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You've selected:
On My Way Final Ending
Sheetmusic to print
55 sheet music found
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51
On My Way Final Ending
Piano solo
Piano - Level 2 - Digital Download SKU: A0.1402391 By L A Morgan. By L A Morgan. Ar…
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Piano - Level 2 - Digital Download SKU: A0.1402391 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 2 pages. L A Morgan #985606. Published by L A Morgan (A0.1402391). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$1.99
1.84 €
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Piano solo
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L A Morgan
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On My Way Final Ending
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L A Morgan
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SheetMusicPlus
On My Way
Piano solo
Piano - Level 2 - Digital Download SKU: A0.1402388 By L A Morgan. By L A Morgan. Ar…
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Piano - Level 2 - Digital Download SKU: A0.1402388 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pages. L A Morgan #985603. Published by L A Morgan (A0.1402388). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
2.76 €
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Piano solo
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L A Morgan
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On My Way
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L A Morgan
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SheetMusicPlus
Hidden In My Heart
Piano solo
Piano - Level 2 - Digital Download SKU: A0.1402395 By L A Morgan. By L A Morgan. Ar…
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Piano - Level 2 - Digital Download SKU: A0.1402395 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pages. L A Morgan #985610. Published by L A Morgan (A0.1402395). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
2.76 €
#
Piano solo
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L A Morgan
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Hidden In My Heart
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L A Morgan
#
SheetMusicPlus
Sparkles on the Ocean
Piano solo
Piano - Level 2 - Digital Download SKU: A0.1402403 By L A Morgan. By L A Morgan. Ar…
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Piano - Level 2 - Digital Download SKU: A0.1402403 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pages. L A Morgan #985617. Published by L A Morgan (A0.1402403). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
2.76 €
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Piano solo
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L A Morgan
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Sparkles on the Ocean
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L A Morgan
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SheetMusicPlus
Alas, and Did My Savior Bleed with Were You There
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1155271 By Ken Barker. By Spiritual…
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Piano Solo - Level 4 - Digital Download SKU: A0.1155271 By Ken Barker. By Spiritual and W-Isaac Watts, M-Hugh Wilson. Arranged by John Purifoy. Christian,Easter,Religious,Sacred,Spiritual. Score. 4 pages. Ken Barker #755556. Published by Ken Barker (A0.1155271). The combined message of these two Easter hymns intertwined together provides a powerful moment of introspection and meditation regarding the work of Christ on the cross and how we are to interface with that. It should be performed with great care and sensitivity, taking the time for expression and reverence. The opening verse eighth notes need to be played lightly and effortlessly. By way of contrast, the key change provides opportunity for a strong musical statement, followed by a transition back to a quieter final contemplation of Were you there when they crucified my Lord. The ending requires extreme delicacy and practice to get the timing with the sustain pedal, and with the soft pedal down, to play the chords as lightly as possible while still having every note sound.
$4.25
3.93 €
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Piano solo
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Ken Barker
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Alas, and Did My Savior Bleed with Were You There
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Ken Barker
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SheetMusicPlus
Nebraska - My Heartland (CHORAL SCORE)
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.799663 Composed by D. M.…
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.799663 Composed by D. M. Gardner. Contemporary. Octavo. 34 pages. D. M. Gardner Music #3370301. Published by D. M. Gardner Music (A0.799663). CHORAL SCORE***FULL SCORE and INSTRUMENTAL PARTS SOLD SEPARATELY***Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine!INSTRUMENTATION1 Piccolo2 Flute 12 Flute 22 Flute 31 Oboe 11 Oboe 21 Bassoon 11 Bassoon 24 Bb Clarinet 14 Bb Clarinet 24 Bb Clarinet 32 Bb Bass Clarinet1 Eb Alto Saxophone 11 Eb Alto Saxophone 21 Bb Tenor Saxophone1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 42 Trombone 12 Trombone 22 Bass trombone3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSIONSuspended CymbalCrash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional),*Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$2.50
2.31 €
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D
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Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Nebraska - My Heartland (INSTRUMENTAL PARTS)
Large Ensemble Choir,Voice - Digital Download SKU: A0.799662 Composed by D. M. Gard…
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Large Ensemble Choir,Voice - Digital Download SKU: A0.799662 Composed by D. M. Gardner. Contemporary. Score and parts. 109 pages. D. M. Gardner Music #3370297. Published by D. M. Gardner Music (A0.799662). INSTRUMENTAL PARTS***SCORE and CHORAL SCORE SOLD SEPARATELY***Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine!INSTRUMENTATION1 Piccolo2 Flute 12 Flute 22 Flute 31 Oboe 11 Oboe 21 Bassoon 11 Bassoon 24 Bb Clarinet 14 Bb Clarinet 24 Bb Clarinet 32 Bb Bass Clarinet1 Eb Alto Saxophone 11 Eb Alto Saxophone 21 Bb Tenor Saxophone1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 42 Trombone 12 Trombone 22 Bass trombone3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSIONSuspended CymbalCrash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional),*Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$75.00
69.34 €
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D
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Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Nebraska - My Heartland (FULL SCORE)
