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Only Because
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Only Because
Sheetmusic to print
1,870 sheet music found
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1851
Because
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Piano solo
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INTERMEDIATE
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Pop music
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Rie(onlyoneof)
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Eskander Aceval
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Because
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Eskander Aceval
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1170981 By Rie(onlyoneof). By Jaden Chung, Nap!er, Sin Ae Lee, and Woong Bin Kim. Arranged by Eskander Ac...
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Piano Solo - Level 3 - Digital Download SKU: A0.1170981 By Rie(onlyoneof). By Jaden Chung, Nap!er, Sin Ae Lee, and Woong Bin Kim. Arranged by Eskander Aceval. Pop. Score. 4 pages. Eskander Aceval #771320. Published by Eskander Aceval (A0.1170981). Rie (OnlyOneOf) - Because chords, piano. K-Pop.
$4.99
Because The Night
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Lyrics and Chords
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Rock
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Patti Smith
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Because The Night
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Patti Smith. By Patti Smith and Bruce Springsteen. Rock. Guitar (chords only). 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.339480). - Guitar ...
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By Patti Smith. By Patti Smith and Bruce Springsteen. Rock. Guitar (chords only). 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.339480). - Guitar (chords only) - Rock - Hal Leonard - Digital Sheet Music
$1.99
Because Of You
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Guitar
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INTERMEDIATE/ADVANCED
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Pop music
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Kelly Clarkson
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Antonius Agung Setiawan
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Because Of You
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Antonius Agung Setiawan
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.788276 By Kelly Clarkson. By Ben Moody, David Hodges, and Kelly Clarkson. Arranged by Antonius Agung Set...
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Solo Guitar - Level 4 - Digital Download SKU: A0.788276 By Kelly Clarkson. By Ben Moody, David Hodges, and Kelly Clarkson. Arranged by Antonius Agung Setiawan. Pop. Individual part. 5 pages. Antonius Agung Setiawan #5281459. Published by Antonius Agung Setiawan (A0.788276). Because Of You by Kelly ClarksonSolo guitar arrangement by Antonius Agung SetiawanFingesrtyle guitar arrangement, Easy to playinstagram @pakagung#guitaronlybypakagung.
$5.99
Because Of You
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Guitar notes and tablatures
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INTERMEDIATE/ADVANCED
#
Pop music
#
Kelly Clarkson
#
Antonius Agung Setiawan
#
Because Of You
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Antonius Agung Setiawan
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SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.787965 By Kelly Clarkson. By Ben Moody, David Hodges, and Kelly Clarkson. Arranged by Antonius Agung Setiawan...
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Guitar - Level 4 - Digital Download SKU: A0.787965 By Kelly Clarkson. By Ben Moody, David Hodges, and Kelly Clarkson. Arranged by Antonius Agung Setiawan. Pop. Guitar Tab. 8 pages. Antonius Agung Setiawan #4569481. Published by Antonius Agung Setiawan (A0.787965). Because Of You by Kelly ClarksonSolo guitar arrangement by Antonius Agung SetiawanFingesrtyle guitar arrangement, Easy to play, Tablature includeinstagram @pakagung#guitaronlybypakagung
$5.99
Because I Could Not Stop for Death
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Choral SATB
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INTERMEDIATE/ADVANCED
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Opera
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Classical
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Richard deCosta
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Richard deCosta
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Because I Could Not Stop for D
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Richard deCosta
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,C...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical,Opera,Romantic Period. 4 pages. Richard deCosta #897289. Published by Richard deCosta (A0.1308012). Words by Emily DickinsonMusic by Richard deCostaBecause I could not stop for Death –He kindly stopped for me –The Carriage held but just Ourselves –And Immortality.We slowly drove – He knew no hasteAnd I had put awayMy labor and my leisure too,For His Civility –We passed the School, where Children stroveAt Recess – in the Ring –We passed the Fields of Gazing Grain –We passed the Setting Sun –Or rather – He passed Us –The Dews drew quivering and Chill –For only Gossamer, my Gown –My Tippet – only Tulle –We paused before a House that seemedA Swelling of the Ground –The Roof was scarcely visible –The Cornice – in the Ground –Since then – 'tis Centuries – and yetFeels shorter than the DayI first surmised the Horses' HeadsWere toward Eternity –-=-In the reclusive chambers of Emily Dickinson's 19th-century Massachusetts home, the haunting poem, 'Because I Could Not Stop for Death,' was conceived. Living much of her life in isolation, Dickinson's thoughts often ventured into the shadowlands of existence. This poem, published posthumously in 1890, offers a chilling reflection of her contemplation. The Grim Reaper, a timeless symbol, is portrayed as a carriage driver, guiding the reader through a somber journey that mirrors the ephemeral nature of life. Passing scenes of childhood innocence, maturity's labor, and the twilight of existence, it culminates in the cold embrace of the grave. Her words, etched in a gothic darkness, resonate with the uncertainties and fears of her time, transcending to speak to the eternal human condition.
