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Not Yet Over the Hill - Conductor Score
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1
Irish National Anthem (Unofficial) for String Orchestra
String Orchestra
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.2 €
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String Orchestra
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trad
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
The Sundials
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
6.39 €
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
I Told The Brook
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779570 Composed by Marty Rob…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779570 Composed by Marty Robbins. Arranged by Kim Kirkman. Contemporary. Score. 5 pages. Kim Kirkman #5320003. Published by Kim Kirkman (A0.779570). I Told the Brook by Marty Robbins in G for alto/bass voice. Top note B naturalAlso sung by Billy ThorpeHas lovely 12/8 lilt in style of Unchained MelodyChords included.LyricsI told the brook that runs down through the valleyA secret my best friend never knew.The brook told the trees and the trees told the breeze,That I was in love with you. The trees told the flowers hiding there by the hilltop.The clouds told the moon that shone above.So angry yet blue when they found out that youAnd your heart had another love. The brook became angry and changed to a river,rushing so madly along.The soft summer breeze that played tag with the trees,became so wild and so strong. The bashful white flowers hiding there by the hilltop,Grew dark when the rain came pouring down.Their hearts couldn't hide all the tears that were cried,And had carpeted upon the ground. The storm has gone over, there'll be sunshine again.The chains that held me are now gone.The trees wave hello as I stand here below,And the brook sings the sweetest song. The bashful white flowers are again by the hill-top.The sun and the moon are still my friends.I promise there'll be no more heartaches for me,Till I fall in love again.
$4.99
4.55 €
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Piano, Voice
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Marty Robbins
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I Told The Brook
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Kim Kirkman
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SheetMusicPlus
I Told The Brook
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779569 Composed by Marty Rob…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779569 Composed by Marty Robbins. Arranged by Kim Kirkman. Contemporary. Score. 5 pages. Kim Kirkman #5320001. Published by Kim Kirkman (A0.779569). I Told the Brook by Marty Robbins in D (top note F#)Also sung by Billy ThorpeHas lovely 12/8 lilt in style of Unchained MelodyChords included.LyricsI told the brook that runs down through the valleyA secret my best friend never knew.The brook told the trees and the trees told the breeze,That I was in love with you. The trees told the flowers hiding there by the hilltop.The clouds told the moon that shone above.So angry yet blue when they found out that youAnd your heart had another love. The brook became angry and changed to a river,rushing so madly along.The soft summer breeze that played tag with the trees,became so wild and so strong. The bashful white flowers hiding there by the hilltop,Grew dark when the rain came pouring down.Their hearts couldn't hide all the tears that were cried,And had carpeted upon the ground. The storm has gone over, there'll be sunshine again.The chains that held me are now gone.The trees wave hello as I stand here below,And the brook sings the sweetest song. The bashful white flowers are again by the hill-top.The sun and the moon are still my friends.I promise there'll be no more heartaches for me,Till I fall in love again.
$4.99
4.55 €
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Piano, Voice
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Marty Robbins
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I Told The Brook
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Kim Kirkman
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SheetMusicPlus
The Ride of the Valkyries. Wagner
Small Ensemble Drums,Timpani - Level 5 - Digital Download SKU: A0.883766 Composed b…
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Small Ensemble Drums,Timpani - Level 5 - Digital Download SKU: A0.883766 Composed by Richard Wagner. Arranged by Phil Lawrence. Romantic Period. Score and parts. 102 pages. Phillip Lawrence #3534823. Published by Phillip Lawrence (A0.883766). The Ride of the Valkyries Wagner.What do brass bands like, a good tune, a challenge, a good blow and technical work-out, a chance to show that a brass band can do what any other instrumental group can do including the symphony orchestra, and being able to bring the great classics to locals in their community, in the concert hall and in the band stand where the music comes to the public too? I’m sure that desires and ideals might be listed above. Besides the history of bands 180 years ago having no music and those within arranged popular tunes of the day and great classic symphonic works (often truncated), not al lots has changed apart from the fantastic influx of composed works for band over the last 60+ years, there’s also been a steady influx of orchestral works form the 1980’s as the technical facility of players has grown beyond belief, for EG. My old mentor and teacher Howard Snell working with Desford and other bands into the 90’s started to arrange orchestral works that A. Were fantastic works of musical caliber (many unknown the the BB rep) and, B. A superb challenge to the band - Daphnis and Chole Suite No 2 Ravel and Pines of Rome Respighi to name just two. In the same vein I have recently released Romeo & Juliet Tchaikovsky recently premiered in London by The Fulham Band, and today I let fly again one of the best known musical works in the world yet so far either not arranged because of over all length and technical difficulty, or just too harder work for the arranger? The Ride of the Valkyries Richard Wagner. 4 pages of full on can’t take your eyes off for a second challenge! Will your band take it on? Chop fatigue guaranteed plus and standing ovation from the audience.
