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53969
PIANO & KEYBOARDS
Piano solo
65238
Piano, Voice
46686
Piano, Vocal and Guitar
35657
Easy Piano
17021
Organ
6145
Accordion
3465
Big Note Piano
2419
1 Piano, 4 hands
1724
C Instruments
1182
Piano Accompaniment
875
Piano Trio: piano, violin, cello
693
2 Pianos, 4 hands
520
Piano (band part)
472
Piano Quartet: piano, violin, viola, cello
152
Piano Quintet: piano, 2 violins, viola, cello
132
Piano Quartet: piano, 2 violins, cello
126
Organ, Trumpet (duet)
124
Accordion, Voice
122
1 Piano, 6 hands
122
Organ, Piano (duet)
100
Melody line, Piano
98
Harpsichord
82
2 Accordions
51
2 Pianos, 8 hands
40
Keyboard
31
Accordion ensemble
30
2 Organs (duet)
16
Organ, Voice
14
All Instruments
7
Accordion, String(s)
7
Accordion, Piano
6
Accordion and Orchestra
5
Organ and Orchestra
3
Accordion - Piano, Voice, Guitar chords
2
Piano ensembles
1
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GUITARS
Guitar notes and tablatures
15347
Guitar
8455
Melody line, (Lyrics) and Chords
7438
Bass guitar
4814
Ukulele
2804
Guitar (band part)
805
2 Guitars (duet)
743
Mandolin
433
Piano, Guitar (duet)
274
4 Guitars (Quartet)
259
3 Guitars (trio)
162
Banjo
154
Dulcimer
142
Guitar Ensemble
124
Lyrics and Chords
92
Lap Steel Guitar
60
Electric Bass (band part)
47
Baritone Ukulele
35
Mandolin, Guitar (duet)
22
Mandolin, Piano (duet)
21
3 Dulcimers (trio)
20
2 Dulcimers (duet)
18
Guitar, Violin, Cello (trio)
16
2 Ukuleles
13
Ukulele Ensemble
11
Plectrum Orchestra
9
Guitar, Flute, Clarinet
9
Guitar, Orchestra
8
Dobro
7
Lute
6
Guitar, String Quartet
6
2 Mandolins (duet)
5
Bouzouki
2
Zither
2
2 Guitars and Orchestra
2
Band Scores
1
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VOICE
Choral SATB
21853
Choral 3-part
6355
Voice solo
6260
Choral 2-part
4472
Choral TTBB
2774
Choral Unison
2443
Choral SSAA
1337
Vocal duet, Piano
937
Vocal duet
826
Soprano voice, Piano
552
Choral
493
High voice
283
Low voice, Piano
260
Medium voice, Piano
248
Tenor voice, Piano
228
Choral SSATB
178
Voice, Guitar
170
Choral SSAATTBB
158
Baritone voice, Piano
144
Choral SSATTB
119
Alto voice, Piano
109
Mezzo-Soprano voice, Piano
105
Soli, Mixted choir and accompaniment
93
Tenor voice
77
Medium Voice
68
High voice, Piano
59
Soprano voice
50
Choral SSATBB
25
Low voice
25
Choral SATBB
17
Choral SSAATB
15
Choral SSAB a cappella
14
Children choir
11
Choral SSAB, Piano
10
Choral SAATB A Cappella
9
Soprano voice, Orchestra
9
Choral SATTB
7
Vocal duet, Organ
6
Choral SATTBB A Cappella
5
Voix Masculines
3
Choral SSAATB A Cappella
2
Baritone voice
1
Voice, Basso continuo
1
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WOODWIND
Saxophone
16465
Flute
9332
Clarinet
9116
Flute and Piano
5695
Saxophone (band part)
4043
Saxophone Quartet: 4 saxophones
3303
Clarinet and Piano
2840
Oboe, Piano (duet)
2620
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
2565
Alto Saxophone and Piano
2332
Alto Saxophone
2293
Flute, Oboe, Clarinet, Bassoon
2210
2 Saxophones (duet)
1945
Clarinet Quartet: 4 clarinets
1928
2 Flutes (duet)
1922
Tenor Saxophone and Piano
1678
Tenor Saxophone
1453
Recorder
1321
2 Clarinets (duet)
1238
Soprano Saxophone and Piano
1152
Clarinet (band part)
