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Not Double, but Solo. For solo double bass
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Not Double, but Solo. For solo double bass
Double Bass
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805430 Composed b…
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805430 Composed by Laura C. Quijada OrtÃz. Instructional,Standards. Individual part. 3 pages. Laura Quijada #4352349. Published by Laura Quijada (A0.805430). A short piece for the beginner bass player. All in first position. Perfect to play in a recital for family, friends, school!
$3.00
2.75 €
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Double Bass
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Laura C
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Not Double, but Solo. For solo double bass
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Laura Quijada
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SheetMusicPlus
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
Double Bass
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed b…
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99
9.15 €
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Double Bass
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Thomas Oboe Lee
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I told him That is great
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Toccata for Double Bass and Piano
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Thomas Oboe Lee
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SheetMusicPlus
THE DEEP for solo DOUBLE BASS
Double Bass
Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Ed…
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Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932722. Published by Alan Edgar Ted Moon (A0.1347908). Jacques Cousteau, Father of the Aqualung, wrote: The sea, once it casts its spell, holds one in its net of wonder for ever.This piece, for virtuoso double bass, imagines a scuba-diver encountering large animals, and consists of a suite of short depictions of animals in the form of variations on a melody plus a recurrent new melody representing the diver's smooth movements and bubbles. The variations are: Lobster Jazz Waltz, Sea-anemone Belly-dance, Tuna Tune, Luminous Light Show, Dolphin Fling, Jaws Serial and Blues Whale Pavane.The piece lasts about eight minutes with repeats.TECHNICAL NOTE The C harmonics will be a pip flat--they are only bursting bubbles anyway!Scuba Fins tries to feel the quiet calmness and agelessness of the underwater world, using the ancient and universal major pentatonic scale C,D,E, G,A ,C. The rhythm is mostly steady and simple, but triplets indicate the occasional extra effort. Now and again, he glances down at the infinite depths. Tintinnabulation and soft staccatissimo arpeggios represent the bubbles. Lobster Waltz is a jazz waltz with many staccato notes and leaps representing the many appendages and the tangle of lively giant crustaceans.Sea-anemone Belly-Dance pictures the soft body and tentacles swaying under the waves, using the Arabic scale Shad 'Araban, roughly G,Ab, B,C,D,Eb,F#,G and influenced by a dance to the folk tune known as Bint El-Salabiya.Tuna Tune is a quick moto perpetuo in the cheerful major mode, septuple time, the rapid rise and fall of the phrases and of volume reflecting the powerful shoal's unpredictable, ceaseless movements, approaching and retreating.Dolphin Fling is a stathspey, or highland fling, using the major mode and typical dance rhythms including the Scotch snap to depict the weighty but intelligent dolphins enjoying their leisure time and perhaps dancing with the diver.Jaws Serial reminds us of the fear a shark generates, using the dissonant 12-note serial mode and unpredictable leaps and pauses. The opening slow trill will chill you as it invokes the Jaws film theme by John Williams. You might even hear the diver's heart sink and the snap pizzicato of the teeth snapping. The prime row is the nearest possible to the original theme: Bb, Ab, F, Eb, B, C, E, G, Db, D, Gb.A, but I have followed the contours of the main themes. Blues Whale is a pavane, a slow, stately processional incorporating the typical renaissance drum rhythm. and using a blues scale, G, A, Bb, C, C#, D, F, G, and an implied 12-bar minor blues harmony.
$20.00
18.32 €
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Double Bass
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Alan Edgar
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THE DEEP for solo DOUBLE BASS
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Alan Edgar Ted Moon
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SheetMusicPlus
"Air - on the G string" (Bach) - Beautiful EASY version for SOLO DOUBLE BASS.
