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1451
Highlands [2 violins]
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2 Violins (duet)
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EASY
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John Winstead and Miguel Angel
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Highlands [2 violins]
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Juan Maria Solare
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SheetMusicPlus
Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,...
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Irish. 5 pages. Juan Maria Solare #6208589. Published by Juan Maria Solare (A0.596615). Highlands for two violins About the genesis of my work Highlands: There was a composition competition in Scotland (The Gordon Stewart Memorial Competition), they asked to write a short march for Scottish bagpipes. I said to myself: I don't know anything about the bagpipes, this could be an opportunity to get to know the instrument better. So I began to investigate and discovered that there is a huge literature, many works. Of course: all the works are impressively similar, because it is a relatively limited instrument (with forgiveness of the pipers). But this is an unimportant detail for our story. So, with a collection of bagpipe sheet music at hand, I began to investigate the possibilities of the instrument. And I made a huge mistake: Bagpipe scores are written without accidentals, but they are actually in A major. Sharps are not written simply because there is NO alternative. They can't play anything else (at least the traditional bagpipes), so the sheet music ommits the superfluous sharps. In short: then I composed my melody for that contest in A minor ... which is impossible to play on bagpipes. The fact of having written the melody on board a train prevented me from listening to dozens of works for bagpipes as a reference (at that time - June 2015 - I did not have a mobile internet connection). When I realized the mistake (in time) I rewrote that melody in major mode (well, Mixolydian ...), added some typical bagpipe ornamentation and retitled it: Ballone Castle (the name of the castle of the organizers of the contest, the Stewart Society). And now what do I do with the original melody, in minor mode? Instead of throwing it away (which I never do) I titled it Highlands, and it is the work that you are about to hear, or whose score you are holding. I didn't win that contest in Scotland. But I recorded Ballone Castle and posted it on Spotify: Ballone Castle (for bagpipes) - on Spotify (there is a version with drums and another without them). As for Highlands, the saxophone version was recorded by my Chinese friend Yu Han for the album Images of Elsewhere (Images of Elsewhere (saxophone)). In this case, there are also two versions: solo saxophone and sax with electronic sounds. The electronic sounds here actually simulate the typical bagpipe pedal (drone) note. A version of Highands for oboe Solo was recorded by John Winstead (Highlands (oboe solo)) Comparing both pieces (Highlands and Ballone Castle) it is verified how the simple change of mode (major / minor), in addition to the change of instrument, can work wonders for musical perception. They are two related but independent works, each with its own defined character - like two twins. But the story continues. In October 2020 I began an intense dialogue with the violinist Miguel Ãngel Cotignola, from Mendoza (Argentina). I suggested him to film Highlands. He suggestd me to write a second violin part. I did it. He filmed it on the shore of Lake Potrerillos, in Mendoza (Argentina). This video can be seen here: Highlands (for two violins)Juan MarÃa Solare
$2.00
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Allegro (from "Concerto for Four Claviers") (G min) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 H
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Classical
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.813410 Composed by Johann Sebastian Bach. Arrang...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.813410 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 43 pages. Regis Bookshar #6209865. Published by Regis Bookshar (A0.813410). Woodwind Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a Woodwind Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Allegro (from "Concerto for Four Claviers") (A min) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 H
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Classical
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.813388 Composed by Johann Sebastian Bach. Arrang...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.813388 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 43 pages. Regis Bookshar #6209781. Published by Regis Bookshar (A0.813388). Woodwind Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a Woodwind Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
An American Sonata for Solo Instrument and Organ
Flute|English Horn|Viola|Clarinet|Bassoon|Oboe|Violin|Organ
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Sacred music
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Charles E
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An American Sonata for Solo In
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
By Charles E. Callahan, Jr. (1951-). For Organ, Clarinet, Bassoon/English Horn, Violin, Flute, Oboe, Viola. Sacred. Moderately Easy. Published by MorningStar Mu...
