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Ode to the Spirit of Man - Bb Trumpet 2
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
13.87 €
#
Brass quartet : 2 trumpets, trombone, tuba
#
Antonin Dvorak
#
Largo
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Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Co…
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
13.87 €
#
Brass quartet : 2 trumpets, trombone, tuba
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Built on the Rock the Church Doth Stand - brass quintet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726093
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726093 Composed by Ludvig M. Lindeman. Arranged by Todd Marchand. Christian,Sacred. Score and parts. 17 pages. Con Spirito Music #4967607. Published by Con Spirito Music (A0.726093). Built on the Rock is a proclamation, through scripturally anchored words and sturdily architected music, of the nature and eternity of the Church whose foundation is Jesus Christ. Long a favorite of Scandinavian Christians and Lutherans, the hymn was written by Danish theologian, cleric, and poet Nicolai F.S. Grundtvig (1783-1872), whose criticism of the rationalist philosophy then predominant in the Danish Lutheran church, and his argument for Christianity as a revealed, inspired, and sacramental religion, led to the revitalization of that church. The text was translated to English by Carl Doving (1867-1937).The tune accompanying the text, known as KIRKEN DEN DER ET, was the first hymn tune written by Danish organist, composer, and folk music collector Ludvig Mathias Lindeman (1812-1887). It is an austere, arching, and folk-like melody in the Dorian mode. This arrangement begins with individual voices of the brass quintet, like individual members of the Church, joining together in various combinations and as a whole to introduce the tune. Verses 2 and 3 (measure numbers 33 and 65) present the tune in additional combinations. Verse 4 (measure 101) introduces alternate harmonizations and features a soaring descant in Trumpet 1, powerful unison statements by the entire ensemble, and majestic final chords.©2019 Todd Marchand / Con Spirito Music. This video is a demo of the sheet music available from Con Spirito Music. Visit www.conspiritomusic.com
$15.00
13.87 €
#
Brass quartet : 2 trumpets, trombone, tuba
#
Ludvig M
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Built on the Rock the Church Doth Stand - brass quintet
#
Con Spirito Music
#
SheetMusicPlus
beethoven ode to joy trumpet duo sheet music in c major
2 Trumpets (duet)
Trumpet Duet Trumpet - Level 1 - Digital Download SKU: A0.1324327 By L. v. Beethove…
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Trumpet Duet Trumpet - Level 1 - Digital Download SKU: A0.1324327 By L. v. Beethoven. By Ludwig van Beethoven. Arranged by Arezzo Music. Chamber,Children,Classical,Romantic Period,Traditional. Score. 3 pages. Arezzo Music #912526. Published by Arezzo Music (A0.1324327). Beethoven ode to joy trumpet duo sheet music in c majorDiscover the harmonious joy of Beethoven's iconic Ode to Joy with this engaging trumpet duo sheet music. Immerse yourself in the timeless melody as two trumpets weave harmonious notes, capturing the essence of this celebrated musical masterpiece. Ideal for both beginners and experienced players, this sheet music offers a delightful arrangement that allows you to explore the depth of this cherished composition. With clear notations and thoughtful arrangements, this piece enables trumpeters to create an enchanting rendition that resonates with the jubilant spirit of Beethoven's immortal ode. Whether you're performing for an audience or practicing for personal enjoyment, this arrangement brings forth the joyous essence of Beethoven's classic in a captivating and accessible way. beethoven ode to joy trumpet duo sheet music in c majorÂ
$3.99
3.69 €
#
2 Trumpets (duet)
#
L
#
beethoven ode to joy trumpet duo sheet music in c major
#
Arezzo Music
#
SheetMusicPlus
The Truth From Above — brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Intermediate - Digital Download Composed by English folk melody. Arra…
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Brass Quintet - Intermediate - Digital Download Composed by English folk melody. Arranged by Todd Marchand. Christian, Sacred, Christmas. Score, Set of Parts. 15 pages. Published by Con Spirito Music
"The Truth From Above," aka "[This Is] the Truth Sent From Above," and sometimes known as "The Herefordshire Carol," is an English folk melody that was collected by Ralph Vaughan Williams in 1909, used in his Fantasia on Christmas Carols (1912) and and published in Eight Traditional English Carols (1919).<br> <br> Its text tells of God's creation of man and woman, their placement in Paradise, their sin and its subsequent consequences for all humanity, the nativity of Christ, His example and teaching, and His promise of salvation for all who believe in Him. Another text, "The Great Forerunner of the Morn," which tells of John the Baptist's preparation for the Christ, is also sung to the tune.<br> <br> The Dorian-mode melody uses the first through fifth tones, and the seventh tone, of that mode. Although collected by Vaughan Williams just after the turn of the 20th century, its chant-like quality, both melodically and rhythmically, is reminiscent of centuries-old music.<br> <br> This arrangement features solo tuba on the first presentation of the tune followed by the full ensemble in full harmony, a key change and canonic presentation by horn and trombone, and a return to the original key and concluding statement by full ensemble with harmonic variation.