Double Bass
Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1503612 Composed …
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Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1503612 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Christmas,Classical,Traditional,Wedding. Individual part. 2 pages. Iury Cardoso #1079076. Published by Iury Cardoso (A0.1503612). Beautiful easy SOLO DOUBLE BASS arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach This Bach's Air is probably the most famous movement among Bach’s orchestral suites, and this arrangement adapts the original piece into an easier version for SOLO DOUBLE BASS and presents an easy-to-follow score to be played by music students. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty. Other features of this sheet music: - Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students). - Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website (allowing the double bass to be accompanied by another harmonic instrument, or even for a better understanding of the harmonic structure of the piece). - Solo version with piano accompaniment available: On this site, there is a version of this same arrangement with the piano accompaniment. - Other versions available: On this site, there is also a version of this arrangement for STRING QUARTET/QUINTET (with or without piano accompaniment). See more arrangements by Iury Cardoso, thank you so much!air bach for Double Bass air on the G string bach easy Double Bass solo Orchestral Suite No.3 in D major, BWV 1068 air bach sheet music easy air on the G string for string bass easier air on the G string for Double Bass air bach solo Double Bass sheet music air bach easy Double Bass and piano air bach for solo Double Bass air on the G string bach easy string bass easy air on the G string for solo Double Bass easier air on the G string for Double Bass solo air bach easy string bass and piano air on the G string Double Bass for beginners easy solo Double Bass air bach but on Double Bass air on the G string bach solo string bass version air on the G string bach easy Double Bass arrangement air bach Double Bass solo best arrangement easy Double Bass baroque sheet music easy solo Double Bass air bach easier version air on the G string sheet music air bach best arrangement for string bass air on the G string arrangement for solo string bass air bach for easy solo Double Bass easy baroque sheet music for Double Bass solo easy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for solo string bass easy air bach sheet music easy version of Air on the G string for solo Double Bass easy air bach Double Bass sheet music bach easy Double Bass air for string bass beginners bach for Double Bass students air bach best easy arrangement for solo Double Bass air bach easy version for Double Bass bach easy sheet music for string bass bach best easy arrangement for string bass bach arrangement for solo string bass bach for Double Bass.
$4.99
4.57 €
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Double Bass
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Johann Sebastian Bach
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"Air - on the G string"
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Iury Cardoso
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SheetMusicPlus
"Air - on the G string" (Bach) - Beautiful EASY version for SOLO DOUBLE BASS (with chord symbols).
Double Bass
Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1503608 Composed …
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Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1503608 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Christmas,Classical,Traditional,Wedding. Individual part. 2 pages. Iury Cardoso #1079072. Published by Iury Cardoso (A0.1503608). Beautiful easy SOLO DOUBLE BASS arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach This Bach's Air is probably the most famous movement among Bach’s orchestral suites, and this arrangement adapts the original piece into an easier version for SOLO DOUBLE BASS and presents an easy-to-follow score to be played by music students. The chord symbols are present in the sheet music, allowing the Double Bass to be accompanied by another harmonic instrument, or even for a better understanding of the harmonic structure of the piece. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty. Other features of this sheet music: - Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students). - Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website. - Solo version with piano accompaniment available: On this site, there is a version of this same arrangement with the piano accompaniment. - Other versions available: On this site, there is also a version of this arrangement for STRING QUARTET/QUINTET (with or without piano accompaniment). See more arrangements by Iury Cardoso, thank you so much! air bach for Double Bass air on the G string bach easy Double Bass solo Orchestral Suite No.3 in D major, BWV 1068 air bach sheet music easy air on the G string for string bass easier air on the G string for Double Bass air bach solo Double Bass sheet music air bach easy Double Bass and piano air bach for solo Double Bass air on the G string bach easy string bass easy air on the G string for solo Double Bass easier air on the G string for Double Bass solo air bach easy string bass and piano air on the G string Double Bass for beginners easy solo Double Bass air bach but on Double Bass air on the G string bach solo string bass version air on the G string bach easy Double Bass arrangement air bach Double Bass solo best arrangement easy Double Bass baroque sheet music easy solo Double Bass air bach easier version air on the G string sheet music air bach best arrangement for string bass air on the G string arrangement for solo string bass air bach for easy solo Double Bass easy baroque sheet music for Double Bass solo easy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for solo string bass easy air bach sheet music easy version of Air on the G string for solo Double Bass easy air bach Double Bass sheet music bach easy Double Bass air for string bass beginners bach for Double Bass students air bach best easy arrangement for solo Double Bass air bach easy version for Double Bass bach easy sheet music for string bass bach best easy arrangement for string bass bach arrangement for solo string bass bach for Double Bass.
$4.99
4.57 €
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Double Bass
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Johann Sebastian Bach
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"Air - on the G string"
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Iury Cardoso
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SheetMusicPlus
Peace for Solo Double Bass
Double Bass
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.779981 Composed b…
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.779981 Composed by Graham Boag. Contemporary. Individual part. 4 pages. Graham Boag #3574799. Published by Graham Boag (A0.779981). Today as ever we would all like to have peace but it's uncertain as to how and when this may occur, hence the disjointed rhythmic feel during this work. Peace for Solo Double Bass, is a modern day 'moto perpetuo' with a steady flow of notes which become more disjointed as we move through each section before the rhythmic flow is restored.
