to the joy of the united pair, showing a relaxed mood in artistic intensity. Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'),[1] BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731. Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas Wachet auf, ruft uns die Stimme (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon. Bach used the central movement of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it a cantata without weaknesses, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and its boundless imagination rouse one's wonder time and time again.
$10.00
9.33 €
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Recorder Quartet
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Keith Terrett
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Duet from Cantata Number BWW 140.6 transribed for Recorder Quartet
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Keith Terrett
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SheetMusicPlus
Symphony No. 7 by Beethoven for Recorder Quartet
Recorder Quartet
Alto Recorder,Baritone Recorder,Soprano Recorder,Tenor Recorder - Level 1 - Digital Downlo…
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Alto Recorder,Baritone Recorder,Soprano Recorder,Tenor Recorder - Level 1 - Digital Download SKU: A0.1137249 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. Recorder Ensemble. 14 pages. Woods Only, Arrangements #737449. Published by Woods Only, Arrangements (A0.1137249). This arrangement adapted for recorder quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
7.46 €
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Recorder Quartet
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Ludwig van Beethoven
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Symphony No. 7 by Beethoven for Recorder Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Sonata K.417 (fugue) (arrangement for 4 recorders)
Recorder Quartet
Recorder - Level 5 - Digital Download SKU: A0.755652 Composed by Domenico Scarlatti…
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Recorder - Level 5 - Digital Download SKU: A0.755652 Composed by Domenico Scarlatti. Arranged by Gil Garty. Baroque. Recorder Ensemble. 15 pages. Gil Garty #2021301. Published by Gil Garty (A0.755652). Originally for harpsichord. Arranged for 4 recorders (SATB).
$5.00
4.67 €
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Recorder Quartet
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Domenico Scarlatti
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Sonata K.417
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Gil Garty
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SheetMusicPlus
Sonata K.58 (fugue) (arrangement for 4 recorders)
Recorder Quartet
Recorder Solo - Level 3 - Digital Download SKU: A0.755650 Composed by Domenico Scar…
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Recorder Solo - Level 3 - Digital Download SKU: A0.755650 Composed by Domenico Scarlatti. Arranged by Gil Garty. Baroque. Individual part. 14 pages. Gil Garty #1916797. Published by Gil Garty (A0.755650). Originally for harpsichord. Arranged for 4 recorders (SATgB or SATB).
$5.00
4.67 €
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Recorder Quartet
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Domenico Scarlatti
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Sonata K.58
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Gil Garty
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SheetMusicPlus
Sonata K. 58 (Fugue) (arrangement for 4 recorders)
Recorder Quartet
Recorder - Level 3 - Digital Download SKU: A0.755683 Composed by Domenico Scarlatti…
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Recorder - Level 3 - Digital Download SKU: A0.755683 Composed by Domenico Scarlatti. Arranged by Gil Garty. Baroque. Recorder Ensemble. 14 pages. Gil Garty #2022381. Published by Gil Garty (A0.755683). Originally for keyboard instrument. Arranged for 4 recorders (SATB or SATgB).
$5.00
4.67 €
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Recorder Quartet
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Domenico Scarlatti
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Sonata K. 58
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Gil Garty
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SheetMusicPlus
Reminiscences
Recorder Quartet
4 recorders (ATTB) - intermediate to advanced - Digital Download SKU: S9.Q16330 Com…
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4 recorders (ATTB) - intermediate to advanced - Digital Download SKU: S9.Q16330 Composed by Hans-Martin Linde. This edition: score and parts. Original Music for Recorder. Downloadable, Score and parts. Schott Music - Digital #Q16330. Published by Schott Music - Digital (S9.Q16330). Hans-Martin Linde (b. 1930) is not only one of the best-known recorder players of the twentieth Century, but has enriched the contemporary recorder repertoire with significant works for concert performance and tuition purposes. The composition Reminiscences for Quartet, for the unusual and delightful-sounding combination A[treble]/T/T/B, uses musical themes from the 15th to 17th Centuries: from a “Prélude à l’imitation” by Froberger, a melody by Claudio Saraceni “Da te parto”, themes from keyboard sonatas by Domenico Scarlatti, the Chanson “Adieu, mes très belles” by Binchois and a ground bass from Purcell’s harpsichord collection “Musik’s Handmaid”. The composer writes: “In many of my compositions a meeting takes place between old and new. In this Suite, too, present events unfold against the background of the past. Models from early music are mirrored in the present.”.
$18.99
17.72 €
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Recorder Quartet
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Hans-Martin Linde
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Reminiscences
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Schott Music - Digital
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SheetMusicPlus
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