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Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violin, Clarinet, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
13.73 €
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Violin, Clarinet, Piano (trio)
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Adam Lenhart
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Two Scenes from The Rubáiyát of Omar Khayyám
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Adam Lenhart
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SheetMusicPlus
Francesco Molino: Three Sonatas and Six Themes with Variations For Low G Ukulele
Ukulele
Ukulele - Level 3 - Digital Download SKU: A0.1151103 By Michael P Walker. By France…
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Ukulele - Level 3 - Digital Download SKU: A0.1151103 By Michael P Walker. By Francesco Molino. Arranged by Michael P Walker. 19th Century,Classical. Score. 53 pages. Michael P Walker #751283. Published by Michael P Walker (A0.1151103). Who would have thought you could play classical music on a ukulele? But you can! Francesco Molino was an Italian musician and composer, born at Ivrea near Turin on 4 June 1768. At the age of fifteen, in 1783, he enrolled in the band of the Piedmont Regiment as an oboist, a post from which he resigned in 1793. He often traveled to Spain to give concerts. From 1786 to 1789, he played the viola in the orchestra of the Teatro Regio in Turin, and from 1814 to 1818, he was employed in the royal chapel in Turin. By 1817 he had published two guitar methods. Then in about 1820, he moved to Paris where he was very active as a teacher and composer, until his death there in 1847. His works were largely neglected until the twentieth century when many of them were republished. Have fun! Along with this book, there are more than 80 books of arrangements of Renaissance, Baroque, Classical, and Romantic era music for the baritone ukulele and there are more than Sixty-five others with arrangements for the Low G ukulele. You can find them here: https://morgancomusic.com.
$19.95
18.28 €
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Ukulele
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Michael P Walker
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Francesco Molino: Three Sonatas and Six Themes with Variations For Low G Ukulele
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Michael P Walker
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SheetMusicPlus
The Water is Wide (SAB choir and piano)
Choral 3-part
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1264867 Composed by Traditi…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1264867 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Early Music,Folk,Irish,Wedding. Octavo. 10 pages. Colin Kirkpatrick Publications #857706. Published by Colin Kirkpatrick Publications (A0.1264867). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as O Waly, Waly which means something like “woe is meâ€. For such an old song, it is not surprising that there are many variations of the lyrics. An early version of the modern lyrics was consolidated by the British folksong collector Cecil Sharp in 1906, using multiple older sources in southern England. There are many sets of lyrics with different story-lines. This was because in the past, performers would often create new lyrics for the song. This melody has attracted an entire family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular lyrics used during the twentieth century. The song was arranged for voice and piano in 1948 by British composer Benjamin Britten but in more recent times, was made popular by many folk singers notably Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct†one.This SAB arrangement by Colin Kirkpatrick is ideal for high school or college choir, especially if the tenor/bass section is a bit low on numbers. Each section of the choir has the melody line at some point and there are attractive and evocative counter-melodies. In the soprano part (which has one brief divisi section), the highest note is G5 (which occurs only once and safely approached) and the highest note in the alto part is C5 (in the middle of the treble staff). The bartione part lies between A flat 2 (bottom space in bass clef) and D3 (just above the staff). The piano part is an integral part of the arrangement and therefore essential. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike.
$2.99
2.74 €
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Choral 3-part
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Traditional
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The Water is Wide
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Water is Wide (SSA choir and piano)
Choral 3-part
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1251832 Composed by Traditi…
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Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1251832 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Irish,Multicultural,Wedding,World. Octavo. 9 pages. Colin Kirkpatrick Publications #846048. Published by Colin Kirkpatrick Publications (A0.1251832). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as “O Waly, Waly†which means something like “woe is meâ€. For such an old song, it is not surprising that there are many variations of the lyrics. An early version of the modern lyrics was consolidated by the British folksong collector Cecil Sharp in 1906 using multiple older sources in southern England. There are many sets of lyrics with different story-lines. This was because performers would often create new lyrics for the song. This melody has attracted a family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular and optimistic lyrics used during the twentieth century. The song was made popular by many folk singers notably Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct†one.This SSA arrangement by Colin Kirkpatrick is ideal for boy choir, amateur choir, school or college choir. Each section of the choir as the melody line at some point and there are attractive and evocative counter-melodies. In the Soprano 1 part (which has one brief divisi section), the highest note is G5 (the G just above the staff) and the highest note in the Soprano 2 part is E5 (near the top of the treble staff). The Alto part has a range of G below Middle C (G4) up to B flat in the middle of the treble staff. The piano part is an integral part of the arrangement and therefore essential. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike. Note that the audio sample cannot yet render the words.
