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You've selected:
On The Very Rim
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The Story of a Leader
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor K…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
13.56 €
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Choral SATB
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
On The Very Rim
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1268969 By Brass D…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1268969 By Brass Dragons. By Ralph J Martin. Arranged by Ralph J Martin. Contemporary,Funk,Jazz,Pop. Score and Parts. 21 pages. Brass Dragons #861503. Published by Brass Dragons (A0.1268969). This is a large ensemble arrangement of On The Very Rim by Ralph Martin of Brass Dragons.Included parts; Trumpet, Alto Sax or Tenor Sax, Trombone, Guitar, Keyboard, Bass, Drum Set and Score.Also includes a solo section.This is a great Fusion tune and a good crowd pleaser.
$49.99
45.08 €
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Jazz Ensemble
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Brass Dragons
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On The Very Rim
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Brass Dragons
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SheetMusicPlus
Solo Marimba "I Need The Every Hour" 2 Min.
Marimba
Marimba Solo - Level 3 - Digital Download SKU: A0.936778 Arranged by James Theobald…
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Marimba Solo - Level 3 - Digital Download SKU: A0.936778 Arranged by James Theobald. Christian,Contemporary,Sacred,Wedding. Individual part. 4 pages. James R Theobald #6013505. Published by James R Theobald (A0.936778). A Mellow Version Of The Beautiful Old Favorites This hymn is part of a series arranged for solo Marimba. The 15 song collection is designed to be simple to play as well as simple to listen to. The arrangements center around the importance of the melodies and not around the technical abilities of the performer. I have tried to make the arrangements easy enough for intermediate players yet beautiful and interesting enough for intimate events such as church services, weddings, funerals, etc. You may hear the entire CD Hymns On Marimba at Itunes or on my website Hymns For Marimba Please enjoy and make use of the natural reverb of the church!! James Theobald <!-- /* Font Definitions */ @font-face {font-family:Cambria Math; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-536859905 -1073732485 9 0 511 0;} @font-face {font-family:Garamond Three; panose-1:2 0 6 3 0 0 0 0 0 0; mso-font-charset:0; mso-generic-font-family:auto; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:-2147483473 1073741896 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Calibri,sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-family:Calibri,sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi;}size:8.5in 11.0in; margin:1.0in 1.0in 1.0in 1.0in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.WordSection1 {page:WordSection1;}
$5.99
5.4 €
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Marimba
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Solo Marimba "I Need The Every Hour" 2 Min.
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James R Theobald
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SheetMusicPlus
Crossing the River
Marimba
Marimba Solo - Level 4 - Digital Download SKU: A0.1310693 Composed by Michael M. Ch…
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Marimba Solo - Level 4 - Digital Download SKU: A0.1310693 Composed by Michael M. Chang. 21st Century,Contemporary. Individual part. 10 pages. Michael M. Chang #899669. Published by Michael M. Chang (A0.1310693). Crossing the River is written for an intermediate to advanced player using four mallets on a 4.3 marimba with optional 5-octave notes indicated in parentheses ( ). The song's meaning can be found in our everyday lives - how things can become mundane and sometimes events beyond our control can overwhelm us. During those times, our thoughts may drift back to our youth and to the simple things that brought us joy. Remembering these may bring a moment of contentment, but making those moments a part of our lives again can lead to a lifetime of happiness.The music begins in the key of E Major, with playful, lyrical phrases before modulating to a section in F# Major, which consists of a light, airy right-hand melody accompanied by a syncopated left-hand ostinato. The flow pauses for a moment of introspection, before a similar syncopated section returns, but this time in the key of A# minor. This builds to a beautiful chorale section as the river is crossed, before closing with a variation on the opening theme in C# Major. Singable and pleasing to the ear, the piece's melodies may help improve dexterity, particularly in the player's right hand.