$15.00
13.87 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
English folk melody
#
The Truth From Above — brass quintet
#
Con Spirito Music
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 2 Trb)
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.813825 Compose…
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Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533903. Published by Regis Bookshar (A0.813825). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets and 2 Trombones, he has made quite a few other arrangements of this selection wh.
$15.00
13.87 €
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
ode to joy easy trumpet duo sheet music in c - for beginners
2 Trumpets (duet)
Trumpet Duet Trumpet - Level 1 - Digital Download SKU: A0.1255656 By L. v. Beethove…
(+)
Trumpet Duet Trumpet - Level 1 - Digital Download SKU: A0.1255656 By L. v. Beethoven. By Ludwig van Beethoven. Arranged by Arezzo Music. Chamber,Children,Classical,Romantic Period,Traditional. Score. 3 pages. Arezzo Music #849168. Published by Arezzo Music (A0.1255656). Ode to joy easy trumpet duo sheet music in c - for beginnersExperience the thrill of playing Beethoven's Ode to Joy with our easy trumpet duo sheet music in C major, perfect for beginners. This specially designed arrangement, created by the experts at Arezzo Sheet Music Engraver, allows novice trumpet players to explore the iconic melodies of this timeless composition. With simplified notation and clear instructions, our sheet music makes it easy for beginners to learn and perform Ode to Joy in the key of C. Embrace the uplifting harmonies and triumphant spirit of Beethoven's masterpiece as you and your trumpet partner embark on a musical journey together. Whether you're a student, a beginner, or simply looking to enjoy the joy of playing Ode to Joy on the trumpet, our sheet music is a valuable resource for honing your skills. Order your copy today and unlock the beauty of Beethoven's Ode to Joy with our easy trumpet duo sheet music in C major, courtesy of Arezzo Sheet Music Engraver. Let the sound of your trumpets resonate, as you and your partner create an enchanting and memorable musical performance. ode to joy easy trumpet duo sheet music in c - for beginners.