$2.99
2.74 €
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Choral 3-part
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Traditional
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The Water is Wide
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Water is Wide (SAB choir and piano)
Choral 3-part
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1264866 Composed by Traditi…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1264866 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Irish,Wedding. Octavo. 9 pages. Colin Kirkpatrick Publications #857705. Published by Colin Kirkpatrick Publications (A0.1264866). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as “O Waly, Waly†which means something like “woe is meâ€. For such an old song, it is not surprising that there are many variations of the lyrics. An early version of the modern lyrics was consolidated by the British folksong collector Cecil Sharp in 1906, using multiple older sources in southern England. There are many sets of lyrics with different story-lines. This was because in the past, performers would often create new lyrics for the song. This melody has attracted an entire family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular lyrics used during the twentieth century. The song was arranged for voice and piano in 1948 by British composer Benjamin Britten but in more recent times, was made popular by many folk singers notably The Seekers, Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct†one.This SAB arrangement by Colin Kirkpatrick is ideal for high school or college choir. Each section of the choir as the melody line at some point and there are attractive and evocative counter-melodies. In the soprano part (which has one brief divisi section), the highest not is G5 which appears only once and is approached safely. The highest note in the alto part is C5 (in the middle of the treble staff). The baritone part lies between A flart 2 and D 3 (just above the staff) and well within the normal choral range. The piano part is an integral part of the arrangement and therefore essential. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike.
$2.99
2.74 €
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Choral 3-part
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Traditional
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The Water is Wide
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Colin Kirkpatrick Publications
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SheetMusicPlus
Barnacle Bill the Sailor (for German Band)
Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Dow…
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Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Download SKU: A0.734796 Composed by Traditional. Arranged by Joseph Hasper. Folk,Jazz,Traditional. Score and parts. 14 pages. Joseph Hasper #3213083. Published by Joseph Hasper (A0.734796). Traditional sailor's song arranged for German Band with two clarinets, trumpet, trombone, tuba, and optional drums. Includes a full score and all parts. Includes optional lyrics that let you sing a verse! Key of F. 81 measures, 20pages.Barnacle Bill the Sailor is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard. Versions are also known in England and Scotland from the early twentieth century.One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.Barnacle Bill the Sailor (Roud 4704) is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown.[1]There are several versions of the bawdy song in the Gordon Inferno Collection at the Library of Congress folklife archive. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard.[2] Versions are also known in England and Scotland from the early twentieth century.The earliest known recording is an expurgated adaptation by Carson Robison and Frank Luther in 1928. This version was also recorded on May 21, 1930 by Bix Beiderbecke and Hoagy Carmichael with Carson Robison on vocals and released as a Victor 78, V-38139-A and 25371. In 1996 it was released on CD on the album Bix Beiderbecke 1927–1930.[3] According to Philip R. Evans, Bix Beiderbecke's biographer, in the second chorus of this recording, violinist Joe Venuti can be heard singing Barnacle Bill the Shit-head, either to express his attitude toward the record producer, or typical of his wacky sense of humor. Esten Spurrier, a friend of Beiderbecke's, is quoted by Evans as saying that Beiderbecke told him he could not believe the record would be pressed and had felt that it had been done just for laughs. Beiderbecke cut loose on the tune with what is believed to be one of his finest cornet solos. John Valby (aka Dr. Dirty) also recorded the song.The tune has inspired a Fleischer Studios Betty Boop cartoon and two films, as well as the name of a rock on Mars. Louis Jordan and the Tympany Five (then known as The Elks Rendezvous Band) recorded a clean version in 1938.[4] In the first Fleischer Popeye cartoon, Popeye the Sailor (1933), Barnacle Bill was used as the recurring theme for the Bluto character. A later Fleischer Popeye cartoon, Beware of Barnacle Bill (1935), is a mock operetta based around a toned-down version of the song.Example of lyrics[edit]One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.
