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Noël, Noël
SheetMusicPlus
Sheetmusic to print
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3426
Noél pour l'amour de Marie (Noël for the Love of Mary)
Flute and Guitar
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1112130 Composed by Traditional French. Arranged by Mark Phillips. Christmas,Classical. Score and parts. 2 pages. A. J. Cornell Publications #714316. Published by A. J. Cornell Publications (A0.1112130). Noel pour l'amour de Marie (Noël for the Love of Mary) arranged for flute and guitar.
$4.99
4.52 €
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Flute and Guitar
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Traditional French
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Noél pour l'amour de Marie
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A. J. Cornell Publications
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SheetMusicPlus
Jacques Dussouil: "Un Enfant est né" from Quatre Noëls for SATB mixed chorus
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.535407 Composed by Jacques…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.535407 Composed by Jacques Dussouil. Christmas,Contemporary,Sacred. Octavo. 5 pages. Musik Fabrik Music Publishing #4285277. Published by Musik Fabrik Music Publishing (A0.535407). Jacques Dussouil was the Titular Organist of the Grand Orgue Boisseau of Notre-Dame de Royan from 1966 until his death in 2016. During his studies at the High School of Poitiers, he was also the student of pianist Hélène d’Ambelle who was herself a student of the great French Pianist Alfred Cortot. It was his work with Jean-Albert Villard, the organist of the Cliquot organ of the Cathedral of Poitiers which would determine his vocation as an organist. Jacques Dussouil continued his studies in Paris with Noëlie Pierront and especially with Edouard SouberbielleHis duties at the Royan Cathedral lead him to also become a choral director and composer, founding one of the best Cathedral Choirs in France which he directed for many years. This activity lead to the compostion of a large number of sacred works, including his Mass in D for two organs and Chorus.3. Un Enfant est né1. Un enfant est né dessous la paille fraiche,Bergers et bergères vennent à la crêche, Dans le ciel obscure, une étoile scintilleÉclairant les anges dont la face brille.Noël, Noël, chantez NoëlChantez l’enfant qui vient des cieuxNoël, Noël, chantez NoëlAccueillons tous cet enfant Dieu.2. Joseph et Marie dont la tête s’inclineSétonnent devant l’enfant qui les fascine,Et tandis qu’au loin dans la nuit qui descend, Chacun s’agenouille et sourit à l’enfant.Noël, Noël, chantez NoëlChantez l’enfant qui vient des cieuxNoël, Noël, chantez NoëlAccueillons tous cet enfant Dieu.
$1.99
1.8 €
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Choral SATB
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Jacques Dussouil
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Jacques Dussouil: "Un Enfant est né" from Quatre Noëls for SATB mixed chorus
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jacques Dussouil: "Une Petite Étoile" from Quatre Noëls for SATB mixed chorus
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.535406 Composed by Jacques…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.535406 Composed by Jacques Dussouil. Christmas,Contemporary,Sacred. Octavo. 6 pages. Musik Fabrik Music Publishing #4283615. Published by Musik Fabrik Music Publishing (A0.535406). Jacques Dussouil was the Titular Organist of the Grand Orgue Boisseau of Notre-Dame de Royan from 1966 until his death in 2016. During his studies at the High School of Poitiers, he was also the student of pianist Hélène d’Ambelle who was herself a student of the great French Pianist Alfred Cortot. It was his work with Jean-Albert Villard, the organist of the Cliquot organ of the Cathedral of Poitiers which would determine his vocation as an organist. Jacques Dussouil continued his studies in Paris with Noëlie Pierront and especially with Edouard SouberbielleHis duties at the Royan Cathedral lead him to also become a choral director and composer, founding one of the best Cathedral Choirs in France which he directed for many years. This activity lead to the compostion of a large number of sacred works, including his Mass in D for two organs and Chorus.2. Une Petite Étoile1. Une petite étoile est née, Petite étoile de Judée.Elle a illuminé le ciel, Chantons l’enfant qui nous est né.Noël, Noël, éclaire-moi, Cloches en chœur, sonnez la joieEt qu’à travers toute la terre, La paix inonde l’univers.2. Une petite étoile est née, Mon cœur s’est mis à espérerQue la haine et l’indifférenceSeront vaincues par l’espéranceNoël, Noël, éclaire-moi, Cloches en chœur, sonnez la joieEt qu’à travers toute la terre, La paix inonde l’univers.3. Une petite étoile est née, Nos larmes ont cessé de couler, Car Dieu nous a fait le cadeauD’un fant que je vois si beau.Noël, Noël, éclaire-moi, Cloches en chœur, sonnez la joieEt qu’à travers toute la terre, La paix inonde l’univers.
