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You've selected:
No Words
Sheetmusic to print
1,969 sheet music found
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1951
No Words
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1251903 By Daisy Jones & The…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1251903 By Daisy Jones & The Six. By Blake Mills. Arranged by SCMusic. Broadway,Film/TV,Folk,Musical/Show,Pop,Rock. Score. 8 pages. SCMusic #846121. Published by SCMusic (A0.1251903). Piano and vocal sheet music for 'No Words' from the Prime Video Series 'Daisy Jones And The Six'. Vocal parts are 'Daisy' (Mezzo range, B3-C5) and 'Billy' (Tenor range, F#3-G5).
$5.25
4.78 €
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Piano, Voice
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Daisy Jones & The Six
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No Words
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SCMusic
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SheetMusicPlus
No Words
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1251908 By Daisy Jones & The Six. B…
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Piano Solo - Level 2 - Digital Download SKU: A0.1251908 By Daisy Jones & The Six. By Blake Mills. Arranged by SCMusic. Broadway,Film/TV,Folk,Musical/Show,Pop,Rock. Score. 3 pages. SCMusic #846127. Published by SCMusic (A0.1251908). Solo piano arrangement of 'No Words' from the Prime Video series Daisy Jones & The Six.
$4.99
4.54 €
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Piano solo
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Daisy Jones & The Six
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The Six.
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No Words
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SCMusic
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SheetMusicPlus
You Took The Words Right Out Of My Mouth
Choral SSAA
Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1267123 By Meat Loa…
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Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1267123 By Meat Loaf. By Jim Steinman. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Pop,Rock,Standards. 18 pages. MTC Publishing #859757. Published by MTC Publishing (A0.1267123). You Took The Words Right Out Of My Mouth - Choral Arrangement for SSAA and Piano by Michael Thomas Coull.You Took the Words Right Out of My Mouth (also known as You Took the Words Right Out of My Mouth (Hot Summer Night)) is the first solo single by the American singer Meat Loaf, released in 1977.  It is a track from his album Bat Out of Hell, written by Jim Steinman. According to his autobiography, Meat Loaf asked Jim Steinman to write a song that was not 15 or 20 minutes long, and, in Meat Loaf’s words, a ‘pop song’.  His autobiography also dates the writing of the song to 1975, the song reportedly being a key factor in Meat Loaf and Steinman deciding to do an album together. The song was the first single released from the album, with an edit of For Crying Out Loud as the B-side.  The record peaked at No. 73 in the Record World singles chart, and didn't appear at all in Billboard Hot 100.  Billboard reviewed the single, finding the guitar introduction to be energetic, the beat to be ‘catchy’ and the vocal performance to be somewhat similar to Bruce Springsteen. Billboard also commented on how occasional pauses in the instruments allow the ‘infectious’ vocals to be highlighted.  Following the success of the next two singles, Two Out of Three Ain't Bad and Paradise by the Dashboard Light, the song was re-released in October 1978 with Paradise as the B-side.  This issue peaked at No. 39 on the Billboard Hot 100 chart, over a year after the first release of the song.This exciting and energetic choral arrangement is voiced for SSAA women's choir with piano accompaniment, and will lend a touch of contemporary pop/rock to your next concert.Also available for SATB.
