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You've selected:
One Night Stand
Sheetmusic to print
2,015 sheet music found
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2001
Don't Let Me Be Lonely Tonight
Trombone and Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.1466706 By James Taylor. By Jam…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.1466706 By James Taylor. By James Taylor. Arranged by John Fries. 20th Century,Pop,Standards. Score and part. 4 pages. John Fries #1045264. Published by John Fries (A0.1466706). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Don't Let Me Be Lonely Tonight is a song written and performed by American singer-songwriter James Taylor, from his 1972 album One Man Dog.
$5.99
5.45 €
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Trombone and Piano
#
James Taylor
#
Don't Let Me Be Lonely Tonight
#
John Fries
#
SheetMusicPlus
Scheherazade for Alto Saxophone and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1148542 Composed by Nikol…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1148542 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Diego Marani. Chamber,Classical,Instructional,Romantic Period,Standards. Score and part. 13 pages. Diego Marani #748708. Published by Diego Marani (A0.1148542). Scheherazade, also commonly Sheherazade Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on One Thousand and One Nights (also known as The Arabian Nights). This orchestral work combines two features typical of Russian music in general and of Rimsky-Korsakov in particular: dazzling, colorful orchestration and an interest in the East, which figured greatly in the history of Imperial Russia, as well as orientalism in general. The name Scheherazade refers to the main character Scheherazade of the One Thousand and One Nights. It is one of Rimsky-Korsakov's most popular works. This arrangement for alto sax (or baritone sax) with piano accompaniment of the most famous themes of the suite is suitable for classroom, repertoire and recital.
$9.99
9.1 €
#
Alto Saxophone and Piano
#
Nikolay Andreyevich Rimsky-Korsakov
#
Scheherazade for Alto Saxophone and Piano
#
Diego Marani
#
SheetMusicPlus
A Night In Tunisia
Trumpet, Euphonium (duet)
Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.747026 By…
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Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5899355. Published by Keith Terrett (A0.747026). A great sounding arrangement of A Night in Tunisia arranged for Baritone, Euphonium, Trombone (BC) & Piano, low brass players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.19 €
#
Trumpet, Euphonium (duet)
#
Dizzy Gillespie
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Guthrie: The Saxophone Choir Christmas Book
Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Do…
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Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550709 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 68 pages. Jmsgu3 #4784649. Published by jmsgu3 (A0.550709). The Saxophone Christmas BookChristmas Reharmonizations by James M. Guthrie. The Saxophone Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your sax choir can perform the Saxophone Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. Soprano & Alto read from the score on one stand, while the Tenor & Bass uses the parts on a separate stand. The Saxophone Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Saxophone Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Saxophone Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of wind instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
31.82 €
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Traditional
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Alto 
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Guthrie: The Saxophone Choir Christmas Book
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jmsgu3
#
SheetMusicPlus
Scheherazade for Soprano Saxophone and Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1148483 Composed by Ni…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1148483 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Diego Marani. Chamber,Classical,Instructional,Romantic Period,Standards. Score and part. 13 pages. Diego Marani #748643. Published by Diego Marani (A0.1148483). Scheherazade, also commonly Sheherazade Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on One Thousand and One Nights (also known as The Arabian Nights). This orchestral work combines two features typical of Russian music in general and of Rimsky-Korsakov in particular: dazzling, colorful orchestration and an interest in the East, which figured greatly in the history of Imperial Russia, as well as orientalism in general. The name Scheherazade refers to the main character Scheherazade of the One Thousand and One Nights. It is one of Rimsky-Korsakov's most popular works. This arrangement for soprano sax (or tenor sax) with piano accompaniment of the most famous themes of the suite is suitable for classroom, repertoire and recital.