1152
Saxophone Quintet: 5 Saxophones
1124
Flute Quartet: 4 flutes
1116
Oboe
938
Oboe (band part)
816
3 Clarinets (trio)
735
Clarinet Ensemble
716
Soprano Saxophone
713
Flute Trio: 3 flutes
633
Flute, Clarinet (duet)
633
Flute (band part)
616
3 Saxophones (trio)
577
Flute and Guitar
543
Flute ensemble
507
Saxophone ensemble
499
Descant (Soprano) Recorder
484
Baritone Saxophone, Piano
471
2 Oboes (duet)
413
2 Recorders (duet)
407
Clarinet Quintet: 5 clarinets
401
English horn, Piano
351
Harmonica
315
Saxophone, Clarinet (duet)
311
Clarinet, Violin (duet)
304
Treble (Alto) Recorder
297
Recorder Quartet
290
Clarinet, Trumpet (duet)
248
Oboe, Bassoon (duet)
245
Flute, Violin
233
Oboe, Clarinet (duet)
216
Bass Clarinet, Piano
205
2 Flutes, Piano
202
Flute, Oboe, Clarinet (trio)
185
Clarinet, Guitar (duet)
184
Flute, Clarinet and Bassoon.
153
3 Recorders (trio)
147
Flute, Clarinet, Piano (trio)
141
Flute, Viola (duet)
138
Clarinet and Viola
136
Flute, Trumpet (duet)
133
Clarinet, Bassoon (duet)
131
Oboe, Flute
125
Flute, Saxophone (duet)
125
Treble (Alto) Recorder, Piano
122
Flute Quintet : 5 flutes
115
Clarinet, Harp (duet)
114
Flute, Oboe, Bassoon
111
Flute, Violoncello
111
Flute, Cello, Piano (trio)
107
Oboe, Clarinet, Bassoon (trio)
100
Descent (Soprano) Recorder, Piano
97
5 Recorders
95
2 Clarinets, Piano
94
English Horn
88
Flute, Violin, Piano
86
Flute, Oboe (duet)
86
Baritone Saxophone
83
Recorder Ensemble
82
Clarinet, Cello, Piano (trio)
70
Clarinet, Cello (duet)
69
2 Saxophones, Piano
68
Tenor Recorder
62
Flute, Violin and Violoncello
58
Flute, Bassoon, and Piano
52
Saxophone and Piano
49
Treble (Alto) Recorder, Basso continuo
48
Oboe, Cello
47
Saxophone and Organ
47
Recorder, Guitar (duet)
46
Saxophone and Harp
42
Piccolo
42
Oboe, Guitar (duet)
41
Flute, Oboe, Piano (trio)
40
Oboe, Violin (duet)
40
Oboe, Harp
38
Flute, Basso continuo
37
Piccolo, Piano
34
Flute, trombone and piano
33
3 Oboes
33
Pennywhistle
32
Flute, Harp and Cello
31
Flute, Viola and Piano
31
Wind ensemble
30
4 Oboes
30
Flute, Organ (duet)
28
Flute, Clarinet, Horn and Bassoon (Quartet)
27
Flute, Violin, Violoncello and Piano
26
Oboe and viola (duet)
25
Clarinette, Viola and Piano (trio)
23
Recorder, Piano
23
Saxophone and Guitar
23
Flute, Violin, Guitar
22
Flute, Trombone (duet)
21
Clarinet, Bassoon, Piano (trio)
20
Flute, harp and violin
20
2 Recorders, Piano
19
Flute, Cello, Guitar
18
Eb Instruments
18
Clarinet Quintet: Clarinet, String Quartet
18
Flute, Orchestra
18
2 Clarinets, Bassoon
17
Flute, Oboe, Violin
16
Ocarina
16
Clarinet, trumpet and piano
16
Clarinet, Trombone (duet)
16
Flute and String Quartet
16
Flute and Strings Trio
15
Oboe, Bassoon and Piano
15
Bass Clarinet
14
Clarinet, Organ
13
2 Oboes, Piano
12
Oboe ensemble
12
Bagpipe
11
Clarinet Quartet: Clarinet, Violin, Viola, Cello
11
Descant (Soprano) Recorder, Basso continuo
10
2 Flutes and Harp
10
Clarinet, Orchestra
10
Oboe, Cello and Piano
10
Oboe, Violin, Piano
9
Clarinet, Double bass (duet)
9
2 Oboes and English horn
8
Flute, French horn (duet)
8
Oboe, Organ
8
Flute, Viola and harp
8
Clarinet, Tuba
7
Flute, Guitar, Piano
7
2 English horns and Pianoforte
7
Oboe, Violin, Viola and Violoncello (Quartet)
7
Oboe, Clarinet and Piano (Trio)