$3.99
3.63 €
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Choral SSAA
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Meat Loaf
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You Took The Words Right Out Of My Mouth
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MTC Publishing
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SheetMusicPlus
You Took The Words Right Out Of My Mouth
Choral SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1267125 By Meat Loa…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1267125 By Meat Loaf. By Jim Steinman. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Pop,Rock,Standards. 18 pages. MTC Publishing #859760. Published by MTC Publishing (A0.1267125). You Took The Words Right Out Of My Mouth - Choral Arrangement for SATB and Piano by Michael Thomas Coull.You Took the Words Right Out of My Mouth (also known as You Took the Words Right Out of My Mouth (Hot Summer Night)) is the first solo single by the American singer Meat Loaf, released in 1977.  It is a track from his album Bat Out of Hell, written by Jim Steinman. According to his autobiography, Meat Loaf asked Jim Steinman to write a song that was not 15 or 20 minutes long, and, in Meat Loaf’s words, a ‘pop song’.  His autobiography also dates the writing of the song to 1975, the song reportedly being a key factor in Meat Loaf and Steinman deciding to do an album together.  The song was the first single released from the album, with an edit of For Crying Out Loud as the B-side.  The record peaked at No. 73 in the Record World singles chart, and didn't appear at all in Billboard Hot 100.  Billboard reviewed the single, finding the guitar introduction to be energetic, the beat to be ‘catchy’ and the vocal performance to be somewhat similar to Bruce Springsteen.  Billboard also commented on how occasional pauses in the instruments allow the ‘infectious’ vocals to be highlighted.   Following the success of the next two singles, Two Out of Three Ain't Bad and Paradise by the Dashboard Light, the song was re-released in October 1978 with Paradise as the B-side.  This issue peaked at No. 39 on the Billboard Hot 100 chart, over a year after the first release of the song.This exciting and energetic choral arrangement is voiced for full SATB choir with piano accompaniment, and will lend a touch of contemporary pop/rock to your next concert.Also available for SSAA.
$3.99
3.63 €
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Choral SATB
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Meat Loaf
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You Took The Words Right Out Of My Mouth
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MTC Publishing
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SheetMusicPlus
Song Without Words Op. 19 No. 1 - Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.736098 Composed by Felix Bartholdy…
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Piano,Viola - Level 3 - Digital Download SKU: A0.736098 Composed by Felix Bartholdy Mendelssohn. Arranged by Andrew Middleton. Romantic Period. Score and part. 9 pages. Andrew Middleton #6322269. Published by Andrew Middleton (A0.736098). Well known amongst pianist and seen as integral to the Romantic Era, Mendelssohn's Songs Without Words are popular with all music lovers. This arrangement of Song Without Words Op. 19 No. 1 for viola and piano is ideal for intermediate performers and perfect for concerts!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.54 €
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Viola, Piano
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Felix Bartholdy Mendelssohn
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Song Without Words Op. 19 No. 1 - Viola and Piano
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Andrew Middleton
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SheetMusicPlus
Song Without Words Op. 19 No. 1 - Cello and Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.736096 Composed by Felix Bartholdy…
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Cello,Piano - Level 3 - Digital Download SKU: A0.736096 Composed by Felix Bartholdy Mendelssohn. Arranged by Andrew Middleton. Romantic Period. Score and part. 9 pages. Andrew Middleton #6322265. Published by Andrew Middleton (A0.736096). Well known amongst pianist and seen as integral to the Romantic Era, Mendelssohn's Songs Without Words are popular with all music lovers. This arrangement of Song Without Words Op. 19 No. 1 for cello and piano is ideal for intermediate performers and perfect for concerts!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.54 €
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Cello, Piano
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Felix Bartholdy Mendelssohn
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Song Without Words Op. 19 No. 1 - Cello and Piano
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Andrew Middleton
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SheetMusicPlus
The Fleecy Clouds (Op. 53 No. 2) - from Songs Without Words (Lieder ohne Worte)
Woodwind Ensemble Clarinet,Contrabassoon,Flute,Horn,Oboe - Level 3 - Digital Download S…
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Woodwind Ensemble Clarinet,Contrabassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1108360 Composed by Felix Bartholdy Mendelssohn. Arranged by Henrique F Mangoni. Chamber,Classical,Romantic Period. 16 pages. Henrique Franke Mangoni #711000. Published by Henrique Franke Mangoni (A0.1108360). The Fleecy Clouds (Op. 53 No. 2) from Songs Without Words (Lieder ohne Worte) by Felix Mendelssohn Bartholdy. Originally written for solo piano. Woodwind quintet intermediate level arrangement. The instrumentation includes flute, oboe, clarinet, french horn and bassoon/contrabassoon (one musician alternating between both instruments). This edition includes the score and individual parts. Subscribe to my YouTube channel to know more about my work! songs without words by mendelssohn, the fleecy clouds by mendelssohn, woodwind quintet arrangement of piano songs, wind quintet arrangement of piano songs, woodwind quintet arrangements of classical songs, wind quintet arrangements of classical songs, woodwind quintet sheet music, wind quintet sheet music, woodwind quintet with contrabasson, wind quintet with contrabassoon.
