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Brass quartet : 2 trumpets, trombone, tuba
4
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3
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You've selected:
Open Arms - 1st Trombone
Sheetmusic to print
21 sheet music found
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1
Open Arms
Trombone
Trombone Solo - Interactive Download SKU: HX.1018319 By Journey. This edition: Inte…
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Trombone Solo - Interactive Download SKU: HX.1018319 By Journey. This edition: Interactive Download,scorch. Love,Pop,Rock. Individual part. 1 pages. Hal Leonard - Digital #1886. Published by Hal Leonard - Digital (HX.1018319).
$2.99
2.75 €
#
Trombone
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Journey
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Open Arms
#
Hal Leonard - Digital
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Trombone Quintet)
Trombone ensemble
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.813838 Composed by Ant…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533945. Published by Regis Bookshar (A0.813838). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Trombone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Trombone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instru.
$15.00
13.77 €
#
Trombone ensemble
#
Antonin Dvorak
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Largo
#
Regis Bookshar
#
SheetMusicPlus
Creole Trombone for Trombone Quartet
Brass Quartet: 4 trombones
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.792648 Composed by Edw…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.792648 Composed by Edward Kid Ory. Arranged by Jeremy Niles Kempton. Blues,Jazz,Ragtime. Score and parts. 12 pages. Gordon Cherry #5207589. Published by Gordon Cherry (A0.792648). Creole Trombone is a jazz composition with ragtime and New Orleans overtones written by Kid Ory and first recorded in 1921. It was one of the first recordings of a black orchestra. He recorded the piece several times, including one with Louis Armstrong. Jeremy Kempton has made a great arrangement for Trombone Quartet for moderately advanced performers including an open 8-bar solo section.
$17.50
16.07 €
#
Brass Quartet: 4 trombones
#
Edward Kid Ory
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Creole Trombone for Trombone Quartet
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Gordon Cherry
#
SheetMusicPlus
Open Arms
Alto Saxophone,Baritone Saxophone,Drum Set,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4…
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Alto Saxophone,Baritone Saxophone,Drum Set,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1356997 By Journey. By Jonathan Cain and Steve Perry. Arranged by Blake LaBarge. Jazz,Rock. 14 pages. Blake LaBarge #941624. Published by Blake LaBarge (A0.1356997). This is a 7-piece brass band cover of the top hit song Open Arms by the American rock band Journey. Feel free to workshop this chart to fit your bands needs and wishes!
$25.00
22.96 €
#
Journey
#
Open Arms
#
Blake LaBarge
#
SheetMusicPlus
Open Arms
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone/Baritone B.C. - Level 3 - Digital…
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.1093982 By Journey. By Jonathan Cain and Steve Perry. Arranged by Christian Mader. Pop,Rock. Score and parts. 13 pages. Christian Mader #698082. Published by Christian Mader (A0.1093982). Ensemble Variable, Duet Instrumentation with Piano Accompaniment.
$7.99
7.34 €
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Journey
#
Open Arms
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Christian Mader
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SheetMusicPlus
Journey: Open Arms - trombone solo
Trombone
Instantly printable sheet music by Journey for trombone solo of MEDIUM skill level. / love…
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Instantly printable sheet music by Journey for trombone solo of MEDIUM skill level. / love,pop,rock
$3.97
3.65 €
#
Trombone
#
Journey
#
Virtualsheetmusic
Time On My Hands (you In My Arms)
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.984923 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.984923 Composed by Harold Adamson, Mack Gordon, and Vincent Youmans. Arranged by Allen Carter. Contemporary. Score and parts. 100 pages. AC Muzik #4808469. Published by AC Muzik (A0.984923). An up-tempo, updated version of Vincent Youman's classic. Solos for tenor and trombone with open spaces for drums playing both sticks and brushes. Title track from one of my CDs
$35.00
32.14 €
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Jazz Ensemble
#
Harold Adamson, Mack Gordon, and Vincent Youmans
#
Time On My Hands
#
AC Muzik
#
SheetMusicPlus
Time On My Hands (you In My Arms)
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.984924 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.984924 Composed by Harold Adamson, Mack Gordon, and Vincent Youmans. Arranged by Allen Carter. Contemporary. Score and parts. 35 pages. AC Muzik #4808475. Published by AC Muzik (A0.984924). An up-tempo, updated version of Vincent Youman's classic. Solos for tenor and trombone with open spaces throughout for drums using both sticks and brushes.
$15.00
13.77 €
#
Jazz Ensemble
#
Harold Adamson, Mack Gordon, and Vincent Youmans
#
Time On My Hands
#
AC Muzik
#
SheetMusicPlus
You Are My Lucky Star
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1392839
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1392839 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Peet du Toit. Broadway,Musical/Show. 12 pages. Peet du Toit #976363. Published by Peet du Toit (A0.1392839). You Are My Lucky Star is a song originally written for the 1935 film Broadway Melody of 1936 by Nacio Herb Brown and Arthur Freed. The song was also featured in the 1952 film Singin' in the Rain sung by Betty Noyes as Kathy Selden and Gene Kelly as Don Lockwood.LyricsYou are my lucky starI saw you from afarTwo lovely eyes at me they were gleamingBeaming I was star struckYou're all my lucky charms I'm lucky in your armsYou've opened heaven's portal here on earth for this poor mortalYou are my lucky starYou are my lucky starI saw you from afarIf Garbo is a glamorous creatureYou're a four star featureThough you are never seenUp on a movie screenYou are my Shearer, Crawford, Hepburn, Harlow and my GarboYou are my lucky starSo, the Brass Quintet version hereof is available for your to play and enjoy.