$5.00
4.58 €
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Double Bass
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Graham Boag
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Peace for Solo Double Bass
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Graham Boag
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SheetMusicPlus
C Jam Blues for Recorder Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1271384 By …
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Jazz,Standards,Traditional. 14 pages. Keith Terrett #863782. Published by Keith Terrett (A0.1271384). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Recorder Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.
$14.99
13.73 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Duke Ellington
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C Jam Blues for Recorder Quintet
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Keith Terrett
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SheetMusicPlus
Recordare (from "Requiem") (F) (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1 Bass)
String Quintet: 2 violins, viola, cello, bass
String Quintet Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1108…
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String Quintet Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1108382 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711023. Published by Regis Bookshar (A0.1108382). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.65 €
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String Quintet: 2 violins, viola, cello, bass
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Wolfgang Amadeus Mozart
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Recordare
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Regis Bookshar
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SheetMusicPlus
IAN BUTTERWORTH Down in the Basement for four double basses
Double Bass
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.963652 Composed b…
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.963652 Composed by Ian Butterworth. Concert,Contemporary. Individual part. 12 pages. Ian Butterworth #5330153. Published by Ian Butterworth (A0.963652). A three-minute not too-serious piece which quotes several nursery rhymes and the famous Mahler 1 bass solo. 3 mins approx. Through the experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements has proved their suitability for youth and amateur players. www.ianbutterworthmusic.co.uk
$7.99
7.32 €
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Double Bass
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Ian Butterworth
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IAN BUTTERWORTH Down in the Basement for four double basses
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Ian Butterworth
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SheetMusicPlus
Sonar's Riddle (Bassoon)
Bassoon
Bassoon Solo - Level 4 - Digital Download SKU: A0.983173 Composed by Craig Wadley. …
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Bassoon Solo - Level 4 - Digital Download SKU: A0.983173 Composed by Craig Wadley. 21st Century,Chamber,Contemporary,Contest,Festival. Individual part. 5 pages. Wadley Publications #4980651. Published by Wadley Publications (A0.983173). The title of Sonar’s Riddle is an anagram of Dr. Daniel Ross, and stands as a tribute to a musician known for both his kindness and humor. Dr. Daniel F. Ross (1944-2019) was a Professor of Music at Arkansas State University, where he taught the double reed studio from 1968 to 2018. During his illustrious career, he became known as not only a world-class musician, but an innovator in the field of reed-making with his Ross Gouging Machine. As a performer, he served as Principal Oboist with the Arkansas Symphony and performed with the North Arkansas Symphony, Arkansas Philharmonic Orchestra, Tupelo Symphony, Delta Symphony, Atlanta Symphony, Nashville Symphony, the St. Louis Symphony, and the St. Louis Chamber Music Society. He was a frequent soloist with the Forum Sinfonia of Krakow, Poland, touring with them in the United Stated and Europe. He held the title of Visiting Professor of Oboe at the Academy of Music in Krakow, Poland and has been a soloist with the St. Petersburg and Moscow Philharmonic orchestras in Russia. As a teacher, Dr. Ross stressed the importance of expression. For him, being a musician was an extension of being human. In order to make music, one must cross the threshold from producing technically accurate sounds into a mysterious and sometimes elusive realm of heart, love, compassion, gentleness, and joy. In Dan Ross’ studio, one learned that a musician capable of evoking strong emotions must first be a person of great character. Dan Ross excelled in all things musical, but more importantly, he was an excellent man. He may well be remembered as a great musician, a great performer and teacher, or as an innovator in the art of reed making. But his true legacy lies in the hearts that he touched and the lives that he molded. I count myself fortunate to have been one of many. Sonar’s Riddle is a brief musical portrait of Dr. Dan Ross, attempting to capture the essence of his kind spirit and boundless humor.
$12.99
11.9 €
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Bassoon
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Craig Wadley
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Sonar's Riddle
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Wadley Publications
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SheetMusicPlus
"Canon" by Pachelbel - EASY version for DOUBLE BASS SOLO.