$1.99
1.8 €
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Choral SATB
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Jacques Dussouil
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Jacques Dussouil: "Une Petite Étoile" from Quatre Noëls for SATB mixed chorus
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Musik Fabrik Music Publishing
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SheetMusicPlus
Sur l’eau
Clarinet
Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53283 …
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Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53283 Six Duos de Salon, No. 5. Composed by Jacques Gregoir. Edited by Rainer Mohrs and Rudolf Mauz. Arranged by Hubert Leonard and J. Blaes. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 9 pages. Schott Music - Digital #Q53283. Published by Schott Music - Digital (S9.Q53283). German • Danish.Joseph Jacques-Mathieu Gregoir (also Grégoir) was a pianist, conductor and composer. When he was young he went from Antwerp to Paris for piano lessons. He then studied with Christian Rummel in Biebrich near Wiesbaden and worked mainly in Brussels. His work includes compositions for piano, chamber music, symphonies and an opera. This edition is based on the Duos concertantes for violin and piano by J. Gregoir and Hubert Léonard (1819– 1890, violinist and Professor in Brussels) from the 1850s (see Hofmeister, Handbuch der musikalischen Literatur 1852–59). The edition for clarinet is by Joseph Blaes (1814–1892), clarinettist in Brussels. Three pieces have been selected: Chant de Mai (No. 2), Le Bal (No. 3), Sur l’eau (No. 5), all were published in 1858 (plate number 14614).
$3.99
3.62 €
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Clarinet
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Jacques Gregoir
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Sur l’eau
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Schott Music - Digital
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SheetMusicPlus
Adagio Cantabile (from "Piano Sonata No. 8 'Pathétique'") / L. v. Beethoven
2 Flutes (duet)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1489762 Composed by L. v. Bee…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1489762 Composed by L. v. Beethoven. Arranged by Kan Saito / Japan Duo Notes. Classical,Film/TV,Historic,Romantic Period,Traditional. Score. 7 pages. Japan Duo Notes #1066634. Published by Japan Duo Notes (A0.1489762). 1. Adagio Cantabile (from Piano Sonata No. 8 'Pathétique') / L. v. BeethovenLudwig van Beethoven's Adagio Cantabile from his Piano Sonata No. 8, commonly known as the Pathétique, is a sublime piece, renowned for its lyrical beauty and emotional depth. This arrangement for flute duet captures the essence of Beethoven's genius, providing a rich, expressive experience suitable for intermediate to advanced players. Perfect for concert performances, this piece is sure to leave a lasting impression on audiences.
$6.99
6.34 €
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2 Flutes (duet)
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L
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Adagio Cantabile
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Japan Duo Notes
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SheetMusicPlus
C.L. Hanon.- The Virtuoso Pianist (Part I - No. 1 - No. 10) - With Finger Number Original
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1251458 Composed by Charles-Louis H…
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Piano Solo - Level 3 - Digital Download SKU: A0.1251458 Composed by Charles-Louis Hanon. Arranged by poon. Classical. Score. 10 pages. Poon #845746. Published by poon (A0.1251458). C.L. Hanon.- The Virtuoso Pianist (Part I - No. 1 - No. 10) Â - With Finger Number Original.
