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Ode to the Spirit of Man - F Horn 3
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
$15.00
13.84 €
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
Antonin Dvorak
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Largo
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Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (French Horn Quintet)
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.813830 Composed by Antonin…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533921. Published by Regis Bookshar (A0.813830). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (French Horn Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a French Horn Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instr.
$15.00
13.84 €
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
13.84 €
#
Brass quartet : 2 trumpets, trombone, tuba
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Marche Militaire No. 3
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1416281 Composed by Franz Schuber…
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Concert Band - Level 4 - Digital Download SKU: A0.1416281 Composed by Franz Schubert. Arranged by Ted R. Marcus. 19th Century,Classical,March,Romantic Period. 82 pages. Ted R. Marcus #997962. Published by Ted R. Marcus (A0.1416281). Many of us may not be aware that Franz Schubert's famous Marche Militaire in D is only the first in a set of three military marches for piano duet published in 1826. This is a colorful arrangement the third Marche Militaire in E-flat for concert band. It's a little gem with enough delightful melody, high spirits, and audience appeal to stand proudly beside its renowned sibling.This arrangement interprets Schubert's march for a modern band, but it alludes to the sound of early 20th century European marches. The horns have interesting and important parts rather than the usual pecking afterbeats! Â Written for an adult community band, this arrangement is suitable for a good high school concert band (American Grade 3.5).Duration: approx. 5:35 with all repeats.Instrumentation: Piccolo / Flute 1-2 / Oboe 1-2 / E-flat Clarinet / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Â Bassoon 1-2 / Alto Saxophone 1-2 / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 (3rd is Bass Trombone) / Euphonium / Baritone T. C. / Tuba / String Bass / Percussion (Snare Drum, Crash Cymbals) / Bells / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$40.00
36.92 €
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Concert band
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Franz Schubert
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Marche Militaire No. 3
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Ted R. Marcus
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SheetMusicPlus
Gabriel's Message (The Angel Gabriel to Heaven Came) - brass quintet, hand percussion
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726091
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726091 Composed by Traditional Basque Carol. Arranged by Todd Marchand. Christmas,Holiday,Sacred,Traditional. Score and parts. 18 pages. Con Spirito Music #4798963. Published by Con Spirito Music (A0.726091). Gabriel's Message (The Angel Gabriel to Heaven Came) is a folk carol from the Basque Country, the region that straddles the westernmost Pyrenees Mountains in adjacent parts of northern Spain and southwestern France. A vernacular paraphrase of the 13th/14th-century Latin carol, Angelus ad virginem, the text was translated from Basque and paraphrased into English by the Anglican priest and scholar Sabine Baring-Gould (1834-1924). Commonly sung at Advent and Christmas, Gabriel's Message quotes the biblical account of the Annunciation (Luke 1:26-38) and the Magnificat (Luke 1:46-55) in its opening lines:The angel Gabriel from heaven came,his wings as drifted snow, his eyes as flame;All hail, said he, thou lowly maiden Mary,most highly favoured lady. Gloria!The Basque tune was collected and published by the French composer Charles Bordes (1863-1909) in Archives de la tradition basque (1890) and was arranged and published by the English organist/choirmaster Edgar Pettman (1866-1943) in his 1892 collection, Modern Christmas Carols. Pettman's setting remains a favorite among choirs to this day. This arrangement features each of the voices of the brass quintet on the tune and augments the ensemble with optional finger cymbals and tambourine. ©Copyright 2019 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$15.00
13.84 €
#
Brass quartet : 2 trumpets, trombone, tuba
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Traditional Basque Carol
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Gabriel's Message
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Con Spirito Music