$11.99
10.98 €
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Traditional
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Barnacle Bill the Sailor
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Joseph Hasper
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SheetMusicPlus
The Old Rugged Cross - Clarinet Quartet - Intermediate
Clarinet Quartet: 4 clarinets
Clarinet, Woodwind Quartet, Double Bass - Intermediate - Digital Download Composed by…
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Clarinet, Woodwind Quartet, Double Bass - Intermediate - Digital Download Composed by George Bennard - Traditional Country Gospel. Arranged by Dennis Ruello. 20th Century, Praise & Worship, General Worship, Easter, Lent. Score, Set of Parts. 15 pages. Published by Chicory Music
"The Old Rugged Cross" has been a country gospel favorite ever since it became the title song of Ernest Tubb's 1952 gospel album; it has been performed by some of the twentieth century's most important recording artists, including Andy Griffith, Anne Murray, Brad Paisley, Chet Atkins, John Berry, Floyd Cramer, George Jones, Eddy Arnold, Jim Reeves, Loretta Lynn, Ray Price, Ricky Van Shelton, Tennessee Ernie Ford, Rahsaan Roland Kirk, Roy Rogers and Dale Evans. The Oak Ridge Boys, The Statler Brothers, Vince Gill, Willie Nelson, Alan Jackson, George Beverly Shea and John Prine on the 2007 CD "Standard Songs for Average People" with Mac Wiseman. British television dramatist Dennis Potter used the gospel song prominently in several of his plays, most notably Pennies from Heaven (1978); and the song also played a major part in "Gridlock" (2007), an episode of the long-running sci-fi drama series Doctor Who. In early 2009, the song was covered by Johnny Cash and June Carter, Kevin Max, Mahalia Jackson, Merle Haggard, and Patsy Cline. Parts included for this arrangement are: Full Score, 1st, 2nd, 3rd Clarinet, Bass Clarinet, Acoustic Bass (Optional).<br> <br> Performance Time: Approx. 2 minutes 15 seconds
$14.99
13.73 €
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Clarinet Quartet: 4 clarinets
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George Bennard - Traditional Country Gospel
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The Old Rugged Cross - Clarinet Quartet - Intermediate
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Chicory Music
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SheetMusicPlus
Seven Pieces in Twentieth-Century Styles
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 2…
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Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
4.58 €
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Piano solo
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James Siddons
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Seven Pieces in Twentieth-Century Styles
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James Siddons Music and Writings
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SheetMusicPlus
The Water is Wide (SAT choir and piano)
Choral 3-part
Choral Choir (SAT) - Level 3 - Digital Download SKU: A0.1274487 Composed by Traditi…
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Choral Choir (SAT) - Level 3 - Digital Download SKU: A0.1274487 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Contest,Festival,Folk,Irish,Wedding. Octavo. 10 pages. Colin Kirkpatrick Publications #866631. Published by Colin Kirkpatrick Publications (A0.1274487). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as “O Waly, Waly†(it rhymes with daily) which means something like “woe is meâ€. For such an old song, it is not surprising that there are many variations of the lyrics. There are many sets of lyrics with different story-lines. This was because performers would often create new lyrics for the song. This melody has attracted a family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular lyrics used during the twentieth century. The song was made popular by many folk singers notably Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct†one.This SAT arrangement by Colin Kirkpatrick is ideal for school choir, amateur choir or college choir especially when there are few male voices. Each section of the choir as the melody line at some point and there are attractive and evocative counter-melodies. In the soprano part (which has one brief divisi section), the highest note is G5 (the G just above the staff, but only once). The alto part range is of B flat 3 to E5. The tenor range is D3 to D4. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike.Â
$2.99
2.74 €
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Choral 3-part
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Traditional
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The Water is Wide
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Colin Kirkpatrick Publications
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SheetMusicPlus
On The Trail
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.937290 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.937290 Composed by Ferde Grofé. Arranged by Hugh Levey. 20th Century,Contemporary,Film/TV,Patriotic. 59 pages. Woodwindly.com #6518987. Published by woodwindly.com (A0.937290). Wind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon) On the Trail is the third movement from Ferde Grofé’s Grand Canyon Suite, written between 1929 and 1931; published in 1932. It has since become one of the most popular American musical works of the twentieth century, with On the Trail being the most well-known movement. It portrays a cowboy and his burro (donkey) sauntering through the Grand Canyon, coming across an oasis and a lonely cabin where they hear a music box playing, before continuing their journey. All this is portrayed in the music, including the braying sound of the donkey, its clip-clopping along and the cowboy singing a relaxed Western style song.This lovely and fun arrangement for wind quintet remains faithful to the original; retaining its structure, key and, where possible, its instrumentation. The only section omitted is the violin cadenza. The original orchestral work includes clarinets in Bb. This arrangement is also written for Bb clarinet but an alternative clarinet in A part is included, which is more suited to the key of the work.This is an ideal recital piece for either formal or informal concert settings. It is also suitable for any American or Western themed celebration or event.Duration - just over 6 minutesScore - 33 pages, Parts - 23 pages, Cover and programme notes - 3 pages.