Large Ensemble Choir,Voice - Level 4 - Digital Download SKU: A0.799660 Composed by …
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Large Ensemble Choir,Voice - Level 4 - Digital Download SKU: A0.799660 Composed by D. M. Gardner. Contemporary. Score and parts. 40 pages. D. M. Gardner Music #3370295. Published by D. M. Gardner Music (A0.799660). FULL SCORE***PARTS & CHORAL SCORE SOLD SEPARATELY*** Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine! INSTRUMENTATION 1 Piccolo 2 Flute 1 2 Flute 2 2 Flute 3 1 Oboe 1 1 Oboe 2 1 Bassoon 1 1 Bassoon 2 4 Bb Clarinet 1 4 Bb Clarinet 2 4 Bb Clarinet 3 2 Bb Bass Clarinet 1 Eb Alto Saxophone 1 1 Eb Alto Saxophone 2 1 Bb Tenor Saxophone 1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 4 2 Trombone 1 2 Trombone 2 2 Bass trombone 3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSION Suspended Cymbal Crash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional), *Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$200.00
184.89 €
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D
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Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Be Thou My Vision
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.890756 Composed by Traditional. A…
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Concert Band - Level 3 - Digital Download SKU: A0.890756 Composed by Traditional. Arranged by Andrew Wainwright. Christian,Sacred,World. Score and parts. 41 pages. Andrew Wainwright #6446259. Published by Andrew Wainwright (A0.890756). A highly evocative arrangement of the popular hymn, also known as Slane. The arranger Andrew Wainwright responds to the ethereal quality of the tune with an exquisite layering of texture. The three-verse setting grows to a glorious climax on the final verse, before dying away to a serene ending.
$54.99
50.84 €
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Concert band
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Traditional
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Be Thou My Vision
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Andrew Wainwright
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SheetMusicPlus
Bittersweet
Piano solo
Piano - Level 2 - Digital Download SKU: A0.1402407 By MD Morgan. By MD Morgan. Arra…
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Piano - Level 2 - Digital Download SKU: A0.1402407 By MD Morgan. By MD Morgan. Arranged by LA Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 2 pages. L A Morgan #985622. Published by L A Morgan (A0.1402407). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
2.76 €
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Piano solo
#
MD Morgan
#
Bittersweet
#
L A Morgan
#
SheetMusicPlus
Impromptu Tango
Piano solo
Guitar - Level 2 - Digital Download SKU: A0.1402392 By L A Morgan. By L A Morgan. A…
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Guitar - Level 2 - Digital Download SKU: A0.1402392 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Chords/Lyrics. 2 pages. L A Morgan #985607. Published by L A Morgan (A0.1402392). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
2.76 €
#
Piano solo
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L A Morgan
#
Impromptu Tango
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L A Morgan
#
SheetMusicPlus
Retourne
Piano solo
Piano - Level 2 - Digital Download SKU: A0.1402404 By MD Morgan. By MD Morgan. Arra…
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Piano - Level 2 - Digital Download SKU: A0.1402404 By MD Morgan. By MD Morgan. Arranged by LA Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 2 pages. L A Morgan #985619. Published by L A Morgan (A0.1402404). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
2.76 €
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Piano solo
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MD Morgan
#
Retourne
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L A Morgan
#
SheetMusicPlus
Medley of Romance
Piano solo
Piano - Level 2 - Digital Download SKU: A0.1402408 By LD Morgan. By LA Morgan, MD M…
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Piano - Level 2 - Digital Download SKU: A0.1402408 By LD Morgan. By LA Morgan, MD Morgan. Arranged by LA Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 5 pages. L A Morgan #985623. Published by L A Morgan (A0.1402408). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
2.76 €
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Piano solo
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LD Morgan
#
Medley of Romance
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L A Morgan
#
SheetMusicPlus
The Love That Could Have Been
Piano solo
Guitar - Level 2 - Digital Download SKU: A0.1402400 By L A Morgan. By L A Morgan. A…
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Guitar - Level 2 - Digital Download SKU: A0.1402400 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Chords/Lyrics. 2 pages. L A Morgan #985616. Published by L A Morgan (A0.1402400). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
2.76 €
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Piano solo
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L A Morgan
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The Love That Could Have Been
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L A Morgan
#
SheetMusicPlus
When We Were Only Friends Elaine
Piano solo
Piano - Level 2 - Digital Download SKU: A0.1402396 By L A Morgan. By L A Morgan. Ar…
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Piano - Level 2 - Digital Download SKU: A0.1402396 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pages. L A Morgan #985611. Published by L A Morgan (A0.1402396). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
2.76 €
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Piano solo
#
L A Morgan
#
When We Were Only Friends Elaine
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L A Morgan
#
SheetMusicPlus
Whispers in the Wind
Piano solo
Piano - Level 2 - Digital Download SKU: A0.1402399 By L A Morgan. By L A Morgan. Ar…
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Piano - Level 2 - Digital Download SKU: A0.1402399 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 4 pages. L A Morgan #985615. Published by L A Morgan (A0.1402399). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
2.76 €
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Piano solo
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L A Morgan
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Whispers in the Wind
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L A Morgan
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SheetMusicPlus
When We Were Only Friends James
Piano solo
Piano - Level 2 - Digital Download SKU: A0.1402397 By L A Morgan. By L A Morgan. Ar…