$59.99
54.75 €
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Richard Wagner
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The Ride of the Valkyries. Wagner
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Phillip Lawrence
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SheetMusicPlus
Arbophillia
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.940425 Composed by Samuel Cho. 20th…
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Piano Solo - Level 5 - Digital Download SKU: A0.940425 Composed by Samuel Cho. 20th Century,Contemporary. Score. 8 pages. Samuel Cho #3446141. Published by Samuel Cho (A0.940425). Arbophillia is latin for the love of trees and was written for William Howard's love songs project in 2016 as a new conception of the idea of love in contemporary times. It is, in spirit, inspired by the wonder for trees as poet Philip Larkin wrote in his 'The Trees', naming them 'unresting castles' in their ability to seemingly die every winter and bloom in green every spring. The tree is taken as the ultimate symbol for nature, as it harbours micro-ecosystems of ants and funghi, of earth worms and cicadas. Its branches perpetuate in a manner that is strange and yet as natural as we have five fingers on our hands. Numerous proverbs and countless poems have been written about trees. This piece is another ode to them, attempting to encapsulate these aspects through the exploitation of the piano's registers and possibilities for colour. William Howard gave the world premiere of Arbophillia on the 26th of April 2017 in Hoxton Hall, London.
$9.99
9.12 €
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Piano solo
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Samuel Cho
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Arbophillia
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Samuel Cho
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SheetMusicPlus
Mark Taylor: Not Yet Over the Hill (COMPLETE) - jazz band
Jazz Ensemble
Instantly printable sheet music by Mark Taylor for jazz band of MEDIUM skill level. / jazz
Instantly printable sheet music by Mark Taylor for jazz band of MEDIUM skill level. / jazz
$54.99
50.19 €
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Jazz Ensemble
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Mark Taylor
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Virtualsheetmusic
Mark Taylor: Not Yet Over the Hill (COMPLETE) for jazz band
Jazz Ensemble
Instantly downloadable sheet music by Mark Taylor for jazz band of MEDIUM skill level.
Instantly downloadable sheet music by Mark Taylor for jazz band of MEDIUM skill level.
$103.99
94.91 €
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Jazz Ensemble
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Mark Taylor
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Virtualsheetmusic
End Of The Line
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1041003 By Isadar. By Isadar. Class…
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Piano Solo - Level 2 - Digital Download SKU: A0.1041003 By Isadar. By Isadar. Classical,Contemporary,Jazz,New Age. Score. 9 pages. Mainya Music Publishing (BMI) #645734. Published by Mainya Music Publishing (BMI) (A0.1041003). Contains:End Of The Line - taken from the Isadar solo piano collection, The Journey (available soon on SheetMusicDirect and SheetMusicPlus) Sounds like: Liz Story, George Winston, early Windham Hill solo piano artists Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording Album & Songbook review by:Kathy Parsons (MainlyPiano.com): Isadar’s fourth solo piano album is a blend of smooth jazz and new age, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album. The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording. A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players. Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier. None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands. My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line. Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as as software for Yamaha Disklavier player-pianos. For more information, visit his website at: https://www.isadar.com.
$6.99
6.38 €
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Piano solo
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Isadar
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End Of The Line
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Mainya Music Publishing
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SheetMusicPlus
ISADAR - The Journey (complete collection)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New A…
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Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New Age. Score. 63 pages. Mainya Music Publishing (BMI) #820403. Published by Mainya Music Publishing (BMI) (A0.1224308). Sounds like:  Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artistsTranscribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recordingContents: 1. Joyful Running 2. Fountain Of Life 3. Voice Of God (Thanksgiving) 4. Pocket Change 5. The Journey 6. Smoke Signals 7. Horseman's Thrill Ride 8. End Of The LineAlbum & Songbook review by:  Kathy Parsons (MainlyPiano.com):Isadar’s fourth solo piano album is a blend of smooth jazz and new age stylings, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album.The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording.  A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players.  Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier.  None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands.  My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line.Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player piano.
