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No Reason
Sheetmusic to print
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I'm Happy For No Reason- Simplified
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1091908 By Rosalie Barlow. B…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1091908 By Rosalie Barlow. By Rosalie Barlow. Broadway,Children,Jazz,Musical/Show,New Age,Pop. Score. 6 pages. Rosetone, LLC #696040. Published by Rosetone, LLC (A0.1091908). I'm Happy For No Reason- Simplified.
$4.99
4.56 €
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Piano, Voice
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Rosalie Barlow
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I'm Happy For No Reason- Simplified
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Rosetone, LLC
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SheetMusicPlus
I'm Happy For No Reason
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1091862 By Rosalie Barlow. B…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1091862 By Rosalie Barlow. By Rosalie Barlow. Broadway,Jazz,Musical/Show,New Age,Pop. Score. 8 pages. Rosetone, LLC #695994. Published by Rosetone, LLC (A0.1091862). I'm Happy For No Reason.
$4.99
4.56 €
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Piano, Voice
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Rosalie Barlow
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I'm Happy For No Reason
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Rosetone, LLC
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SheetMusicPlus
Divertimento in B-Flat, K.439b no 2
3 Saxophones (trio)
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor…
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Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1405116 Composed by Wolfgang Amadeus Mozart. Arranged by Robert Stevens. Chamber,Classical. 60 pages. SAXpress.com #988156. Published by SAXpress.com (A0.1405116). Divertimento in B Flat (1783) K439b no 2 W. A. Mozart ((1756 – 1791)) Saxophone Trio, flexible instrumentation Divertimento in B Flat K.439b by Mozart, arranged for sax trio, flexible instrumentation. This is number two of a set of five divertimentos written around 1783. Originally, the works were written for 3 basset horns but were also performed by other wind and string ensembles. They are commonly performed by two clarinets and a bassoon today. This arrangement is for saxophone trio with flexible scoring.Divertimento in B Flat has five movements: Allegro (Common time, tempo around 124 bpm, B-flat major throughout, about 2.25 minutes) Minuetto 1 (3/4 time, tempo around 124-136 bpm, ABA form, B-flat major to E-flat major to B-flat, about 3.75 minutes) Larghetto (3/4 time, tempo around 60 bpm, B flat major throughout, about 4 minutes) Minuetto 2 (3/4 time, tempo around 136 – 144 bpm, ABA form, B-flat major to F to B-flat major, about 3.5 minutes) Rondo (2/4 time, tempo around 144 – 152 bpm, ABACA form, B-flat major except when the C section wanders to F minor, about 3.25 minutes) The first movement features a lively main theme and a carefree, somewhat mellow alternate theme. Minuet 1 has a graceful main theme and relaxed, somewhat playful trio section. The movement three Larghetto is slow and dreamy. It even seems to yawn when the music several times indulges in long pauses. The second Minuet movement is livelier and a bit more colorful and playful than the first with a lively trio section. The concluding Rondo (Allegro) is energetic and colorful, with syncopations and interesting key shifts to add interest.This version of Divertimento in B-flat includes the following parts: Full trio score (C score), 20pp Part 1 – soprano saxophone, 8pp Part 2 – soprano saxophone 2, 8pp Part 2 – alto saxophone, 8pp Part 3 – tenor saxophone, 8pp Part 3 – baritone saxophone, 8pp The printed score and parts are 9″x 12″. The alternate parts included with this arrangement allow a great deal of flexibility in your ensemble. The parts can be played in any combination as long as part one, two, and three are covered. Probably Soprano-Alto-Tenor or Soprano-Alto-Baritone would be the most common grouping. However, even though it is not specified on the parts, there is no reason the piece could not be played by a Tenor/Tenor/Baritone ensemble. Also if a bass sax is available it could certainly cover the part 3 tenor sax part.
