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157
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34
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On a Plain
Sheetmusic to print
1,039 sheet music found
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1026
On a Plain - Original Version (Easy/Intermediate Level)
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Bass guitar
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EASY
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Rock
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Pop music
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Nirvana
#
On a Plain
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
On a Plain - Original Version (Intermediate/Advanced Level)
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Drums
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INTERMEDIATE/ADVANCED
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Rock
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Pop music
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Nirvana
#
On a Plain
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
On a Plain (Intermediate Level)
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Drums
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INTERMEDIATE
#
Rock
#
Pop music
#
Nirvana
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On a Plain
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
On a Plain (Easy Level)
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Drums
#
EASY
#
Rock
#
Pop music
#
Nirvana
#
On a Plain
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
On a Plain (Beginner Level)
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Drums
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BEGINNER
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Rock
#
Pop music
#
Nirvana
#
On a Plain
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
On a Plain (Easy/Intermediate Level)
#
Drums
#
EASY
#
Rock
#
Pop music
#
Nirvana
#
On a Plain
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
On a Plain (Beginner Level)
#
Bass guitar
#
BEGINNER
#
Rock
#
Pop music
#
Nirvana
#
On a Plain
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
Tired Old Nun: Variations on a Plainsong Theme
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Organ
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Frank Ferko
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Tired Old Nun: Variations on a
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Organ solo: Pedaliter - Moderately Difficult - Digital Download SKU: MQ.9121-E Composed by Frank Ferko. 6 pages. E. C. Schirmer Music Company - Digital #...
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Organ solo: Pedaliter - Moderately Difficult - Digital Download SKU: MQ.9121-E Composed by Frank Ferko. 6 pages. E. C. Schirmer Music Company - Digital #9121-E. Published by E. C. Schirmer Music Company - Digital (MQ.9121-E). UPC: 600313491214.Composed in 1996 and intended for concert use as a novelty piece. The plainsong theme which is the basis for the variations is the “Alleluia†from the “Mass for the Day of St. Richardis,†the ninth century empress who became a nun and founded a Benedictine abbey at Andlau.
$9.00
Fantasy on "O Come, O Come Emmanuel"
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Organ
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INTERMEDIATE
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15th century plainsong melody
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Matthew F
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Fantasy on "O Come, O Come Emm
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Matthew F. Walicke
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.923860 Composed by 15th century plainsong melody and Unknown. Arranged by Matthew F. Walicke. Baroque,Christma...
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Organ - Level 3 - Digital Download SKU: A0.923860 Composed by 15th century plainsong melody and Unknown. Arranged by Matthew F. Walicke. Baroque,Christmas,Classical,Renaissance,World. Score. 7 pages. Matthew F. Walicke #5743219. Published by Matthew F. Walicke (A0.923860). A bold and surprising advent prelude, Fantasy on 'O Come, O Come Emmanuel' based on the 15th century chant, features opportunities to show off your organ's solo stops and chimes and welcome in the season of Advent. Starting with a plaintive solo section (with optional chimes), the song bursts into a fast and fun Renaissance inspired dance with alternating meters, and finally ends with a Baroque styled waltz and fanfare. A versatile work, this piece is great as a diverse prelude that starts meditative and ends with celebration, and it's big finish makes for an excellent closer as well. Great for the first or last weeks of Advent or even Christmas!
$5.95
The Moon that Lighted Me over the Plain
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Piano, Voice
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EASY
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Newfoundland Folk Song
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Konrad Harley
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The Moon that Lighted Me over
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Konrad Harley
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1416162 Composed by Newfoundland Folk Song. Arranged by Konrad Harley. Folk. Score. 2 pages. Konra...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1416162 Composed by Newfoundland Folk Song. Arranged by Konrad Harley. Folk. Score. 2 pages. Konrad Harley #997851. Published by Konrad Harley (A0.1416162). Based on a Newfoundland Folk Song from Folk Songs of Newfoundland, ed. Maud Karpeles (London: Faber and Faber, 1971), p. 195.Arranged by Konrad Harley (1986-), 2024.Check out the YouTube demo for a performance on bass flute.
$3.00
Return to Me: A Choral Service based on the Stations of the Cross (Devotional Guide Digital Reproduction License 200+)
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Taylor Scott Davis
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Return to Me: A Choral Service
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Choir and various instruments - Digital Download SKU: MQ.70-300C-2E Composed by Taylor Scott Davis. Digital Reproduction License for organizations with m...
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Choir and various instruments - Digital Download SKU: MQ.70-300C-2E Composed by Taylor Scott Davis. Digital Reproduction License for organizations with more than 200 members. 87 pages. MorningStar Music Publishers - Digital Sheet Music #70-300C-2E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.70-300C-2E). Digital Reproduction License for Return to Me devotional guide only. Includes permission for website posting, Facebook and other social sites, emailing, and printing. Included with the licenses is a PDF of the Lenten Devotional Guide. Please call the orders department of MorningStar Music if a plain text file is needed.Fee for organizations with 0-200 average attendance is $50.00, for more than 200 average attendance the fee is $75.00.