$14.99
13.63 €
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Felix Bartholdy Mendelssohn
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The Fleecy Clouds
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Henrique Franke Mangoni
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SheetMusicPlus
Song Without Words Op. 19 No. 1 - Violin and Piano
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.736099 Composed by Felix Barthold…
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Piano,Violin - Level 3 - Digital Download SKU: A0.736099 Composed by Felix Bartholdy Mendelssohn. Arranged by Andrew Middleton. Romantic Period. 9 pages. Andrew Middleton #6322271. Published by Andrew Middleton (A0.736099). Well known amongst pianist and seen as integral to the Romantic Era, Mendelssohn's Songs Without Words are popular with all music lovers. This arrangement of Song Without Words Op. 19 No. 1 for violin and piano is ideal for intermediate performers and perfect for concerts!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.54 €
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Violin and Piano
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Felix Bartholdy Mendelssohn
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Song Without Words Op. 19 No. 1 - Violin and Piano
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Andrew Middleton
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SheetMusicPlus
Overture for Strings No. 3 - Score Only
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.09 €
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String Orchestra
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Joseph Bologne, Chevalier de St
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Overture for Strings No. 3 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Overture for Strings No. 5 - Score Only
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.09 €
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String Orchestra
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Joseph Bologne, Chevalier de St
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Overture for Strings No. 5 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Overture for Strings No. 6 - Score Only
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.09 €
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String Orchestra
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Joseph Bologne, Chevalier de St
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Overture for Strings No. 6 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Overture for Strings No. 4 - Score Only
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.09 €
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String Orchestra
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Joseph Bologne, Chevalier de St
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Overture for Strings No. 4 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Overture for Strings No. 2 - Score Only
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.09 €
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String Orchestra
#
Joseph Bologne, Chevalier de St
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Overture for Strings No. 2 - Score Only
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ROBERT DEBBAUT
#
SheetMusicPlus
Sonata Hymnica No. 5
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.972672 Composed by James Siddons. C…
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Piano Solo - Level 3 - Digital Download SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons Music and Writings #6671707. Published by James Siddons Music and Writings (A0.972672). Sonata Hymnica No. 5 has the subtitle Scenes of Calvary. Landscape paintings and printed illustrations of the Cross of Calvary were ubiquitous in Christian literature in the late 19th century, so it not surprising that allusions to such art are found in the texts of hymns. The three hymns heard in Sonata Hymnica No. 5 all evoke some sense of seeing, in a spiritual way, the scene of the Crucifixion. Sonata Hymnica No. 5 opens with a sturdy and rugged statement of When I Survey the Wond’rous Cross, written by Isaac Watts in 1707. This poem continues: On which the Prince of Glory dy’d, . . . See from His Head, his Hands, his Feet, Sorrow and Love flow mingled down! In the United States, music educator Lowell Mason (1792-1872) composed a tune in 1824 for singing Watts’ hymn. Named HAMBURG tune, it was an adapted form of some Gregorian chant in Church Mode I. This combination of poem and tune became very popular; so much so, that by the 1880s, elaborations of it appeared in print. The most enduring is the pairing of Watts’ poem and Mason’s tune with a simple camp meeting song, At the Cross, to be a refrain. It has the phrases, At the cross, where I first saw the light . . . It was there by faith I received my sight. The centerpiece of Sonata Hymnica No. 5 is the tune TOPLADY, the usual tune for singing Rock of Ages. This tune was composed in 1830 by Thomas Hastings (1784-1872), an associate of Lowell Mason in New York. He wrote hymns and hymn tunes, published hymnals, and worked tirelessly to elevate choral singing in churches. Hastings indicated that he intended his tune for singing Rock of Ages by naming it after the author of the hymn-poem, the English pastor Augustus Toplady (1740-1778). The Rev. A. B. Grosart wrote in a memorial that Toplady was no poet or inspired singer, but an impulsive, rash-spoken, reckless preacher who could nonetheless picture vanishing gleams of imaginative light in his hymnic verses. A better impression was gained by poet A. C. Benson (1862-1925), who, upon hearing Rock of Ages sung at William Gladstone’s funeral at Westminster Abbey in 1898 --- a rare State funeral attended by several members of the British Royal family --- wrote, To have written such words which should come home to people in moments of high, deep, and passionate emotion . . . there can hardly be anything worth doing better than that. This high compliment came from the poet who, a few years later, would write the words of Elgar’s Coronation Ode for King Edward VII and Queen Alexandra. A camp meeting song, a rash-spoken English pastor, two American music educators, a State funeral at Westminster Abbey --- such is the wide world of influence and inspiration of these three Scenes of Calvary.