$24.95
22.81 €
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3 Saxophones (trio)
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Wolfgang Amadeus Mozart
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Divertimento in B-Flat, K.439b no 2
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SAXpress.com
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SheetMusicPlus
The Reason for the Season
C Instruments
C Instrument - Level 3 - Digital Download SKU: A0.1146309 By M. Ryan Taylor. By M. …
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C Instrument - Level 3 - Digital Download SKU: A0.1146309 By M. Ryan Taylor. By M. Ryan Taylor and Michael Young (Words). Arranged by M. Ryan Taylor. Christian,Christmas,Classical,Contemporary,Folk. Lead Sheet / Fake Book. 2 pages. Vocal Works #746528. Published by Vocal Works (A0.1146309). The reason for the season comes wrapped in swaddling clothes, Not masked in pretty paper, or tied with fancy bows. The reason for the season comes from the humble stall, And not with lights or pressing crowds, like in a shopping mall. The reason for the season speaks to the quiet throng, Who set aside all pride of heart to hear the angel’s song. The reason for the season came here to show the way, Come celebrate by offering you heart to him to day. The reason for the season comes though no place was found, And not unto a palace hall with servants hovering round. The reason for the season, first sung by angel choir, Still heralds at this holy time to kindle and inspire. The reason for the season comes in this baby boy, Who soon will reign a mighty king, as millions shout for joy. The reason for the season came here to show the way, Come celebrate by offering you heart to him to day.
$4.99
4.56 €
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C Instruments
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M
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The Reason for the Season
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Vocal Works
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SheetMusicPlus
Flute Quartet in F major, Op.7 No.1 (Weinmann Vb: F1)
Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488235 Composed by J…
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Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488235 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #1065122. Published by Artaria Editions (A0.1488235). Artaria Editions AE379 The flute writing in Wanhal's quartets is a good deal less virtuosic than the solo writing found in Hofmann's quartets. The principal reason for this lies in the greater equality of part-writing and in this respect Wanhal's quartets are more modern and technically advanced than those of Hofmann. One prime example of this can be seen in Wanhal's adoption of the modern alla breve notation in first movements in preference to the fussy eight-in-a-bar favoured by Hofmann and others. There is also a greater emphasis on the development of thematic material although not to the same extent or intensity that one encounters in the composer's symphonies. In keeping with the conventional practice of the period the flute quartets were conceived to be played with a variety of possible instruments on the top part. The London publisher Welcker, for example, issued the Op. 7 set with the title page Six Quartettes for a / Hautboy or German Flute whereas Sieber styled them Six Quartetto Concertante / Pour une Flute au Hautbois. Copies of several works from the set are preserved in manuscript as string quartets and at least one work as a clarinet quartet. There is good reason to believe that the six flute quartets under consideration were conceived as a set and probably intended for immediate publication. They first appeared under Huberty's imprint in 1771 (as Op.8) and may have been composed reasonably close to the publication date. Whether Wanhal sent the works direct to Huberty is uncertain. It is very interesting to note, however, that Sieber issued the same works in a new edition the following year - it was announced on 28 January 1772 - and this seems to have been the basis for the later (undated) Welcker edition published in London and many of the extant manuscript copies.In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets. Paul Bryan, Uwe Grodd
$53.00
48.45 €
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Johann Baptist Wanhal
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Flute Quartet in F major, Op.7 No.1
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Artaria Editions
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SheetMusicPlus
You Are The Reason
Flute and Guitar
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.9…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.933172 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 16 pages. Derek Hasted #538937. Published by Derek Hasted (A0.933172). YOU ARE THE REASON (Calum Scott) - FLUTE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This haunting piece, with the most amazing “build and fade awayâ€, moves nicely from “voice and piano†to “flute and guitarâ€. It will suit an intermediate duo. I’ve made a significant change to the key here, but that allows the guitar to produce a haunting first verse where a stopped B and an open B ring through each other to generate a smoothness of accompaniment that is sublime and mimics the reverberant piano of the original.The arpeggio patterns here match closely those of the original piano too, giving verses 1 and 2 quite different texture. Sadly there is no orchestra and massed choir to build this version in the way that the original does, but the dynamics on the score tie in with the original song.The guitar part is here in “score and tab†and in “score alone†- there is no difference in the music, but the tab may help notation readers see how the opening section sits on the neck of the guitar.I hope you enjoy playing this piece!
