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Ophélie, String Parts
Sheetmusic to print
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Ophélie, String Parts
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.909884 Composed by Claude De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.909884 Composed by Claude Debussy. Arranged by Christopher Benfield. 20th Century,Contemporary,Multicultural,World. Score and parts. 8 pages. Christopher Benfield #4292989. Published by Christopher Benfield (A0.909884). This is an arrangement of the incredibly famous piano piece Arabesque No. 1 by Claude Debussy for string quartet and soprano soloist. Inspired by the works of Heitor Villa Lobos in his work Bachianas Brasileiras, the piece draws from the evocative poetry of Arthur Rimbaud and brings to mind the images of nature shown through a woman's body. Ophélie is great for a recital of new music, or arrangements of old music! This piece should be performed by advanced singers and string players. These are the parts for the individual string instruments only.
$2.99
2.75 €
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Chamber Orchestra
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Claude Debussy
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Ophélie, String Parts
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Christopher Benfield
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SheetMusicPlus
Paul Wehage: Concertino for alto saxophone and string orchestra: solo part and piano reduction
2 Saxophones, Piano
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 4 - Digital Download S…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.533115 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 49 pages. Musik Fabrik Music Publishing #550767. Published by Musik Fabrik Music Publishing (A0.533115). The Concertino for alto saxophone and string orchestra was written for and is dedicated to saxophonist Nuno Miguel Silva. The work is in three movements. The first movement, “Introduction and Allegro†begins with an introductory passage which leads to an extended cadenza. The allegro uses a contrasting set of two themes, one of which is syncopated and dancelike, the other which is lyrical and expressive. The Aria which follows is in an ABA lied form with extended passage work for the soloist at the return of the theme. The Rondo-finale is a rollicking scherzo which is presented in a variety of forms, first in the saxophone and then in the violins, after several developmental passages and a final cadenza, returns to end the work with a final flourish. This item is the solo part with the piano reduction. The orchestral score is available for sale as another item. The orchestral parts are on rental from the publisher.
$25.95
23.91 €
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2 Saxophones, Piano
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Paul Wehage
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Paul Wehage: Concertino for alto saxophone and string orchestra: solo part and piano reduction
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Musik Fabrik Music Publishing
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SheetMusicPlus
5 Ophelia-Lieder
String Quartet: 2 violins, viola, cello
Voice and string quartet - advanced - Digital Download SKU: S9.Q3100 Von Johanne…
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Voice and string quartet - advanced - Digital Download SKU: S9.Q3100 Von Johannes Brahms auf Texte aus William Shakespeares Hamlet. Composed by Aribert Reimann and Johannes Brahms. This edition: score and parts. Downloadable, Score and parts. Duration 5 minutes. Schott Music - Digital #Q3100. Published by Schott Music - Digital (S9.Q3100). German.Another collection in the series of arrangements of lieder of the German Romantik for voice and string quartet by Reimann (6 Songs Op. 107 by Robert Schumann, ED 8329 and Franz Schubert's Mignon, ED 8466, have already been published). The nearly aphoristic Ophelia-songs keep closely to Brahms' original - a different compositional approach to the one in the Mendelssohn adaptation below, where songs and fragments are interspersed with longer, deliberately contemporary intermezzi and the whole forms an extended cycle.
$23.99
22.1 €
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String Quartet: 2 violins, viola, cello
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Aribert Reimann and Johannes Brahms
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5 Ophelia-Lieder
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Schott Music - Digital
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
String Orchestra
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.28 €
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String Orchestra
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trad
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Paul Wehage: Distant Strophes for string quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534374 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 122 pages. Musik Fabrik Music Publishing #3396151. Published by Musik Fabrik Music Publishing (A0.534374). 1. Remembering the sounding bellsII. Interrupted RicacaresIII. En croisant le diable boiteuxIV. ...L'inflexion des voix chères qui se sont tues. (Paul Verlaine)V. Appels et Invocations Distant Strophes for String Quartet is dedicated to the American Cellist Stephen Evans. The work is written in five movements and is based on a series of poetic images.The first movement, Remembering the Sounding Bells..., uses bell-like sonorities and tonal fragments whichare developed between the four instruments of the quartet The second movement Interrupted Ricacares beginswith a compact, accelerating atonal motif which alternates with contrapuntal passages which evoke motet and ricacare forms.En Croisant le Diable Boîteux (Upon meeting the limping Devil) takes its inspiration from the novel by Lesage. This movement is a lively bi-tonal scherzo in classical ABA form which exploits off-the-string bowings and doublestops. The fourth movement, ...L'inflexion des voix chères qui se sont tues (the sounding of dear voices which have been silence) is a line from Paul Verlaine’s : Mon rêve familier (Poèmes saturniens/ melancholia VI 1866). A slowly unfolding dirge-like theme is passed through the four instruments in an expressive lament. The final movement, Appels et invocations, is inspired by a strophe in Charles Baudelaire’s le Serpent qui Danse in Les Fleurs du Mal which speaks of preparing for a voyage, real orimagined, which is expressed here in the angular, robust theme in unison which opens the work.