$3.99
3.69 €
#
2 Trumpets (duet)
#
L
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ode to joy easy trumpet duo sheet music in c - for beginners
#
Arezzo Music
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
13.87 €
#
Saxophone Quintet: 5 Saxophones
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
13.87 €
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Antonin Dvorak
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Largo
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Regis Bookshar
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SheetMusicPlus
WEDDING MUSIC STRING QUARTET COLLECTION OF WEDDING CLASSICS - 20 arrangements - Intermediate Level,
String Quartet: 2 violins, viola, cello
Composed by Handel, Bach, Bach-Gounod, Schubert, Wagner, Pachelbel, Vivaldi, Mozart, …
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Composed by Handel, Bach, Bach-Gounod, Schubert, Wagner, Pachelbel, Vivaldi, Mozart, Beethov. Arranged by Sherry Lewis. Classical, Concert, Romantic Period, Spiritual, Wedding. Score and parts. 214 pages. Sherry Lewis Publishing #6049965. Published by Sherry Lewis Publishing
Collection of the Best Ever Wedding Music for the String Quartet (2 violins, viola and cello) Use Item # S0.867587 (Copy and paste in their search engine. Incidentally the 0 is a zero, not the letter O if you type it.<br> <br> Intermediate Level<br> <br> This wedding set is a compilation of 20 of the most requested songs in one set appropriate for weddings and ceremonies. The goal of each set is to not have to purchase two books to get the most requested ceremony music as often is the case with the Bridal Chorus in Book 1 and the Wedding March in Book 2, for example. They are in alphabetical order, not numbered, so you can order your binder sets however you like or ready for iPads as well without annoying song or page numbers.<br> <br> Ready to print and go.<br> <br> Approx. 90 minutes of music<br> <br> Parts and Score pages: The number of pages depend on quartet, trio, duo or solo (see actual set)<br> <br> 20 SONGS in this SET<br> <br> Included:<br> <br> Air from Water Music, Handel<br> <br> Air on the G String, Bach<br> <br> Arrival of the Queen of Sheba, Handel<br> <br> Ave Maria, Bach-Gounod<br> <br> Ave Maria, Schubert<br> <br> Bridal Chorus, Wagner<br> <br> Canon in D, Pachelbel<br> <br> Gloria, Vivaldi<br> <br> Hornpipe from Water Music, Handel<br> <br> Jesu, Joy of Man's Desiring, Bach<br> <br> La Rejouissance, Handel<br> <br> Larghetto, Handel<br> <br> March from the Marriage of Figaro, Mozart<br> <br> Ode To Joy, :Beethoven<br> <br> On Wings of Song, Mendelssohn<br> <br> Rondeau, Mouret<br> <br> Spring from Four Seasons, Mov.1, Vivaldi<br> <br> Trumpet Tune, Purcell<br> <br> Trumpet Voluntary, Clarke<br> <br> Wedding March, Mendelssohn<br> <br>
$29.99
27.73 €
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String Quartet: 2 violins, viola, cello
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Handel, Bach, Bach-Gounod, Schubert, Wagner, Pachelbel, Vivaldi, Mozart, Beethov
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WEDDING MUSIC STRING QUARTET COLLECTION OF WEDDING CLASSICS - 20 arrangements - Intermediate Level,
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Sherry Lewis Publishing
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SheetMusicPlus
Gabriel's Message (The Angel Gabriel to Heaven Came) - brass quintet, hand percussion
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726091
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726091 Composed by Traditional Basque Carol. Arranged by Todd Marchand. Christmas,Holiday,Sacred,Traditional. Score and parts. 