Double Bass
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1385684 Composed …
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1385684 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Individual part. 2 pages. Iury Cardoso #969621. Published by Iury Cardoso (A0.1385684). Easy DOUBLE BASS SOLO arrangement of the piece: Canon by Johann PachelbelThis arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a easier version for DOUBLE BASS SOLO. In this arrangement it is possible to play the main themes created by Pachelbel, written in an easy-to-follow score, and also the adaptation for a single voice of some counterpoints from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols and with the piano on this website.- ADVANCED VERSION available: there is also an advanced version of this arrangement on this website (with or without the piano).See more arrangements by Iury Cardoso, thank you so much!easy canon pachelbel for double bass solocanon pachelbel easy sheet musiccanon in D pachelbel for easy string bass solocanon pachelbel easy double bass sheet musiccanon easy string bass solocanon but on the double bass easy double bass baroque sheet musicpachelbel sheet musiccanon pachelbel best easy arrangement for double bass solocanon arrangement for string bass solocanon pachelbel for solo double bass easy classic sheet music for double bass.
$2.99
2.74 €
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Double Bass
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Johann Pachelbel
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"Canon" by Pachelbel - EASY version for DOUBLE BASS SOLO.
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Iury Cardoso
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SheetMusicPlus
"Canon in D" by Pachelbel - Version for DOUBLE BASS SOLO.
Double Bass
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1385432 Composed …
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1385432 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Individual part. 3 pages. Iury Cardoso #969412. Published by Iury Cardoso (A0.1385432). DOUBLE BASS SOLO arrangement of the piece: Canon by Johann PachelbelThis arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a version for DOUBLE BASS SOLO. In this arrangement it is possible to hear the main themes created by Pachelbel and also the adaptation for a single voice of the counterpoint from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols and with the piano on this website.- EASY VERSION available: there is also an easier version of this arrangement for beginning students on this website (with or without the piano).See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for string bass solocanon pachelbel sheet musiccanon in D pachelbel for double bass solocanon pachelbel double bass sheet musiccanon double bass solocanon but on the string bass double bass baroque sheet musicpachelbel sheet musiccanon pachelbel best arrangement for string bass solocanon arrangement for double bass solocanon pachelbel for solo double bassclassic sheet music for string bass.
$4.99
4.57 €
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Double Bass
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Johann Pachelbel
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"Canon in D" by Pachelbel - Version for DOUBLE BASS SOLO.
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Iury Cardoso
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SheetMusicPlus
We Wish A Merry Christmas-simplified for beginner bassist. DOUBLE BASS PART FOR PLAY-ALONG TRACK
Double Bass
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805444 Composed b…
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805444 Composed by Traditional. Arranged by Laura C. Quijada OrtÃz. Christmas. Individual part. 1 pages. Laura Quijada #6064061. Published by Laura Quijada (A0.805444). This popular Christmas song is adapted for the beginner bassist, only with quarter notes and half notes, but that doesn't take anything from it's melody and spirit! The play-along track is just as simple to follow, it excludes the bass line for the performer to stand out.
$4.00
3.66 €
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Double Bass
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Traditional
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We Wish A Merry Christmas-simplified for beginner bassist. DOUBLE BASS PART FOR PLAY-ALONG TRACK
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Laura Quijada
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95
43.93 €
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Giovanni Gabrieli
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Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
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jmsgu3
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SheetMusicPlus
"Nocturne" (Chopin) - Beautiful EASY version for STRING QUINTET.