$1.99
1.8 €
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Piano solo
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Charles-Louis Hanon
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C.L. Hanon.- The Virtuoso Pianist
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poon
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SheetMusicPlus
C.L. Hanon.- The Virtuoso Pianist (Part II - No. 21 - No. 38) - With Finger Number Original
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1251461 Composed by Charles-Louis H…
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Piano Solo - Level 3 - Digital Download SKU: A0.1251461 Composed by Charles-Louis Hanon. Arranged by poon. Classical. Score. 30 pages. Poon #845749. Published by poon (A0.1251461). C.L. Hanon.- The Virtuoso Pianist  (Part II - No. 21 - No. 38) - With Finger Number Original.
$2.99
2.71 €
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Piano solo
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Charles-Louis Hanon
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C.L. Hanon.- The Virtuoso Pianist
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poon
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SheetMusicPlus
C.L. Hanon.- The Virtuoso Pianist (Part I - No. 11 - No. 20) - With Finger Number Original
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1251504 Composed by Charles-Louis H…
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Piano Solo - Level 3 - Digital Download SKU: A0.1251504 Composed by Charles-Louis Hanon. Arranged by poon. Classical. Score. 10 pages. Poon #845793. Published by poon (A0.1251504). C.L. Hanon.- The Virtuoso Pianist  (Part I - No. 11 - No. 20) - With Finger Number Original.
$1.99
1.8 €
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Piano solo
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Charles-Louis Hanon
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C.L. Hanon.- The Virtuoso Pianist
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poon
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
9.93 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Allegro agitato (Quartet No. 1)
Brass Quartet: 4 trombones
Trombone Quartet Bass Trombone,Euphonium,Tuba - Level 4 - Digital Download SKU: A0.1285…
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Trombone Quartet Bass Trombone,Euphonium,Tuba - Level 4 - Digital Download SKU: A0.1285128 Composed by Louis-Francois Dauprat (1781-1868). Arranged by Arr. by Becky Dugan. 19th Century,Chamber,Classical,Contest,Festival. 30 pages. B. L. Dugan #876246. Published by B. L. Dugan (A0.1285128). This arrangement of Allegro agitato (Quartet No.1) by L-F Dauprat is accessible to moderately skilled low brass musicians and is suitable for festivals, recitals, concerts and other special occasions. Players and listeners alike will enjoy this gem from the late -Classical era. Trombone 1 part is available in Bass Clef or Tenor Clef (TC).
$15.00
13.6 €
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Brass Quartet: 4 trombones
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Louis-Francois Dauprat
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Allegro agitato
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B. L. Dugan
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SheetMusicPlus
Op. 42, No. 5: À Hélène from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-20E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-20E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.72 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 42, No. 5: À Hélène from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
ARABESQUE No.2 (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.790109 Composed by Claude Debussy. …
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Piano Solo - Level 4 - Digital Download SKU: A0.790109 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century. Score. 9 pages. Diamond S Music #3622501. Published by Diamond S Music (A0.790109). ARABESQUE No.2 (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO. This contains ONLY Arabesque No.1. The Two Arabesques, L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. These are a favorite of intermediate and advanced pianist alike. No.1 in E major begins with the familiar impressionistic cascading arpeggios. No. 2 in G major being with lively right hand trills in a style more closely resembles some of Debussy's later works. Arabesques No.1 & No. 2 can also be purchased separately or Both together in the set. Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.50
4.08 €
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Piano solo
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Claude Debussy
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No
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ARABESQUE No.2
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Diamond S Music
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SheetMusicPlus
ARABESQUE No.1 in E Major (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.790108 Composed by Claude Debussy. …
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Piano Solo - Level 4 - Digital Download SKU: A0.790108 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century,Concert. Score. 9 pages. Diamond S Music #3622487. Published by Diamond S Music (A0.790108). ARABESQUE No.1 in E Major (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO. This contains ONLY Arabesque No.1. The Two Arabesques, L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. These are a favorite of intermediate and advanced pianist alike. No.1 in E major begins with the familiar impressionistic cascading arpeggios. No. 2 in G major being with lively right hand trills in a style more closely resembles some of Debussy's later works. Arabesques No.1 & No. 2 can also be purchased separately or Both together in the set. Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.50
4.08 €
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Piano solo
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Claude Debussy
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No
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ARABESQUE No.1 in E Major
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Diamond S Music
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SheetMusicPlus
Noël, Noël (Downloadable)
Choral SATB
SATB choir, organ, handbells or celesta - Moderately Easy - Digital Download SKU: MQ.50…
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SATB choir, organ, handbells or celesta - Moderately Easy - Digital Download SKU: MQ.50-1022-E Composed by Carl Schalk. Christmas, Lessons and Carols, 21st Century. Octavo. 7 pages. MorningStar Music Publishers - Digital Sheet Music #50-1022-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1022-E). Simple effective carol uses only Noël for text. Processional for Christmas concert or service. Handbells (3 octaves) play from choral score.