$4.99
4.56 €
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Flute and Guitar
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Calum Scott
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You Are The Reason
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Derek Hasted
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SheetMusicPlus
You Are The Reason
2 Guitars (duet)
Instrumental Duet Guitar,Instrumental Duet - Digital Download SKU: A0.946865 By Cal…
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Instrumental Duet Guitar,Instrumental Duet - Digital Download SKU: A0.946865 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Derek Hasted. Pop. Score and parts. 31 pages. Derek Hasted #552624. Published by Derek Hasted (A0.946865). YOU ARE THE REASON (Calum Scott) - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This haunting piece, with the most amazing “build and fade awayâ€, moves nicely from “voice and piano†to “guitar duetâ€. It will suit an intermediate duo. There are two versions in this one edition - they contain the same material. One version is tune and accompaniment, and is ideal for a Student/Teacher pairing, or a duo with an early intermediate and an intermediate player. The other version swaps roles halfway through, so the parts are both intermediate. I’ve made a significant change to the key here, but that allows the guitar to produce a haunting first verse where a stopped B and an open B ring through each other to generate a smoothness of accompaniment that is sublime and mimics the reverberant piano of the original.The arpeggio patterns here match closely those of the original piano too, giving verses 1 and 2 quite different texture. Sadly there is no orchestra and massed choir to build this version in the way that the original does, but the dynamics on the score tie in with the original song.The guitar parts here are in “score and tab†and in “score alone†- there is no difference in the music, but the tab may help notation readers see how the opening section sits on the neck of the guitar.I hope you enjoy playing this piece!
$4.99
4.56 €
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2 Guitars (duet)
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Calum Scott
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You Are The Reason
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Derek Hasted
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SheetMusicPlus
You Are The Reason
Violin
Violin Solo - Level 3 - Digital Download SKU: A0.799145 By Calum Scott. By Calum Sc…
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Violin Solo - Level 3 - Digital Download SKU: A0.799145 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Dan Sanchez. Pop. 5 pages. Dan Sanchez #6099707. Published by Dan Sanchez (A0.799145). This solo violin arrangement of Calum Scott’s You Are The Reason works well for bridal processionals, or for simply adding a touch of romance to any performance. One thing that sets my arrangements apart from others is that I fit all of my parts on no more than 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages! Another great thing (for multi-instrumental arrangements) is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general.
$4.99
4.56 €
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Violin
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Calum Scott
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You Are The Reason
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Dan Sanchez
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SheetMusicPlus
You Are The Reason
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.799141 By Calum …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.799141 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Dan Sanchez. Pop. Score and parts. 18 pages. Dan Sanchez #6092207. Published by Dan Sanchez (A0.799141). This rendition of Calum Scott’s You Are The Reason for string quartet can also be performed with a string trio, since the 2nd violin part is optional. This song has really nice melody, and the inner voices have nice supporting harmonies.One thing that sets my arrangements apart from others is that I fit all of my parts on no more than 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages!Another great thing (for multi-instrumental arrangements) is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general.
$12.99
11.88 €
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String Quartet: 2 violins, viola, cello
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Calum Scott
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You Are The Reason
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Dan Sanchez
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SheetMusicPlus
Just Give Me A Reason
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.515923 By Pink F…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.515923 By Pink Featuring Nate Ruess. By Alecia Moore, Jeff Bhasker, and Nate Ruess. Arranged by Eve C. Mailly. Contemporary,Pop,Rock. Score and parts. 18 pages. Zene Strings #6269173. Published by Zene Strings (A0.515923). Just Give Me a Reason is an upbeat, fun-to-play song by PINK, arranged here for String Quartet. Melody is passed between the parts, making it more interesting to hear (and play). The famous Oh No sections are written as solo notes - a nice touch. From your friends at Zene Strings - enjoy!To see our other great arrangements visit: Zene Strings. Â Questions or comments? Â Email us at Music@ZeneSheetMusic.com. Â We're here to help!