$49.99
45.62 €
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Piano solo
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Isadar
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ISADAR - The Journey
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Mainya Music Publishing
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SheetMusicPlus
Sonate Jason, qui emporte la Toison d'or
1 Piano, 4 hands
1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1485603 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1485603 Composed by Carl Ditters von Dittersdorf. Arranged by Allan Badley. Classical. Score. 75 pages. Artaria Editions #1062669. Published by Artaria Editions (A0.1485603). Unlike the narratives concerning the death of Hercules, and his transformation into a god, and the dispute between Ajax and Ulysses over the weapons of Achilles, the story of Jason's capture of the Golden Fleece provided Dittersdorf with few opportunities for genuine pictorial writing. His explanation for the piano second theme in the first movement seems a little glib – it is, after all, a favourite device of his in non-programmatic works as well but Medea's beautiful soliloquy in the second movement, assigned here to the primo part and in all probability to a wind solo in the original, is as effective as anything in the extant orchestral scores of the Ovid symphonies. His choice of a Ciaconna for the Finale is not only highly appropriate given the heroic theme of the work, but also neatly solves the problem of how to end the symphony unconventionally in the absence of a transformation scene of the kind found in the other symphonies. Yet again, one marvels at Dittersdorf 's powerful creative imagination. The parts are marked carefully although Dittersdorf is not over-detailed in his instructions to the performers. The occasional copying errors provide insufficient evidence to determine whether the parts were copied from a piano score or prepared directly from the composer's full orchestral score. Little editorial work has been necessary to prepare this edition. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources, the manuscript is at times inconsistent in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
$53.00
48.37 €
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1 Piano, 4 hands
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Carl Ditters von Dittersdorf
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Sonate Jason, qui emporte la Toison d'or
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Artaria Editions
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SheetMusicPlus
Sync (Flute Part Only)
Small Ensemble Cello,Double Bass,Flute - Digital Download SKU: A0.1024748 Composed …
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Small Ensemble Cello,Double Bass,Flute - Digital Download SKU: A0.1024748 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips Music #3465400. Published by Will Phillips Music (A0.1024748). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$3.99
3.64 €
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Will Phillips
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the final sync point.
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Sync
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Will Phillips Music
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SheetMusicPlus
Sync (Cello Part Only)
Small Ensemble Cello,Double Bass,Flute - Digital Download SKU: A0.1024749 Composed …
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Small Ensemble Cello,Double Bass,Flute - Digital Download SKU: A0.1024749 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips Music #3465402. Published by Will Phillips Music (A0.1024749). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$3.99
3.64 €
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Will Phillips
#
the final sync point.
#
Sync
#
Will Phillips Music
#
SheetMusicPlus
Sync
Small Ensemble Cello,Double Bass,Flute - Level 5 - Digital Download SKU: A0.1024747…
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Small Ensemble Cello,Double Bass,Flute - Level 5 - Digital Download SKU: A0.1024747 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Will Phillips Music #3465398. Published by Will Phillips Music (A0.1024747). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$19.99
18.24 €
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Will Phillips
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the final sync point.
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Sync
#
Will Phillips Music
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SheetMusicPlus
Spring Spirits
2 Clarinets (duet)
Clarinet Duet Clarinet - Level 2 - Digital Download SKU: A0.764991 Composed by Lori…
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Clarinet Duet Clarinet - Level 2 - Digital Download SKU: A0.764991 Composed by Lori Archer Sutherland. Contemporary,Standards. 2 scores. 6 pages. Lori Archer Sutherland #4766829. Published by Lori Archer Sutherland (A0.764991). Two copies of the performance score are included in the PDF, one for each performer. The second clarinet part may be played by bass clarinet as written. The season of spring, at least here in the Midwest, is full of contradictions. It is windy and chilly one day, and beautiful and sunny the next. The first section represents the stormy side of spring. The sun appears in the middle section to brighten things up, the second voice taking over the melody. The storms reappear for the final section, reminding us that summer has not yet come. Suitable for solo and ensemble contest.