$9.99
9.1 €
#
Soprano Saxophone and Piano
#
Nikolay Andreyevich Rimsky-Korsakov
#
Scheherazade for Soprano Saxophone and Piano
#
Diego Marani
#
SheetMusicPlus
"Three Trombone Knights" for Trombone Trio
3 Trombones (trio)
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.924713 Composed by Tom…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.924713 Composed by Tomo Hirayama. Classical,Concert,Contemporary,Standards. Score and parts. 29 pages. Tomo Hirayama #6332521. Published by Tomo Hirayama (A0.924713). The score and parts for Tree Trombone Knights for trombone trio are now available. (Tenor Trombone 1, Tenor Trombone 2, Bass Trombone)1st mov. Introduction and Fuga2nd mov. Scherzo3rd mov. Choral4th mov. SpectacleThis suite covers a variety of musical styles and basic trombone techniques.
$18.00
16.39 €
#
3 Trombones (trio)
#
Tomo Hirayama
#
"Three Trombone Knights" for Trombone Trio
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Tomo Hirayama
#
SheetMusicPlus
A Night In Tunisia
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gilles…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.19 €
#
Soprano Saxophone and Piano
#
Dizzy Gillespie
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
A Night In Tunisia
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.747020 By Dizzy Gillespi…
(+)
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5898999. Published by Keith Terrett (A0.747020). A great sounding arrangement of A Night in Tunisia arranged for Bb Tenor Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.19 €
#
Tenor Saxophone and Piano
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Dizzy Gillespie
#
A Night In Tunisia
#
Keith Terrett
#
SheetMusicPlus
Die Frau ohne Schatten - Excerpts from the opera for 8-part Trombone Ensemble
Trombone ensemble
Trombone Ensemble Choir - Advanced - Digital Download Composed by Richard Strauss (18…
(+)
Trombone Ensemble Choir - Advanced - Digital Download Composed by Richard Strauss (1864-1949). Arranged by Randall Malmstrom. 20th Century, Romantic Period, Opera. Score, Set of Parts. 12 pages. Published by Cherry Classics Music
Richard Strauss's opera Die Frau ohne Schatten (The Woman Without a Shadow) was written between 1911 and 1917. He regarded it as one of his most important works. After an unenthusiastic opening night, it has now become part of the standard operatic repertoire.<br> <br> Randall Malmstrom has brilliantly arranged some of the most outstanding parts of the opera for an 8-part Trombone Ensemble appropriate for advanced performers.
$27.50
25.04 €
#
Trombone ensemble
#
Richard Strauss (1864-1949)
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Die Frau ohne Schatten - Excerpts from the opera for 8-part Trombone Ensemble
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Cherry Classics Music
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SheetMusicPlus
Duets for Trombone for Christmas (Volume 2)
2 Trombones (duet)
By Stephen DeCesare. By Stephen DeCesare. Arranged by Stephen DeCesare. Christmas, C…
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By Stephen DeCesare. By Stephen DeCesare. Arranged by Stephen DeCesare. Christmas, Contemporary, Holiday, Sacred, Standards. Score. 75 pages. Exultet Music #703102. Published by Exultet Music
This accessible and appropriate Christmas collection of duets for Trombone with Piano accompaniment. All songs are either arranged or composed by Stephen DeCesare. The accompaniment Contents are: "Over The River And Through The Woods", "Wexford Carol", "Tu Scendi Dalle Stelle", "Silent Night", "In The Bleak Midwinter with Silent Night" and "What Child Is This".