18 pages. Con Spirito Music #4798963. Published by Con Spirito Music (A0.726091). Gabriel's Message (The Angel Gabriel to Heaven Came) is a folk carol from the Basque Country, the region that straddles the westernmost Pyrenees Mountains in adjacent parts of northern Spain and southwestern France. A vernacular paraphrase of the 13th/14th-century Latin carol, Angelus ad virginem, the text was translated from Basque and paraphrased into English by the Anglican priest and scholar Sabine Baring-Gould (1834-1924). Commonly sung at Advent and Christmas, Gabriel's Message quotes the biblical account of the Annunciation (Luke 1:26-38) and the Magnificat (Luke 1:46-55) in its opening lines:The angel Gabriel from heaven came,his wings as drifted snow, his eyes as flame;All hail, said he, thou lowly maiden Mary,most highly favoured lady. Gloria!The Basque tune was collected and published by the French composer Charles Bordes (1863-1909) in Archives de la tradition basque (1890) and was arranged and published by the English organist/choirmaster Edgar Pettman (1866-1943) in his 1892 collection, Modern Christmas Carols. Pettman's setting remains a favorite among choirs to this day. This arrangement features each of the voices of the brass quintet on the tune and augments the ensemble with optional finger cymbals and tambourine. ©Copyright 2019 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$15.00
13.87 €
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Brass quartet : 2 trumpets, trombone, tuba
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Traditional Basque Carol
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Gabriel's Message
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Con Spirito Music
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SheetMusicPlus
The King of Love My Shepherd Is ? brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Intermediate - Digital Download Composed by Irish traditional tune. Arra…
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Brass Quintet - Intermediate - Digital Download Composed by Irish traditional tune. Arranged by Todd Marchand. Christian, Sacred, General Worship, Funeral. Score, Set of Parts. 9 pages. Published by Con Spirito Music
?The King of Love My Shepherd Is? is a metrical paraphrase of Psalm 23, written by the Anglican cleric and hymn-writer Sir Henry Williams Baker (1821-1877) for the second edition of Hymns Ancient and Modern (1868), of which he was editor as well as contributor. Baker's hymn has been described as perhaps the most beautiful of the many versions of the beloved psalm, and it has been said that the author's own last words before dying were the third stanza: Perverse and foolish oft I strayed, But yet in love He sought me, And on His shoulder gently laid, And home, rejoicing, brought me. Originally, the hymn was paired with the tune DOMINUS REGIT ME, written by Baker's friend John Bacchus Dykes (1823-1876) specifically for Baker's text. Later, Ralph Vaughan Williams (1872-1958) sought to republish the hymn in The English Hymnal (1906), of which he was editor, and was denied the right to use Dykes's tune. He then paired Baker?s text with his own arrangement of an Irish traditional air, ST. COLUMBA. It is on ST. COLUMBA that this arrangement for brass quintet is based. Following a short introduction, the tune is presented three times: first, by trumpets in a modal melodic/harmonic fashion; next, by low brass trio evoking Vaughan Williams' familiar harmonization; and finally, in a broad, full presentation by the entire ensemble, followed by a quiet, peaceful ending. ©2019 Todd Marchand / ConSpiritoMusic.com
$15.00
13.87 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Irish traditional tune
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The King of Love My Shepherd Is ? brass quintet
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Con Spirito Music
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SheetMusicPlus
Were You There, Gospel Hymn for Trumpet and Piano
Trumpet, Piano
Piano,Trumpet - Level 2 - Digital Download SKU: A0.593429 Composed by Traditional. …
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.593429 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6419059. Published by David McKeown (A0.593429). Were You There is a beautiful spiritual arranged here for Solo Trumpet and Piano.Were You There was first published in 1899 but its origins stretch back into the nineteenth century. Like many spirituals there are coded references to the Afro- American experience. The mention of crucifixion in such songs was often associated with the lynchings that were a common occurrence right into the late twentieth century.
