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Ode to the Spirit of Man - Eb Alto Saxophone 2
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
13.84 €
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Saxophone Quintet: 5 Saxophones
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Antonin Dvorak
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Largo
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Regis Bookshar
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SheetMusicPlus
Song of the Heather - Mendelssohn- Saxophone duet
2 Saxophones (duet)
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Dow…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844461 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 4 pages. Phil Beaman #3383081. Published by Phil Beaman (A0.844461). This beautiful tune was written by Felix Mendelssohn in 1845. He titled it Moderato in Bm when it was first published as Op 67 No 5 in a volume of his Songs Without Words. It was often referred to as Heide Lied , a type of pastoral German folk song. Another title derived from that is Song of the Heather. Many current editions give it the title The Shepherd's Complaint. Â This instrumental duet arrangement takes a Romantic piece and sets it in 2 part writing. Even without the chords it is still very rich in sound and Romantic in feel. The metre is always in 3 even when the phrasing looks to be in 2; except for a section near the end where I have strayed from the original Mendelssohn and clearly marked Part II with tenutos to be in 2 against Part I in 3. I have also changed phrasing and articulation for more contrast between the two parts. This arrangement is faithful to the spirit of Mendelssohn yet freshens this beautiful old melody. The notes and rhythms are quite easy to play but I have marked it Early Intermediate because so much could be done with phrasing, articulation, and expression that would make this sound like a much more advanced piece. A great Romantic repertoire piece for students. For 2 Altos or 2 Tenors. (2 page score, 1 page Parts)
$4.99
4.61 €
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2 Saxophones (duet)
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Felix Bartholdy Mendelssohn
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Song of the Heather - Mendelssohn- Saxophone duet
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Phil Beaman
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SheetMusicPlus
Were You There, Gospel Hymn for Alto Saxophone and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.593424 Composed by Tradit…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.593424 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6419045. Published by David McKeown (A0.593424). Were You There is a beautiful spiritual arranged here for Solo Alto Saxophone and Piano.Were You There was first published in 1899 but its origins stretch back into the nineteenth century. Like many spirituals there are coded references to the Afro- American experience. The mention of crucifixion in such songs was often associated with the lynchings that were a common occurrence right into the late twentieth century.
$2.49
2.3 €
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Alto Saxophone and Piano
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Traditional
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Were You There, Gospel Hymn for Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Holy Spirit, Living Breath Of God
Soprano Saxophone and Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2…
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.626312 Composed by Keith Getty and Stuart Townend. Arranged by Stephen DeCesare. Contemporary. Score and parts. 10 pages. Exultet Music #5708093. Published by Exultet Music (A0.626312). A modern hymn classic from Keith Getty and Stuart Townend, this contemporary Christian hymn has been a welcome addition to the songs that are dedicated to the Holy Spirit. Freshly arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year but especially for Pentecost and Confirmation ceremonies. .
$4.99
4.61 €
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Soprano Saxophone and Piano
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Keith Getty and Stuart Townend
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Holy Spirit, Living Breath Of God
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Exultet Music
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SheetMusicPlus
Holy Spirit, Living Breath Of God
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 2 - Digital Download SKU:…
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Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 2 - Digital Download SKU: A0.626318 Composed by Keith Getty and Stuart Townend. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred. 12 pages. Exultet Music #5708717. Published by Exultet Music (A0.626318). A modern hymn classic from Keith Getty and Stuart Townend, this contemporary Christian hymn has been a welcome addition to the songs that are dedicated to the Holy Spirit. Freshly arranged for a Saxophone Quartet (Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax) with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year but especially for Pentecost and Confirmation ceremonies. .
$12.99
11.99 €
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Saxophone Quartet: 4 saxophones
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Keith Getty and Stuart Townend
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Holy Spirit, Living Breath Of God
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Exultet Music
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SheetMusicPlus
Marche Militaire No. 3
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1416281 Composed by Franz Schuber…
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Concert Band - Level 4 - Digital Download SKU: A0.1416281 Composed by Franz Schubert. Arranged by Ted R. Marcus. 19th Century,Classical,March,Romantic Period. 82 pages. Ted R. Marcus #997962. Published by Ted R. Marcus (A0.1416281). Many of us may not be aware that Franz Schubert's famous Marche Militaire in D is only the first in a set of three military marches for piano duet published in 1826. This is a colorful arrangement the third Marche Militaire in E-flat for concert band. It's a little gem with enough delightful melody, high spirits, and audience appeal to stand proudly beside its renowned sibling.This arrangement interprets Schubert's march for a modern band, but it alludes to the sound of early 20th century European marches. The horns have interesting and important parts rather than the usual pecking afterbeats! Â Written for an adult community band, this arrangement is suitable for a good high school concert band (American Grade 3.5).Duration: approx. 5:35 with all repeats.Instrumentation: Piccolo / Flute 1-2 / Oboe 1-2 / E-flat Clarinet / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Â Bassoon 1-2 / Alto Saxophone 1-2 / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 (3rd is Bass Trombone) / Euphonium / Baritone T. C. / Tuba / String Bass / Percussion (Snare Drum, Crash Cymbals) / Bells / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$40.00
36.92 €
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Concert band
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Franz Schubert
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Marche Militaire No. 3
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Ted R. Marcus
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SheetMusicPlus
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