$6.00
5.48 €
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2 Clarinets (duet)
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Lori Archer Sutherland
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Spring Spirits
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Lori Archer Sutherland
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SheetMusicPlus
Spring Spirits
2 Clarinets (duet)
Clarinet Duet E-Flat Clarinet - Level 2 - Digital Download SKU: A0.764993 Composed …
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Clarinet Duet E-Flat Clarinet - Level 2 - Digital Download SKU: A0.764993 Composed by Lori Archer Sutherland. Contemporary,Standards. 2 scores. 6 pages. Lori Archer Sutherland #4766831. Published by Lori Archer Sutherland (A0.764993). Two copies of the performance score are included in the PDF, one for each performer. For Eb and Bb clarinet duet The season of spring, at least here in the Midwest, is full of contradictions. It is windy and chilly one day, and beautiful and sunny the next. The first section represents the stormy side of spring. The sun appears in the middle section to brighten things up, the second voice taking over the melody. The storms reappear for the final section, reminding us that summer has not yet come. Suitable for solo and ensemble contest.
$6.00
5.48 €
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2 Clarinets (duet)
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Lori Archer Sutherland
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Spring Spirits
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Lori Archer Sutherland
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SheetMusicPlus
Spring Spirits
2 Clarinets (duet)
Clarinet Duet E-Flat Clarinet - Level 3 - Digital Download SKU: A0.765081 Composed …
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Clarinet Duet E-Flat Clarinet - Level 3 - Digital Download SKU: A0.765081 Composed by Lori Archer Sutherland. Contemporary,Standards. 2 scores. 6 pages. Lori Archer Sutherland #6287981. Published by Lori Archer Sutherland (A0.765081). Two copies of the performance score are included in the PDF, one for each performer. For Bb and alto clarinet duet The season of spring, at least here in the Midwest, is full of contradictions. It is windy and chilly one day, and beautiful and sunny the next. The first section represents the stormy side of spring. The sun appears in the middle section to brighten things up, the second voice taking over the melody. The storms reappear for the final section, reminding us that summer has not yet come. Suitable for solo and ensemble contest.
$6.00
5.48 €
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2 Clarinets (duet)
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Lori Archer Sutherland
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Spring Spirits
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Lori Archer Sutherland
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SheetMusicPlus
Spring Spirits
Clarinet, Horn (duet)
Instrumental Duet Clarinet,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.…
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Instrumental Duet Clarinet,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.764963 Composed by Lori Archer Sutherland. Contemporary,Standards. Score and parts. 6 pages. Lori Archer Sutherland #4627095. Published by Lori Archer Sutherland (A0.764963). Two copies of the performance score are included in the PDF, one for each performer. For clarinet and horn duet The season of spring, at least here in the Midwest, is full of contradictions. It is windy and chilly one day, and beautiful and sunny the next. The first section represents the stormy side of spring. The sun appears in the middle section to brighten things up, the second voice taking over the melody. The storms reappear for the final section, reminding us that summer has not yet come. Suitable for solo and ensemble contest.
$6.00
5.48 €
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Clarinet, Horn (duet)
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Lori Archer Sutherland
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Spring Spirits
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Lori Archer Sutherland
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SheetMusicPlus
Spring Spirits
Flute, Clarinet (duet)
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0…
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.764966 Composed by Lori Archer Sutherland. Contemporary,Standards. Score and parts. 6 pages. Lori Archer Sutherland #4627089. Published by Lori Archer Sutherland (A0.764966). Two copies of the performance score are included in the PDF, one for each performer. For flute/clarinet duet The season of spring, at least here in the Midwest, is full of contradictions. It is windy and chilly one day, and beautiful and sunny the next. The first section represents the stormy side of spring. The sun appears in the middle section to brighten things up, the second voice taking over the melody. The storms reappear for the final section, reminding us that summer has not yet come. Suitable for solo and ensemble contest.
$6.00
5.48 €
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Flute, Clarinet (duet)
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Lori Archer Sutherland
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Spring Spirits
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Lori Archer Sutherland
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SheetMusicPlus
Spring Spirits
2 French horns (duet)
French Horn Duet Horn - Level 2 - Digital Download SKU: A0.764965 Composed by Lori …
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French Horn Duet Horn - Level 2 - Digital Download SKU: A0.764965 Composed by Lori Archer Sutherland. Contemporary,Standards. Score. 6 pages. Lori Archer Sutherland #4627097. Published by Lori Archer Sutherland (A0.764965). Two copies of the performance score are included in the PDF, one for each performer. The season of spring, at least here in the Midwest, is full of contradictions. It is windy and chilly one day, and beautiful and sunny the next. The first section represents the stormy side of spring. The sun appears in the middle section to brighten things up, the second voice taking over the melody. The storms reappear for the final section, reminding us that summer has not yet come. Suitable for solo and ensemble contest.