$9.99
9.01 €
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Marimba
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Michael M
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Crossing the River
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Michael M. Chang
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SheetMusicPlus
The Complete Instrumentalist Book One
Level 2 - Digital Download SKU: A0.1315388 By DaCapo Primary Music. By Jane Cutler …
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Level 2 - Digital Download SKU: A0.1315388 By DaCapo Primary Music. By Jane Cutler and Tracey Mathias. Classical,Contemporary,Instructional,Multicultural,Traditional,World. Educational Method. 94 pages. DaCapo Primary Music #904114. Published by DaCapo Primary Music (A0.1315388). This Book Contains 68 songs for the instrumentalist.This new edition of the DaCapo Complete Instrumentalist contains the same material as when first published in 2000, with one big change - many of the songs have been re-worded by our writer in residence, Tracey Mathias, to make them more engaging for very young children.Singing is the foundation of all musical skills.The book concentrates on the building of musicianship, is not clef specific and is therefore suitable for ANY instrument. It has been written on a reduced stave of 1, 2 or 3 lines in order to develop the skill of hearing the music from the page. The songs are classified by their note range, using solfa symbols and handsigns to identify relative pitches.The collection starts with the  so  mi interval and moves progressively to cover the complete major pentatonic scale. These intervals are easier to pitch accurately and you have the added advantage of working in canon. You may find another section more appropriate for the early stages of your instrument. A violinist or cellist may find the  so  do section better as a starting point for example, whilst  la  so might be more comfortable on a fife or recorder.Each section starts with a list of ideas for very simple activities used to teach a song and establish it in the pupil's mind. There follows a variety of more complex and creative ideas which will enhance their musicianship. The activities are at three levels and we suggest that first you learn lots of the songs and then return to them later, tackling some of the more challenging suggestions.Whilst every attempt has been made to research the source material, if you think we have not credited an original song please let us know.We hope that you enjoy becoming a Complete Instrumentalist. Jane CutlerYou can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
7.21 €
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DaCapo Primary Music
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The Complete Instrumentalist Book One
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DaCapo Primary Music
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SheetMusicPlus
Ijexá Rhythm (Brazilian music on percussion)
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.513413 By Marcelo Borba. By Marce…
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Concert Band - Level 2 - Digital Download SKU: A0.513413 By Marcelo Borba. By Marcelo Barros de Borba. Arranged by Marcelo Borba. Country,Latin,Patriotic,Standards,Traditional. Score and Parts. 2 pages. Marcelo Borba #124181. Published by Marcelo Borba (A0.513413). The preciousness of Brazilian music can be appreciated in this arrangement on the Ijexá rhythm. A small 4-bar Looping for percussion practice. In this arrangement the following percussion instruments are used: Agogô, Afoxé, Atabaque and Alfaia. You can listen to the sound result on the audio available for free. Ijexá is available in full version and with its individual parts.The Ijexá rhythm is a musical form originating in Afro-Brazilian culture, specifically within the traditions of the Jeje people from the former Kingdom of Dahomey (now Benin). Also known as Jexá, Jeje, or Ijeji, Ijexá is often associated with Candomblé, an Afro-Brazilian religion.The history of the Ijexá rhythm dates back to the period of slavery in Brazil when Africans of Jeje ethnicity were brought to the country as slaves. They brought with them their culture, religious traditions, and, of course, their musical expressions. Ijexá is one of the musical manifestations of these people, which developed primarily in the Northeast and Southeast regions of Brazil.The Ijexá rhythm is characterized by a steady beat and a specific rhythmic pattern. It is played in binary meter, with emphasis on the second beat. Instruments used in the execution of Ijexá include atabaques (drums), agogô, xequerê, among others. The lyrics of the songs often address themes related to religion, ancestry, and Afro-Brazilian culture.Over time, Ijexá transcended its original religious context and became incorporated into other Brazilian musical genres, such as popular music, MPB (Música Popular Brasileira), and samba. Its influence can be heard in various compositions, including those by renowned Brazilian artists.The Ijexá rhythm carries a strong cultural and symbolic significance, representing the resistance and preservation of African traditions in Brazil. It is a musical expression that remains alive and present in Brazilian culture, contributing to the diversity and richness of the country's musical heritage.More: https://musicaead.com.br/ijexa-historia-e-cultura-popular/
$1.99
1.79 €
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Concert band
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Marcelo Borba
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Ijexá Rhythm
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Marcelo Borba
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SheetMusicPlus
Complete Book of Harmony, Theory & Voicing
Music Theory
Composed by Bret Willmott. Theory and Reference. Complete. All styles. E-book. 248 p…
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Composed by Bret Willmott. Theory and Reference. Complete. All styles. E-book. 248 pages. Mel Bay Publications - Digital Sheet Music #95112EB. Published by Mel Bay Publications - Digital Sheet Music
This is a very comprehensive text that combines theory, harmony and voicing material with emphasis placed on voice leading. Although this book's primary focus is on four-note chord voicings on the middle strings of the guitar, much of the knowledge conveyed here can be appreciated and used by all jazz musicians, not only guitarists. Topics covered include: Tensions, Voice Leading Chord Scales, Enharmonic Chordal Substitutions, Fourth Voicings, Chromatic Guide Lines, Triad Over Bass Voicings, and much more! The best part of this book, however, is the unique and practical way the author takes modern harmonic concepts and shows you how to apply them in real music situations! Written for the intermediate to advanced music theory enthusiast who wishes to master this facet of music.