$13.00
11.94 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Arthur Freed and Nacio Herb Brown
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You Are My Lucky Star
#
Peet du Toit
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Co…
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
13.77 €
#
Brass quartet : 2 trumpets, trombone, tuba
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
13.77 €
#
Brass quartet : 2 trumpets, trombone, tuba
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Hello, Dolly!
Brass Quintet: 2 trumpets, horn, trombone, tuba
Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Ar…
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Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blues,Film/TV,Jazz. 15 pages. Keith Terrett #749261. Published by Keith Terrett (A0.1149132). A classic arranged for Brass Quintet with optional drums. The chart features a fully written Louis style Trumpet solo. Enjoy!Hello, Dolly! is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001.The music and lyrics were written by Jerry Herman, who also wrote the scores for many other popular musicals including Mame and La Cage aux Folles.History:Hello, Dolly! was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of Hello, Dolly! for the song's publisher to use to promote the show. Hello, Dolly! opened on January 16, 1964, at the St. James Theatre in New York City, and it quickly became a major success.The same month, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached No. 1 on the U.S. Billboard Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks. Hello Dolly! became the most successful single of Armstrong's career, followed by a Gold-selling album of the same name.[2] The song also spent nine weeks atop the adult contemporary chart shortly after the opening of the musical. The song also made Armstrong the oldest artist ever to reach No. 1 on the Hot 100 since its introduction in 1958. Billboard ranked the record as the No. 3 song of 1964, behind the Beatles' I Want to Hold Your Hand and She Loves You.Hello, Dolly! won the Grammy Award for Song of the Year in 1965, and Armstrong received a Grammy for Best Vocal Performance, Male. Louis Armstrong also performed the song (together with Barbra Streisand) in the popular 1969 film Hello, Dolly!.Lyndon B. Johnson, often referred to by the moniker LBJ, used the tune, rechristened Hello, Lyndon!, as a campaign song for his run in the 1964 U.S. presidential election. This version of the song was performed by Carol Channing at that year's Democratic National Convention, and a recording was made by Ed Ames for distribution at the convention.The Sunflower controversy:Hello, Dolly! became caught up in a lawsuit which could have endangered plans for filming the musical. Mack David, a composer, sued for infringement of copyright, because the first four bars of Hello, Dolly! were the same as those in the refrain of David's song Sunflower from 1948. As he recounts in his memoirs, Herman had never heard Sunflower before the lawsuit, and wanted a chance to defend himself in court, but, for the sake of those involved in the show and the potential film, he reluctantly agreed to pay a settlement before the case would have gone to trial.
$15.99
14.68 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Louis Armstrong
#
Hello, Dolly!
#
Keith Terrett
#
SheetMusicPlus
Open Arms - 2nd Trombone
Trombone (band part)
By Journey. By Steve Perry and Jonathan Cain. Arranged by Jay Bocook and Will Rapp. Pop; R…
(+)
By Journey. By Steve Perry and Jonathan Cain. Arranged by Jay Bocook and Will Rapp. Pop; Rock. Marching Band. 1 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
5.51 €
#
Trombone (band part)
#
Journey
#
Rock
#
Open Arms - 2nd Trombone
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 2 Trb)
Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.813825 Compose…
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Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533903. Published by Regis Bookshar (A0.813825). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets and 2 Trombones, he has made quite a few other arrangements of this selection wh.
$15.00
13.77 €
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Antonin Dvorak
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Largo
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Regis Bookshar
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SheetMusicPlus
I've Got The World On A String
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,T…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.734833 By Dick Hyman. By Harold Arlen. Arranged by Joseph Hasper. Jazz. Score and parts. 36 pages. Joseph Hasper #3563033. Published by Joseph Hasper (A0.734833). The beloved anthem popularized by Frank Sinatra, Louis Armstrong, Michael Buble, Sarah Vaughan and others arranged for vocal solo and small jazz ensemble. Ensemble includes three saxes (alto sax, tenor sax, baritone sax), two trumpets, one trombone, and rhythm section (piano, bass, and drums).Key of G. 89 measures. Includes a full score, vocal part, and complete set of instrument parts.I've Got The World on a String was composed by Harold Arlen in 1932. It was written for the twenty-first edition of the Cotton Club series which opened on October 23, 1932.The song was introduced and recorded by Cab Calloway. Bing Crosby recorded the song in 1933 with the Dorsey Brothers and their Orchestra The song was one of the first recorded by Frank Sinatra when he transferred to Capitol Records in 1953. His recording (with orchestra conducted by Nelson Riddle) reached #14 on Billboard's most played list that year.
$18.99
17.44 €
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Dick Hyman
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I've Got The World On A String
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Joseph Hasper
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SheetMusicPlus
Overture - Hello, Dolly!
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1257734 By Louis Armstrong. By Jerry Herman. Arranged by Andreas Wetterlund. Broadway,Film/TV,Musical/Show. Brass Band. 139 pages. Andreas Wetterlund #850963. Published by Andreas Wetterlund (A0.1257734). Arrangement of the opening to the Jerry Herman musical Hello Dolly! Arrangement for British-style Brass band.  Set of parts includes alternative horn parts in F and lower brass in bass clef.Â
$75.00
68.87 €
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Louis Armstrong
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Overture - Hello, Dolly!
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Andreas Wetterlund
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SheetMusicPlus
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