$7.99
Because He Lives
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Piano, Vocal and Guitar
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INTERMEDIATE/ADVANCED
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Bill Gaither and Gloria Gaithe
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Mikhail Rimsky-Korsakov
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NotePerformer 4
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Because He Lives
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MRK Studio
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1510395 Composed by Bill Gaither and Gloria Gaither. Arranged by Mikhail Rimsky-Korsakov. C...
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1510395 Composed by Bill Gaither and Gloria Gaither. Arranged by Mikhail Rimsky-Korsakov. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 32 pages. MRK Studio #1085584. Published by MRK Studio (A0.1510395). Because He Lives is a classic song (hymn) penned by one of the most lauded couples in Christian music, Bill and Gloria Gaither. This song explores how the resurrection of Christ transforms the lives of believers. At this song's 50th anniversary, in honor of this legacy milestone, Gaither Music Group has initiated a yearlong celebration highlighting numerous performances of the song across many different platforms and genres. First released on October 18, 1971, this song was, and is, one of the most popular songs written by the Gospel Music Hall of Fame members. “People have asked me, ‘Did you know right away that it was going to be a song that was going to be translated in other languages?’” stated Bill. “When you create a new song—and you write as many as we have–you really don’t know. Many times you write one and you think it is going to be the next ‘Amazing Grace,’ and it just dies a natural death. When we wrote ‘Because He Lives’ I felt like it was a good song, but you only find out how good a song is when people start responding to it, and the more we sang it the more people responded. I’m humbled it has been translated into so many languages and did not foresee that.”, he added.Read more here This song was commissioned by a South African Baritone Soloist, Johann Nefdt, to be performed by a Baritone Soloists, 2 Violins, Piano and Pipe Organ. All parts are included in the sale. This arrangement was produced using Dorico 5..1 & NotePerformer 4.5 My arrangements are custom made for any ensemble required and voiced specifically for their instrumentation. Ergo, feel free to contact me should you require any music arranged for your ensemble. I voice it with the tonal colors of your instrumentation (keeping in mind the strong and weaker musicians) to bring the most out of your performance! The best part is, you get it right here from this music publisher for ease of mind! Enquire here for Arrangements / Composition or Publishing requests.
$15.00
Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Guillaume de Machaut, 1300-137
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James M
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2 Trombones 1
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Cont...
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Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850533. Published by jmsgu3 (A0.1257202). INSTRUMENTATION: Cornet, French Horn & 2 Trombones 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Â Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Guillaume de Machaut, 1300-137
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James M
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Machaut: Le Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Ear...
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Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
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Flute, Oboe, Clarinet, Bassoon
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EASY
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Guillaume de Machaut, 1300-137
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James M
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Bassoon Duo
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851272. Published by jmsgu3 (A0.1258034). Instrumentation: English Horn Duo & Bassoon Duo.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
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Flute Quartet: 4 flutes
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EASY
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
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Clarinet Quartet: 4 clarinets
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EASY
#
Guillaume de Machaut, 1300-137
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James M
#
Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
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String Quartet: 2 violins, viola, cello
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EASY
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASC...
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850380. Published by jmsgu3 (A0.1257044). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Only from Blood Does Freedom Grow (Full Score and Parts)
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Orchestra
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EASY
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom G
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stanleymhoffman.com
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patrioti...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
Only from Blood Does Freedom Grow (Piano/Choral Score)
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Choral SATB
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EASY
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom G
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stanleymhoffman.com
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Ce...