7
2 Oboes and Basson
6
Oboe and Orchestra
6
English Horn, Guitar (duet)
6
2 Flutes, Basso continuo
6
Flute, Tuba (duet)
6
Oboe, Trombone (duet)
6
Flute, Viola and Cello
5
Harmonica, Piano
4
Pan Flute
4
Clarinet, Saxophone, Piano
3
Flute, Clarinet, Violin (trio)
3
2 Flutes, 2 Clarinets (Quartet)
3
Oboe and String quartet
3
Recorder, Harp
3
2 Flutes and Guitar
2
2 Recorders, Guitar
2
English horn, Harp (duet)
2
Oboe, Clarinet, Bassoon and Piano
1
Saxophone, Tuba (duet)
1
Flute, viola, cello and guitar
1
3 Recorders, Piano
1
Instrumentations suivantes
Retracter
WOODBRASS
Trumpet (band part)
13098
Trumpet
11480
Trombone
6712
Trumpet, Piano
3632
Brass Quintet: 2 trumpets, horn, trombone, tuba
3366
Trombone (band part)
2598
Trombone and Piano
2140
French Horn and Piano
1456
French horn
1351
Brass quartet : 2 trumpets, trombone, tuba
1148
French horn (band part)
825
Tuba
812
2 Trumpets (duet)
710
Tuba and Piano
708
Brass Quartet: 2 trumpets, horn, trombone
563
2 Trombones (duet)
558
Tuba (band part)
515
Euphonium
513
Brass Quartet
502
Trumpet, Trombone (duet)
498
2 Euphoniums and 2 Tubas
420
Brass Quartet: 4 horns
417
Brass Quartet: 4 trombones
413
Euphonium, Piano (duet)
377
2 French horns (duet)
373
English horn, Piano
351
Trumpet, Horn (duert)
348
Trumpet, Saxophone (duet)
299
Trumpet ensemble
210
Trombone ensemble
187
Brass Quartet: 4 trumpets
163
Horn Ensemble
144
3 Trumpets (trio)
137
3 Trombones (trio)
134
2 Tubas (duet)
126
Brass Trio
120
2 Trumpets, Keyboard (piano or organ)
98
4 Tubas
98
English Horn
88
Tuba and Organ
61
French Horn and Harp
48
Trombone, Organ
43
3 French horns (trio)
41
Brass Quartet: 2 trumpets, 2 trombones
40
Trumpet, Harp
39
2 Euphoniums (duet)
38
Trombone, Horn (duet)
33
Bass Trombone
33
Bass Trombone and Piano
30
Trumpet, Cello (duet)
30
Trumpet, Trombone, Piano
30
Trombone, Tuba (duet)
29
Trumpet, Bassoon (duet)
27
Euphonium, Tuba (duet)
26
Bass Clef Instruments
25
3 Tubas (trio)
24
Trumpet, Tuba (duet)
23
Trumpet, Cello, Piano
22
Trumpet and Guitar
17
Trumpet, Orchestra
17
Tuba ensemble
17
2 Trombones, Piano
16
Horn, Tuba (duet)
15
Horn and Organ
14
Cornet and Piano
14
2 French horns, Piano
13
Bb Instruments
13
4 Euphoniums
11
Brass Quintet: 2 trumpets, horn, 2 trombones
11
Horn, Cello (duet)
10
Horn and Orchestra
9
Trumpet, violin (duet)
8
Trombone and Orchestra
7
Trombone, Violin (duet)
7
2 English horns and Pianoforte
7
English Horn, Guitar (duet)
6
Cornet
6
Horn, Cello and Piano
6
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
6
Trumpet, Euphonium (duet)
5
Clarinet, Horn (duet)
5
Euphonium (band part)
4
3 Euphoniums
4
Horn, Trumpet, Trombone (trio)
3
Flügelhorn
2
Cornet and Orchestra
2
F Instruments
2
Tuba or Euphonium or Saxhorn
2
English horn, Harp (duet)
2
French horn and Basson (duet)
1
Bass Saxhorn or Euphonium or Tuba and Piano
1
Euphonium or Saxhorn and Piano
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
7988
Violin
6972
Violin and Piano
6612
Cello, Piano
4062
Harp
3750
Cello
3481
Viola
3261
Viola, Piano
2757
Violin (band part)
1668
Violin, Cello (duet)
1377
Cello (band part)
1334
2 Violins (duet)
1279
String Trio: violin, viola, cello
1000
2 Cellos (duet)
846
Doublebass (band part)
812
Viola (band part)