$6.00
5.48 €
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2 French horns (duet)
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Lori Archer Sutherland
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Spring Spirits
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Lori Archer Sutherland
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SheetMusicPlus
Spring Spirits
Trumpet, Trombone (duet)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: …
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.765038 Composed by Lori Archer Sutherland. Contemporary,Standards. Score and parts. 6 pages. Lori Archer Sutherland #4969155. Published by Lori Archer Sutherland (A0.765038). Two copies of the performance score are included in the PDF, one for each performer. For trumpet and trombone duet The season of spring, at least here in the Midwest, is full of contradictions. It is windy and chilly one day, and beautiful and sunny the next. The first section represents the stormy side of spring. The sun appears in the middle section to brighten things up, the second voice taking over the melody. The storms reappear for the final section, reminding us that summer has not yet come. Suitable for solo and ensemble contest.Also available for trumpet/horn duet (S0.670531) and horn duet (S0.583941).
$6.00
5.48 €
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Trumpet, Trombone (duet)
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Lori Archer Sutherland
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Spring Spirits
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Lori Archer Sutherland
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SheetMusicPlus
Spring Spirits
Instrumental Duet Horn,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.7…
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Instrumental Duet Horn,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.765039 Composed by Lori Archer Sutherland. Contemporary,Standards. Score and parts. 6 pages. Lori Archer Sutherland #4969137. Published by Lori Archer Sutherland (A0.765039). Two copies of the performance score are included in the PDF, one for each performer. For trumpet/horn duet The season of spring, at least here in the Midwest, is full of contradictions. It is windy and chilly one day, and beautiful and sunny the next. The first section represents the stormy side of spring. The sun appears in the middle section to brighten things up, the second voice taking over the melody. The storms reappear for the final section, reminding us that summer has not yet come. Suitable for solo and ensemble contest.
$6.00
5.48 €
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Lori Archer Sutherland
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Spring Spirits
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Lori Archer Sutherland
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SheetMusicPlus
Spring Spirits
Oboe, Bassoon (duet)
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.7…
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.765080 Composed by Lori Archer Sutherland. Contemporary,Standards. Score and parts. 6 pages. Lori Archer Sutherland #6287643. Published by Lori Archer Sutherland (A0.765080). Two copies of the performance score are included in the PDF, one for each performer. For oboe/bassoon duet The season of spring, at least here in the Midwest, is full of contradictions. It is windy and chilly one day, and beautiful and sunny the next. The first section represents the stormy side of spring. The sun appears in the middle section to brighten things up, the second voice taking over the melody. The storms reappear for the final section, reminding us that summer has not yet come. Suitable for solo and ensemble contest.
$6.00
5.48 €
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Oboe, Bassoon (duet)
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Lori Archer Sutherland
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Spring Spirits
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Lori Archer Sutherland
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SheetMusicPlus
Spring Spirits
2 Saxophones (duet)
Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.765083 Composed…
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Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.765083 Composed by Lori Archer Sutherland. Contemporary,Standards. Saxophone Duet. 6 pages. Lori Archer Sutherland #6287645. Published by Lori Archer Sutherland (A0.765083). Two copies of the performance score are included in the PDF, one for each performer. For alto and tenor saxophone The season of spring, at least here in the Midwest, is full of contradictions. It is windy and chilly one day, and beautiful and sunny the next. The first section represents the stormy side of spring. The sun appears in the middle section to brighten things up, the second voice taking over the melody. The storms reappear for the final section, reminding us that summer has not yet come. Suitable for solo and ensemble contest.
$6.00
5.48 €
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2 Saxophones (duet)
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Lori Archer Sutherland
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Spring Spirits
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Lori Archer Sutherland
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SheetMusicPlus
Great Is Thy Faithfulness
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1047241 Composed by Phillip …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1047241 Composed by Phillip Keveren, Thomas O. Chisholm, and William Runyan. Arranged by Denise Bruckno. Praise & Worship,Sacred,Spiritual. Score. 3 pages. Denise Bruckno #651789. Published by Denise Bruckno (A0.1047241). GREAT IS THY FAITHFULNESS is a much loved hymn and early level pianists can now enjoy and share it with this carefully written arrangement in the key of C. It's basically centered mid keyboard with some accidentals and tied notes but overall a simple, yet very pleasing rendition. Lyrics to three verses are included along with a pictured title page.
$4.99
4.55 €
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Piano, Voice
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Phillip Keveren, Thomas O
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Great Is Thy Faithfulness
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Denise Bruckno
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SheetMusicPlus
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