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Messiah Trombone parts as arranged by Mozart
Trombone
Trombone Solo - Level 5 - Digital Download SKU: A0.792797 Composed by G. F. Handel.…
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Trombone Solo - Level 5 - Digital Download SKU: A0.792797 Composed by G. F. Handel. Arranged by W. A. Mozart and edited by Mark LaFratta. Baroque,Classical,Praise & Worship,Sacred. Individual part. 48 pages. Gordon Cherry #6563883. Published by Gordon Cherry (A0.792797). Handel's Messiah is possibly the most performed work in the classical repertoire. From its earliest beginnings in 1742, others have modified it to suit more modern-sized (larger) orchestras. From the original small baroque-sized orchestra in the early 18th Century to the Classical-sized of Mozart through to the full 20th Century version including percussion and tuba by Sir Thomas Beecham. Others have felt that if Handel had lived in their century he surely would have written his grand masterpiece for larger forces, given the passion of the work.This is Mozart's arrangement from 1789 which was subsequently first published in 1803 and has a Classical-sized orchestra including Alto, Tenor and Bass Trombone. According to Austrian custom of the time, the Trombones were to play ALL of the tutti choruses. Mark LaFratta has beautifully written out edited and transposed all of these choruses into the correct clefs for us to enjoy.This version is for Alto, Tenor and Bass Trombone, parts only ...... no score is included...the conductor has that.Trombonists.....this is your chance to be bold and insist that the Trombones perform in the next Messiah. Just do it!! Is the conductor going to argue with Mozart?This music is appropriate for advanced performers and includes the complete edition of all thirty-eight movements.
$32.50
29.96 €
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Trombone
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G
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Messiah Trombone parts as arranged by Mozart
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Gordon Cherry
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SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
59.92 €
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Orchestra
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Mexican law and custom
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Miguel Rios Toledano
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Aires Nacionales Mexicanos, Op. 558
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Joel Jacklich
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SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
23.05 €
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Orchestra
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Mexican law and custom
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Miguel Rios Toledano
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Aires Nacionales Mexicanos, Op. 558
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Joel Jacklich
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.91 €
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Orchestra
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
We're Off To See The Wizard
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.816236 Composed by Harold …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.816236 Composed by Harold Arlen. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop,Film/TV. Octavo. 3 pages. Kevin Keller #6018801. Published by Kevin Keller (A0.816236). Barbershop arrangement (TTBB with melody in T2). One time through chorus only.
$2.49
2.3 €
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Choral TTBB
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Harold Arlen
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One time through chorus only
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We're Off To See The Wizard
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Kevin Keller
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SheetMusicPlus
Only from Blood Does Freedom Grow (Piano/Choral Score)
Choral SATB
Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704…
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 16 pages. Stanleymhoffman.com #1044314. Published by stanleymhoffman.com (A0.1465704). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30.
$4.00
3.69 €
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Choral SATB
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
In the Good Old Summer Time
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.565792 By Sharon Wilson. By George …
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Piano Solo - Level 3 - Digital Download SKU: A0.565792 By Sharon Wilson. By George Evans. Arranged by Sharon Wilson. Broadway,Film/TV,Folk,Holiday,Musical/Show,Traditional. Score. 6 pages. Sharon Wilson #6168469. Published by Sharon Wilson (A0.565792). This charming, nostalgic song from the early 1900's is still loved by many today. Its upbeat and heart-warming lyrics paired with its dancing tune remind listeners of the fun times of yesteryear. This arrangement begins with the chorus (after the introduction), followed by the verse, then concludes with a repeat of the chorus. It's easy to shorten the song if only the chorus is desired. Duration 3:00 with the verse. The audio sample only plays through the familiar chorus.This arrangement is the perfect addition to the performing pianist's repertoire whether used in a recital or as part of a Valentine's Day or anniversary celebration. Senior and retirement center residents especially enjoy hearing these beloved songs from their youth. This song is one of the 5 arrangements in the collection Favorite Love Songs from Yesteryear (A Collection of 5 Intermediate Piano Solos).