$9.50
8.64 €
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Piano solo
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James Siddons
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Sonata Hymnica No. 5
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James Siddons Music and Writings
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SheetMusicPlus
Romance Without Words (Romance sans paroles Op. 17 No. 3)
Piano, Guitar (duet)
Guitar,Piano - Level 3 - Digital Download SKU: A0.1222821 Composed by Gabriel Faure…
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Guitar,Piano - Level 3 - Digital Download SKU: A0.1222821 Composed by Gabriel Faure. Arranged by Gaili Schoen for TheMusicRemedy.com. Classical,Romantic Period,Wedding. Score and part. 2 pages. UpperHandsPiano.com #819063. Published by UpperHandsPiano.com (A0.1222821). We create clear, clean arrangements that are easier to read with rich, jazzy chords. This is an intermediate piano/vocal/guitar arrangement that I originally arranged for the book The Music Remedy, No. 1: 12 Passionate Pieces to Move You from Loss to Love, available on Amazon.com.  The Music Remedy, NO. 1Watch our demonstration video for the beautiful piece Romance Without Words (Romance sans Paroles) on Youtube:.
$2.99
2.72 €
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Piano, Guitar (duet)
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Gabriel Faure
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Romance Without Words
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UpperHandsPiano.com
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SheetMusicPlus
Sonata Hymnica No. 7 - Score Only
Small Ensemble - Level 4 - Digital Download SKU: A0.1033406 Composed by James Siddo…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1033406 Composed by James Siddons. 20th Century,Contemporary,Praise & Worship,Sacred,Traditional. Score and parts. 36 pages. James Siddons Music and Writings #637186. Published by James Siddons Music and Writings (A0.1033406). The Sonata Hymnica series by composer-pianist James Siddons explores the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies and their words. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, at times whispering---as a sacred harp. In Sonata Hymnica No. 7, which calls for a soprano soloist, liturgical dancers, and two pianos (4 hands), three 19th-century hymns (words and music) serve as core material from which the music is developed. Movement I, “Climbing Higher,†is based on the African American spiritual “We Are Climbing Jacob’s Ladder.†The sustained chords, open harmony, and hammer-stroke rhythm evoke the ascent of a mountain climber. Movement II, “The Solid Rock,†is based on the hymn “My Hope is Built on Nothing Less†(1834) . The soprano sings brief lines from the hymn, interspersed with long passages for the pianos (only) that explore many tonal and rhythmic qualities of the original hymn tune. The driving harmony, albeit in duple meter, makes this the scherzo movement of this sonata. Movement III, “On Snowy Wings,†is based on “O Come, Angel Band†by the New England Methodist preacher Jefferson Hascall (1807-1887). In addition to the soprano singer, the appearance of liturgical dancers as angels with “snowy wings†brings this old hymn into the 21st century. Performance duration: 16 minutes.
$10.00
9.1 €
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James Siddons
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Sonata Hymnica No. 7 - Score Only
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James Siddons Music and Writings
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SheetMusicPlus
No Pain No Gain
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1087370 By Zane Kuche…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1087370 By Zane Kuchera. By Music by Zane Kuchera and Words by Cosette Dubei. Arranged by Zane Kuchera. Broadway,Contemporary,Folk,Musical/Show,Pop. Score. 5 pages. Zane Kuchera Music #691592. Published by Zane Kuchera Music (A0.1087370). “No Pain No Gain†- “I wanted to give you the world, but you only wished for the moonâ€. (Pop) Words by Cosette Dubei (Romania), music & performance by Zane Kuchera https://album.link/sd5dw2rcjkhpx.