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By Charles E. Callahan, Jr. (1951-). For Organ, Clarinet, Bassoon/English Horn, Violin, Flute, Oboe, Viola. Sacred. Moderately Easy. Published by MorningStar Music Publishers - Digital Sheet Music
$17.00
Two arias from Cantata BWV 202 (arrangement for violin and organ or harpsichord)
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Violin
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Classical
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Johann Sebastian Bach
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Gil Garty
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Two arias from Cantata BWV 202
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Gil Garty
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SheetMusicPlus
Small Ensemble Harpsichord,Organ,Piano Accompaniment,Violin - Digital Download SKU: A0.756582 Composed by Johann Sebastian Bach. Arranged by Gil Garty. B...
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Small Ensemble Harpsichord,Organ,Piano Accompaniment,Violin - Digital Download SKU: A0.756582 Composed by Johann Sebastian Bach. Arranged by Gil Garty. Baroque. Score and parts. 20 pages. Gil Garty #4612625. Published by Gil Garty (A0.756582). 1st aria originally for violin, soprano voice and continuo. 2nd aria originally for oboe, soprano voice and continuo. Arranged for violin and organ or harpsichord.
$10.00
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Violin and piano with chords
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Violin and Piano
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BEGINNER
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Classical
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Johann Sebastian Bach
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Leyandder Trustworthy
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JESU, JOY OF MAN'S DESIRING by
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Leyandder Trustworthy
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SheetMusicPlus
Small Ensemble Piano,Violin,Voice - Level 1 - Digital Download SKU: A0.964506 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroq...
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Small Ensemble Piano,Violin,Voice - Level 1 - Digital Download SKU: A0.964506 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6331235. Published by Leyandder Trustworthy (A0.964506). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Violin, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99
Erik Satie - Gymnopedie No 1(Trio Piano, Violin and Oboe) with chords
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Oboe, Violin, Piano
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BEGINNER
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Classical
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Contemporary
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Erik Satie
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ANDRE LAITANO
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Erik Satie - Gymnopedie No 1(T
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ANDRÃ? DOS SANTOS
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SheetMusicPlus
Small Ensemble Cello,Harpsichord,Oboe,Organ,Piano,Violin,Voice - Level 1 - Digital Download SKU: A0.707213 Composed by Erik Satie. Arranged by ANDRE LAIT...
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Small Ensemble Cello,Harpsichord,Oboe,Organ,Piano,Violin,Voice - Level 1 - Digital Download SKU: A0.707213 Composed by Erik Satie. Arranged by ANDRE LAITANO. 20th Century,Graduation,Instructional,Standards,Wedding. Score and parts. 11 pages. ANDRÃ? DOS SANTOS #6673987. Published by ANDRÃ? DOS SANTOS (A0.707213). See other scores on this link: https://www.sheetmusicplus.com/publishers/andr-laitano-sheet-music/3015572 .
$4.00
Telemann - Concerto à 4, TWV 43:G6 (for Woodwind Quartet with optional Organ)
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Flute, Oboe, Clarinet, Bassoon
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ADVANCED
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Classical
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Georg Philipp Telemann
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Kenneth Abeling
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Telemann - Concerto à 4, TWV
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.514758 Composed by Georg Philipp Telemann. Arranged b...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.514758 Composed by Georg Philipp Telemann. Arranged by Kenneth Abeling. Baroque,Classical. 48 pages. LINCOLN MUSIC PUBLICATIONS #3555133. Published by LINCOLN MUSIC PUBLICATIONS (A0.514758). Concerto à 4, TWV 43:G6 by Georg Philipp Telemann. Originally written for Recorder, Oboe, Violin and Continuo (Basso) and transcribed here for Woodwind Quartet (with optional Organ) by Kenneth Abeling. This is an easier advanced level composition and suitable for both secular and sacred performances. Playing time: 9:00. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com Preview this score on YouTube: https://www.youtube.com/watch?v=fX0pO9JV8DY
$14.99
5 Famous Songs by Bach for Oboe Quintet
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Oboe ensemble
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BEGINNER
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Classical
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Bach, Martin Luther
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Ander
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whe.
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5 Famous Songs by Bach for Obo
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Oboe - Level 1 - Digital Download SKU: A0.957289 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Re...