$2.25
2.04 €
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Choral SATB
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Carl Schalk
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Noël, Noël
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Nocturne Op. 9, No. 2 for Solo Unaccompanied Euphonium
Euphonium
Composed by Frederic Chopin (1810-1849). Arranged by Sarah Houle. 20th Century, Clas…
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Composed by Frederic Chopin (1810-1849). Arranged by Sarah Houle. 20th Century, Classical, Concert, Romantic Period, Wedding. Individual part. 4 pages. SARAH L HOULE #6550913. Published by SARAH L HOULE
Nocturne No. 9, Op. 2 by Frederick Chopin, arranged by Sarah Houle for Solo Unaccompanied Euphonium, 2016.
$10.00
9.07 €
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Euphonium
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Frederic Chopin (1810-1849)
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Nocturne Op. 9, No. 2 for Solo Unaccompanied Euphonium
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SARAH L HOULE
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SheetMusicPlus
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-19E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Vivaldi - Piano Concerto No.6 in A minor RV 356 Op.3 - Piano Version
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1500138 By Santino Cara. By Antonio…
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Piano Solo - Level 4 - Digital Download SKU: A0.1500138 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score. 14 pages. Santino Cara #1076215. Published by Santino Cara (A0.1500138). Complete score of the Concerto No.6 in A minor RV 356. Transcribed for solo Piano in Rome in 2019 by Santino Cara, from Violin Concerto No. 6 of L'Estro Armonico Op.3. Composed in Venice by Antonio Vivaldi.3 Movements: 1. Allegro, 2. Largo cantabile, 3. Presto
$14.40
13.06 €
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Piano solo
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Santino Cara
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Vivaldi - Piano Concerto No.6 in A minor RV 356 Op.3 - Piano Version
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Santino Cara
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SheetMusicPlus
#LIKE a sonatina in G Major by L.v. Beethoven
Easy Piano
Easy Piano - Level 3 - Digital Download SKU: A0.1000641 Composed by Ludwig van Beet…
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Easy Piano - Level 3 - Digital Download SKU: A0.1000641 Composed by Ludwig van Beethoven. Arranged by Christine Dybov. Classical,Pop. Score. 3 pages. Christine Dybov #6359893. Published by Christine Dybov (A0.1000641). Intermediate pop version of Sonatina in G Major Anh. 5, No 1 by L. v. Beethoven
$3.50
3.17 €
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Easy Piano
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Ludwig van Beethoven
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#LIKE a sonatina in G Major by L.v. Beethoven
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Christine Dybov
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SheetMusicPlus
L'amour en hiver - une mélodie de Noël
Instrumental Duet,Piano Cornet,Euphonium,Instrumental Duet,Piano - Level 4 - Digital Downl…
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Instrumental Duet,Piano Cornet,Euphonium,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1326976 By Stewart J Wallace. By Stewart J Wallace. Arranged by Stewart J Wallace. Chamber,Christian,Christmas,Contest,Festival,Praise & Worship. 22 pages. Stewart J Wallace #915038. Published by Stewart J Wallace (A0.1326976). L'amour en hiver (Love in winter) is an original duet arranged for two brass instruments with piano accompaniment. It has a lilting quality, like gently falling snowflakes, and it starts with the instruments having a musical conversation before they both combine - the piano is also an intergral part of the conversation with its own solo section. Aim for an expressive, lyrical quality to your playing and it will help to evoke the peaceful spirit of Christmas and that love is always there in our world, even in the darkest of times.A piano score with individual parts is included, and you can try this in various combinations - 2 cornets, or 2 euphoniums, or 1 of each. Bass clef versions for euphonium are also included in the set. This would suit intermediate to advanced performers.