$14.99
13.7 €
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String Quartet: 2 violins, viola, cello
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Pink Featuring Nate Ruess
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Just Give Me A Reason
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Zene Strings
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SheetMusicPlus
Bach Cello Suite No 1 as original as possible with accompaniment
2 Cellos (duet)
Cello Duet Cello - Level 3 - Digital Download SKU: A0.1505364 Composed by Georg Mer…
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Cello Duet Cello - Level 3 - Digital Download SKU: A0.1505364 Composed by Georg Mertens and Johann Sebastian Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Historic,Traditional. Score. 22 pages. Georg Mertens #1080749. Published by Georg Mertens (A0.1505364). Cello Suite No 1 in G major with an accompaniment for a second cello including bowings and fingerings after comparing the 4 surviving manuscripts and early prints in detail.Special attention is given to the 2 early scripts, which copied from Bach's original, the difficult to read copy by Kellner and Anna Magdalena's copy.A continue part has been added, developed by accompanying students for the pure joy of playing together.The accompaniment is dedicated to Robert Schumann, who added for the same reason an accompaniment to Cello Suite No 1, but unfortunately only some sketches have survived. The more elaborate parts to the whole Suite have unfortunately been lost.I thank Schumann for his idea to dare the step, just to add an accompaniment for the pure joy of playing these wonderful movements with friends together.
$12.99
11.88 €
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2 Cellos (duet)
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Georg Mertens and Johann Sebastian Bach
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Bach Cello Suite No 1 as original as possible with accompaniment
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Georg Mertens
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SheetMusicPlus
Cello Suite No 1 as original as possible with a continuo accompaniment
2 Cellos (duet)
Cello Duet Cello - Level 3 - Digital Download SKU: A0.1495796 Composed by Georg Mer…
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Cello Duet Cello - Level 3 - Digital Download SKU: A0.1495796 Composed by Georg Mertens and Johann Sebastian Bach. Arranged by Georg Mertens. Baroque,Chamber,Classical,Historic,Traditional. Score. 22 pages. Georg Mertens #1072325. Published by Georg Mertens (A0.1495796). Cello Suite No 1 in G major with bowings and fingerings,after comparing the 4 surviving manuscripts and early prints in detail.Special attention is given to the 2 early scripts, which copied from Bach's original, the difficult to read copy bu Kellner and Anna Magdalena's copy.A continue part has been added, developed by accompanying students for the pure joy of playing together.The accompaniment is dedicated to Robert Schumann, who added for the same reason an accompaniment to Cello Suite No 1, but unfortunately only some sketches hav survived. The more elaborate parts to the whole Suite have unfortunately been lost. I thank Schumann for his idea to dare the step just to add an accompaniment for the pure joy of playing these wonderful movements with friends together.
$13.99
12.79 €
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2 Cellos (duet)
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Georg Mertens and Johann Sebastian Bach
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Cello Suite No 1 as original as possible with a continuo accompaniment
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Georg Mertens
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SheetMusicPlus
Capricio No 17
Guitar Ensemble
Large Ensemble Guitar - Level 4 - Digital Download SKU: A0.905301 Composed by Nicol…
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Large Ensemble Guitar - Level 4 - Digital Download SKU: A0.905301 Composed by Nicolo Paganini. Arranged by John Hurford. 20th Century,Contemporary,Instructional,Rock,Standards. Score and parts. 8 pages. John Hurford #4984679. Published by John Hurford (A0.905301). Caprice No 17 - I have arranged this piece to work on left and right hand tapping ideas, as I think the piece naturally forms that way. It is quite a challenging piece and would make a good exam piece to show off this particular technique. I would say that the piece would suit a more advanced player but could be taken on by any level of player, if for no other reason than to improve technique. For more products go to https://www.johnhurfordmusic.com/ .