$29.99
27.05 €
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Music Theory
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Bret Willmott
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Complete Book of Harmony, Theory & Voicing
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Village
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 4 - Digi…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 4 - Digital Download SKU: A0.1242493 By Wrabel. By Andrew Jackson, Andrew Pearson, and Stephen Wrabel. Arranged by a do Ray me flute studio production Ray-Michael Kauffman. 21st Century,Contemporary,Film/TV,Pop,Singer/Songwriter. 53 pages. As do Ray meflute studio production #837642. Published by as do Ray meflute studio production (A0.1242493). The Village by Wrabel, arranged for flute choir /ensemble arranged by me, Ray-Michael Kauffman. This beautiful and poignant song is part of my Compositions that care series, meaning all profits from thios arrangemnt goes to a charity. This charity is for LGBTQ+. ( about the song meaning)Wrabel, the composer, stated the song is about the LGBTQ+ community and all the hardships they face.The song is directed and to encourage and give hope to a trans person who is being treated poorly and ostracized , and to let that perosn struggling know that there is absolutely Nothing wrong with you and there's soemthing wrong with the village.Too many of the trans/LGBTQ+ comminity are struggling , especially in todays political climate. All around the world LGBTQ+ persons are being bullied, discriminated against , attacked, thrown in jail , and even killed with liitle to no laws to protect people.in my own personal life, as a victim of a horrible hate crime where the person involved attmepted to beat me and kill me , unfortuanelty i found out very qucikly how laws even in the USA do not protect me , how many cops ignored me and/or attmepted to make the attack my fault , and how laywers did not want to help and judges either ,and beacsue of the laws i was not protected as a minority and the crime wasn't a hate crime even though the criminals admitted this as the reason of the attack.I was told that this was not a hate crime , unless the criminals made me a victim of S.A., used a car/vehicle , or a gun, or actually ended my life. I also wanted to add , this brutal attack ( recorded on video by the criminals ) which caused such serious bodily harm, had me in the hospital for surgeries, and required months of long and painful rehab and therapy.As a country, as a society, as a planet , we all need to do better, and have to have more protections for such a discriminated group of persons.I did want to add , all the issues happening around the world, and even here in the USA, such as the awful and fascist discrimitory laws in Florida and other states it's no wonder the statistics of LGBTQ+ that contemplate ending their person or even attempting the act .I ask respectfully that every one please go to law makers and demand better laws and treatments of people no matter what community there are of. All people deserve respect, proper medcial care, and to have the same rights as every other human being. We all can and must be the change you wish to see in the world. ( Ganhdi)Thank you for checking my special arrangement out, and please check out my other arrangements on SheetMusicPlus and my Website @ doRaymeflute.comÂ
$17.99
16.22 €
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Flute ensemble
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Wrabel
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The Village
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as do Ray meflute studio production
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SheetMusicPlus
America The Beautiful
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1254594 By Barbra Streisand. By Kat…
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Piano Solo - Level 4 - Digital Download SKU: A0.1254594 By Barbra Streisand. By Katherine Lee Bates, Samuel A. Ward. Arranged by Timothy Stapay. Film/TV,Historic,Holiday,Patriotic,Singer/Songwriter. Score. 4 pages. Timothy Stapay #848195. Published by Timothy Stapay (A0.1254594). This is an arrangement of America The Beautiful, written for upper intermediate level piano. It contains an introduction using Battle Hymn Of The Republic.America the Beautiful is a patriotic American song. Its lyrics were written by Katharine Lee Bates and its music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. The two never met.In 1893, at the age of 33, Bates, an English professor at Wellesley College, had taken a train trip to Colorado Springs, Colorado, to teach at Colorado College. Several of the sights on her trip inspired her, and they found their way into her poem.Lyrics:O beautiful for spacious skiesFor amber waves of grainFor purple mountain majestiesAbove the fruited plain!America! America!God shed his grace on theeAnd crown thy good with brotherhoodFrom sea to shining sea!O beautiful for pilgrim feetWhose stern impassioned stressA thoroughfare of freedom beatAcross the wilderness!America! America!God mend thine every flawConfirm thy soul in self-controlThy liberty in law!O beautiful for heroes provedIn liberating strifeWho more than self their country lovedAnd mercy more than life!America! America!May God thy gold refineTill all success be noblenessAnd every gain divine! O beautiful for patriot dreamThat sees beyond the yearsThine alabaster cities gleamUndimmed by human tears!America! America!God shed his grace on theeAnd crown thy good with brotherhoodFrom sea to shining sea!O beautiful for halcyon skiesFor amber waves of grainFor purple mountain majestiesAbove the enameled plain!America! America!God shed his grace on theeTill souls wax fair as earth and airAnd music-hearted sea!O beautiful for pilgrims feetWhose stem impassioned stressA thoroughfare for freedom beatAcross the wilderness!America! America!God shed his grace on theeTill paths be wrought throughWilds of thoughtBy pilgrim foot and knee! O beautiful for glory-taleOf liberating strifeWhen once and twiceFor man's availMen lavished precious life!America! America!God shed his grace on theeTill selfish gain no longer stainThe banner of the free!O beautiful for patriot dreamThat sees beyond the yearsThine alabaster cities gleamUndimmed by human tears!America! America!God shed his grace on theeTill nobler men keep once againThy whiter jubilee!
$5.99
5.4 €
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Piano solo
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Barbra Streisand
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America The Beautiful
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Timothy Stapay
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SheetMusicPlus
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.79 €
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross
Choral SSATTB
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
2.71 €
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Choral SSATTB
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross (choir pack + piano part + licence)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
14.43 €
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Eye Of The Tiger
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1041970 By Survivor. By Frank Sulli…