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SheetMusicPlus
STRING DUO WEDDING MUSIC - FOR STRING DUO COLLECTION OF WEDDING CLASSICS - 20 arrangements-
Violin, Cello (duet)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521405 Composed…
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521405 Composed by Handel, Bach, Bach-Gounod, Schubert, Wagner, Pachelbel, Vivaldi, Mozart, Beethov. Arranged by Sherry Lewis. Christmas,Sacred,Spiritual,Wedding. 120 pages. Sherry Lewis Publishing #6051243. Published by Sherry Lewis Publishing (A0.521405). Best Ever Wedding Music for the String Duo (violin and cello) Set of 20 songs Intermediate Level Use Item #: Â S0.868865 Â Copy and paste in the search engine. Incidentally the 0 is a zero, not the letter O if you type it.Use Item #: Â S0.868865 Copy and paste in their search engine. Incidentally the 0 is a zero, not the letter O if you type it. This wedding set is a compilation of 20 of the most requested songs in one set appropriate for weddings and ceremonies. The goal of each set is to not have to purchase two books to get the most requested ceremony music as often is the case with the Bridal Chorus in Book 1 and the Wedding March in Book 2, for example. Â They are in alphabetical order, not numbered, so you can order your binder sets however you like or ready for iPads as well without annoying song or page numbers. Ready to print and go. Approx. 90 minutes of music Parts and Score pages: The number of pages depend on quartet, trio, duo or solo (see actual set) 20 SONGS in this SET Included: Air from Water Music, Handel Air on the G String, Bach Arrival of the Queen of Sheba, Handel Ave Maria, Bach-Gounod Ave Maria, Schubert Bridal Chorus, Wagner Canon in D, Pachelbel Gloria, Vivaldi Hornpipe from Water Music, Handel Jesu, Joy of Man's Desiring, Bach La Rejouissance, Handel Larghetto, Handel March from the Marriage of Figaro, Mozart Ode To Joy, :Beethoven On Wings of Song, Mendelssohn Rondeau, Mouret Spring from Four Seasons, Mov.1, Vivaldi Trumpet Tune, Purcell Trumpet Voluntary, Clarke Wedding March, Mendelssohn Â
$29.99
27.68 €
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Violin, Cello (duet)
#
Handel, Bach, Bach-Gounod, Schubert, Wagner, Pachelbel, Vivaldi, Mozart, Beethov
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STRING DUO WEDDING MUSIC - FOR STRING DUO COLLECTION OF WEDDING CLASSICS - 20 arrangements-
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Sherry Lewis Publishing
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SheetMusicPlus
A Child of Our Time
2 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets, 2 Bassoons, Double bassoon, 4 Horns, 3 Trumpe…
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2 Flutes, 2 Oboes, Cor Anglais, 2 Clarinets, 2 Bassoons, Double bassoon, 4 Horns, 3 Trumpets, 3 Trombones Timpani and Cymbals (1 Player), Strings mixed choir (SATB/SATB), soloists (SATB) and orchestra - intermediate - Digital Download SKU: S9.Q22468 Oratorio. Composed by Sir Michael Tippett. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 66' 0. Schott Music - Digital #Q22468. Published by Schott Music - Digital (S9.Q22468). English.The oratorio 'A Child of Our Time' was Tippett's artistic and emotional response to the events that led to the 'Kristallnacht' pogrom of November 1938. For his oratorio Tippett used as his formal and historical models the Bach Passions and Handel's Messiah which share with this contemporary morality the subject of the death of an individual set against the universal background of human suffering. Tippett's use of the spiritual as a contemporary equivalent for the Lutheran chorale of the Bach settings draws his audience more closely into the drama through the spirituals' 'unique verbal and musical metaphor'.
$23.99
22.14 €
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Sir Michael Tippett
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A Child of Our Time
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Schott Music - Digital
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SheetMusicPlus
Were You There, Gospel Hymn for Tenor Horn and Piano
E-Flat Tenor Horn,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.593418
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E-Flat Tenor Horn,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.593418 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 3 pages. David McKeown #6419033. Published by David McKeown (A0.593418). Were You There is a beautiful spiritual arranged here for Solo Tenor Horn and Piano.Were You There was first published in 1899 but its origins stretch back into the nineteenth century. Like many spirituals there are coded references to the Afro- American experience. The mention of crucifixion in such songs was often associated with the lynchings that were a common occurrence right into the late twentieth century.