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 16 pages. Stanleymhoffman.com #1044314. Published by stanleymhoffman.com (A0.1465704). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30.
$4.00
G Blues Jam - Score Only
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Aaron M
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G Blues Jam - Score Only
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Mr. A Roman
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SheetMusicPlus
Guitar Ensemble - Level 2 - Digital Download SKU: A0.1466774 Composed by Aaron M. Roman. Blues,Rock. Score and Parts. 2 pages. Mr. A Roman #1045307. Publ...
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Guitar Ensemble - Level 2 - Digital Download SKU: A0.1466774 Composed by Aaron M. Roman. Blues,Rock. Score and Parts. 2 pages. Mr. A Roman #1045307. Published by Mr. A Roman (A0.1466774). This 2 page piece is meant to be performed by an intermediate guitar ensemble. The piece is called, G Blues Jam because it is a demonstration of how 12-Bar Blues works and is set in the key of G. This piece contains three different guitar parts including chords (1st position), an intermediate Blues strumming pattern (Guitar 2), and bass guitar. This piece is meant to be performed with a Swing feel as well. My students really loved this piece and found it educational and entertaining to play because of its Blues/Rock qualities.
$2.00
Weil Ich Dich Liebe (Because You Loved Me)
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Violin, Cello (duet)
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INTERMEDIATE
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Diane Eve Warren
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Sherry Lewis
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Weil Ich Dich Liebe
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Sherry Lewis Publishing
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1452840 Composed by Diane Eve Warren. Arranged by Sherry Lewis. Contemporary,Pop,Wedd...
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1452840 Composed by Diane Eve Warren. Arranged by Sherry Lewis. Contemporary,Pop,Wedding. 9 pages. Sherry Lewis Publishing #1032124. Published by Sherry Lewis Publishing (A0.1452840). Because You Loved Me - Diane. WarrenSTRING DUO Intermediate Level for violin and cello ABOUT THE DEMO: I SHORTENED THE BEGINNING OF THE DEMO ONLY TO GET TO THE CHORUS.Parts: 3 pagesTime: 4.40If you can't find a title then contact me through https://baysbest.com/contact/ and I'll give you the link back to SMP. Thank you for your order!
$4.99
Because He Lives
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Contemporary
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Bill Gaither
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JEK
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Because He Lives
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Silver Piano
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SheetMusicPlus
Small Ensemble Piano,Trumpet,Voice - Level 5 - Digital Download SKU: A0.821125 Composed by Bill Gaither. Arranged by JEK. Contemporary. Score and parts. ...
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Small Ensemble Piano,Trumpet,Voice - Level 5 - Digital Download SKU: A0.821125 Composed by Bill Gaither. Arranged by JEK. Contemporary. Score and parts. 5 pages. Silver Piano #5996271. Published by Silver Piano (A0.821125). This work is 'Because He Lives' arranged by JEK for three trumpets in Bb and accompanied piano.It doesn't contain parts. (score only)If you want individual parts, please contact my email. (lovingjieun@naver.com)
$12.99
Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 p...