String Quintet: 2 violins, viola, cello, bass
String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1486…
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String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1486615 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classical,Romantic Period,Traditional. 23 pages. Iury Cardoso #1063680. Published by Iury Cardoso (A0.1486615). Beautiful easy STRING QUINTET arrangement of the piece: Nocturne (Op.9 n.2) by Frédéric Chopin (Score and parts: 23 pages) This arrangement of Chopin's Nocturne presents new musical textures and adaptation solutions to transform the original piece (composed for piano) into an easier version for STRING QUINTET, where the melodies (and chords) were made easier and the difficult parts were adapted, without losing the poetic beauty of the original song. In this arrangement, you will hear different instruments playing the main melody at some point, starting with the cello and then the first violin. In the second part the melody is played by the viola and at the beginning of the third part by the second violin. At the end, there is a dialogue between these instruments before ending the song with the final coda. Get Chopin's Nocturne sheet music now and play this masterpiece that captivates the soul with its timeless beauty. Other features of this sheet music: - Easy arrangement: made for beginner or intermediate level musicians. - Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website. - Version with piano available: On this site, there is also a version of this same arrangement with the piano. - STRING QUARTET version available: On this site, there is also a version of this same arrangement for STRING QUARTET (with or without piano accompaniment). - SOLO version available: On this site, there are also easy SOLO VERSIONS of this arrangement for all STRING instruments (with or without piano accompaniment). See more arrangements by Iury Cardoso, thank you so much! nocturne chopin for string quintet nocturne chopin sheet music nocturne for string quintet nocturne chopin string quintet sheet music nocturne chopin easy string quintet nocturne for strings orchestranocturne chopin strings orchestra sheet music nocturne chopin easy strings orchestranocturne for beginners easy string quintet chamber music nocturne chopin but on string quintet nocturne chopin string quintet version nocturne chopin easy string quintet arrangement nocturne chopin string quintet best arrangement easy string quintet romantic sheet music easy strings nocturne chopin easier version nocturne sheet music nocturne chopin best arrangement for string quintet nocturne arrangement for string quintet nocturne chopin for easy string quintet easy romantic sheet music for string quintet easy nocturne chopin for string quintet easy nocturne chopin sheet music easy version of nocturne op.9 n.2 for string quintet easy nocturne chopin string quintet sheet music chopin easy string quintet nocturne for string quintet beginner easy string quintet chamber music nocturne chopin but on the string quintet nocturne for beginners chopin for string students nocturne chopin best easy arrangement for string quintet nocturne chopin easy version for string quintet easy violin easy cello easy viola easy double basschopin easy sheet music for string quintet nocturne chopin best easy arrangement for string quintet nocturne chopin arrangement for easy violin solo with piano nocturne chopin for string quintet.
$12.99
11.9 €
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String Quintet: 2 violins, viola, cello, bass
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Frederic Chopin
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"Nocturne"
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Iury Cardoso
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SheetMusicPlus
"Canon in D" by Pachelbel - Easy version for STRING QUINTET & PIANO
String Quintet: 2 violins, viola, cello, bass
String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 2 - Digital Download SKU: A…
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String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1411641 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Chamber,Classical,Traditional,Wedding. 19 pages. Iury Cardoso #993870. Published by Iury Cardoso (A0.1411641). Easy STRING QUINTET with PIANO arrangement of the piece: Canon by Johann Pachelbel (Score and parts: 19 pages) This arrangement of Pachelbel's Canon presents new musical textures and adaptation solutions to transform the original piece (composed for three violins and basso continuo) into an easier version for STRING QUINTET with PIANO. In this arrangement it is possible to hear the main themes created by Pachelbel, which have been adapted in some parts to make the piece more accessible to students.Get the sheet music of Pachelbel's Canon now and invite your friends to play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website.- Version without piano accompaniment available: On this site, there is also a version of this same arrangement without the piano accompaniment.- STRING QUARTET version available: On this site, there is also a version of this same arrangement for STRING QUARTET (with or without piano accompaniment).- SOLO version available: On this site, there are also easy and advanced SOLO VERSIONS of this arrangement for all STRING instruments (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for string quintet and pianocanon pachelbel sheet musiccanon in D pachelbel for string quintet and pianocanon pachelbel string quintet and piano sheet musiccanon string quintet and pianocanon for beginnerseasy string quintet and piano chamber musiccanon but on string quintetcanon string quintet versioncanon easy string quintet arrangementcanon string quintet best arrangementeasy string quintet and piano baroque sheet musiceasy pianopachelbel sheet musiccanon pachelbel best arrangement for string quintet and pianocanon arrangement for string quintet with pianocanon pachelbel for string quintet and pianoclassic sheet music for string quintet and piano.
$19.99
18.31 €
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String Quintet: 2 violins, viola, cello, bass
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Johann Pachelbel
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"Canon in D" by Pachelbel - Easy version for STRING QUINTET & PIANO
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Iury Cardoso
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SheetMusicPlus
"Canon in D" by Pachelbel - Easy version for STRING QUINTET.