$25.00
22.76 €
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2 Trombones (duet)
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Stephen DeCesare
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Duets for Trombone for Christmas
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Exultet Music
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SheetMusicPlus
''Risen from Ruins'' - "Auferstanden aus Ruinen"
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1158495 Composed by Haans Eis…
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Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1158495 Composed by Haans Eisler. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Traditional,World. 10 pages. Keith Terrett #758783. Published by Keith Terrett (A0.1158495). The former East German National Anthem arranged for Brass Quintet. In 1949, the Soviet occupation zone of Allied-occupied Germany became a socialist state under the name of the German Democratic Republic (GDR). For the nascent state's national anthem, the poet Johannes Becher, who later became the East German Minister of Culture, wrote the lyrics. Two musicians, Ottmar Gerster and Hanns Eisler, proposed music to Becher's lyrics, and Eisler's version was selected. History Written in 1949, the East German national anthem reflects the early stages of German separation, in which continuing progress towards reunification of the occupation zones was seen by most Germans as appropriate and natural. Consequently, Becher's lyrics develop several connotations of unity and combine them with fatherland (einig Vaterland), meaning Germany as a whole. However, this concept soon would not conform to an increasingly icy Cold War context, especially after the Berlin Wall had been erected in 1961 by the East German government.[1] In September 1973, East and West Germany were admitted to the United Nations simultaneously, following talks between the two governments that conferred a degree of mutual recognition. The term Germany was later removed from the East German constitution, and only the national anthem's tune was played on official occasions. No new lyrics were ever written to replace Becher's, which continued to be used unofficially, especially after die Wende in late 1989: once it became clear that the countries were actually moving towards reunification, East German television Deutscher Fernsehfunk reinstated the work and signed off every night with a joyous symphonic rendition of the vocal arrangement, with accompanying picturesque footage of East Germany's main tourist attractions. Auferstanden aus Ruinen ceased to be a national anthem when the German Democratic Republic dissolved and its states joined the Federal Republic of Germany as a result of German reunification in 1990. Deutschlandlied, composed in 1841, became the national anthem of a united Germany again. East German Premier Lothar de Maizière had proposed that Becher's lyrics be added to the united German national anthem, but this was rejected by his West German counterpart, chancellor Helmut Kohl. At the end of its last broadcast on 2 October 1990, the East German international radio broadcaster Radio Berlin International signed off with a vocal version of the East German national anthem. In November 1995, Auferstanden aus Ruinen was played again when German President Roman Herzog visited Brazil. This was the first event at which the anthem had been played since the German reunification.
$7.99
7.28 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Haans Eisler
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''Risen from Ruins'' - "Auferstanden aus Ruinen"
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Keith Terrett
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SheetMusicPlus
Sullivan: The Lost Chord for Baritone Sax & Piano
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Si…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.54 €
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Baritone Saxophone, Piano
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Baritone Sax & Piano
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
22.72 €
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Baritone Saxophone, Piano
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Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
In a One Night Stand
Piano, Voice
Piano and voice - Digital Download SKU: LV.21763 Composed by George M. Cohan. Trave…
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Piano and voice - Digital Download SKU: LV.21763 Composed by George M. Cohan. Travel, Entertainment, Minstrels, Actors, Musicians. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21763). In a One Night Stand. Lyrics and Music By George M. Cohan. Published 1907 by [F.A. Mills] in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Travel, Entertainment, Minstrels, Actors, Musicians. First line reads You may talk of Chicago and New York, and the towns where the big troupers play.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.45 €
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Piano, Voice
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George M
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George M
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In a One Night Stand
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
One Night Stand
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.529413 Composed by Sa…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.529413 Composed by Sarah - Lousie Young and Richard Link. Broadway,Contemporary,Musical/Show. Score. 3 pages. ArtLink Publishers #139796. Published by artLink Publishers (A0.529413). The real story behind your 'one night stand'....
$3.99
3.63 €
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Piano, Vocal and Guitar
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Sarah - Lousie Young and Richard Link
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One Night Stand
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artLink Publishers
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30 €
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Baritone Saxophone, Piano
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Felix Mendelssohn
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Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Night and Day: E-flat Baritone Saxophone
Saxophone (band part)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0002416_BTX E-flat Baritone Saxop…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0002416_BTX E-flat Baritone Saxophone. Composed by Cole Porter. Arranged by David Pugh. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0002416_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002416_BTX). UPC: 654979001430.Cole Porter is truly one of the great American songwriters, and his classic Night and Day has become a jazz standard. This David Pugh arrangement is very playable, and yet it captures all the jazz nuances of the Cole Porter era. It's a wonderful way to introduce your developing jazz ensemble to important standard repertoire. Easy (3:43).