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Woodwind Ensemble,Woodwind Quintet Oboe - Level 1 - Digital Download SKU: A0.957289 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748229. Published by Woods Only, Arrangements (A0.957289). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for oboe quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897472: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899673: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900194: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901355: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190355Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; whe.
$39.99
Bach: Wachet auf for Oboe & Piano
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Oboe, Piano (duet)
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe & Pi
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,...
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
(mp3) Meditation (Meditație) - instrumental miniature arr for synth, harp and percussion (audio onl
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Violin
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Andrei Lucian Dragoi
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(mp3) Meditation
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Andrei-Lucian Dragoi
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SheetMusicPlus
Clarinet,Flute,Guitar,Harpsichord,Oboe,Organ,Percussion,Piano,Synthesizer,Viola,Violin - Digital Download SKU: A0.1068955 Composed by Andrei Lucian Drago...
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Clarinet,Flute,Guitar,Harpsichord,Oboe,Organ,Percussion,Piano,Synthesizer,Viola,Violin - Digital Download SKU: A0.1068955 Composed by Andrei Lucian Dragoi. Contemporary,Standards. Accompaniment. Duration 152. Andrei-Lucian Dragoi #6244425. Published by Andrei-Lucian Dragoi (A0.1068955). - miniature for flute (/violin/oboe/clarinet) and guitar(/piano/harp/marimba) duo- arr for synth, harp and percussion (audio only - 128 kbps mp3)Music (composed in 2001 and firstly published on January 20th, 2021):
$1.99
Allegro (from "Concerto for Four Claviers") (A min) (Oboe Quintet)
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Classical
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Oboe - Level 5 - Digital Download SKU: A0.813374 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,M...
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Woodwind Ensemble Oboe - Level 5 - Digital Download SKU: A0.813374 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 44 pages. Regis Bookshar #6209753. Published by Regis Bookshar (A0.813374). Oboe Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for an Oboe Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (44 pages). In addition to this version for 5 Oboes, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Traditional - Away In a Manger (Trio Piano, Oboe and Violin) with chords
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Oboe, Violin, Piano
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BEGINNER
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Christmas
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Traditional
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André Laitano
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Traditional - Away In a Manger
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ANDRÃ? DOS SANTOS
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SheetMusicPlus
Small Ensemble Harpsichord,Oboe,Organ,Piano,Violin,Voice - Level 1 - Digital Download SKU: A0.706936 Composed by Traditional. Arranged by André Laitan...
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Small Ensemble Harpsichord,Oboe,Organ,Piano,Violin,Voice - Level 1 - Digital Download SKU: A0.706936 Composed by Traditional. Arranged by André Laitano. Christian,Christmas,Instructional,Sacred,Standards. Score and parts. 9 pages. ANDR� DOS SANTOS #6664529. Published by ANDR� DOS SANTOS (A0.706936). Traditional - Away In a Manger (Trio Piano, Oboe and Violin) with chordsSee other scores on this link: https://www.sheetmusicplus.com/publishers/andr-laitano-sheet-music/3015572
$4.00
American Patriotic Music for All, Volume 1 (Flexible Band)
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Concert band
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INTERMEDIATE/ADVANCED
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Various
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Randy Calistri-Yeh
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American Patriotic Music for A
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Custom Chamber Music
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.742741 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score a...
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Concert Band - Level 4 - Digital Download SKU: A0.742741 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pages. Custom Chamber Music #350874. Published by Custom Chamber Music (A0.742741). 2nd edition - new and improved.Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has seven songs and over 14 minutes of music that both you and your audience are sure to love. Each song is also available separately from the publisher link above.These arrangements can be played with anywhere from 3 to 7 parts, with a great deal of flexibility in instrumentation. This makes it ideal for bands of all types (school, community, or professional). This is one of the most versatile collections you'll ever use!The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England).Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts. The difficulty level ranges from medium-easy to medium-advanced. The arrangements respect the original style of the composers while greatly expanding the instrument flexibility.This collection contains a full score, as well as individual parts in all the appropriate clefs and transpositions to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet (all with optional percussion).Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.Be sure to also check out our three volumes of Christmas Carols for All!