$3.99
3.65 €
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Guitar Ensemble
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Nicolo Paganini
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Capricio No 17
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John Hurford
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SheetMusicPlus
String Quartet No. 3: Among Friends
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
32.91 €
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String Quartet: 2 violins, viola, cello
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Robert M
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String Quartet No. 3: Among Friends
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Robert M. Greenberg
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SheetMusicPlus
I've Got A Reason
Melody line, (Lyrics) and Chords
C Instrument - Level 5 - Digital Download SKU: A0.824248 By Nashville Life Music. B…
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C Instrument - Level 5 - Digital Download SKU: A0.824248 By Nashville Life Music. By Dwan Hill. Arranged by Travis J. Gandy. Praise & Worship. Lead Sheet / Fake Book. 3 pages. TraviSongs #431081. Published by TraviSongs (A0.824248). Leadsheet format. From the album Here For Jesus by Nashville Life Music (feat. Chaundra Jefferson). Words and Music by Dwan Hill. CCLI Song No. 7144973.
$3.00
2.74 €
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Melody line, (Lyrics) and Chords
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Nashville Life Music
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I've Got A Reason
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TraviSongs
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SheetMusicPlus
You Are The Reason
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.804958 By Calum Scott. By Ca…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.804958 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Teacher Valarie. Pop. Score. 3 pages. Published Harmony Valarie #5770309. Published by Published Harmony Valarie (A0.804958). Easy to self-learn, with note names, finger numbers suggested, lyrics to sing along and the duration is just nice (half song only) best for a short performance that will not bore the audience (no repetition).
$4.99
4.56 €
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Piano, Voice
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Calum Scott
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You Are The Reason
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Published Harmony Valarie
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SheetMusicPlus
You Are The Reason
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.844643 By Calum Scott. By Calum Sco…
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Easy Piano - Level 1 - Digital Download SKU: A0.844643 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Phil Beaman. Pop. Score. 1 pages. Phil Beaman #4615671. Published by Phil Beaman (A0.844643). A hit pop song made Easy ! In the Key of C, 4/4, and each hand in a 5 finger hand position (no jumps and looking for notes). 1 page, 1 minute version of the song's main theme.
$4.99
4.56 €
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Easy Piano
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Calum Scott
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You Are The Reason
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Phil Beaman
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SheetMusicPlus
Beyond Reason
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.949912 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.949912 Composed by Tommy Johansson, Hjo. Jazz. Score and parts. 69 pages. Tommy Johansson, Hjo #6028891. Published by Tommy Johansson, Hjo (A0.949912). A medium swing composition in Cm. The bridge has a counterpoint character.Tempo 130 BPM. Duration 4,20. No solos. 69 pages incl. score&partsAn ideal choice for High School Big Bands.Good practice in ensemble playing within the instrument group
$25.00
22.86 €
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Jazz Ensemble
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Tommy Johansson, Hjo
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Beyond Reason
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Tommy Johansson, Hjo
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SheetMusicPlus
Excursion No. 6-Turnaround for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1478062 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21st Century,Chamber,Classical,Jazz. 29 pages. Diana Mascari Music #1055441. Published by Diana Mascari Music (A0.1478062). As with my other Excursions, No. 6 was composed during the second half of 2023. In addition, even though the core of this piece began on the piano, it quickly became clear to me that a saxophone quartet would be the perfect ensemble to express my musical ideas. The duration of this pieces is just under four minutes and moves rather quickly. The reason for the title Turnaround is because the bass line (shared by tenor and baritone saxophones) is the jazz version of the I-vi-ii-V chord progression. The jazz version of this includes several chromatic passing tones and the saxophones do this very well.For additional information: www.dianamascari.com.
$7.95
7.27 €
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Saxophone Quartet: 4 saxophones
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Diana Mascari
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Excursion No. 6-Turnaround for Saxophone Quartet
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Diana Mascari Music
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SheetMusicPlus
No Name
Level 2 - Digital Download SKU: A0.1122280 Composed by Pete Cross. Chamber,Classica…
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Level 2 - Digital Download SKU: A0.1122280 Composed by Pete Cross. Chamber,Classical,Contemporary,Instructional. 3 pages. Robert Peter Cross #723438. Published by Robert Peter Cross (A0.1122280). This is a little brass choir that is in 3/4 but has a 2/4 feel good for timing. The reason I called No Name is because I couldn't think of a title.