$3.00
2.73 €
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Saxophone (band part)
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Cole Porter
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Night and Day: E-flat Baritone Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Fly Against the Night - Alto Sax & Piano
Alto Saxophone and Piano
Small Ensemble Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.572709 Com…
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Small Ensemble Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.572709 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Multicultural,New Age,Sacred,World. Score and part. 9 pages. James M Stevens Music ASCAP #3911117. Published by James M Stevens Music ASCAP (A0.572709). This is an original composition for Alto Sax and Piano in the romantic key of C minor. There is a separate alto sax part in the score and the piano part can serve as a stand alone solo. The track as heard is available under Fly Against the Night Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=jDIPI0FzDdw
$6.99
6.36 €
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Alto Saxophone and Piano
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James Michael Stevens
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Fly Against the Night - Alto Sax & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
A Clear Midnight (Downloadable)
Baritone voice, Piano
Baritone voice and piano - Moderately Difficult - Digital Download SKU: MQ.8877-3E …
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Baritone voice and piano - Moderately Difficult - Digital Download SKU: MQ.8877-3E Composed by Tom Cipullo. 5 pages. E. C. Schirmer Music Company - Digital #8877-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8877-3E). UPC: 600313488771. English.Of the 12 songs in this collection, the final one, A Clear Midnight, stands alone, and is excerpted from Insomnia, a ten-movement, thiry-minute piece work for four voices. An Earth to Walk Upon, a set of six songs, reflects on life in this physical world and compares our inner life to what we see around us. The five songs that make up Drifts and Shadows present dreamlike imagery and wintry allusions.
$5.00
4.55 €
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Baritone voice, Piano
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Tom Cipullo
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A Clear Midnight
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Walter the Weary Werewolf, Halloween Duet for Trombone
2 Trombones (duet)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.592395 Composed by Davi…
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Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.592395 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #6358907. Published by David McKeown (A0.592395). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for two Trombones. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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2 Trombones (duet)
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David McKeown
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Walter the Weary Werewolf, Halloween Duet for Trombone
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David McKeown
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SheetMusicPlus
Can You Feel The Love Tonight
2 Trombones (duet)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.593761 By Elton John. B…
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Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.593761 By Elton John. By Elton John. Arranged by David McKeown. Broadway,Film/TV,Musical/Show,Pop,Rock. Score. 4 pages. David McKeown #6501215. Published by David McKeown (A0.593761). Can You Feel The Love Tonight is one of the best loved songs from the 1994 Disney film The Lion King, reprised in both the Broadway stage show and the 2019 remake. This version is arranged as a Duet for two Trombones. Written by Elton John with lyrics by Tim Rice, the version in the original movie was sung mainly by Kristle Edwards, with a closing credit version performed by Elton John himself. The song won both an Oscar and a Grammy in 1995. Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. This version of Can You Feel The Love Tonight contains elements from Elton John’s performance and also the film versions from both 1994 and 2019. Click on the YouTube link above to listen to a full length performance of this arrangement played on ClarinetTeachers will enjoy using this arrangement as a fun way to approach playing with expression.
$5.99
5.45 €
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2 Trombones (duet)
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Elton John
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Can You Feel The Love Tonight
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David McKeown
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SheetMusicPlus
Wendy the Wonky Witch, Halloween Duet for Trombone
2 Trombones (duet)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.592435 Composed by Davi…
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Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.592435 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 5 pages. David McKeown #6359347. Published by David McKeown (A0.592435). Wendy the Wonky Witch is a spooky and original duet written by David McKeown for two Trombones. Wendy the Wonky Witch is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.Wendy tries her best, but she’s a bit of a failure at witching. She developed a fear of flying after her broomstick started chasing seagulls, and her tadpole stew, (which tastes of chocolate cake), explodes if left overnight.Wendy the Wonky Witch is suitable for players at an advanced intermediate level and above. The main melody in 6/8 is medium fast with chromatic passages, while the slower middle section is a lyrical waltz. The range is accessible for both players. With a playing-time of around three minutes, Wendy the Wonky Witch is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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2 Trombones (duet)
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David McKeown
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Wendy the Wonky Witch, Halloween Duet for Trombone
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David McKeown
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SheetMusicPlus
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