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Easy Piano - Level 1 - Digital Download SKU: A0.1041970 By Survivor. By Frank Sullivan and Jim Peterik. Arranged by Susan Staples Bell. Contest,Festival,Film/TV,Instructional,Rock,Video Game. Score. 3 pages. Susan Staples Mast Bell #646756. Published by Susan Staples Mast Bell (A0.1041970). Eye of the Tiger, from Rocky III Multi Level Piano Ensemble By Frank Sullivan, Jim Peterik Arranged by Susan Staples Bell, ASCAP “Eye of the Tiger†is a song by the American Rock Band, Survivor, which rocketed to fame when it was released as the theme song for the 1982 movie, Rocky III. Now, it’s an all time favorite. Here’s a fresh new arrangement, that’s sure to please! Perfect for group lessons, recitals or just plain fun. Written in the Key of C minor, 4/4 time, BPM = Medium Rock, 102. Includes hand claps and some options to make younger parts easier. Piano Ensemble comes with Score and all Parts. This arrangement is for Easy Piano Solo. It is part of a Multi Level Piano Ensemble. Group Lessons and Piano Ensembles have been growing in popularity, and what a wonderful opportunity to bring everyone together. The beauty of this arrangement is how flexible it is: All the parts can be played together in 1 large group. Mix & match parts: Pianist 3 & 4 are a stand alone Duet. Pianist 5 is a stand alone Intermediate Solo. Pianist 1 is an Elementary Solo- and you can use the Secondo from the Duet or the included Teacher part for Accompaniment. Pianist 2 is an easier stand alone Late Elementary Solo. Don’t have an advanced student to play Intermediate Solo? Parts 1 - 4 cover all the parts on their own. FREE Backing Tacks included to aid in practicing for each part! Find them here: https://drive.google.com/drive/folders/1DMde4XYcP_xxLrIgEmTdEDcJxzTRcDsi?usp=sharing In this Multi Level Piano Ensemble, you’ll find: All parts get to enjoy the melody, some might need to learn it by rote, due to syncopation. Easy Piano: Simplified melody and minimal movement in Right hand. Left hand is optional, and when played, stays in Bass C position using whole notes. This part is written in C Major with accidentals. Late Elementary: Simplified melody, with some thirds, and minimal movement in Right hand. Left Hand accompanies with a drone bass in 5ths. This part is written in C Major with accidentals. Primo: Top half of the Duet. Straight up Melody the entire piece and is doubled in both hands. Secondo: Bottom half of the Duet. Low C position Power chords! (Open 5ths) really adds to the pounding Rock beat. Intermediate Solo/Teacher: This part gets all the fun! Is a stand alone Solo or the Leader of the group. Lots of Octaves in Left Hand and moving hand positions. But don’t worry, if you don’t have an Intermediate pianist, this part is covered in the Duet. Or use the Backing Track as a foundation for others to play with. This arrangement is available in 5 versions: Multi Level Piano Ensemble Easy Solo Late Elementary Solo Intermediate Duet Intermediate Solo Susan Staples Bell has been a Piano Instructor for over 30 years. In all her compositions, she strives to educate as well as delight. This is a Single Use License. Eye of the Tiger, from Rocky III Multi Level Piano Ensemble By Frank Sullivan, Jim Peterik Arranged by Susan Staples Bell, ASCAP Time length. (03.00). Perfect for Group Lessons. Recitals. Pop. Rock. Fun! There’s so much more to discover! For special SALE and FREE items check out: https://www.susanstaplesbellmusic.com/ Check out other compositions by Susan Staples Bell available on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/susan-staples-mast-bell-sheet-music/3014463?aff_id=563375.
$4.99
4.5 €
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Easy Piano
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Survivor
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Eye Of The Tiger
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Susan Staples Mast Bell
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SheetMusicPlus
The Poet's Pen for Tenor, Oboe and Piano
Small Ensemble High Voice,Oboe,Piano Accompaniment - Level 5 - Digital Download SKU: A0…
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Small Ensemble High Voice,Oboe,Piano Accompaniment - Level 5 - Digital Download SKU: A0.981218 Composed by Judith Cloud. Contemporary,Standards. Score and parts. 17 pages. Judith Cloud #6689693. Published by Judith Cloud (A0.981218). Composer’s Notes In my parents' library there was an assortment of very old books that I used to leaf through while home for holidays. One of these, The Ladies' Wreath, was of special interest. The inscription inside the front cover read To Miss Sophia Venable by her friend William M. Duphuy, April 25, 1850. Within the collection of romantic short stories and poems was The Poet's Pen from the Greek didactic poet Menecrates. Here was something very different from the overly sentimental offerings in most of the volume. I imagined the solitary lady reading this would feel most exhilarated and even empowered. Ideas for setting the poem came almost immediately, with the oboe as a key figure. Having experimented with a choral setting, I settled on tenor, oboe and piano and in 1989 the piece was completed. I revised The Poet’s Pen in 2016. The Poet's Pen I was a useless reed; no cluster hungMy brow with purple grapes; no blossom flungThe coronet of crimson on my stem;No apple blushed upon me, nor (the gemof flowers) the violet strewed the yellow heathAround my feet; nor jessamine's sweet wreathRobed me in silver: day and night I pinedOn the lone moor, and shivered in the wind.At length a poet found me. From my sideHe smoothed the pale and withered leaves, and dyedMy lips in Helicon. From that high hour,I spoke! my words were flame and living power!All the wide wonders of the earth were mine;Far as the surges roll, or sunbeams's shine;Deep as earth's bosom hides the emerald;High as the hills with thunder-clouds are palled;And there was sweetness round me, that the dewHad never wet so sweet on violets blue.To me the mighty scepter was a wand;The roar of nations pealed at my command.To me the dungeon, sword, and scourge were vain,I smote the smiter, and I broke the chain;Or, towering o'er them all, without a plumeI pierced the purple air, the tempest's gloom,Till blazed th'Olympian glories on my eye,Stars, temples, thrones and gods--infinity. Menecrates of Ephesus (330-270 BC)
$15.00
13.53 €
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Judith Cloud
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The Poet's Pen for Tenor, Oboe and Piano
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Judith Cloud
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SheetMusicPlus
The COVID Awakening
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Gr…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. Published by Adam B. Grim (A0.939390). The COVID Awakening is a marimba quartet for two 5.0 octave instruments. This piece is inspired by minimalism and minimalist compositional techniques combined with layering found in West African drumming, though it is not the only source of this specific technique. It was written during the beginning of the summer of 2020, when the Coronavirus, COVID-19, had started its grips on the United States in the forms of illness, death, and economic and emotional distress. This piece reflects on these early feelings of quarantines and sheltering in place, and using the techniques listed above the listeners are pulled in to listen between the notes. These reflections are found not in the music itself, but is different with every listen. The listeners’ ears will venture as they wish, and make this piece new with every performance, even though the notes and rhythms never change. Instrumentation: Two 5.0 octave marimbas, though only one marimba needs to be the full range. Marimba 1 can be a much smaller instrument if necessary. I’d suggest using rubber/latex mallets. Unless the performance is in a reasonably dry hall, this articulation and tone benefit does wonders for this piece. Each player needs only 2 mallets.