$2.49
2.3 €
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Traditional
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Were You There, Gospel Hymn for Tenor Horn and Piano
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David McKeown
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SheetMusicPlus
Mozart Violin Duets
2 Violins (duet)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.889440 Composed by Wolfgang…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.889440 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 35 pages. Luis Anjos Teixeira #4758249. Published by Luis Anjos Teixeira (A0.889440). Wolfgang Amadeus Mozart, is probably the most beloved artist that ever existed in this World. His work is without any doubt amongst the highest cultural achievements of the Human Being. To understand his cultural environment and musical practices I would advise you to read among others also the following books: „A Treatise on the Fundamental Principles of Violin Playing „Versuch einer gründlichen Violinschule from Leopold Mozart and from David D. Boyden A History of Violin Playing from its Origins to 1761. Also the biography righten by Jean et Brigite Massin gives us a deep view and idea of this times. Mozart wrote in Wien at 27.07.1786 this 12 duets for 2 basset horns K. 487, for his very Dear Friends „the Jacquin Family. This arrangement for 2 violin proposes an intime relation with the original work, but allows us to perform it also with modern instruments and to apply todays standards of musical literature praxis. No changes where made on the original composition, only the presentation of the score has been adjusted to contemporary violin music literature. It is also perfect adjusted for the use of baroque violins. I transposed it for the violin and introduced interpretation symbols to shorten some notes and induce loudness variations. The bowing is adjusted to violin performance but very much compromised with the ones in the original scores in wish they also meant a musical legato. I advise you to adjust much of the bowing to your taste and interpretation. Fingering is also relative to taste and school practices and is left to the artists choice. In order to leave the original notation as much untouched as possible I shortened the length of some notes with the „Staccato symbol to originate silence in between them. You are also free to further shorten even many more notes. As Mozart said - „The music is not in the notes but in the silent in between. In the arrangement, instead of repetitions, the performers interchange their parts so each of them will get to play as first and second violin player along each piece. This was common practice in chamber music when both musicians where at the same level. Very Human, this work comes from the hand of a musical Genius no other than Mozart. I tried to do an arrangement that would bring us as close as possible to the musical intention of the original work. This music demands accuracy and a very lively sensitive approach, it is a refined work of art, totally appropriate for serious „concert halls, for advanced students and great performers. Very useful of course for the music classroom on a wide range of various practices with students and also little concerts or presentations. It was righten for close friends and it should be practiced and performed with a heart full of Love and compassion. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Tei.
$17.56
16.21 €
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2 Violins (duet)
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Wolfgang Amadeus Mozart
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Mozart Violin Duets
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Luis Anjos Teixeira
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
9.17 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Satie: La Belle Excentrique - Grand ritournelle - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe,Piccolo - Level 3 - Di…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe,Piccolo - Level 3 - Digital Download SKU: A0.1298050 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 12 pages. RayThompsonMusic #887972. Published by RayThompsonMusic (A0.1298050). La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello.1. Grande ritournelle (Grand Ritornello) (This one)2. Marche franco-lunaire (Franco-Lunar March)3. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye)4. Cancan Grand-Mondain (High-Society Cancan)Arranged wind quintet with piccolo,but could be played on flute if no piccolo available.
$7.95
7.34 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Erik Satie
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Satie: La Belle Excentrique - Grand ritournelle - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Satie: La Belle Excentrique - Marche franco-lunaire - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1298857 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,March. 11 pages. RayThompsonMusic #888706. Published by RayThompsonMusic (A0.1298857). La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello. Grande ritournelle (Grand Ritornello)1. Marche franco-lunaire (Franco-Lunar March) (This one)2. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye)3. Cancan Grand-Mondain (High-Society Cancan)Arranged wind quintet .
$9.95
9.18 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Erik Satie
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Satie: La Belle Excentrique - Marche franco-lunaire - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Satie: La Belle Excentrique II.Valse du "Mystérieux Baiser dans l'Oeil" - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1303281 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 17 pages. RayThompsonMusic #892863. Published by RayThompsonMusic (A0.1303281). La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello. Grande ritournelle (Grand Ritornello)1. Marche franco-lunaire (Franco-Lunar March) 2. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye) (This one)3. Cancan Grand-Mondain (High-Society Cancan)Arranged wind quintet .
$14.95
13.8 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Erik Satie
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Satie: La Belle Excentrique II.Valse du "Mystérieux Baiser dans l'Oeil" - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Satie: La Belle Excentrique - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1303701 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1303701 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 31 pages. RayThompsonMusic #893257. Published by RayThompsonMusic (A0.1303701). Arranged standard wind quintet.Flute doubles on piccolo in the Ritournelle.La belle excentrique (The Eccentric Beauty) is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet.Satie gave it the whimsical subtitle fantaisie sérieuse (A Serious Fantasy). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands.Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief serious period that had produced the cantata Socrate (1918) and the piano Nocturnes (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello. Grande ritournelle (Grand Ritornello)1. Marche franco-lunaire (Franco-Lunar March) 2. Valse du mysterieux baiser dans l'œil (Waltz of the Mysterious Kiss in the Eye)3. Cancan Grand-Mondain (High-Society Cancan)Great fun to perform.
$29.95
27.64 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Erik Satie
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Satie: La Belle Excentrique - wind quintet
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RayThompsonMusic
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SheetMusicPlus
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