$75.00
Wagons on the Plains
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Piano solo
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Mary Leaf
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Wagons on the Plains
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The FJH Music Company - Digital
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SheetMusicPlus
Piano - early intermediate - Digital Download SKU: F0.W9306 Composed by Mary Leaf. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Compa...
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Piano - early intermediate - Digital Download SKU: F0.W9306 Composed by Mary Leaf. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Company - Digital #W9306. Published by The FJH Music Company - Digital (F0.W9306). UPC: 674398222520.This piece captures the essence of a rugged western wagon ride on the plains. For most of the piece, the L.H. utilizes intervals of a fifth while the R.H. plays the melody. The lyrics describe the image of wagons traveling across the plains covered by tall prairie grasses.
$2.50
I've Gotta Get A Message To You
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To Yo
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00
Variations on hélas madame for flute quartet (mp3)
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Flute Quartet: 4 flutes
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INTERMEDIATE/ADVANCED
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Contemporary
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Budapest Scoring
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David Warin Solomons
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Variations on hélas madame fo
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David Warin Solomons
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. F...
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Level 4 - Digital Download SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. Full Performance. Duration 144. David Warin Solomons #736065. Published by David Warin Solomons (A0.1136040). Hélas madame is attributed to King Henry VIII. It is part of a secular collection, found on a manuscript that was used in Henry's court. The originality of the song has been questioned, with various parts of the song allegedly taken from similar pieces in Europe. The song itself is a courtship conversation in Middle French between a man and woman. Hélas madame, celle que j’ayme tant: Souffrez que soye vostre humble servant; Vostre humble servant je serays a toujours Et tant que je viv’ray aultr’ n’aymeray que vous. Hélas, beau sire, vous estez bel et bon, Sage et courtoys et de noble maison, Et aussi bon que l’on scairoit finer, Mais cil que j’ayme, ne scairoye oublier. Hellas, ma dame, pences en vostre cas: Entre nous deulx ne fault point d’avocatz. Certes non pas, et vous le scavez bien. Allez vous en, car vous ne faictez rien. Mon cueur souspire et se plaint tendrement, Quant il ne peult trouver allegement. Ne scay comment on me veult dechasser; S’il est ainsi, j’ayray ailleurs chasser. Hellas, ma dame, et n’en seray-je point? Certes beau sire, je ne le vous dis point. Servez a point: il vous sera mery. Hellas, ma dame, de bon cueur vous mercy. Alas my lady, whom I do so love: Suffer me to be your humble servant; Your humble servant I shall always be. And while I live, I'll love none else but you. Alas, fair sir, you are good and kind, Wise and courteous and from a noble house, And as good as one could find, But I can't forget the one I love. Alas my lady, think upon your case: Between us two, no need for advocate. Certainly not, and you know it well. Be gone, for you are doing nothing. My heart sighs and tenderly complains, When it cannot find relief. I know not how it wants me to woo; If it is so, I'll go wooing elsewhere. Alas my lady, and shall I not? Certainly, fair sir, I have not said so. Behave rightly and you will be rewarded. Alas my lady, from my whole heart, thank you. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
$4.50
Bull: Fantasia upon a Plainsong for String Trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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John Bull
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James M
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Bull: Fantasia upon a Plainson
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Hist...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874502. Published by jmsgu3 (A0.1283308). Fitzwilliam Virginal Book, XXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
Plainsong on Bless The Lord, O My Soul for organ by Mark Andersen
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Organ
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EASY
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Mark Andersen
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Plainsong on Bless The Lord, O
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International Artists Foundation
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SheetMusicPlus
Organ - Level 2 - Digital Download SKU: A0.1292188 By Mark Andersen. By Mark Andersen. Classical,Religious,Sacred. Score. 6 pages. International Artists ...
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Organ - Level 2 - Digital Download SKU: A0.1292188 By Mark Andersen. By Mark Andersen. Classical,Religious,Sacred. Score. 6 pages. International Artists Foundation #882776. Published by International Artists Foundation (A0.1292188). An organ prelude based upon a plainsong style chant. Suitable for service playing or recital work.
$8.00
On Lake Champlain. Song
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Piano, Voice
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Albert Gumble
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On Lake Champlain. Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.8525 Composed by Albert Gumble. Bodies of water, Canoes, Couples, Silhouettes, Courtship, Love, Nostalgia. Les...
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Piano and voice - Digital Download SKU: LV.8525 Composed by Albert Gumble. Bodies of water, Canoes, Couples, Silhouettes, Courtship, Love, Nostalgia. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8525). On Lake Champlain. Song. Lyric by Alfred Bryan. Music by Albert Gumble. Published 1916 by Jerome H. Remick & Co. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Bodies of water, Canoes, Couples, Silhouettes, Courtship, Love, Nostalgia. First line reads Dreams, dreams, do you remember, Love?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
'A golden time ...' from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
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