$4.99
4.6 €
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Piano solo
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Sharon Wilson
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In the Good Old Summer Time
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Sharon Wilson
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SheetMusicPlus
Waltz of the Roses (Think of My Love As A Rose), for SA Chorus Piano, Theme from The Snow Queen, A B
Choral 2-part
Choral Choir,Choral (SA) - Level 2 - Digital Download SKU: A0.730414 Composed by Ja…
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Choral Choir,Choral (SA) - Level 2 - Digital Download SKU: A0.730414 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369775. Published by James Nathaniel Holland (A0.730414). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged here for SA Chorus or Individual Soprano or Alto Duet (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.25
3.92 €
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Choral 2-part
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
Waltz of the Roses (Think of My Love As A Rose), for SATB Chorus Piano, Theme from The Snow Queen, A
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730415 Composed by James N…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730415 Composed by James Nathaniel Holland. Holiday,Love,Wedding. Octavo. 9 pages. James Nathaniel Holland #3369827. Published by James Nathaniel Holland (A0.730415). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland. Here arranged here for close harmonies for SATB Chorus (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page: https://www.facebook.com/jamesnathanielholland/
$4.50
4.15 €
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Choral SATB
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
Waltz of the Roses (Think of My Love As A Rose), for TB Chorus Piano, Theme from The Snow Queen, A B
Choral TTBB
Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.730416 Composed by …
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Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.730416 Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. Published by James Nathaniel Holland (A0.730416). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged here for TB Male Chorus or Individual Tenor or Bass Duet (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.25
3.92 €
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Choral TTBB
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James Nathaniel Holland
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Waltz of the Roses
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James Nathaniel Holland
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SheetMusicPlus
Only a Fireman's Girl. Descriptive Song & Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.11636 Composed by Walter A. Phillips. Fl…
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Piano and voice - Digital Download SKU: LV.11636 Composed by Walter A. Phillips. Flowers, Courtship, Love, Firefighters, Floods, Rescues, Fathers & children. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11636). Only a Fireman's Girl. Descriptive Song & Chorus. Words by Morris Abell. Music by Walter A. Phillips. Published 1897 by Howley, Haviland & Co., 4 East 20th Street in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Flowers, Courtship, Love, Firefighters, Floods, Rescues, Fathers & children. First line reads The headlight shone bright thro' the darkness, as the train thunders on o'er the rail.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Walter A
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Only a Fireman's Girl. Descriptive Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Only One Girl in the World For Me. Song and Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.5632 Composed by David Marion. Portraits…
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Piano and voice - Digital Download SKU: LV.5632 Composed by David Marion. Portraits, Courtship, Farewells, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5632). Only One Girl in the World For Me. Song and Chorus. Written and Composed by David Marion. Published 1895 by M. Witmark & Sons, 51 West 28th Street in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Courtship, Farewells, Love. First line reads There's only one girl in the world that I would call my wife.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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David Marion
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Only One Girl in the World For Me. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Could I Only Back The Winner. Song and Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.15650 Composed by Billy Emerson. Clothin…
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Piano and voice - Digital Download SKU: LV.15650 Composed by Billy Emerson. Clothing & dress, Racetracks, Horse racing, Gambling, Money. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15650). Billy Emerson's Latest Song. Could I Only Back The Winner. Song and Chorus. By Billy Emerson. Published 1890 by Wm. A. Pond & Co., 25 Union Square in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Clothing & dress, Racetracks, Horse racing, Gambling, Money. First line reads Behold in me a man who's lost a fortune on the field.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Billy Emerson
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Billy Emerson
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Could I Only Back The Winner. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Only To Hear Her Voice
Choral SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4964 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4964 Composed by Jas. A. Bland. Love, Death, Grief. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4964). America's Greatest Song Writer. Jas. A. Bland's Great Songs. Only To Hear Her Voice. Jas. A. Bland. Published 1881 by Mrs. Pauline Lieder, 60 Chatham St. in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Love, Death, Grief. First line reads Only to hear her voice once more, no sweeter one was ever heard.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Choral SATB
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Jas
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Only To Hear Her Voice
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
There's Only One Little Old New York
Piano, Voice
Piano and voice - Digital Download SKU: LV.7320 Composed by George V. Hobart & Jean…