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Graf - the-hit-factory.com #717714. Published by Thomas Graf - the-hit-factory.com (A0.1115994). Fantasy in 3 movements for large wind ensemble, double bass and percussion 1. Deux Caracteres 2. Dialogues 3. Dance de Confusion Confluence is the name of a place in Lyon where 2 rivers flow together: The Saône flows into the - at least in German - female Rhone. In French, however, it flows into DEN Rhone - Le Rhône. This confuses the composer: How do rivers get their gender, are they sometimes male, sometimes female? Is it because of their character, because of the landscape that they flow through? By their water, even by their fish? On the people on their shores? A real confusion ensues. In the subsequent thoughts about music, the composer discovers certain analogies and asks himself the question: does gender-typical music actually exist? Or instruments? Typically male harmonies or rhythms? Or clearly female melodies and the way to interpret? The 3-movement composition is dedicated to this question and meanders like a dance in the bed of the converging streams. Colorful modal harmonies form the bed for wide arcs of melody. A varied, recurring theme sets the direction and creates a bubbling, dancing pull in the direction of the mouth: dancing finale! 1st movement: Deux Characters In the first movement (Andante) the roles are distributed - the Sâone and the Rhône get their performers. A first glance at the ensemble reveals a tendency: woodwinds take on the female lead, the male brass the counterpart. The two drummers each support one of the two poles in solidarity. The assignment may be obvious, but strong doubts remain in the final chord of the first movement. 2. Dialogues: In smaller and larger dialogues, there is a lively exchange and the properties are worked out and further developed. But it is also increasingly being copied and imitated, even maliciously agitated and aped. You try to convince each other, interrupt each other, both sides increasingly flare up, it gets louder and more hectic, louder and louder, too loud, until communication stops: in the end, you just yell at each other! 3. Dance de Confusion The resulting confusion finds a conciliatory end in the third movement of the composition: Let's dance! In the end, the initial confusion turns into a confusion: what belongs together flows and dances together. Composed by: Thomas H. Graf Arranged by: Thomas H. Graf for Woodwind Ensemble Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum, Chimes) Perc 2 (Triangle, Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$10.00
Because
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Rock
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The Beatles
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Carlos Bonell
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Because
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Carlos Bonell
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 2 - Digital Download SKU: A0.1266106 By The Beatles. By John Lennon and Paul McCartney. Arranged by Carlos Bone...
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Acoustic Guitar,Instrumental Solo - Level 2 - Digital Download SKU: A0.1266106 By The Beatles. By John Lennon and Paul McCartney. Arranged by Carlos Bonell. 20th Century,Classical,Pop,Standards. Individual part. 5 pages. Carlos Bonell #858849. Published by Carlos Bonell (A0.1266106). Lennon/McCartney's BECAUSE arranged for solo guitar by Carlos Bonell in an arrangement of easy/medium difficulty. This version is in notation only. Also available is the version with tabs. It sounds beautiful played on guitar, as shown on the video recorded by Debra Adamson-Brattland. This is part of a series of BEATLES arrangements by Carlos based on his best-selling CD album which reached no.1 on iTunes MAGICAL MYSTERY GUITAR TOUR.Check out more Beatles arrangements at https://carlosbonell.com/publicationsÂ
$5.99
Because
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Rock
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The Beatles
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Carlos Bonell
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Because
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Carlos Bonell
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 2 - Digital Download SKU: A0.1266107 By The Beatles. By John Lennon and Paul McCartney. Arranged by Carlos Bone...
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Acoustic Guitar,Instrumental Solo - Level 2 - Digital Download SKU: A0.1266107 By The Beatles. By John Lennon and Paul McCartney. Arranged by Carlos Bonell. 20th Century,Classical,Pop,Standards. Individual part. 7 pages. Carlos Bonell #858851. Published by Carlos Bonell (A0.1266107). Lennon/McCartney's BECAUSE arranged for solo guitar in an arrangement of easy/medium difficulty. This version is in notation and tabs. Also available is the version with notation only. It sounds beautiful played on guitar, as shown in the video recorded by Debra Adamson-Brattland. This is part of a series of Beatles arrangements by Carlos based on his best-selling CD album which reached no.1 on iTunes MAGICAL MYSTERY GUITAR TOUR.Check out other Beatles arrangements at https://carlosbonell.com/publications
$5.99
For Kay - Because the Lady doesn’t necessarily like Milk Tray!
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Piano solo
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INTERMEDIATE
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Martin Woodward
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Martin Woodward
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For Kay - Because the Lady doe
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Martin Woodward
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1287635 By Martin Woodward. By Martin Woodward. Arranged by Martin Woodward. 21st Century,Classical,Conte...
