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Oh day of fire and sun
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You've selected:
Oh day of fire and sun
Sheetmusic to print
5 sheet music found
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1
Oh day of fire and sun (Downloadable)
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Choral SATB
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INTERMEDIATE
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Stephen Chatman
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Oh day of fire and sun
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - Digital Download SKU: MQ.8803-E Composed by Stephen Chatman. 9 pages. E. C. Schirmer Music Company - Digital #8803-E. Pub...
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SATB choir and Piano - Medium - Digital Download SKU: MQ.8803-E Composed by Stephen Chatman. 9 pages. E. C. Schirmer Music Company - Digital #8803-E. Published by E. C. Schirmer Music Company - Digital (MQ.8803-E). English.Sara Teasdale’s poem, Oh day of fire and sun, suggests a loud, fast musical setting. The syncopated homo-phonic choral texture, with high tessituras, exudes drama and excitement; it balances the expansive gestures of the piano accompaniment. Vivid images like “Lifting into the sky†and “Diving into the sea†inspire soaring, energetic vocal lines. One of a set of six of Teasdale's love songs.
$2.65
Oh day of fire and sun
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Choral 3-part
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INTERMEDIATE
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Stephen Chatman
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Oh day of fire and sun
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SSA choir and piano - Medium - Digital Download SKU: MQ.8809-E Composed by Stephen Chatman. 9 pages. Duration 1 minute, 30 seconds. E. C. Schirmer Music ...
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SSA choir and piano - Medium - Digital Download SKU: MQ.8809-E Composed by Stephen Chatman. 9 pages. Duration 1 minute, 30 seconds. E. C. Schirmer Music Company - Digital #8809-E. Published by E. C. Schirmer Music Company - Digital (MQ.8809-E). English.Sara Teasdale’s poem, Oh day of fire and sun, suggests a loud, fast musical setting. The syncopated homo-phonic choral texture, with high tessituras, exudes drama and excitement; it balances the expansive gestures of the piano accompaniment. Vivid images like “Lifting into the sky†and “Diving into the sea†inspire soaring, energetic vocal lines. One of a set of six of Teasdale's love songs. Duration: 1:30.
$2.65
Jesus Shall Reign Where'er the Sun
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Piano solo
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ADVANCED
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
Easy
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String Quartet: 2 violins, viola, cello
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ADVANCED
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The Commodores
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Kyle Pudenz
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Easy
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.845966 By The Commodores. By Lionel Richie. Arranged by Kyle Pudenz...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.845966 By The Commodores. By Lionel Richie. Arranged by Kyle Pudenz. Contemporary,Hip-Hop,Pop,R & B,Rock. Score and parts. 21 pages. ViolinVagabond Music #4967807. Published by ViolinVagabond Music (A0.845966). Finally, the slow-dance number that your gig book has been missing for all these years! Dim the lights, pop a fresh bottle of bubbly, and melt your audience's troubles away with this jazzy rendition of one of the quintessential crooner, Lionel Richie's, most magnificent masterworks.A few tasteful reharminizations and backbeat chopping rhythms give this arrangement a groove that you can really lay back into. Feel free to repeat the solo section and throw down your best improv, or just let the Commodores' original signature solo set the Sunday morning scene; the guitar solo is printed in the parts. Did I mention I added a key change at the end? Oh no he didn't... OH YES I DID! You can almost feel the sunshine streaming down upon your face, folks. Chill. Vibes. For. Days. Thanks to the power of chopping and pizzicato bass lines, this arrangement can stand alone with absolutely no need for additional rhythm instruments. However, in the interest of inclusion, I have attached a rhythm section lead sheet so that all of your friends, whether they have bows, picks, or sticks, can join in on the fun.Prove your worth as an ensemble by tastefully caressing your listeners' ears with this sultry soliloquy; a reminder that the space between the notes can be the most important part of a captivating performance.If you love this arrangement, try upping the ante even more by pairing it with my arrangement of Brick House for an epic Commodores medley that's a surefire bet to wow the crowd! The optional transition is included in the parts.Brick House available at: https://www.sheetmusicplus.com/title/brick-house-jazz-string-quartet-digital-sheet-music/21498631?ac....Performance time: 3 minutes. Optionally, vamp the solo section and/or trade with other musicians if you need to stretch it out.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99
In the Evening by the Moonlight
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Brass ensemble
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INTERMEDIATE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and pa...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
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