$15.00
13.71 €
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Pete Cross
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No Name
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Robert Peter Cross
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SheetMusicPlus
Arabesque No. 1 (Debussy) with piano fingering
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.553102 Composed by Claude Debussy. …
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Piano Solo - Level 3 - Digital Download SKU: A0.553102 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Standards,Wedding. Score. 10 pages. Scott Camp #4303545. Published by Scott Camp (A0.553102). Beautiful piano music by Claude Debussy. This edition includes fingering so that students can spend their time reinforcing proper technique, rather than struggling to figure out the correct fundamental technique of fingering and hand positions. This edition will not enable a beginner to play a beautiful performance of Debussy. However, this edition will enable the appropriate Intermediate Level pianist who knows and loves the sound of this piece to succeed. This student needs to reinforce the proper fingering and technique, not figure it out. This student know this piece is legato throughout, and understands how to apply the damper pedal appropriately. This student is motivated by the beauty of this piece, and Impressionism in general. The editing principle is to present and clarify the information that the student does not already know for themselves. For this reason, traditional slurs are not included. This is not Mozart, Beethoven, or Bach. This is Impressionism. Debussy requires harmonic clarity by means of the damper (sustain) pedal and smooth (legato) melodic execution by means of the proper fingering. Pedal indications are not included because this piece is not appropriate for use as the introduction to the pedal. Slurs are not included because, with the correct fingering included, students will automatically achieve a legato performance.
$3.99
3.65 €
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Piano solo
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Claude Debussy
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Arabesque No. 1
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Scott Camp
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SheetMusicPlus
HAYDN QUARTETTO No. 2 in G MAJOR Hob II: G4 for flute & strings
Small Ensemble Cello,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.811685…
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Small Ensemble Cello,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.811685 Composed by Franz Joseph Haydn. Arranged by Edited by Pat Spence. Classical,Concert. Score and parts. 32 pages. Piper Publications #3662763. Published by Piper Publications (A0.811685). The second of Haydn's opus 5 quartets for flute, violin, viola and cello published by Hummel in 1767. Unlike the first quartet, the cello part is figured though this piece, like the first, does not need a keyboard. The figuring may have been an after thought and would have enabled the amateur players for whom the published edition was intended to play it with the resources available.There are 4 movements, Presto assai, Minuet & Trio, Adagio & Presto assai. The quartet will be enjoyed by good amateur and professional players and makes a good companion piece in a concert with any of the Mozart flute quartets written 20 years later. The quartet has been lightly edited: obvious mistakes have been corrected without comment. Dynamics added in parenthesis ( ), slurs in dashed lines, staccato dots have been continued throughout passages where only the first part of a section or the first player has the phrasing indicated. The final chords of both sections of the final movement in the original Hummel edition were given different note lengths: the cello a quaver/8th note, viola and violin crotchet/quarter note and the flute a dotted crotchet/quarter note. In both instances all parts play a crotchet/quarter note. The reason for this is unclear; it may have been a Haydn joke comment on the idiosyncrasies of the players or possibly an adjustment for the acoustics of the room in which the piece was played. It seems to have been deliberate because it appears only at the final cadence of both sections.
$25.00
22.86 €
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Franz Joseph Haydn
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Trio, Adagio &
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HAYDN QUARTETTO No. 2 in G MAJOR Hob II: G4 for flute & strings
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Piper Publications
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SheetMusicPlus
Fugue No. 22 In B Flat Minor, Bwv 867
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.5460…
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.546077 Composed by Johann Sebastian Bach. Arranged by Nathan Wollmann. This edition: Interactive Download. Classical. Score and parts. 18 pages. Duration 155. Nathan Wollmann #7jW1lNU2qFmYeJg9K7pQhT. Published by Nathan Wollmann (A0.546077). Key: Bb minor.This fugue is very chorale-like. It is a five voice fugue and so this arrangement is one voice per instrument. Fugues with less voices are often arranged for quintet because keyboard instruments don't have the limitations like breathing and the difficulty of large jumps. The rhythmic simplicity of this fugue though lends itself better to one fugue-voice, one instrument arrangement. Breathing and range may still be a challenge. I believe that Bach voiced fugues and put them in certain keys for good reason, and thus those elements haven't been altered. But there is a lot of voice-crossing in this fugue and I favored comfortable range over maintaining fugue-voice to keep the individual parts as simple as possible.