String Quintet: 2 violins, viola, cello, bass
String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1411…
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String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1411657 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Chamber,Classical,Traditional,Wedding. 19 pages. Iury Cardoso #993887. Published by Iury Cardoso (A0.1411657). Easy STRING QUINTET arrangement of the piece: Canon by Johann Pachelbel (Score and parts: 19 pages) This arrangement of Pachelbel's Canon presents new musical textures and adaptation solutions to transform the original piece (composed for three violins and basso continuo) into an easier version for STRING QUINTET. In this arrangement it is possible to hear the main themes created by Pachelbel, which have been adapted in some parts to make the piece more accessible to students.Get the sheet music of Pachelbel's Canon now and invite your friends to play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website.- Version with piano accompaniment available: On this site, there is also a version of this same arrangement with the piano accompaniment.- STRING QUARTET version available: On this site, there is also a version of this same arrangement for STRING QUARTET (with or without piano accompaniment).- SOLO version available: On this site, there are also easy and advanced SOLO VERSIONS of this arrangement for all STRING instruments (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for string quintetcanon pachelbel sheet musiccanon in D pachelbel for string quintetcanon pachelbel string quintet sheet musiccanon string quintetcanon for beginnerseasy string quintet chamber musiccanon but on string quintetcanon string quintet versioncanon easy string quintet arrangementcanon string quintet best arrangementeasy string quintet baroque sheet musiceasy stringscanon easier versionpachelbel sheet musiccanon pachelbel best arrangement for string quintetcanon arrangement for string quintetcanon pachelbel for easy string quintetclassic sheet music for string quintet.
$15.99
14.65 €
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String Quintet: 2 violins, viola, cello, bass
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Johann Pachelbel
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"Canon in D" by Pachelbel - Easy version for STRING QUINTET.
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Iury Cardoso
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SheetMusicPlus
All I Want For Christmas Is You
String Quintet: 2 violins, viola, cello, bass
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.5215…
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.521527 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Sherry Lewis Publishing. Contemporary. 32 pages. Sherry Lewis Publishing #6195327. Published by Sherry Lewis Publishing (A0.521527). ALL I WANT FOR CHRISTMAS IS YOU String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc.Score: YesParts: 14 pages Time: 4'40MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
11.9 €
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String Quintet: 2 violins, viola, cello, bass
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Lady Antebellum
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All I Want For Christmas Is You
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Sherry Lewis Publishing
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SheetMusicPlus
Barry Harris 6th and 6th Diminished Exercise by Quintuplet Notes
Double Bass
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1294482 Composed …
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: A0.1294482 Composed by Katsumi WF. Arranged by Katsumi WF. 20th Century,Instructional,Jazz,Traditional. Individual part. 2 pages. Katsumi WF #884856. Published by Katsumi WF (A0.1294482). This is an exercise / workout material for Double bass players who play Jazz improvisation with any keys of 6th chords to Barry Harris Theory of 6th diminished. The chords are added on this but you may change by any of your ideas. ( I updated the same exercise notations Without the key signature version, too.)Let's practice by medium tempo & slurred bowing by 5 to 20 notes to figure out which patterns are not familiar with your fingers, then focus practicing the parts of those. To make your own licks, you may add or skip some notes between those quintuplets. It is interested in playing those quintuplets in 2, in 3, in 4. Thank you for reaching out to this material! Katsumi WF
$2.99
2.74 €
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Double Bass
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Katsumi WF
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Barry Harris 6th and 6th Diminished Exercise by Quintuplet Notes
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Katsumi WF
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SheetMusicPlus
Barry Harris 6th and 6th Diminished Exercise by Quintuplet Notes
Double Bass
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1294484 Composed …
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1294484 Composed by Katsumi WF. Arranged by Katsumi WF. 20th Century,Instructional,Jazz,Traditional. Individual part. 4 pages. Katsumi WF #884859. Published by Katsumi WF (A0.1294484). This is an exercise / workout material for Double bass players who play Jazz improvisation with any keys of 6th chords to Barry Harris Theory of 6th diminished. The chords are added on this but you may change by any of your ideas. ( I updated the same exercise notations With the key signature version, too.)Let's practice by medium tempo & slurred bowing by 5 to 20 notes to figure out which patterns are not familiar with your fingers, then focus practicing the parts of those. To make your own licks, you may add or skip some notes between those quintuplets. It is interested in playing those quintuplets in 2, in 3, in 4. Thank you for reaching out to this material! Katsumi WF.