$25.00
22.55 €
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Percussion Ensemble
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Adam Grim
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The COVID Awakening
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Adam B. Grim
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SheetMusicPlus
Lagrima for Classical Guitar
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1440991 By Keith Terr…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1440991 By Keith Terrett. By Francisco de Asís Tárrega Eixea (21 November 1852 – 15 December 1909). Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Score. 3 pages. Keith Terrett #1020970. Published by Keith Terrett (A0.1440991). Lágrima (Teardrop) is a romantic prelude for solo guitar by Spanish guitarist Francisco Tárrega. It is one of the best-known original compositions by Tárrega. It has been published by Ildefonso Alier.Analysis:Lágrima is a very short miniature consisting of only 16 bars. It takes around 2 minutes to perform and its tempo marking is andante. It has an A-B-A structure, section A being in E major and B in E minor, and has been overwhelmingly highlighted by critics because of its simplicity and melancholic atmosphere. Each section has 8 bars. Section A consists of a very simple and predictable melody with quarter notes and dotted half notes, while the accompaniment has eighth notes. Section B turns a little bit less predictable but otherwise still very simple, with eighth notes on the main voice. At the end of section B, section A is repeated to close the work.[ As usual in Tárrega's composition, Lágrima bears some technical difficulties in spite of its simplicity.Composed between late 1891 and early 1892, it is one of Tárrega's most performed pieces. Lágrima has not been included in a definitive catalogue of his works. It has been, however, included in other collections of pieces and has been numbered depending on the position in those collections or in recordings.Musical style:Tárrega composed music in the romantic style of 19th-century European masters. His conservatory training and familiarity with contemporary classical genres and techniques are apparent in his compositions and transcriptions; these are more sophisticated than those of Spanish guitarist-composers of the previous generation and his contemporaries, e.g., Magín Alegre, Tomás Damas, Julián Arcas, José Viñas, and José Ferrer.A virtuoso on his instrument, he was known as the Sarasate of the guitar, although Tárrega preferred small intimate performances over the concert stage.Tárrega is considered to have laid the foundations for 20th-century classical guitar and for increasing interest in the guitar as a recital instrument.
$1.99
1.79 €
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Piano, Vocal and Guitar
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Keith Terrett
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Lagrima for Classical Guitar
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Keith Terrett
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SheetMusicPlus
Heathens
Easy Piano
Piano Solo - Level 1 - Digital Download SKU: A0.1111002 By Twenty One Pilots. By Ty…
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Piano Solo - Level 1 - Digital Download SKU: A0.1111002 By Twenty One Pilots. By Tyler Joseph. Arranged by Fernando Ramos. Contemporary,Hip-Hop,Pop,R & B,Rock,Singer/Songwriter. Score. 3 pages. Fernando Ramos #713270. Published by Fernando Ramos (A0.1111002). Other Arrangements Available: https://www.sheetmusicplus.com/publishers/fernando-ramos-sheet-music/3016426?isPLP=1 I make piano solo arrangements for my students of songs that they love! My goal is to create something that sounds beautiful as a standalone piece of music and, most importantly, that it also makes pianistic sense. Each of my arrangements is made for a specific student, so the results will vary in terms of playing level. Most decisions are based on their current skills and abilities, or where I would like for them to be when they complete the piece. This arrangement was made for a mid-beginner student who completed Level 1B of Alfred's Premier Course and working on Level 2. It was still a little challenging, but it didn't faze him very much. He was simply too excited about playing this song. He is now in the Primary IV Class. Easy and repetitive LH, but beware of all the jumping. Pedal and fingering suggestions are included.