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Piano Solo - Level 3 - Digital Download SKU: A0.1287635 By Martin Woodward. By Martin Woodward. Arranged by Martin Woodward. 21st Century,Classical,Contemporary,Film/TV,Pop. Score. 6 pages. Martin Woodward #878659. Published by Martin Woodward (A0.1287635). For Kay - Because the Lady doesn’t necessarily like Milk Tray! Back in the late 50’s when I was a kid, my elder brother and I used to spend numerous hours playing in the woods and as a team we’d catch anything that was catchable, such as lizards, newts, frogs, shrews, slow worms etc. One time our cousins Angela and Kay came to stay and just for a laugh, we acquired an empty chocolate box, added a few lizards, and gave it to Kay (who was 5 at the time). Clearly Kay didn’t appreciate how difficult it was to catch the lizards and reckons she’s been traumatised for the last 60 odd years. I keep telling her that I was only an innocent accomplice and my brother was the instigator.Anyway, this piece is for Kay with love to help ease the trauma.This piece requires at least a 76 note (6 octaves) keyboard. I would rate this as MODERATELY DIFFICULT, but very satisfying.
$1.99
SQ18 ... Hommage à Darius Milhaud (2023) - Score Only
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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SQ18 ... Hommage à Darius Mil
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1211524 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary,Roman...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1211524 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary,Romantic Period. 37 pages. Thomas Oboe Lee #809135. Published by Thomas Oboe Lee (A0.1211524). In 2021 I dedicated SQ15 to Dmitri Shostakovich because ... he wrote fifteen string quartets.  Then I dedicated SQ17 to Heitor Villa-Lobos because he wrote seventeen.  What happened to SQ16?  We all know that Beethoven wrote sixteen string quartets.  But, I am not a fan of his work in general, and I did not find anything inspiring among his string quartets.  So, instead I dedicated SQ16 ... Música Callada (2022) to Federico Mompou.  His music I love!In my search for a string quartet inspiration I discovered that Darius Milhaud wrote eighteen string quartets.  I knew he spent a few years in Brazil as a diplomat, and I have always admired the Brazilian influences in his own music, like the twelve-movement work for solo piano, Saudades do Brasil.† So it became obvious that SQ18 is dedicated in memoriam to Darius Milhaud.SQ18 ... Hommage à Darius Milhaud (2023) is in six movements.I.  Très lent ... Vif, très rythmé  TRIOII.  LentIII.  Très animé  TRIOIV.  FunèbreV.  Très vifVI.  Très lent   TRIO.
$9.99
Μια Αγάπη ΜÏŒνο Αληθινή - My Only True Love
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Pop music
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Kostantinos Matzafleris
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Μια Αγάπη ΜÏŒνο
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Kostantinos M.
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SheetMusicPlus
Digital Download SKU: A0.1069425 Composed by Kostantinos Matzafleris. Pop. Full Performance. Duration 269. Kostantinos M. #6617823. Published by Kostanti...
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Digital Download SKU: A0.1069425 Composed by Kostantinos Matzafleris. Pop. Full Performance. Duration 269. Kostantinos M. #6617823. Published by Kostantinos M. (A0.1069425). It's a Greek ballad love song that sang by Stavros Kanichis. It's songwriter's personal story of his only one love that stills in his heart and the lyrics saying that there is only one true love comes across your life and it might be frangible so keep it safe and warm in your hag at the side of your heart, because my love collapsed and I still trying to collect my peaces.
$4.55
Armer Mann by N. Von Wilm Arranged for Guitar Notes Only
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Guitar
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Nicolai Von Wilm
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John Murphy
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Armer Mann by N. Von Wilm Arra
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John Murphy
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.841179 Composed by Nicolai Von Wilm. Arranged by John Murphy. Concert,Romantic Period. Individual part. 1 pages. J...
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Solo Guitar - Digital Download SKU: A0.841179 Composed by Nicolai Von Wilm. Arranged by John Murphy. Concert,Romantic Period. Individual part. 1 pages. John Murphy #4641895. Published by John Murphy (A0.841179). Armer Mann (Op81 N0 3) by N. Von Wilm (1834-1911) is a beautiful melodic piece with subtle harmonies that suit the intimate characteristics of the solo guitar version. I was able to use the original piano key of A minor in this guitar arrangement because the melody sits so perfectly on the 1st and 2nd strings of the guitar. A unique opportunity to explore inspiring music written for piano but that sounds equally at home on the guitar. Guitar Level: intermediate This Guitar arrangement is available in 3 versions: 1. Score (notes and Tab) 2. Notes Only 3. Tab only for Guitar
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