$2.49
2.3 €
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Trumpet, Piano
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Traditional
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Were You There, Gospel Hymn for Trumpet and Piano
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David McKeown
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SheetMusicPlus
STRING DUO WEDDING MUSIC - FOR STRING DUO COLLECTION OF WEDDING CLASSICS - 20 arrangements-
Violin, Cello (duet)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521405 Composed…
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521405 Composed by Handel, Bach, Bach-Gounod, Schubert, Wagner, Pachelbel, Vivaldi, Mozart, Beethov. Arranged by Sherry Lewis. Christmas,Sacred,Spiritual,Wedding. 120 pages. Sherry Lewis Publishing #6051243. Published by Sherry Lewis Publishing (A0.521405). Best Ever Wedding Music for the String Duo (violin and cello) Set of 20 songs Intermediate Level Use Item #: Â S0.868865 Â Copy and paste in the search engine. Incidentally the 0 is a zero, not the letter O if you type it.Use Item #: Â S0.868865 Copy and paste in their search engine. Incidentally the 0 is a zero, not the letter O if you type it. This wedding set is a compilation of 20 of the most requested songs in one set appropriate for weddings and ceremonies. The goal of each set is to not have to purchase two books to get the most requested ceremony music as often is the case with the Bridal Chorus in Book 1 and the Wedding March in Book 2, for example. Â They are in alphabetical order, not numbered, so you can order your binder sets however you like or ready for iPads as well without annoying song or page numbers. Ready to print and go. Approx. 90 minutes of music Parts and Score pages: The number of pages depend on quartet, trio, duo or solo (see actual set) 20 SONGS in this SET Included: Air from Water Music, Handel Air on the G String, Bach Arrival of the Queen of Sheba, Handel Ave Maria, Bach-Gounod Ave Maria, Schubert Bridal Chorus, Wagner Canon in D, Pachelbel Gloria, Vivaldi Hornpipe from Water Music, Handel Jesu, Joy of Man's Desiring, Bach La Rejouissance, Handel Larghetto, Handel March from the Marriage of Figaro, Mozart Ode To Joy, :Beethoven On Wings of Song, Mendelssohn Rondeau, Mouret Spring from Four Seasons, Mov.1, Vivaldi Trumpet Tune, Purcell Trumpet Voluntary, Clarke Wedding March, Mendelssohn Â
$29.99
27.73 €
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Violin, Cello (duet)
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Handel, Bach, Bach-Gounod, Schubert, Wagner, Pachelbel, Vivaldi, Mozart, Beethov
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STRING DUO WEDDING MUSIC - FOR STRING DUO COLLECTION OF WEDDING CLASSICS - 20 arrangements-
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Sherry Lewis Publishing
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SheetMusicPlus
A Child of Our Time
2 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets, 2 Bassoons, Double bassoon, 4 Horns, 3 Trumpe…
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2 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets, 2 Bassoons, Double bassoon, 4 Horns, 3 Trumpets, 3 Trombones Timpani and Cymbals (1 Player), Strings mixed choir (SATB/SATB), soloists (SATB) and orchestra - intermediate - Digital Download SKU: S9.Q22468 Oratorio. Composed by Sir Michael Tippett. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 66' 0. Schott Music - Digital #Q22468. Published by Schott Music - Digital (S9.Q22468). English.The oratorio 'A Child of Our Time' was Tippett's artistic and emotional response to the events that led to the 'Kristallnacht' pogrom of November 1938. For his oratorio Tippett used as his formal and historical models the Bach Passions and Handel's Messiah which share with this contemporary morality the subject of the death of an individual set against the universal background of human suffering. Tippett's use of the spiritual as a contemporary equivalent for the Lutheran chorale of the Bach settings draws his audience more closely into the drama through the spirituals' 'unique verbal and musical metaphor'.