$4.99
4.5 €
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Easy Piano
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Twenty One Pilots
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Heathens
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Fernando Ramos
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SheetMusicPlus
Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
Bassoon - Level 1 - Digital Download SKU: A0.1474103 Composed by James Smith. Class…
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Bassoon - Level 1 - Digital Download SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Method. 44 pages. Ensemble Llama Music #1051737. Published by Ensemble Llama Music (A0.1474103). I’m a bassoonist, and I don’t like the teaching materials for bassoon that are out there. There’s not enough depth and engagement in them, and nothing that supports the everyday music teacher. So I set out to create something that I would feel comfortable giving to my private students to help them grow as musicians. There are many types of music in the book: etudes, exercises, warm-ups, backwards and upside down duets (one person plays normally, the other person reads the music in an unusual way), improvised music, and composition. Musical styles range across a variety of cultures and genres such as classical, blues, fiddle tunes, marches, contemporary, musicals, and more. Using carefully crafted etudes, exercises, and songs in a variety of styles, your bassoon students are going to to find immediate success. The bite-sized examples encourage students to focus on tone, as they extend their technique and range on this wonderful instrument. Examples from the book:1.1 - Memories1.2 - Can-Can1.3 - Baby-Back Blues1.4 - Somewhere Nice1.5 - Go Down, Moses1.6 - Magenta Sky (A Backwards Duet)1.7 - Cakewalk1.8 - Red River Valley1.9 - Symphony No. 6, Mvt. 2 (Tchaikovsky)1.10 - Arkansas Traveler1.11 - Give My Regards to Broadway (key of B Flat Major)1.12 - In The Hall of the Mountain King1.13 - Landlord Fill The Flowing Bowl1.14 - It Ain't Gonna Rain No Mo'1.15 - Shalom Chaverim1.16 - Londonderry Air1.17 - Theme & Variations, Für Elise1.18 - Ominous (A Backwards Duet)Create & Improvise: St. Louis Blues (W.C. Handy)1.19 - Interlude1.20 - L'Adieu Des Bergers1.21 - Washington Post March1.22 - The Sea Monster - A Short Improvised Piece1.23 - Give My Regards to Broadway (key of G Major)1.24 - Anna Lisle (The Alma Mater Song)Critical Hit - Bassoon Concert Piece2.1 - More Memories2.2 & 2.3 - Ten Little Indians2.4 - Parliament (An Upside-Down Duet)2.5 - Bassoon Warm-Up2.6 - F Major Studies2.7 - Airang2.8 - Arpeggio In Blue2.9 - C Major Studies2.10 - Mazurka in A-flat Major2.11 - Etudes With Flats2.12 - Take Me Out To The Ball Game2.13 - Arpeggios (Part 1)2.14 - Etudes With Arpeggios2.15 - The Sar Spangled Banner2.16 - Arpeggios (Part 2)2.17 - More Arpeggio Studies2.18 - Battle Hymn of the Republic2.19 - Arpeggios (Part 3)2.20 - Kolme Varista2.21 - Swallowtail Jig2.22 - Jesu, Joy of Man's Desiring2.23 - St. Anne's Reel2.24 - Dear Old Stockholm2.25 - Esprit De CorpsSketch On a Theme From The Sorceror's Apprentice - Bassoon Concert Piece.
$29.99
27.05 €
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James Smith
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Variations, Für Elise
1
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Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
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Ensemble Llama Music
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SheetMusicPlus
Theme From "the A Team"
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.752332 Composed by Mike Post and Pete Carpenter. Arranged by Rob Bushnell. Contemporary,Film/TV. Brass Band. 28 pages. RBMusic #3570265. Published by RBMusic (A0.752332). The A-Team is an American television series that ran from 1983 to 1987. It opens with the infamous narration: ‘In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire the A-Team.’ The show revolves around four members of the fictitious United States Army Special Forces unit. These are the leader Colonel/Colonel John Hannibal Smith (played by George Peppard), smooth-talking Lieutenant Templeton Peck or Face (Dirk Benedict), pilot Captain H.M. Howling Mad Murdock (Dwight Schultz) and mechanic Sergeant First Class Bosco B.A. Baracus (Mr. T). The main theme was composed by Mike Post and Pete Carpenter, although the version they created was not the same as the theme heard on-screen (which is what this arrangement is of). The theme has been ranked among the best TV themes every written. Interesting, the French version of the theme has lyrics that mirror the spoken description of the English version of the show. In 2010, 20th Century Fox released a feature film based on the series starring Liam Neeson, Bradley Cooper, Quinton Jackson and Sharlto Copley as the A-Team. Alan Silvestri composed the soundtrack. This arrangement of the Main Theme is for the UK-style brass band, with alternative parts for piccolo trumpet, horns in F and bass-clef lower brass. It has been designed to work just as well for indoor performances as outdoor concerts. It also has the band parts reduced down to march-card size for use with a lyre as well as a music stand (making it ideal for events such as Durham Miners' Gala). A recording from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=_MVonyVSQoM.
$39.99
36.07 €
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Mike Post and Pete Carpenter
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Theme From "the A Team"
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RBMusic
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SheetMusicPlus
Polish Religious Collection - 12 Songs [VERY EASY]
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1359245 By Polish Church Music and …
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Easy Piano - Level 1 - Digital Download SKU: A0.1359245 By Polish Church Music and Polish Religious Music. By Polish Church Music and Polish Religious Music. Arranged by Darek. Christian,Multicultural,Patriotic,Religious,Traditional,World. Score. 29 pages. Darek #943705. Published by Darek (A0.1359245). Polish Religious Sheet Music Collection - 12 Songs [VERY EASY]A Collection of 12 Sheet Music for Polish Religious Songs for Piano and Keyboard in Very Easy Arrangement for Beginner. Each note has its own video tutorial on the Music Lessons by Darek YouTube channel (Click to open the YouTube channel). This Collection of Sheet Music is simple arrangements for beginners for instruments such as piano, grand piano, keyboard or even accordion or bells! Very Easy Version - this is a version only for the right hand in the form of Letter Notes - additionally, chords, text and fingering are added. Very Easy notes are suitable for complete beginners who are just playing their first notes on the piano or keyboard. A Collection of 12 Sheet Music for Religious’s Songs contains the most important and most popular polish religious songs. The collection will be perfect for pilgrimages, to the Oasis, or for making music together at home. The songs in the collection have been collected in such a way as to collect in one product the melodies closest to your hearts and universal in terms of occasions. In this collection of religious sheet music you will find Marian songs, Easter Songs, Hymn Songs and others.Each piece has fingering, i.e. information written next to the notes on which fingers to play given sounds. The songs have signed lyrics under the notes, making it easier to accompany them on the piano while singing.This Collection of Sheet Music also includes some tips on, among others: rhythmic values and rests, rules for numbering fingers for playing, divisions of rhythmic values, names of sounds on the piano/keyboard, ways to remember the names of sounds, and types of chords that will make it easier for beginners to learn how to play the piano and keyboard.Included: Letter Notes, Lyrics, Chords, Fingering and simple YouTube video tutorial (Click to open the Playlist).Song list:1.    Chwalcie łąki umajone2.    Króluj nam Chryste3.    Niech będzie chwała i cześć i uwielbienie4.    Ojcze nasz5.    Stworzycielu Duchu przyjdź6.    Otrzyjcie już łzy płaczący7.    Pan jest pasterzem moim8.    Po górach dolinach9.    Rozpięty na ramionach10.  Z Dawna Polski Tyś Królową11.  Zdrowaś Maryjo12.  Zwycięzca śmierciPiano | Keyboard | Polish Religious Song | Marian songs | Easter Songs | Religious Hymn Songs | Polish Church Music | Digital Sheet Music | Very Easy Arrangement | Very Easy Version for Pianists | Beginner Version | Easy Piano Sheet Music | Arrangement for Beginners | Grand Piano | Very Easy Piano Arrangement | Simple Arrangement For Beginners | Sheet Music Religious Collection | Various Church Polish Songs| Very Easy Sheet Music Collection | Polskie Piosenki Religijne | Polskie Pieśni Religijne | Zbiór Nut Muzyka Religijna.