$45.00
CORELLI TRIO SONATA IN F MAJOR Opus 4 No. 7 FOR FLUTE, OBOE & BASSOON
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Flute, Oboe, Bassoon
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INTERMEDIATE
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Arcangelo Corelli
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Pat Spence
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CORELLI TRIO SONATA IN F MAJOR
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Flute,Oboe - Level 3 - Digital Download SKU: A0.811710 Composed by Arcangelo Corelli (1643 - 1715). Arranged by P...
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Woodwind Ensemble,Woodwind Trio Bassoon,Flute,Oboe - Level 3 - Digital Download SKU: A0.811710 Composed by Arcangelo Corelli (1643 - 1715). Arranged by Pat Spence. Baroque,Concert,Standards. 18 pages. Piper Publications #4888805. Published by Piper Publications (A0.811710). This is an arrangement of the seventh of twelve trio sonatas originally published in 1694 as X11 Sonatas of three parts for two Violins and a Bass with a Thorough Bass for y. Organ Harpsichord or Arch Lute. The short movements are; Prelude, Corrente, Grave - Sarabande and Giga. Players of Intermediate standard and above will find this a useful concert item. The bassoon part can also be played on a cello.
$10.00
Swinging Suite for flute (violin/oboe/clarinet) and organ
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Hans-Andre Stamm
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Swinging Suite for flute
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Hans-Andre Stamm
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Flute,Oboe,Organ,Violin - Level 4 - Digital Download SKU: A0.853262 Composed by Hans-Andre Stamm. 20th Century,Concert,Fol...
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Small Ensemble B-Flat Clarinet,Flute,Oboe,Organ,Violin - Level 4 - Digital Download SKU: A0.853262 Composed by Hans-Andre Stamm. 20th Century,Concert,Folk,Jazz. Score and parts. 25 pages. Hans-Andre Stamm #6480069. Published by Hans-Andre Stamm (A0.853262). In this Suite in 3 movements the quick 1st and 3rd mvmts are in a more jazzy style, whereas the 2nd mvmt, Cavatine, is a Celtic style lyrical cantilene. Listen on Youtube the version with flute solo (piano is not yet available):
$9.95
Saint-Saëns: The Swan for Oboe & Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Obo
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festi...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Jesu, Joy of Man's Desiring, Bach - for Oboe and Piano
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Oboe, Piano (duet)
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INTERMEDIATE/ADVANCED
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Classical
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Len Rhodes
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Len Rhodes
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Jesu, Joy of Man's Desiring, B
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Len Rhodes Music
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SheetMusicPlus
Oboe,Piano - Level 4 - Digital Download SKU: A0.1304222 By Len Rhodes. By Johann Sebastian Bach. Arranged by Len Rhodes. Baroque,Holiday,Religious,Sacred...
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Oboe,Piano - Level 4 - Digital Download SKU: A0.1304222 By Len Rhodes. By Johann Sebastian Bach. Arranged by Len Rhodes. Baroque,Holiday,Religious,Sacred,Wedding. Score and part. 7 pages. Len Rhodes Music #893781. Published by Len Rhodes Music (A0.1304222). A new arrangement by Len Rhodes for solo oboe and piano of the Bach Chorale “Jesu, Joy of Man’s Desiringâ€. Based upon a recent commission from acclaimed violinist Anne Akiko Meyers for an arrangement for solo violin, the Los Angeles Master Chorale, and organ, this ‘reduction’ moves the chorus parts to the piano.Download includes oboe part and piano score.
$5.99
The Swan (Le Cygne) by Saint-Saens - Oboe and Piano (Full Score)
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Oboe, Piano (duet)
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.1222958 Composed by Camille Saint-Saens. Arranged by César Madeira. Children,Film/TV,Multicultural,Rom...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1222958 Composed by Camille Saint-Saens. Arranged by César Madeira. Children,Film/TV,Multicultural,Romantic Period,Wedding,World. Score and part. 6 pages. Sheet Music To Play Editions #819158. Published by Sheet Music To Play Editions (A0.1222958). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Oboe and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
ALBINONI: TRIO SONATA IN G MAJOR OPUS 1 No. 7 for flute, oboe & clarinet
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Flute, Oboe, Clarinet (trio)
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INTERMEDIATE
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Classical
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Tomaso Albinoni
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Edited & arranged by Pat Spenc
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ALBINONI: TRIO SONATA IN G MAJ
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811809 Composed by Tomaso Albinoni (1671 - 1751). Arranged by Ed...