$23.99
22.18 €
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Sir Michael Tippett
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A Child of Our Time
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Schott Music - Digital
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SheetMusicPlus
What is This Lovely Fragrance? - French Noel arr. for brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by Traditional French Noel. Arranged by Todd Marchand. Christian, Sacred, Christm…
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Composed by Traditional French Noel. Arranged by Todd Marchand. Christian, Sacred, Christmas. Score, Set of Parts. 15 pages. Published by Con Spirito Music (S0.180099). - Score,Set of Parts - Christian,Sacred,Christmas - Con Spirito Music
?What is This Lovely Fragrance?? (?Quelle est cette odeur agréable??) is a 17th-century French traditional Noël (carol) about the Nativity of Christ. The melody accompanying its lyrics, a folk tune, was used by John Gay (1685?1732) in his satirical work, The Beggar's Opera (1728). It is this tune to which the text, calling the shepherds to the manger, is typically set. What is this lovely fragrance wafting like to the scents of flow'rs in spring? / Shepherds, O tell us, whence such beauty, hear you not heav'nly carolling? / What is this lovely fragrance wafting like to the scents of flow'rs in spring? Thisintermediate level arrangement is suitablefor advanced high school to professional ensembles for use inconcert, recital, and worship. Full score and parts, 8.5x11-inchformat. ©Copyright2013 Todd Marchand / ConSpiritoMusic.com
$15.00
13.87 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Traditional French Noel
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What is This Lovely Fragrance? - French Noel arr. for brass quintet
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Con Spirito Music
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SheetMusicPlus
Marche Militaire No. 3
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1416281 Composed by Franz Schuber…
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Concert Band - Level 4 - Digital Download SKU: A0.1416281 Composed by Franz Schubert. Arranged by Ted R. Marcus. 19th Century,Classical,March,Romantic Period. 82 pages. Ted R. Marcus #997962. Published by Ted R. Marcus (A0.1416281). Many of us may not be aware that Franz Schubert's famous Marche Militaire in D is only the first in a set of three military marches for piano duet published in 1826. This is a colorful arrangement the third Marche Militaire in E-flat for concert band. It's a little gem with enough delightful melody, high spirits, and audience appeal to stand proudly beside its renowned sibling.This arrangement interprets Schubert's march for a modern band, but it alludes to the sound of early 20th century European marches. The horns have interesting and important parts rather than the usual pecking afterbeats! Â Written for an adult community band, this arrangement is suitable for a good high school concert band (American Grade 3.5).Duration: approx. 5:35 with all repeats.Instrumentation: Piccolo / Flute 1-2 / Oboe 1-2 / E-flat Clarinet / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Â Bassoon 1-2 / Alto Saxophone 1-2 / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 (3rd is Bass Trombone) / Euphonium / Baritone T. C. / Tuba / String Bass / Percussion (Snare Drum, Crash Cymbals) / Bells / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$40.00
36.99 €
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Concert band
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Franz Schubert
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Marche Militaire No. 3
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Ted R. Marcus
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SheetMusicPlus
Because
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.808703 Composed by Guy d'Hardel…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808703 Composed by Guy d'Hardelot (1858 – 1936). Arranged by F. Leslie Smith. Holiday,Romantic Period,Spiritual,Wedding. Score and parts. 18 pages. Sweetwater Brass Press #6072651. Published by Sweetwater Brass Press (A0.808703).     This song is a great piece to play for a general concert. But it really shines in matrimonial settings. The fact is: No wedding is complete without the performance of Because.    Helen Guy, the daughter of an English sea captain and a French singer, was born at Château d'Hardelot in France. She entered the Paris Conservatory at age 15, and in her early 20s composed a musical setting for Victor Hugo’s Sans toi, which gained some popularity. She composed over 300 songs using the name Guy d'Hardelot. She was also a noted piano accompanist. After marrying W.I. Rhodes, she settled in London and taught singing. As a composer, she is best remembered for Because (Parce Que), for which she wrote both the music and the French words. It was first published in 1902 with English lyrics by Edward Teschemacher and has since been recorded many times by many different artists.    This arrangement was derived from the 1902 Chappell & Co. score in C major for piano and voice. For the most part, however, the musical setting is original and different. Throughout most of the piece, Horn in F carries the melody with Trombone and Tuba providing an arpeggio accompaniment. Trumpets 1 and 2 play a syncopation figure for the opening and the end but during the majority of the arrangement they provide an antiphonal response to the melody. The opening is marked Poco Adagio with a suggested metronome setting of 76, but the tempo does vary rather frequently. All notes are well within the range of each instrument; e.g., B-flat Trumpets’ highest note is G at the top of their staff, while Tuba’s lowest note is A below the staff. All-in-all, this arrangement is a beautiful and poignant setting for an old favorite, a real crowd pleaser.    Completed in 2020, performance time for Because runs about 3 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
6.46 €
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Brass ensemble
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Guy d'Hardelot
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e
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Because
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Sweetwater Brass Press
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SheetMusicPlus
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