$16.00
14.66 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Ferde Grofé
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published in 1932
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On The Trail
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woodwindly.com
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SheetMusicPlus
Buffalo Dusk: Song for Soprano, Mezzo-Soprano, or Tenor and Piano on a Poem by Carl Sandburg
Soprano voice, mezzo-soprano voice, or tenor voice and piano - Medium - Digital Download
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Soprano voice, mezzo-soprano voice, or tenor voice and piano - Medium - Digital Download SKU: MQ.9229-E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #9229-E. Published by E. C. Schirmer Music Company - Digital (MQ.9229-E). English.Written for Jun Mo Yang, a young tenor studying in the graduate Vocal Arts Program at the Bard Conservatory of Bard College. He and his fellow students were working on a special project studying contemporary composers whose work engages with climate change, environmentalism, and the natural environment. The students had been asked to read a chapter from David Haskell’s Sounds Wild and Broken and had further been given the following direction to guide them: “we are assigning each of you to a project in which you will seek out song repertoire from a living composer whose work responds to climate change or the natural environment, heightening our connection to and awareness of the natural world. This topic has arisen from a call to Bard faculty to #MakeClimateAClass: Bard faculty are urged to use our collective power as educators to engage with the climate change crisis.â€Jun wrote to me that he was drawn to my music and asked whether any of my songs might fit within this subject area. At the time I had plenty of songs that spoke of the natural world, but none I could categorize as specifically dealing with the class’ more narrow focus, so I offered to write this song on a poem by one of my favorite poets, Carl Sandburg, who even by the early twentieth century was noting the degradation of the natural environment and its impact on life of all kinds trying to adjust to changed circumstances brought on in one way or another by man. I quickly found the poem Buffalo Dusk, seeing how strongly it speaks of the extinction of species and the loss that represents. Jun and his teachers remarked what a “beautiful and sad poem†it was, so in short order I was pleased to present this song to Jun, who gave Buffalo Dusk its first performance in April of 2023 at the Bard Conservatory.
$9.95
9.12 €
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Juliana Hall
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Buffalo Dusk: Song for Soprano, Mezzo-Soprano, or Tenor and Piano on a Poem by Carl Sandburg
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Old Rugged Cross - String Quartet or Orchestra - Intermediate
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.734370 Composed by George Ben…
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String Orchestra - Level 3 - Digital Download SKU: A0.734370 Composed by George Bennard (1913) -Traditional Country Gospel. Arranged by Dennis Ruello. 20th Century,Easter,Praise & Worship,Sacred. Score and parts. 15 pages. Chicory Music #3478479. Published by Chicory Music (A0.734370). 2018 Chamber Music Contest Entry The Old Rugged Cross has been a country gospel favorite ever since it became the title song of Ernest Tubb's 1952 gospel album; it has been performed by some of the twentieth century's most important recording artists, including Andy Griffith, Anne Murray, Brad Paisley, Chet Atkins, John Berry, Floyd Cramer, George Jones, Eddy Arnold, Jim Reeves, Loretta Lynn, Ray Price, Ricky Van Shelton, Tennessee Ernie Ford, Rahsaan Roland Kirk, Roy Rogers and Dale Evans. The Oak Ridge Boys, The Statler Brothers, Vince Gill, Willie Nelson, Alan Jackson, George Beverly Shea and John Prine on the 2007 CD Standard Songs for Average People with Mac Wiseman. British television dramatist Dennis Potter used the gospel song prominently in several of his plays, most notably Pennies from Heaven (1978); and the song also played a major part in Gridlock (2007), an episode of the long-running sci-fi drama series Doctor Who. In early 2009, the song was covered by Johnny Cash and June Carter, Kevin Max, Mahalia Jackson, Merle Haggard, and Patsy Cline. Parts included for this arrangement are: Full Score, 1st and 2nd Violin, Viola, Cello and Contrabass. Performance time: approx. 2 min. 15 sec.