$4.00
3.66 €
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Johann Sebastian Bach
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Fugue No. 22 In B Flat Minor, Bwv 867
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Nathan Wollmann
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SheetMusicPlus
Symphony no. 6 Pathétique, Op. 74 (excerpts from movement I) - PI Tchaikovsky
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.802400 Composed by PI Tchaikovs…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.802400 Composed by PI Tchaikovsky. Arranged by Peet du Toit. Romantic Period. Score and parts. 9 pages. Peet du Toit #5375695. Published by Peet du Toit (A0.802400). In addition to my arrangement of the March from this Symphony, you can include this in your All Tchaikovsky or All Russian or All Romantic set-list, or for whatever reason. You will enjoy the conversation in the instruments and your audience will be pleased with your finesse as a polished brass quintet. Enjoy!
$15.00
13.71 €
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Brass ensemble
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PI Tchaikovsky
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Symphony no. 6 Pathétique, Op. 74
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Peet du Toit
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SheetMusicPlus
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
Guitar notes and tablatures
Guitar - Level 4 - Digital Download SKU: A0.1181680 By Frederic Chopin. By FreÌd…
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Guitar - Level 4 - Digital Download SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,Romantic Period. Guitar Tab. 2 pages. Brian Streckfus #781456. Published by Brian Streckfus (A0.1181680). Disclaimer: This is a two page excerpt with mostly only the beginning and end of the original piece. This is still a work in progress, the middle section is going to be difficult, if not impossible on guitar. Some may see this as more of an homage to Chopin rather than a historically accurate version. That being said, both this arrangement and the original are incredible pieces of music, and it may be my favorite piece of all time, and I think jaws would drop if the average person hears a guitarist effortlessly playing Chopin as if it was meant for guitar. 1. Arranged for guitar. 2. Guitar Tablature added. 3. Key changed 4. Notes removed and and inverted chords changed to be idiomatic for guitar.5. Slurs added. 6. Chord nomenclature added. 7. Piano pedal and phrase markings are a bit unnecessary for a guitarist so they are not included. Slurs and ties are more important for a guitarist, so I don't want a ton of swoops symbols obscuring slurs and ties. As with the other Chopin arrangement I made, I want super romantic music while making sure it isn't super difficult to play. If I wanted a super hard version, I would just find the public domain version and read treble and bass clef in a difficult key for free. There could also be a lot more mantaining of historical accuracy if this was arranged for a 7 or 8 string guitar. Having a low E and Eb would really changed the trajectory of the arrangement. Sure a guitar can play an Eb chord, but it always sounds too high pitched, when really the original has a low powerful bass note as the music inflects a different key. So that's why I took some liberty with the bass notes for guitar. It's incredibly grimy sounding even though A minor isn't typically seen as a dark and low key.Tips:1. A Bb chord in the key of a minor is an example of a Neopolitan chord, named after a city in Italy. This is one main essence of Chopin, and constantly using them allows him to really toy around with the key and suspense. To Do:1. Measure 10 is glitched out. Sorry. It is correct in a way but it is strangely spaced. It is a challenge because at times it looks like measures have the incorrect amount of beats, but I think Chopin's freedom of rhythm is the reason why, and bizarre triplets and quintuplets are being forced into the measure. 2. Combination version without tab?3. The full piece?4. Add rhythm to tab?
$1.99
1.82 €
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Guitar notes and tablatures
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Frederic Chopin
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Nocturne Op 48 No 1 EXCERPT
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Brian Streckfus
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SheetMusicPlus
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