$4.99
4.52 €
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Stewart J Wallace
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L'amour en hiver - une mélodie de Noël
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Stewart J Wallace
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SheetMusicPlus
L'amour en hiver - une mélodie de Noël
Instrumental Duet,Piano Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.13…
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Instrumental Duet,Piano Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1329351 By Stewart J Wallace. By Stewart J Wallace. Arranged by Stewart J Wallace. Chamber,Christian,Christmas,Contest,Festival,Holiday. 22 pages. Stewart J Wallace #917331. Published by Stewart J Wallace (A0.1329351). L'amour en hiver (Love in winter) is an original duet for two violins with piano accompaniment. It has a lilting quality, like gently falling snowflakes, and it starts with the instruments having a musical conversation before they both combine - the piano is also an intergral part of the conversation with its own solo section.Aim for an expressive, lyrical quality to your playing and it will help to evoke the peaceful spirit of Christmas and that love is always there in our world, even in the darkest of times.A piano score with individual parts is included, and you can try this in various combinations - 2 violins, 2 violas, 2 'cellos, or 1 of each. This would suit intermediate to advanced performers.
$4.99
4.52 €
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Stewart J Wallace
#
L'amour en hiver - une mélodie de Noël
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Stewart J Wallace
#
SheetMusicPlus
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.21 €
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Guitar
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Concerto for 4 Violins in B Minor “L'Estro Armonico” (EASY PIANO) Op. 3, No. 10, I. Allegro (RV 580)
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1272790 By Antonio Vivaldi. By Anto…
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Easy Piano - Level 2 - Digital Download SKU: A0.1272790 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Darek. Baroque,Classical,Early Music. Score. 3 pages. Darek #864987. Published by Darek (A0.1272790). Concerto for 4 Violins in B Minor “L'Estro Armonico†(EASY PIANO) Op. 3, No. 10, I. Allegro (RV 580) [Antonio Vivaldi]Simplified arrangement for pianists of Concerto for 4 Violins in B Minor “L'Estro Armonico†Op. 3, No. 10, I. Allegro (RV 580) by Antonio Vivaldi. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Classical Period | Baroque Music | Arrangement for Beginners | Piano | Keyboard |  For Novice Pianists. Included: Fingering, Dynamics, Articulations and video YouTube tutorial. Embrace the timeless allure of classical music with my handpicked selection of easy piano sheet music, perfectly tailored for beginner pianists. Immerse yourself in the mesmerizing Concerto for 4 Violins in B Minor (RV 580) from L'Estro Armonico Op. 3, No. 10, composed by Antonio Vivaldi, a true masterpiece from the Baroque era. Explore the beauty of this concerto with my sheet music, thoughtfully prepared with fingering, articulation, and detailed dynamics markings, ensuring a seamless learning experience for aspiring pianists. Embrace the expressive and lively spirit of the Allegro as you effortlessly master each note. To elevate your musical journey, I offer a valuable YouTube tutorial video, providing expert guidance and insights to refine your performance and capture the essence of Vivaldi's genius. Whether you're a novice seeking an exciting challenge or an enthusiast eager to expand your repertoire, this easy-level arrangement is perfect for all piano lovers. Embrace the magic of Vivaldi's Concerto and transport yourself to the captivating era of Baroque music. Keywords: easy piano sheet music, beginner pianists, Concerto for 4 Violins, B Minor, Allegro, RV 580, L'Estro Armonico, Op. 3, No. 10, Antonio Vivaldi, Baroque era, fingering, articulation, dynamics, YouTube tutorial, piano, notes, music, musicians, song, expressive, classical music, genius, harmonious, repertoire, melodies.