$4.99
4.54 €
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Piano, Vocal and Guitar
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Zane Kuchera
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No Pain No Gain
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Zane Kuchera Music
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SheetMusicPlus
I Have No One To Fear (But My Years)
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1377742 By Zane Kuche…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1377742 By Zane Kuchera. By Music by Zane Kuchera and words by Ron Paul. Contemporary,Jazz,Pop,Singer/Songwriter. Score. 8 pages. Zane Kuchera Music #962337. Published by Zane Kuchera Music (A0.1377742). Pre-Save/Pre-Add: https://ditto.fm/i-have-no-one-to-fear-but-my-years2/11/24 Zane Kuchera Music will release “I Have No One To Fear (But My Years)†(Jazz/Cabaret/Pop) - Plaintive and reflective… Inspired by Stephen Sondheim’s “Send In The Clowns†and Emeli Sandé’s “Clownâ€â€¦ at the end of the day, face to face with no makeup and clothes, nothing to fear but my years. Words by Ron Paul (U.K.), Music & performance by Zane KucheraReviews:“I love that!!!  The voicings’ you use are poignant, almost having a jazz feel. I cried!  The subject matter is so plaintive - after the big performance I take off my makeup and clothes - nothing to fear but my years…excellent honey! “ -B.“You sound wonderful ... great lyrics very relatable to me beautiful and moving tells a story  seems like a song from a musical †-E.#clown #sondheim #sande #piano #jazz #ac #pop #cabaret #plaintive #reflective #singersongwriter #zanekuchera #Berklee.
$4.99
4.54 €
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Piano, Vocal and Guitar
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Zane Kuchera
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I Have No One To Fear
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Zane Kuchera Music
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SheetMusicPlus
Crow with no mouth
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1324262 Composed by Amos Elk…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1324262 Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. Published by Amos Elkana (A0.1324262). In this composition, we delve into the enigmatic world of Ikkyu Sojun, a 15th-century Zen Buddhist monk renowned for his poetry that defies conventional boundaries. Ikkyu's work often reflects Zen principles, blending deep philosophical insights with a stark, often provocative simplicity. Among his most striking poems is Crow with No Mouth, a piece that captures the essence of Zen’s emphasis on the ineffable nature of reality and the limits of language.Crow With No Mouth Hearing a crow with no mouthCry in the deepDarkness of the night,I feel a longing forMy father before he was born. In these lines, Ikkyu conjures an image that is as perplexing as it is profound. The crow, a traditional symbol of mystery and the unknown, is rendered even more inscrutable by its lack of a mouth - a paradoxical figure that seems to transcend ordinary existence. This poem encapsulates the Zen concept of mu, or the negation of fixed concepts, challenging the listener to embrace the boundless nature of understanding.In my composition, I have strived to translate this philosophical depth into music. The interplay between the piano and the voice is crafted to reflect the paradoxical imagery of the poem. The music moves through moments of tension and release, mirroring the poem’s journey from perplexity to a serene acceptance of the unknown.This piece is an invitation to explore the spaces between notes, between words, where the essence of understanding might lie.The emotional core of this composition is also deeply personal. It resonates with my own longing for my father, who passed away seven years prior to the creation of this work. Just as Ikkyu's poem reflects a yearning for a connection with the past, this music embodies my own journey of grief, memory, and the search for peace in the echoes of loss. The intertwining of my personal narrative with Ikkyu’s profound words aims to offer a universal contemplation on the themes of absence, longing, and the ephemeral nature of existence.In creating this work, my aim has been to offer not just a musical experience, but a doorway into the profound simplicity of Zen thought. Through the synthesis of voice, piano, and Ikkyu's evocative poetry, we embark on a journey that transcends the mere act of listening, inviting contemplation, and perhaps, a glimpse into the boundless sky of our own perception.