732
Violin, Viola (duet)
701
Double Bass
688
2 Violas (duet)
605
Double bass, Piano (duet)
568
String Quintet: 2 violins, viola, cello, bass
521
String Trio: 2 violins, cello
433
2 Harps (duet)
386
4 Cellos
327
Harp, Flute (duet)
306
Piano Trio: Violin, Viola, Piano
299
Violin, Guitar (duet)
290
String Trio: 3 violins
247
Cello, Guitar (duet)
246
Viola, Cello (duet)
219
String Trio: 3 cellos
192
String quartet: 4 violins
174
Viola, Guitar (duet)
147
Harp, Violin (duet)
131
2 Violins, Piano
98
String trio
92
2 Double basses (duet)
89
Harp, Cello (duet)
85
String Quartet : 4 violas
72
Cello, String Bass (duet)
64
String Trio: 2 violins, viola
62
String Trio: 3 violas
62
Viola and Harp
56
Violin, Basso continuo
53
Cello, Organ
45
Cello, Orchestra
41
Violoncello, Basso continuo
40
Violin, Clarinet, Piano (trio)
40
Violin, Bassoon (duet)
40
Cello Ensemble
39
2 Violins and Basso
39
2 Cellos, Piano
38
String Quintet: 2 violins, 2 violas, cello
35
Violin, Organ
34
Violin ensemble
32
Harp, Voice
30
Viola ensemble
26
3 Harps
25
Harp (band part)
23
String Quintet: 2 violins, viola, 2 cellos
20
Flute, Doublebass (duet)
20
Harp and Piano
17
2 Violas, Piano
15
Viola and Bassoon
15
Harp and mandolin
15
Viola and orchestra
14
Harp, Violin, Violoncello
14
4 Double Basses
12
Harp, Trombone (duet)
11
Autoharp
10
Violin, Trumpet and Piano
10
Violin, Cello, Clarinet
7
Viola, Organ
7
3 double basses
7
4 Harps
6
5 Harps
5
Violin, Tuba (duet)
5
Harp and Organ
4
Double basses ensemble
3
Harp, String quartet
3
Harp, Orchestra
3
Violin, Double bass (duet)
1
Violin, Clarinet and Guitar
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
26407
Orchestra
9963
String Orchestra
6204
Drums
6021
Jazz Ensemble
4577
Marching band
1942
Handbells
1837
Brass ensemble
1648
Chamber Orchestra
935
Percussion (band part)
808
Drum (band part)
658
Jazz combo
519
Percussion
403
Percussion Ensemble
313
Marimba
236
Woodwind Quintet
76
Snare drums
67
Timpani
63
Piano and Orchestra
62
Vibraphone
61
Timpani (band part)
60
Xylophone, Piano
55
Woodwind Quartet: any 4 woodwinds
53
Orchestra, Violin
48
Xylophone
45
Drums-Marching band
27
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
23
Flexible Instrumentation
19
2 Xylophones
16
School Ensemble
10
3 Marimbas
8
Brass Quintet: other combinaisons
8
Vibraphone and Marimba
7
Xylophone or Marimba or Vibraphone
6
Marimba and Organ
6
Woodwind Trio: any 3 woodwinds
5
2 Marimbas
5
Big band
4
Bodhran
3
2 Snare Drums (duet)
3
Marimba, Piano (duet)
3
Voice and Orchestra
3
Conga
3
Vibraphone (band part)
3
2 Percussions
2
Bongos
2
Cajon
2
3 Percussions
2
Voice Mezzo-Soprano, Orchestra
2
Marimba or Xylophone and Piano
1
Symphonic Band
1
Marimba, Saxophone (duet)
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
342
Music Theory
42
Stationery
9
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9976
La Formation Musicale Tout Simplement Volume 3
Musical course - Solfege
Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises…
(+)
Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises, European, Children's Musicals. Individual Part. 42 pages. Published by MCM Editions Musicales