$14.99
13.73 €
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String Orchestra
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George Bennard
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The Old Rugged Cross - String Quartet or Orchestra - Intermediate
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Chicory Music
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SheetMusicPlus
For The Love Of A Princess from the Twentieth Century Fox Motion Picture BRAVEHEART
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.845662 Composed by James Horner…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.845662 Composed by James Horner. Arranged by Robert Newth. Film/TV. Score and parts. 8 pages. Robert Newth #4369080. Published by Robert Newth (A0.845662). The haunting and beautiful piece For the Love of a Princess is the most recognisable piece of music from James Horner's fantastic score to the film Braveheart, released in 1995. This arrangement for brass trio is extremely expressive and would be an excellent addition to any concert programme.The PDF download includes the full score and 3 parts: Trumpet in Bb, Horn in F, and Trombone (bass clef). There is also an alternative trombone part, in Bb treble clef. The trombone part could easily be performed on the tuba if so desired.If you like this arrangement, please leave a review!
$12.99
11.9 €
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Brass ensemble
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James Horner
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For The Love Of A Princess from the Twentieth Century Fox Motion Picture BRAVEHEART
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Robert Newth
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SheetMusicPlus
For The Love Of A Princess from the Twentieth Century Fox Motion Picture BRAVEHEART
French Horn and Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.845670 Composed by James Hor…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.845670 Composed by James Horner. Arranged by Robert Newth. Film/TV. Score and part. 5 pages. Robert Newth #4612579. Published by Robert Newth (A0.845670). The haunting and beautiful piece For the Love of a Princess is the most recognisable piece of music from James Horner's fantastic score to the film Braveheart, released in 1995. This arrangement for french horn is extremely expressive with or without the piano accompaniment. There is also an alternate part for Eb horn.The PDF download includes the full score for the pianist and solo horn parts, on one page so no page turns are necessary.If you like this arrangement, please leave a review!
$4.99
4.57 €
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French Horn and Piano
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James Horner
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For The Love Of A Princess from the Twentieth Century Fox Motion Picture BRAVEHEART
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Robert Newth
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SheetMusicPlus
Reflections on "How Great Thou Art"-3-5 oct.-Digital Download
Handbells
Handbells 3-5 octave handbells with optional 3 octave handchimes - Level 3 - Digital Downl…
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Handbells 3-5 octave handbells with optional 3 octave handchimes - Level 3 - Digital Download SKU: H1.2781DP Arranged by H. Dean Wagner. General Worship, Sacred. Handbell score. 12 pages. Hope Publishing - Digital #2781DP. Published by Hope Publishing - Digital (H1.2781DP). Stuart K. Hine.Immensely popular hymn One of the most influential hymns of the twentieth century is given a powerful treatment in this awe-inspiring setting for 3-5 octave handbells and handchimes. Depicting the majesty and greatness of God, this hymn reflection builds from beginning to end using artful compositional technics - useful for any worship service on the theme of God and creation.
$7.00
6.41 €
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Handbells
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Reflections on "How Great Thou Art"-3-5 oct.-Digital Download
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Hope Publishing - Digital
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SheetMusicPlus
Once Upon A December from the Twentieth Century Fox Motion Picture ANASTASIA
Flute
Flute Solo - Level 1 - Digital Download SKU: A0.782610 Composed by Lynn Ahrens and …
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Flute Solo - Level 1 - Digital Download SKU: A0.782610 Composed by Lynn Ahrens and Stephen Flaherty. Arranged by Ashlee T Busch. Film/TV. Individual part. 4 pages. Ashlee T Busch #3550655. Published by Ashlee T Busch (A0.782610). From Disney's hit movie Anastasia, this haunting melody is beautifully presented on the flute in comfortable tonal centers for the younger performer. Perfect for a recital or just for family and friends! Lyrics are included to help the performer find a sense of balance, character, and familiarity. Enjoy!