$4.00
3.63 €
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Easy Piano
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Antonio Vivaldi
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Concerto for 4 Violins in B Minor “L'Estro Armonico”
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Darek
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SheetMusicPlus
Concerto for 2 Violins in A Minor “L'Estro Armonico” (EASY PIANO) Op. 3, No. 8, I. Allegro (RV 522)
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1272788 By Antonio Vivaldi. By Anto…
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Easy Piano - Level 2 - Digital Download SKU: A0.1272788 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Darek. Baroque,Classical,Early Music. Score. 3 pages. Darek #864985. Published by Darek (A0.1272788). Concerto for 2 Violins in A Minor “L'Estro Armonico†(EASY PIANO) Op. 3, No. 8, I. Allegro (RV 522) [Antonio Vivaldi]Simplified arrangement for pianists of Concerto for 2 Violins in A Minor “L'Estro Armonico†Op. 3, No. 8, I. Allegro (RV 522) by Antonio Vivaldi. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Classical Period | Baroque Music | Arrangement for Beginners | Piano | Keyboard. Included: Fingering, Dynamics, Articulations and video YouTube tutorial. Unleash the enchanting world of classical music with my specially curated collection of easy piano sheet music, tailored for beginner pianists. Immerse yourself in the captivating Concerto for 2 Violins in A Minor (RV 522) from L'Estro Armonico Op. 3, No. 8, composed by Antonio Vivaldi, a timeless gem from the Baroque era. Explore the beauty of this concerto with my sheet music, carefully arranged with fingering, articulation, and detailed dynamics markings, ensuring a seamless learning experience for aspiring pianists. Embrace the expressive and vibrant spirit of the Allegro as you effortlessly master each note. To enhance your musical journey, I offer a valuable YouTube tutorial video, providing expert guidance and insights to refine your performance and capture the essence of Vivaldi's genius. Whether you're a novice seeking a fulfilling challenge or an enthusiast eager to expand your repertoire, this easy-level arrangement is perfect for all piano lovers. Embrace the magic of Vivaldi's Concerto and transport yourself to the captivating era of Baroque music. Keywords: easy piano sheet music, beginner pianists, Concerto for 2 Violins, A Minor, Allegro, RV 522, L'Estro Armonico, Op. 3, No. 8, Antonio Vivaldi, Baroque era, fingering, articulation, dynamics, YouTube tutorial, piano, notes, music, musicians, song, expressive, classical music, genius, harmonious, repertoire, melodies.
$4.00
3.63 €
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Easy Piano
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Antonio Vivaldi
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Concerto for 2 Violins in A Minor “L'Estro Armonico”
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Darek
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SheetMusicPlus
Minuit, Chrétiens (for Clarinet)
Clarinet
Clarinet Solo - Level 1 - Digital Download SKU: A0.571336 Composed by Adolphe Charl…
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Clarinet Solo - Level 1 - Digital Download SKU: A0.571336 Composed by Adolphe Charles Adams. Arranged by Cadenza Editions. Christian,Christmas,Praise & Worship,Sacred. Individual part. 1 pages. Cadenza Editions #6138611. Published by Cadenza Editions (A0.571336). Minuit, Chrétiens, c'est l'heure solennelleOù l'homme Dieu descendit jusqu'à nousPour effacer la tache originelleEt de son père arrêter le courrouxLe monde entier tressaille d'espéranceA cette nuit qui lui donne un sauveurPeuple, à genoux, attends ta délivranceNoël, Noël, voici le Rédempteur!Noël, Noël, voici le Rédempteur!
$1.99
1.8 €
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Clarinet
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Adolphe Charles Adams
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Minuit, Chrétiens
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Cadenza Editions
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SheetMusicPlus
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