This methodis for third Year students Musical.<br> <br> <br> It coversthe bulk of the acquisitions requested for<br> third year of Formation and will make them discover all the language<br> Musical they need to play theirinstrument.<br> <br> <br> Each lessonincludes:<br> <br> <br> - Horizontal and vertical readingnotes<br> - Reading by the directory<br> - Reading rhythm<br> - Rhythm struck hands together one voice and two voice<br> - Rhythm struck and read by the directory<br> - Singing<br> - Theory<br> - Melodic dictation<br> - Rhythmic Dictation
$19.00
17.61 €
#
Musical course - Solfege
#
Christian Champeil
#
La Formation Musicale Tout Simplement Volume 3
#
MCM Editions Musicales
#
SheetMusicPlus
La Formation Musicale Tout Simplement Volume 4
Musical course - Solfege
Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises…
(+)
Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises, European. Individual Part. 42 pages. Published by MCM Editions Musicales France
This methodis for fourth Year students Musical.<br> <br> <br> It coversthe bulk of the acquisitions requested for<br> fourth year of Formation and will make them discover all the language<br> Musical they need to play theirinstrument.<br> <br> <br> Each lessonincludes:<br> <br> <br> - Readingnotes horizontal and vertical<br> - Reading rhythm by the directory<br> - Rhythm struck hands together one voice two voice<br> - Singing<br> - Theory<br> - Melodic dictation<br> - Rhythmic Dictation
$19.00
17.61 €
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Musical course - Solfege
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Christian Champeil
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La Formation Musicale Tout Simplement Volume 4
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MCM Editions Musicales France
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SheetMusicPlus
Jazztrompete kreativ
Trumpet
Trumpet - intermediate - Digital Download Technik, Stilistik, Aufbautraining. This ed…
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Trumpet - intermediate - Digital Download Technik, Stilistik, Aufbautraining. This edition: Sheet music. Jazz, Trompete, Unterricht. Downloadable. Op. 1. Schott Music - Digital #Q54842. Published by Schott Music - Digital
Harmonik und Rhythmik sind fur jeden Jazzmusiker eine Selbstverstandlichkeit. Wie aber lernt man melodische Improvisation? Wie gestaltet man ein Thema und vor allem: Wie entwickelt man es weiter? Diese Lucke zu schliessen ist das Ziel von "Jazztrompete kreativ". Es bietet dem angehenden und fortgeschrittenen Jazztrompeter mit ausfuhrlichen Erlauterungen und Ubungen sowie zahlreichen Notenbeispielen eine Fulle von ubersichtlich gegliederten Ubungen, Informationen und Anregungen. Eine umfassende Anleitung zum Improvisieren, die sich nicht nur auf die Arbeit mit Skalen und Akkordpatterns beschrankt, sondern einen wirklich kreativen Zugang zur Jazzmelodik und dazu viele echte Tipps aus der Praxis bietet. Fur Unterricht und Selbststudium geeignet.<br> Band 1 mit den Themen Technik, Stilistik und Aufbautraining enthalt eine Einfuhrung in die blaserischen, technischen und stilistischen Grundlagen des Jazztrompetenspiels und behandelt Themen wie Ansatz, Tonbildung, Kondition, Spieltechnik und Aufbautraining.