$8.00
7.28 €
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Piano, Voice
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Amos Elkana
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Crow with no mouth
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Amos Elkana
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SheetMusicPlus
Grieg: 2 Elegiac Melodies Op.34 No.1 “Hjertesår” (The Wounded Heart) - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1307228 Composed by Edvard Grieg. Arranged by Ray Thompson. 20th Century,Chamber,Romantic Period. 10 pages. RayThompsonMusic #896485. Published by RayThompsonMusic (A0.1307228). Two Elegiac Melodies, Op. 34, is a composition in two movements for string orchestra by Edvard Grieg, completed in 1880 and first published in 1881.The two movements are instrumental arrangements Grieg made of two of his 12 Melodies, Op. 33, published in 1880: these were settings for voice and piano of words by the Norwegian poet and journalist Aasmund Olavsson Vinje.The Two Elegiac Melodies were dedicated to Heinrich von Herzogenberg.Grieg also made an arrangement for solo piano.This arrangement is of No.1 - Hjertesår (The Wounded Heart or sometimes called Heart's Wounds/Heart's ease)Vinje's words, from Grieg's Op. 33 No. 3, relate that wounds have been suffered by the heart in the struggles of life, but it has survived; faith is not destroyed.It is arranged for standard wind quintet.My arrangement for wind quintet of No.2 Våren (Last Spring) is available on this siteMy other Grieg arrangememts
$14.95
13.6 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Edvard Grieg
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faith is not destroyed
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Grieg: 2 Elegiac Melodies Op.34 No.1 “Hjertesår”
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RayThompsonMusic
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SheetMusicPlus
Anfangs-Stunden (The First Lessons), Op.117 - No. 34 Song Without Words (Allegretto)
Piano solo
2.99 €
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Piano solo
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Cornelius Gurlitt
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Tomplay
Songs Without Words No.1, Op.19 - Flute and Piano (Individual Parts)
Flute and Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1434712 Composed by Felix …
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1434712 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Classical,Lent,Multicultural,Romantic Period,World. Score and part. 6 pages. Sheet Music To Play Editions #1014840. Published by Sheet Music To Play Editions (A0.1434712). Songs Without Words No.1, Op.19 (Lieder Ohne Worte) by Felix Mendelssohn. Arrangement for Flute and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Jakob Felix Mendelssohn (1809 - 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$5.99
5.45 €
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Flute and Piano
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Felix Bartholdy Mendelssohn
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Songs Without Words No.1, Op.19 - Flute and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Songs Without Words No.1, Op.19 - Violin and Piano (Full Score and Parts)
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1434695 Composed by Felix Barthol…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1434695 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Classical,Multicultural,Romantic Period,Wedding,World. 13 pages. Sheet Music To Play Editions #1014823. Published by Sheet Music To Play Editions (A0.1434695). Songs Without Words No.1, Op.19 (Lieder Ohne Worte) by Felix Mendelssohn. Arrangement for Violin and Piano. With Full Score and Individual Parts. Enjoy it!Jakob Felix Mendelssohn (1809 - 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$8.99
8.18 €
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Violin and Piano
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Felix Bartholdy Mendelssohn
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Songs Without Words No.1, Op.19 - Violin and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Songs Without Words No.1, Op.19 - Cello and Piano (Individual Parts)
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1434721 Composed by Felix Barthold…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1434721 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Classical,Lent,Multicultural,Romantic Period,World. Score and part. 6 pages. Sheet Music To Play Editions #1014849. Published by Sheet Music To Play Editions (A0.1434721). Songs Without Words No.1, Op.19 (Lieder Ohne Worte) by Felix Mendelssohn. Arrangement for Violoncello and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Jakob Felix Mendelssohn (1809 - 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$5.99
5.45 €
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Cello, Piano
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Felix Bartholdy Mendelssohn
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Songs Without Words No.1, Op.19 - Cello and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Songs Without Words No.1, Op.19 - Cello and Piano (Full Score)
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1434723 Composed by Felix Barthold…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1434723 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. 19th Century,Classical,Lent,Multicultural,Wedding,World. Score and part. 5 pages. Sheet Music To Play Editions #1014851. Published by Sheet Music To Play Editions (A0.1434723). Songs Without Words No.1, Op.19 (Lieder Ohne Worte) by Felix Mendelssohn. Arrangement for Violoncello and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Jakob Felix Mendelssohn (1809 - 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$5.99
5.45 €
#
Cello, Piano
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Felix Bartholdy Mendelssohn
#
Songs Without Words No.1, Op.19 - Cello and Piano
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Sheet Music To Play Editions
#
SheetMusicPlus
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