$7.00
6.31 €
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Easy Piano
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Polish Church Music and Polish Religious Music
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Polish Religious Collection - 12 Songs [VERY EASY]
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Darek
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SheetMusicPlus
Roll it on Down the Highway (Ahio & Cast) from "The Kings - ACT 2:Song 3
Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784829 Composed by McCor…
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Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784829 Composed by McCorkle, Dennis F. Broadway,Christian,Gospel,Musical/Show,Rock. 23 pages. DF McCorkle Music and eBook Publications #11749. Published by DF McCorkle Music and eBook Publications (A0.784829). ACT TWO: Song 3. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Chronicles 13:1-3 - And David consulted with the captains of thousands and of hundreds, even with every leader. 2 And David said unto all the assembly of Israel: ‘If it seem good to you, and if it be of Yahweh our God, let us send abroad everywhere unto our brethren that are left in all the land of Israel, and with them to the priests and Levites that are in their cities that have open land about them, that they may gather themselves unto us; 3 and let us bring back the ark of our God to us; for we sought not unto it in the days of Saul.’] [1 Chronicles 13:7-10 - And they set the ark of God upon a new cart, and brought it out of the house of Abinadab; and Uzza and Ahio drove the cart. 8 And David and all Israel played before God with all their might; even with songs, and with harps, and with psalteries, and with timbrels, and with cymbals, and with trumpets. 9 And when they came unto the threshing-floor of Chidon, Uzza put forth his hand to hold the ark; for the oxen stumbled. 10 And the anger of Yahweh was kindled against Uzza, and He smote him, because he put forth his hand to the ark; and there he died before God.] Realizing the need for a central capital from which to govern, DAVID and the united clans capture the fortress of Zion in Jerusalem. Concerned about the people and solidifying the position, DAVID assembles the commanders and leaders of the people to discuss the possibility of relocating the Ark of the Covenant from the house of Abinadab in Kiriath-jearim, where it had been stored for seventy years, to Jerusalem. DAVID orders a new cart be made for its transport, disregarding the directives from God that only permitted the Levites to move the Ark and only carried with the poles on their shoulders [Role it on Down the Highway – Ahio and David’s Troops]. When the Ark reaches the threshing-floor at Nacon, the oxen stumble and Uzzah puts his hand out to steady it and is instantly killed. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.7 €
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McCorkle, Dennis F
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Roll it on Down the Highway
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Mozart: Requiem in D minor K626 III.Sequenz No.6 Lacrimosa - brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1109895 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1109895 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 8 pages. RayThompsonMusic #712266. Published by RayThompsonMusic (A0.1109895). Arranged standard brass quintet. A beautiful piece of music. It suits the brass quintet. The Lacrimosa (Latin for weeping/tearful), also a name that derives from Our Lady of Sorrows, a title given to The Virgin Mary, is part of the Dies Irae sequence in the Roman Catholic Requiem Mass. Its text comes from the Latin 18th and 19th stanzas of the sequence. Lacrimosa dies illa Qua resurget ex favilla Judicandus homo reus. Huic ergo parce, Deus: Pie Jesu Domine, Dona eis requiem. Amen. Full of tears will be that day When from the ashes shall arise The guilty man to be judged; Therefore spare him, O God, Merciful Lord Jesus, Grant them eternal rest. Amen. The piece begins piano on a rocking rhythm in 12/8, intercut with quarter rests, which will be reprised after two bars, on Lacrimosa dies illa (This tearful day). Then follows a diatonic progression, in disjointed eighth-notes on the text resurget (will be reborn), then legato and chromatic on a powerful crescendo. The music is forte by bar 8, at which point Mozart's contribution to the movement is interrupted by his death. Süssmayr brings the music to a reference of the Introit and ends on an Amen cadence. Discovery of a fragmentary Amen fugue in Mozart's hand has led to speculation that it may have been intended for the Requiem. Indeed, many modern completions (such as Levin's) complete Mozart's fragment. Some sections of this movement are quoted in the Requiem mass of Franz von Suppé, who was a great admirer of Mozart. Ray Robinson, the music scholar and president (from 1969 to 1987) of the Westminster Choir College, suggests that Süssmayr used materials from Credo of one of Mozart's earlier masses, Mass in C major, K. 220 Sparrow in completing this movement.