$18.99
17.6 €
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Trumpet
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Jazztrompete kreativ
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Schott Music - Digital
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.24 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Music (Intermediate Level)
Trumpet
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Trumpet
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John Miles
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Tomplay
Music (Advanced Level)
Trumpet
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5.99 €
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Trumpet
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John Miles
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Tomplay
Music (Easy Level)
Trumpet
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Trumpet
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John Miles
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Tomplay
Music (Very Easy Level)
Trumpet
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Trumpet
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John Miles
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Tomplay
My First Concert
Trumpet
Trumpet (B) and piano - easy to intermediate - Digital Download 26 Easy Concert Piece…
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Trumpet (B) and piano - easy to intermediate - Digital Download 26 Easy Concert Pieces from 5 Centuries. This edition: Sheet music. Trompete, Blasinstrument, Konzert. My first Concert. Downloadable. Schott Music - Digital #Q54864. Published by Schott Music - Digital
To every young musician, the first concert is a special experience. The choice of the 'right' performance piece is of vital importance: It should be technically and musically manageable, make a strong impression and give great pleasure in practising.<br> The edition .My First Concert .contains easy pieces for trumpet in B flat and piano for music lessons and first auditions. The selection of the works invites the performer on a trip through various music epochs - starting from 16th-century music via Baroque, Classical and Romantic to contemporary music. The musical journey through time ends in pleasant, modern pieces from the areas of pop and rock music which would add variety to lessons.<br> Most pieces can be played after 1-2 years of music lessons. .The edition also contains an easy piano part for accompaniment. It is deliberately kept simple so that the piano accompaniment can also be played by students - for example at concerts in music schools or at competitions.
$16.99
15.75 €
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Trumpet
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My First Concert
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Schott Music - Digital
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SheetMusicPlus
My First Concert
Trumpet
Trumpet in C - easy - Digital Download 26 Easy Concert Pieces from 5 Centuries. This …
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Trumpet in C - easy - Digital Download 26 Easy Concert Pieces from 5 Centuries. This edition: PDF. Trompete, Blasinstrument, Konzert. My first Concert. Downloadable. Schott Music - Digital #Q47091. Published by Schott Music - Digital
To every young musician, the first concert is a special experience. The choice of the 'right' performance piece is of vital importance: It should be technically and musically manageable, make a strong impression and give great pleasure in practising.<br> The edition .My First Concert .contains easy pieces for trumpet in B flat and piano for music lessons and first auditions. The selection of the works invites the performer on a trip through various music epochs - starting from 16th-century music via Baroque, Classical and Romantic to contemporary music. The musical journey through time ends in pleasant, modern pieces from the areas of pop and rock music which would add variety to lessons.<br> Most pieces can be played after 1-2 years of music lessons. Approaching the works is made easier by the enclosed CD which contains all pieces as a demo version and as a play-along version with just piano accompaniment. The edition also contains an easy piano part for accompaniment. It is deliberately kept simple so that the piano accompaniment can also be played by students - for example at concerts in music schools or at competitions.