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Piano - Level 2 - Digital Download SKU: A0.1402397 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pages. L A Morgan #985612. Published by L A Morgan (A0.1402397). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
2.76 €
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Piano solo
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L A Morgan
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When We Were Only Friends James
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L A Morgan
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SheetMusicPlus
Secret Kisses
Piano solo
Piano - Level 2 - Digital Download SKU: A0.1402393 By L A Morgan. By L A Morgan. Ar…
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Piano - Level 2 - Digital Download SKU: A0.1402393 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pages. L A Morgan #985608. Published by L A Morgan (A0.1402393). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99
2.76 €
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Piano solo
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L A Morgan
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Secret Kisses
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L A Morgan
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SheetMusicPlus
Parallel Tracks
Piano Quartet: piano, violin, viola, cello
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.48 €
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Piano Quartet: piano, violin, viola, cello
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Eg veit i himmerik ei borg (I know a castle in heaven)
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.940770 Composed by Nick Walkley…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3422709. Published by Nick Walkley (A0.940770). This is a meditative arrangement of a well known Norwegian hymn. The arrangement sets three verses of the melody 'bookended' by a mirrored introduction and coda. It was originally written for trumpet sextet and performed by the cornet section of the Band of the Welsh Guards, before being expanded to military (wind) and brass band formats.In the hymn, one sings of a hopeful final journey to a place without worry or sorrow. The arrangement reflects the mood of these three verses, with increaing tension and movement through ascending lines as the journey progresses towards a final resting place. The hymn is regularly used at funerals and memorial services. The text was originally old German and translated to Norwegian by Bernt Støyland in 1905. Translated to English, the text reads as:I know a castle in heaven above,shining as bright as the sun;you'll find no sin nor sorrow there,and never a tear is shed. I am a weary traveller;may my path lead mefrom here to my Father's land;God, bless me on my way. We thank you for eternityGod the Father, one in three.For you are gentle and mild to us in Jesus Christ! Amen. Note to conductors:The opening and closing sections require precision in the start and release of notes for the chord progression to function. Attention to detail should be paid to each individual crescendi, diminuendi and articulation. This is excellent training for even the best of bands!An optional vocal part is provided in both Norwegian and English, but the arrangement functions with or without it. Cues are written for important lines should players be missing, otherwise many of the parts are doubled across the band. Therefore this arrangement should be playable by bands from approximately 2nd/3rd division upwards even if some players are missing.
$20.00
18.49 €
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Brass ensemble
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Nick Walkley
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Eg veit i himmerik ei borg
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Nick Walkley
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SheetMusicPlus
Eg veit i himmerik ei borg (I know a castle in heaven)
Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.940772 Composed by Nick…
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Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.940772 Composed by Nick Walkley. Christian,Contemporary,Patriotic,World. Score and parts. 15 pages. Nick Walkley #3433499. Published by Nick Walkley (A0.940772). This is a meditative arrangement of a well known Norwegian hymn. The arrangement sets three verses of the melody 'bookended' by a mirrored introduction and coda. It was originally written for and performed by the cornet section of the Band of the Welsh Guards, before being also expanded to military (wind) and brass band formats.In the hymn, one sings of a hopeful final journey to a place without worry or sorrow. The arrangement reflects the mood of these three verses, with increaing tension and movement through ascending lines as the journey progresses towards a final resting place. The hymn is regularly used at funerals and memorial services. The text was originally old German and translated to Norwegian by Bernt Støyland in 1905. Translated to English, the text reads as:I know a castle in heaven above, shining as bright as the sun; you'll find no sin nor sorrow there, and never a tear is shed.I am a weary traveller; may my path lead me from here to my Father's land; God, bless me on my way.We thank you for eternity God the Father, one in three. For you are gentle and mild to us in Jesus Christ! Amen.Note to performers:The opening and closing sections require precision in the start and release of notes for the chord progression to function. Attention to detail should be paid to each individual crescendi, diminuendi and articulation. This is excellent training for all brass musicians!
$15.00
13.87 €
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Nick Walkley
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Eg veit i himmerik ei borg
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Nick Walkley
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SheetMusicPlus
Trapped
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Sc…
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Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00
23.11 €
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Concert band
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
High voice
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.24 €
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High voice
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.69 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
EP!C!!!
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wint…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
36.98 €
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Orchestra
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
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