$4.99
4.57 €
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Flute
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Lynn Ahrens and Stephen Flaherty
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Once Upon A December from the Twentieth Century Fox Motion Picture ANASTASIA
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Ashlee T Busch
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SheetMusicPlus
Dance of the Wind-Up Toys
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.972638 Composed by James S…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.972638 Composed by James Siddons. 20th Century,Concert,Contemporary. Score and parts. 14 pages. James Siddons Music and Writings #3025013. Published by James Siddons Music and Writings (A0.972638). Dance of the Wind-Up Toys is for one clarinet in Bb, one cello, percussionist(s), and mime dancer(s). This work may be performed by instruments only; the percussion part being performed by one, two, or three performers.If a mime performer, or one or more dancers, also perform, the instrumental ensemble must be on the stage with them. The mime or dancer(s) enter the stage at measure 20 and either 1) perform until the end (m. 91), or 2) perform from m. 20 to m. 41, then leave the stage, and then return at m. 67. Costumes: the instrumentalists may be in costume as well as the performers, if desired. See the title page for suggestions. This piece is meant to be energetic, theatrical, and fun to perform as well as to watch.Program Note Dance of the Wind-Up Toys was composed in April-May 1968, when composer James Siddons was 19 years old. It was inspired by mime performers as well as the mechanical toys common in the early twentieth century.
$10.00
9.16 €
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Percussion Ensemble
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James Siddons
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Dance of the Wind-Up Toys
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James Siddons Music and Writings
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SheetMusicPlus
The Candy Cakewalk, for Flute and Trumpet Duet
Flute, Trumpet (duet)
Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.591142 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284963. Published by David McKeown (A0.591142). The Candy Cakewalk is a fun and original duet written by David McKeown for one Flute and one Trumpet. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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Flute, Trumpet (duet)
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David McKeown
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The Candy Cakewalk, for Flute and Trumpet Duet
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David McKeown
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SheetMusicPlus
The Candy Cakewalk, for Clarinet and Trumpet Duet
Clarinet, Trumpet (duet)
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: …
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.591135 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284947. Published by David McKeown (A0.591135). The Candy Cakewalk is a fun and original duet written by David McKeown for one Clarinet and one Trumpet. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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Clarinet, Trumpet (duet)
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David McKeown
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The Candy Cakewalk, for Clarinet and Trumpet Duet
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David McKeown
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SheetMusicPlus
The Candy Cakewalk, for Clarinet and Violin Duet
Clarinet, Violin (duet)
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.591136 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284949. Published by David McKeown (A0.591136). The Candy Cakewalk is a fun and original duet written by David McKeown for one Clarinet and one Violin. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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Clarinet, Violin (duet)
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David McKeown
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The Candy Cakewalk, for Clarinet and Violin Duet
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David McKeown
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SheetMusicPlus
The Candy Cakewalk, for Flute and Violin Duet
Flute, Violin
Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.591144 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284967. Published by David McKeown (A0.591144). The Candy Cakewalk is a fun and original duet written by David McKeown for one Flute and one Violin. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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Flute, Violin
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David McKeown
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The Candy Cakewalk, for Flute and Violin Duet
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David McKeown
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SheetMusicPlus
The Candy Cakewalk, for Flute and Viola Duet
Flute, Viola (duet)
Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.59…
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.591143 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284965. Published by David McKeown (A0.591143). The Candy Cakewalk is a fun and original duet written by David McKeown for one Flute and one Viola. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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Flute, Viola (duet)
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David McKeown
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The Candy Cakewalk, for Flute and Viola Duet
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David McKeown
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SheetMusicPlus
The Candy Cakewalk, for Clarinet and Viola Duet
Clarinet and Viola
Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0…
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Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.591134 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284945. Published by David McKeown (A0.591134). The Candy Cakewalk is a fun and original duet written by David McKeown for one Clarinet and one Viola. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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Clarinet and Viola
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David McKeown
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The Candy Cakewalk, for Clarinet and Viola Duet
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David McKeown
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SheetMusicPlus
The Candy Cakewalk, for Trumpet and Clarinet Duet
Clarinet, Trumpet (duet)
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: …
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.591158 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6285005. Published by David McKeown (A0.591158). The Candy Cakewalk is a fun and original duet written by David McKeown for one Trumpet and one Clarinet. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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Clarinet, Trumpet (duet)
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David McKeown
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The Candy Cakewalk, for Trumpet and Clarinet Duet
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David McKeown
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SheetMusicPlus
The Candy Cakewalk, for Trumpet Duet
2 Trumpets (duet)
Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.591162 Composed by David …
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Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.591162 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score. 4 pages. David McKeown #6285013. Published by David McKeown (A0.591162). The Candy Cakewalk is a fun and original duet written by David McKeown for two Trumpets. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.74 €
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2 Trumpets (duet)
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David McKeown
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The Candy Cakewalk, for Trumpet Duet
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David McKeown
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SheetMusicPlus
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