$3.99
3.7 €
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Trumpet
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My First Concert
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Schott Music - Digital
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SheetMusicPlus
Celebre Comptine
Trumpet
Bb Trumpet, Piano - Grade 3 - Digital Download SKU: FX.FX071969 Composed by Pascal …
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Bb Trumpet, Piano - Grade 3 - Digital Download SKU: FX.FX071969 Composed by Pascal Proust. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071969. Published by FLEX Editions - Digital Sheet Music (FX.FX071969). Easy variations on a famous popular theme. For an auditon or exam on folk songs, and with a piano accompaniement adapted to the young musicians.
$8.95
8.3 €
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Trumpet
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Pascal Proust
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Celebre Comptine
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
The Organ Music of Fred Bock
Organ
Organ SKU: HL.8738397 Volume 1: Six Hymn Tunes. Composed by Fred Bock. Arran…
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Organ SKU: HL.8738397 Volume 1: Six Hymn Tunes. Composed by Fred Bock. Arranged by Fred Bock. Organ. Fred Bock Publications. General Worship, Sacred. 31 pages. Fred Bock Music Company #BG0889. Published by Fred Bock Music Company (HL.8738397). ISBN 9781934596456. UPC: 073999383973. 9.0x12.0x0.127 inches.With over 30 years of arranging and composing experience as a church music director, arranger, composer, music editor and performer, Fred Bock excels in the ability to add freshness and strength to his settings of traditional hymn tunes. Congregations, as well as the musicians, are sure to value and identify with Mr. Bock's preludes. Includes: Be Thou My Vision * Now Thank We All Our God * Morning Has Broken * and others.
Song List: Now Thank We All Our God (J Cruger) Morning has Broken Jesus, Thou Joy of Loving Hearts (Henry Baker) On Christmas Night (Arr: Fred Bock) Be Thou My Vision LORD'S MY SHEPHERD, THE (ARR: FRED BOCK)
$12.95
12 €
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Organ
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Fred Bock
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The Organ Music of Fred Bock
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Fred Bock Music Company
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SheetMusicPlus
Shore’s Musick – Shoar's New Trumpett Tune
Trumpet
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3.99 €
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Trumpet
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Clarke (Jeremiah)
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Tomplay
Shore’s Musick – Trumpett
Trumpet
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
3.99 €
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Trumpet
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Clarke (Jeremiah)
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Tomplay
Shore’s Musick – Trumpet Minuet
Trumpet
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
4.99 €
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Trumpet
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Clarke (Jeremiah)
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Tomplay
Shore’s Musick – Shore's Tune
Trumpet
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
4.99 €
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Trumpet
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Clarke (Jeremiah)
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Tomplay
Traditional Afro-Cuban Concepts in Contemporary Music
Percussion - Beginning-Intermediate - Digital Download SKU: M0.98081BCDEB Composed …
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Percussion - Beginning-Intermediate - Digital Download SKU: M0.98081BCDEB Composed by Arturo Rodriguez. Technique, Theory and Reference. Latin American. E-book and online audio. Mel Bay Publications - Digital Sheet Music #98081BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.98081BCDEB). ISBN 9781610658881. 8.75x11.75 inches.This course examines the infusion of traditional Afro-Latin and especially Afro-Cuban concepts into contemporary Western music. Upon completion of this book you will have mastered many new skills that will help you become a more accomplished percussionist and, more importantly, a more complete musician. By exploring the role of percussion in traditional Afro-Cuban music, you will understand the important contribution drums make towards a complete musical piece, and that a drum is not merely a rhythmic placeholder but truly a musical instrument worthy of recognition. While this book focuses primarily on hand percussion, its basic principals are also applied to the drum kit. There is no standard notation in this book; rather, the rhythms are illustrated with easily understood charts based on counting out subdivided beats. The companion audio offers examples of all major points.