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Piano and voice - Digital Download SKU: LV.7320 Composed by George V. Hobart & Jean Schwartz. Statue of Liberty, Brooklyn Bridge, Central Park, The Bowery, Skyscrapers, Pride, City & town life. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7320). There's Only One Little Old New York. by George V. Hobart and Jean Schwartz. Published 1905 by Jos. W. Stern & Co., 34 East 21st St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Statue of Liberty, Brooklyn Bridge, Central Park, The Bowery, Skyscrapers, Pride, City & town life. First line reads When the ships come o'er the ocean to that fair and Promised Land.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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George V
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There's Only One Little Old New York
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Gates Ajar. Song With Chorus
Choral SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4213 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4213 Composed by J.R. Thomas. Deathbeds, Angels, Heaven. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4213). The Gates Ajar. Song With Chorus. Poetry by Geo. Cooper. Music by J.R. Thomas. Published 1870 by C.H. Ditson & Co., 711 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Deathbeds, Angels, Heaven. First line reads Gone beyond the darksome river, only left us by the way.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Choral SATB
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J
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The Gates Ajar. Song With Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Most Wonderful Time Of The Year
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1313687 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1313687 Composed by Eddie Pola and George Wyle. Arranged by John Allison. Christmas,Jazz. 71 pages. John Allison #902406. Published by John Allison (A0.1313687). Although this holiday favourite is usually heard as a waltz, this arrangement for Big Band is set in up-tempo 4/4 swing time. Written with amateur big bands in mind, there is enough to ensure experienced adult musicians have fun without being burdened by too many technical difficulties.A high impact tutti introduction is followed by an understated exposition of the tune on the piano in the style of Count Basie. Muted trumpets are then accompanied by the trombones and sax. The short bridge is led by the saxophones before the trombones restate the theme. The middle section is open for solos with backing to be played second time only. After the solos we modulate from Bb to F for an invigorating shout chorus which maintains maximum energy through the brief coda.Your audience will be especially happy to hear the piece around Christmas time, but it can be played as a lively feelgood tune at any time of the year.
$49.99
46.09 €
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Jazz Ensemble
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Eddie Pola and George Wyle
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The Most Wonderful Time Of The Year
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John Allison
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SheetMusicPlus
The Little Old Woman. Song and Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.650 Composed by Henry Tucker. Children p…
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Piano and voice - Digital Download SKU: LV.650 Composed by Henry Tucker. Children playing adults, Dolls, Courtship. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.650). The Little Old Woman. Song and Chorus. Poetry By George Cooper. Music By Henry Tucker. Published 1871 by Oliver Ditson & Co., 451 Washington St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Children playing adults, Dolls, Courtship. First line reads I've just had a talk with my dolly, she's only one year and I'm ten.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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George Cooper
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Henry Tucker
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The Little Old Woman. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Only Trust Him
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.565867 By Sharon Wilson. By John H.…
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Piano Solo - Level 3 - Digital Download SKU: A0.565867 By Sharon Wilson. By John H. Stockton. Arranged by Sharon Wilson. Easter,Praise & Worship,Romantic Period,Sacred,Traditional. Score. 5 pages. Sharon Wilson #6369911. Published by Sharon Wilson (A0.565867). The encouraging Gospel hymn Only Trust Him by John H. Stockton is presented here as an intermediate piano solo. This flowing and uplifting arrangement encourages contemplation and reflection making it a treasured addition to the church pianist's worship repertoire.The song begins in the key of F major and continues through the first verse and chorus. A quick, melancholy transition to F minor (A-flat) for a repeat of the chorus symbolizes the tough times the believer may experience, but if we preserve and only trust Him now, He will save you…. The song concludes on the upbeat key of C major. Duration 2:30.This arrangement is one of the 16 piano solos in the collection Hymn Favorites, Book 5.Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$4.99
4.6 €
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Piano solo
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Sharon Wilson
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Only Trust Him
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Sharon Wilson
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SheetMusicPlus
It's The Most Wonderful Time Of The Year
Choral Unison
Choral Choir,Choral,Unison Chorus - Level 1 - Digital Download SKU: A0.1452529 Comp…
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Choral Choir,Choral,Unison Chorus - Level 1 - Digital Download SKU: A0.1452529 Composed by Eddie Pola and George Wyle. Arranged by W. Jack. Christmas,Holiday,Pop. 9 pages. Walter Jack #1031832. Published by Walter Jack (A0.1452529). Be of good cheer! The holiday message comes ringing through in this delightful rendition that's got enough merriment for everyone! Simple voice lines and a happy jazz-waltz feel combine for a holiday package that is completely irresistible. Arrangement includes full teacher score with choreography notes from John Jacobson and vocals only student score. For track and choreography videos by John Jacobson please subscribe to Musicplay Online (www.musicplay.ca). Downloadable charts include teacher score with choreography guide as well as student vocals only score.