$4.95
4.46 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Wolfgang Amadeus Mozart
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Mozart: Requiem in D minor K626 III.Sequenz No.6 Lacrimosa - brass quintet
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RayThompsonMusic
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SheetMusicPlus
Study on Beethoven
String Quartet: 2 violins, viola, cello
String quartet - difficult - Digital Download SKU: S9.Q778767 String Quartet No.…
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String quartet - difficult - Digital Download SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes. Schott Music - Digital #Q778767. Published by Schott Music - Digital (S9.Q778767). My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works ranging from the (in my opinion) quasi revolutionary Quartet No. 1 to the Quartet No. 5 entitled Versuch über die Fuge [Attempt at a Fugue]. The Quartet No. 6 – Study on Beethoven – composed fourteen years after No. 5 should be conceived as a new approach and the commencement of a new quartet cycle with an unknown ending. All that can be said is that the subsequent quartets will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Despite a reverence for Beethoven at a very early stage, my own compositions have steered well clear of this unapproachable cosmos with the exception of my concert overture Con brio. The perhaps only link with the five quartets of the first cycle of quartets is the single-movement structure of the thirty-minute Quartet No. 6. The fundamental coordinates have otherwise been reset to zero. This is therefore also a ‘study’ in a literal sense. In the Quartet No. 6, I set out with a state of tonality displaying significant extensions whose centrifugal forces are barely containable. My focus is the detection of the inherent gravitation of tonality, including phenomenons such as tension/relaxation, suspension/resolution and fixation/deviation. From a formal aspect, the work is too experimental and unsentimental for explorations in a nostalgic-romantic sense. On the contrary, tonality or at least its fundamental assumptions are initially set down in the sense of a study or test assembly in order to permit subsequent experimentation, variation and the formulation of exceptions with the desire and firm conviction that it is possible to express something innovative and never previously heard with this seemingly exhausted fundamental material. I have been repeatedly astonished by the unfolding in the progression of this piece which has taken me to unknown locations, especially from a formal aspect. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. The Quartet No. 6 has been created in close artistic and friendly cooperation with Anne-Sophie Mutter and she is the dedicatee of this work. Jörg Widmann, July 2019My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works. The Quartet No. 6 composed fourteen years after No. 5 now opens a new cycle of quartets which will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Perhaps the only link with the five quartets of the first cycle is the single-movement structure of the almost thirty- minute Quartet No. 6. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. Jörg Widmann.
$82.99
74.85 €
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String Quartet: 2 violins, viola, cello
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Joerg Widmann
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Study on Beethoven
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Schott Music - Digital
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SheetMusicPlus
One last bar then Joe can sing
Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for per…
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Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99
41.48 €
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
Gebet in der Christnacht (Prayer on Christmas Eve) by Fanny Hensel for SSA+piano
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.988130 Composed by Fanny He…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.988130 Composed by Fanny Hensel (née Mendelssohn). Arranged by Olivia Sparkhall. Christmas,Holiday,Romantic Period,Sacred. Octavo. 7 pages. Olivia Sparkhall #6463161. Published by Olivia Sparkhall (A0.988130). Music for Advent and Christmas Carol Services and ConcertsPrayer on Christmas Eve (Gebet in der Christnacht) for SSA and piano* - Hensel arr. Sparkhall (choral music)Perfect for Advent or Christmas*Gebet in der Christnacht for SATB (a cappella) is available exclusively from Multitude of Voyces: About the composerFor years, Fanny Hensel has been known as the sister of Felix Mendelssohn. Since the discovery of many of her compositions, some previously published in Felix’s name, she has become more widely recognised in her own right.About the pieceGebet in der Christnacht is a solo song from 1823. Here it is arranged for SSA, showcasing the teenaged composer’s use of harmony that became synonymous with the early Romantics. (See also my a cappella SATB arrangement).Gebet in der Christnacht (Prayer on Christmas Eve) is one of at least eight songs Hensel composed in 1823 which sets poems by Wilhelm Müller. It is from the cycle Johannes und Esther. (Im Frühling zu lesen.) (John and Esther. (To read in the spring.))https://youtu.be/Q_fd7fEtQisAbout the arrangerOlivia Sparkhall studied composition at Durham University with Paul Archbold, composing for the Northern Sinfonietta and Flower Quartet as part of her studies. Since moving to South West England, she has focused primarily on writing vocal music, notably for BBC One’s Songs of Praise programme. Recent commissions have been for International Women’s Day services in 2018 (Lux Aeterna) and 2019 (Faith and Hope). She was short-listed in the Cappella Nova competition in 2018 for Dona Nobis Pacem. The SATB version of Prayer on Christmas Eve (Gebet in der Christnacht) is published by Multitude of Voyces in their anthologies of sacred music, Volume 1, available here: [https://stainer.co.uk]
$1.99
1.79 €
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Choral 3-part
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Fanny Hensel
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Gebet in der Christnacht
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Olivia Sparkhall
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SheetMusicPlus
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