$24.99
23.16 €
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exploring the role of percussion in traditional Afro-Cuban music, you will understand the important contribution drums make towards a complete musical piece, and that a drum is not merely a rhythmic placeholder but truly a musical instrument worthy of recognition
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Arturo Rodriguez
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Traditional Afro-Cuban Concepts in Contemporary Music
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
How To Comp
Melody instruments (piano/keyboard/guitar/vibraphone) - Digital Download SKU: S9.Q48014…
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Melody instruments (piano/keyboard/guitar/vibraphone) - Digital Download SKU: S9.Q48014 A Study In Jazz Accompaniment. Jazz - music education - lessons. Downloadable, Textbook. Advance Music GmbH - Digital #Q48014. Published by Advance Music GmbH - Digital (S9.Q48014). English.This digital book/audio set presents a clear, comprehensive, one-step-at-a-time method for learning how to accompany an improvised jazz solo. As a sequel to Hal Crook’s text How to Improvise, How to Comp offers precise explanations, practical exercises, recorded musical examples, four play-along tracks, and daily practice routines. How to Comp organizes a vast amount of information that helped to make the author’s previous work a major contribution to jazz pedagogy. How to Comp is primarily for intermediate through advanced level players of harmonic instruments, e.g. piano (keyboard), guitar and vibraphone. However, drummers, bassists and horn players can also benefit from its study. Subject covered include: Voicing construction, preferred stock voicings, voiceleading, constant structure, non-harmonic voicings, single-note lines, rhythmic vocabulary, altering the harmonic rhythm, motive development, dividing and shifting attention, supportive and interactive comping styles, the soloist’s viewpoint, pacing, strolling, and much more. In How to Comp, the author, an accomplished jazz trombonist, pianist, composer, arranger and educator, looks deeply into the nature and challenge of artistic jazz accompaniment and puts into focus a direct, sure path toward mastery.A comprehensive, one-step-at-a-time method for learning how to accompany an improvised solo. It offers precise explanations, practical exercises, recorded examples, four play-along tracks, and daily practice routines. Intended for intermediate-to-advanced players of harmonic instruments (piano, guitar, vibraphone), it can also be used by drummers, bassists and horn players.
$33.99
31.5 €
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How To Comp
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Advance Music GmbH - Digital
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SheetMusicPlus
Impromptu No. 3 in B-flat major, D. 935, Opus 142
Trumpet
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2.99 €
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Trumpet
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Schubert
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Tomplay
Stompin' on a Riff: 2nd B-flat Trumpet
Trumpet (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017156_T2 2nd B-flat Trumpet…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017156_T2 2nd B-flat Trumpet. Composed by David Berger. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017156_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017156_T2). UPC: 038081343402.As an homage to the great Count Basie, composer/arranger David Berger delivers just what the title says---this chart is truly Stompin' on a Riff. Features include a piano intro, a sax section melody and some brass, written solos for 2nd trumpet and 1st alto, a modulation, some piano fills, another modulation and a diminuendo into the shout chorus. This chart swings hard---you'll love it! (3:41) This excellent blues chart in the Basie style uses the keys of G, A-flat, E-flat, and A-flat. The written solos for piano, trumpet, and alto sax include changes and fit the style well. The writing includes a great shout chorus and some neat plunger work for the trumpets -The Instrumentalist This title is available in SmartMusic.
$3.00
2.78 €
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Trumpet (band part)
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David Berger
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Stompin' on a Riff: 2nd B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Stompin' on a Riff: 1st B-flat Trumpet
Trumpet (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017156_T1 1st B-flat Trumpet…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017156_T1 1st B-flat Trumpet. Composed by David Berger. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017156_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017156_T1). UPC: 038081343402.As an homage to the great Count Basie, composer/arranger David Berger delivers just what the title says---this chart is truly Stompin' on a Riff. Features include a piano intro, a sax section melody and some brass, written solos for 2nd trumpet and 1st alto, a modulation, some piano fills, another modulation and a diminuendo into the shout chorus. This chart swings hard---you'll love it! (3:41) This excellent blues chart in the Basie style uses the keys of G, A-flat, E-flat, and A-flat. The written solos for piano, trumpet, and alto sax include changes and fit the style well. The writing includes a great shout chorus and some neat plunger work for the trumpets -The Instrumentalist This title is available in SmartMusic.
$3.00
2.78 €
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Trumpet (band part)
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David Berger
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Stompin' on a Riff: 1st B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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