$1.99
1.83 €
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Choral Unison
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Eddie Pola and George Wyle
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It's The Most Wonderful Time Of The Year
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Walter Jack
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SheetMusicPlus
The First and Only Shoes That Baby Wore
Piano, Voice
Piano and voice - Digital Download SKU: LV.610 Composed by Still Harcourt. Families…
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Piano and voice - Digital Download SKU: LV.610 Composed by Still Harcourt. Families, Chests, Furniture, Nostalgia, Death, Children, Grief, Aged persons. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.610). The First and Only Shoes That Baby Wore. Words by J.E. Larrabee. Music by Still Harcourt. Published 1896 by White City Music Publishing Company, 418 26th Street in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Families, Chests, Furniture, Nostalgia, Death, Children, Grief, Aged persons. First line reads One summer afternoon, I'll not forget it soon.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Still Harcourt
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The First and Only Shoes That Baby Wore
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Casey Jones. The Brave Engineer
Piano and voice; ukulele - Digital Download SKU: LV.18689 Composed by Eddie Newton.…
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Piano and voice; ukulele - Digital Download SKU: LV.18689 Composed by Eddie Newton. Railroads, Railroad employees, Accidents, Courage. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18689). Casey Jones. The Brave Engineer. Greatest Comedy Hit in Years. The Only Comedy Railroad Song. Words By T. Lawrence Seibert. Music By Eddie Newton. Published 1909 by Southern California Music Company, 332-34 So. Broadway in Los Angeles, CA. Composition of strophic with chorus with piano and voice; ukulele instrumentation. Subject headings for this piece include Railroads, Railroad employees, Accidents, Courage. First line reads Come all you rounders if you want to hear a story about a brave Engineer.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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T
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Eddie Newton
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Casey Jones. The Brave Engineer
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Harold the Angel
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1491162 By Julie & Diego. By Juli…
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C Instrument - Level 2 - Digital Download SKU: A0.1491162 By Julie & Diego. By Julie Hinton and Diego Hellewell. Advent,Children,Christmas,Holiday,Rock. Lead Sheet / Fake Book. 4 pages. Red Tape Productions #1067904. Published by Red Tape Productions (A0.1491162). Lead Sheet (melody & chords only). From The Big American Winter Holiday Musical Spectacular! - The Quarantine Album. (@BAWHMS) This children's tune is a story about an angel named Harold who wants to herald but just isn't able. It shows him overcoming his fear and saving the day. The original has a soloist on the intro and first time through, children's chorus on the second time through, solo rap over the accompaniment, and finally a duet between the children and the rapper. Can easily be done without the rap as just a children's song. Great for children's choirs, community choruses and bands looking for family-friendly holiday fare.Audio demo is from the final verse showing the children/rap duet, taken from the album track. Also available as piano/vocal and in a compilation of the album.
$4.25
3.92 €
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C Instruments
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Julie & Diego
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chords only)
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Harold the Angel
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Red Tape Productions
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.61 €
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Orchestra
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
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