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811809 Composed by Tomaso Albinoni (1671 - 1751). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Graduation,Instructional,Standards. 24 pages. Piper Publications #6434263. Published by Piper Publications (A0.811809). This is the seventh of a set of twelve trio sonatas composed by 1694 and published in Amsterdam around 1695 by Estienne Roger. The sonatas composed for two violins and continuo for cello and organ were widely circulated in Europe and were greatly admired by Johann Sebastian Bach.This edition is an arrangement for flute, oboe & clarinet in Bb for players of intermediate standard and above who want to play music in authentic period style on modern instruments.In editing the seventh trio sonata obvious minor copying errors have been corrected without comment. Musical notation has been modernised. e.g. tied notes have replaced dotted notes where they cross a main accent or bar/measure line. Dynamic markings have not been added except when required to match the other parts. These are shown in parentheses ( ). Suggested phrasings are shown with dashed lines and all trills and mordants are edits. These are included as starting point suggestions and players should feel free to experiment with other ornamentation and choose their own dynamics.Changes of register have been made to suit the range of the wind instruments.
$10.00
ALBINONI: TRIO SONATA IN F MAJOR Opus 1 no.2 for flute, oboe & clarinet
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Flute, Oboe, Clarinet (trio)
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INTERMEDIATE
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Classical
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Tomaso Albinoni
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Edited & arranged by Pat Spenc
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ALBINONI: TRIO SONATA IN F MAJ
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811810 Composed by Tomaso Albinoni (1671 - 1751). Arranged by Ed...
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811810 Composed by Tomaso Albinoni (1671 - 1751). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Graduation,Standards. 24 pages. Piper Publications #6455699. Published by Piper Publications (A0.811810). This is the second of a set of twelve trio sonatas composed by 1694 and published in Amsterdam around 1695 by Estienne Roger. The sonatas composed for two violins and continuo for cello and organ were widely circulated in Europe and were greatly admired by Johann Sebastian Bach.This edition is an arrangement for flute, oboe & clarinet in Bb for players of intermediate standard and above who want to play music in authentic period style on modern instruments.In editing the second trio sonata obvious minor copying errors have been corrected without comment. Musical notation has been modernised. e.g. tied notes have replaced dotted notes where they cross a main accent or bar/measure line. Dynamic markings have been added sparingly to give some guidance. These are shown in parentheses ( ). Suggested phrasings are shown with dashed lines and all trills are edits. These are included as starting point suggestions and players should feel free to experiment with other ornamentation and choose their own dynamics.Changes of register have been made to suit the range of the wind instruments.
$12.00
Chorale: Erbarm' dich mein in solcher Last from Cantata BWV 113 (arrangement for tumpet and organ)
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Organ, Trumpet (duet)
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Classical
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Johann Sebastian Bach
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Gil Garty
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Chorale: Erbarm' dich mein in
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Gil Garty
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SheetMusicPlus
Small Ensemble Flute,Oboe,Organ,Trumpet - Digital Download SKU: A0.756359 Composed by Johann Sebastian Bach. Arranged by Gil Garty. Baroque,Christian,Sac...
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Small Ensemble Flute,Oboe,Organ,Trumpet - Digital Download SKU: A0.756359 Composed by Johann Sebastian Bach. Arranged by Gil Garty. Baroque,Christian,Sacred. Score and parts. 8 pages. Gil Garty #2949173. Published by Gil Garty (A0.756359). Originally for 2 violins (unisono), alto voice and continuo. Solo part for trumpet in C (or flute, oboe, violin), or trumpet in D or B flat.
$5.00
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
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