$2.99
2.74 €
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Double Bass
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Katsumi WF
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Barry Harris 6th and 6th Diminished Exercise by Quintuplet Notes
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Katsumi WF
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SheetMusicPlus
The Lost Chord for Double Bass Choir
Double Bass
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.780036 Composed b…
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.780036 Composed by Sir Arthur Seymour Sullivan. Arranged by Graham Boag. Concert,Standards. Individual part. 15 pages. Graham Boag #5023179. Published by Graham Boag (A0.780036). The Lost Chord is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord, published in 1858 in The English Woman's Journal. The song was immediately successful and became particularly associated with American contralto Antoinette Sterling, with Sullivan's close friend and mistress, Fanny Ronalds, and with British contralto Clara Butt. Sullivan was proud of the song and later noted: I have composed much music since then, but have never written a second Lost Chord. Many singers have recorded the song, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The piece has endured as one of Sullivan's best-known songs, and the setting is still performed today. .
$15.99
14.65 €
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Double Bass
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Sir Arthur Seymour Sullivan
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The Lost Chord for Double Bass Choir
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Graham Boag
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
21.98 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Morning Mood by Grieg for Double Bass
Double Bass
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1412125 Composed …
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1412125 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Classical,Instructional,Romantic Period,Wedding. Individual part. 2 pages. Glauco Fernandes #994363. Published by Glauco Fernandes (A0.1412125). Dive into the serenity of dawn with our exclusive arrangement of Edvard Grieg's Morning Mood from the Peer Gynt Suite. This carefully crafted arrangement is perfect for musicians looking to not only enrich their repertoire but also capture the tranquil and inspiring essence of Grieg's famous melody.For educators and music teachers, this score becomes a valuable pedagogical resource, allowing students to explore the nuances of Romantic composition and develop a deep appreciation for the ability to evoke images and emotions through music. Introducing Morning Mood into lessons can offer a window into the vast world of program music, encouraging a more intimate and expressive connection with musical performance.This arrangement is equally valuable for professional musicians, providing a refined and expressive piece for concerts, special events, and even moments of personal reflection. The universality and timeless beauty of Morning Mood make it a desirable addition to any musician's repertoire, standing out in occasions ranging from formal recitals to more intimate ceremonies.Our arrangement of Morning Mood promises to be a rewarding addition for students seeking musical growth as well as for professionals wishing to enchant their audience with the tranquil beauty of dawn. Maintaining the essence and charm of Grieg's original composition, this arrangement invites everyone to experience the magic of one of the most emblematic moments in classical music.Tags: Edvard Grieg, Peer Gynt, Morning Mood, Romantic music, music education, arrangement, repertoire for events, classical music, sheet music, musical growth, expressive performance.
$4.99
4.57 €
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Double Bass
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Edvard Grieg
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Morning Mood by Grieg for Double Bass
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Glauco Fernandes
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SheetMusicPlus
Morning Mood by Grieg for Double Bass with Chords
Double Bass
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1412123 Composed …
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1412123 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. Individual part. 2 pages. Glauco Fernandes #994361. Published by Glauco Fernandes (A0.1412123). Dive into the serenity of dawn with our exclusive arrangement of Edvard Grieg's Morning Mood from the Peer Gynt Suite. This carefully crafted arrangement is perfect for musicians looking to not only enrich their repertoire but also capture the tranquil and inspiring essence of Grieg's famous melody.For educators and music teachers, this score becomes a valuable pedagogical resource, allowing students to explore the nuances of Romantic composition and develop a deep appreciation for the ability to evoke images and emotions through music. Introducing Morning Mood into lessons can offer a window into the vast world of program music, encouraging a more intimate and expressive connection with musical performance.This arrangement is equally valuable for professional musicians, providing a refined and expressive piece for concerts, special events, and even moments of personal reflection. The universality and timeless beauty of Morning Mood make it a desirable addition to any musician's repertoire, standing out in occasions ranging from formal recitals to more intimate ceremonies.Our arrangement of Morning Mood promises to be a rewarding addition for students seeking musical growth as well as for professionals wishing to enchant their audience with the tranquil beauty of dawn. Maintaining the essence and charm of Grieg's original composition, this arrangement invites everyone to experience the magic of one of the most emblematic moments in classical music.Tags: Edvard Grieg, Peer Gynt, Morning Mood, Romantic music, music education, arrangement, repertoire for events, classical music, sheet music, musical growth, expressive performance.
$4.99
4.57 €
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Double Bass
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Edvard Grieg
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Morning Mood by Grieg for Double Bass with Chords
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Glauco Fernandes
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SheetMusicPlus
Eternal Bridge For Oboe Harp And Strings
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SK…
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
22.9 €
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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