$38.95
35.88 €
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String Quartet: 2 violins, viola, cello
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Paul Wehage
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Paul Wehage: Distant Strophes for string quartet
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Musik Fabrik Music Publishing
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SheetMusicPlus
Two Brahms Quartets for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.949374 Composed by Johannes Brahms. Arranged by Adam Lenhart. Romantic Period. 46 pages. Adam Lenhart #5289713. Published by Adam Lenhart (A0.949374). In this arrangement, two of Brahms most famous and beautiful quartets have been set to saxophone quartet with piano or organ accompaniment. Included is Wie lieblich sind deine Wohnungen (How lovely are thy dwellings), the fourth movement from A German Requiem, to words of the Holy Scriptures, Op. 45, and Der Gang zum Liebchen (Journey to thy beloved) from Three Quartets, Op. 31. These quartets have been arranged to be performed by all levels of musicians in a variety of settings. Includes full score and individual parts for both quartets.*Included is a second Alto Saxophone part, which can be used in the absence or substitution of a Soprano Saxophone.This set of quartets is also available for the following chamber ensembles:Flute Quartet (4 Flutes with opt. Piccolo)Flute Choir (Piccolo, Concert, Alto and Bass Flute)Oboe Quartet (Oboe, Violin, Viola and Cello)Clarinet Quartet (2 Bb Clarinets, Alto and Bass Clarinet; or 3 Bb Clarinets and Bass Clarinet)Saxophone Quartet (Soprano, Alto, Tenor and Baritone Saxophone; or 2 Alto Saxophones, Tenor and Baritone Saxophone)Brass Quartet (2 Bb Trumpets, F Horn and Trombone)Woodwind Quartet (Flute, Oboe, Bb Clarinet and Bassoon)String Quartet (2 Violins, Viola and Cello)---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99
9.2 €
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Saxophone Quartet: 4 saxophones
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Johannes Brahms
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Two Brahms Quartets for Saxophone Quartet
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Adam Lenhart
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SheetMusicPlus
Paul Wehage : Concertino for alto saxophone and string orchestra: score and solo part
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.533114 Composed by Paul Wehag…
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String Orchestra - Level 4 - Digital Download SKU: A0.533114 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 74 pages. Musik Fabrik Music Publishing #550765. Published by Musik Fabrik Music Publishing (A0.533114). The Concertino for alto saxophone and string orchestra was written for and is dedicated to saxophonist Nuno Miguel Silva. The work is in three movements. The first movement, “Introduction and Allegro†begins with an introductory passage which leads to an extended cadenza. The allegro uses a contrasting set of two themes, one of which is syncopated and dancelike, the other which is lyrical and expressive. The Aria which follows is in an ABA lied form with extended passage work for the soloist at the return of the theme. The Rondo-finale is a rollicking scherzo which is presented in a variety of forms, first in the saxophone and then in the violins, after several developmental passages and a final cadenza, returns to end the work with a final flourish. A reduction for alto saxophone is avaialble as a different item. The orchestral parts are available on rentel from the publisher.
$29.95
27.59 €
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String Orchestra
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Paul Wehage
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Paul Wehage : Concertino for alto saxophone and string orchestra: score and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Donkey Riding for saxophone trio and piano
Tenor Saxophone and Piano
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Tenor Saxophone - Level 3 - Digital…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.576917 Composed by Traditional. Arranged by David Warin Solomons. Children,Contemporary,Folk,World. Score and parts. 10 pages. David Warin Solomons #519535. Published by David Warin Solomons (A0.576917). Donkey Riding is a traditional work song or sea shanty originally sung in Canada, Scotland and the North Eastern United States. It has also become popular as a children's song. The earliest written record of the song dates to 1857. It is generally assumed agreed that the donkey of the song title is a reference to the steam donkey, a kind of general-purpose steam engine. In this arrangement, each of the melody instruments takes a turn at playing a simple variation on the tune while the piano tinkles gracefully around the harmonies. The sound sample is an electronic preview. The pdf file contains score and parts (including a separate piano part) Versions are available for string trio and piano, wind trio and piano and saxophone trio and piano. There is also a simpler version for three part choir and piano on this site.
$8.00
7.37 €
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Tenor Saxophone and Piano
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Traditional
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Donkey Riding for saxophone trio and piano
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David Warin Solomons
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SheetMusicPlus
Souvenier éolien --- for organ and string orchestra --- FULL SCORE AND PARTS JCM 2009-2021
String Orchestra
String Orchestra - Digital Download SKU: A0.878767 Composed by Jean-Christophe Mass…
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String Orchestra - Digital Download SKU: A0.878767 Composed by Jean-Christophe Masson. Contemporary. Score and parts. 92 pages. Jean-Christophe Masson #6307107. Published by Jean-Christophe Masson (A0.878767). 1st mouvement : strings only, 2nd mouvement : organ and strings Professional level Duration : 14-15 minutes
$25.00
23.03 €
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String Orchestra
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Jean-Christophe Masson
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Souvenier éolien --- for organ and string orchestra --- FULL SCORE AND PARTS JCM 2009-2021
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Jean-Christophe Masson
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SheetMusicPlus
Graupner Christoph Cantata Meine Liebe lebt in Gott GWV 1142/12
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.961083 Composed by Christoph …
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String Orchestra - Level 4 - Digital Download SKU: A0.961083 Composed by Christoph Graupner. Arranged by Dr. Burkhard Switaiski. Baroque,Christian. Score and parts. 76 pages. Burkhard Switaiski #5307331. Published by Burkhard Switaiski (A0.961083). Cantata for the 1st sunday after Trinitatis 1712. Soprano, flutes, oboes, strings, continuo. ContraPunctum Urtext Edition.
$10.00
9.21 €
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String Orchestra
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Christoph Graupner
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Graupner Christoph Cantata Meine Liebe lebt in Gott GWV 1142/12
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Burkhard Switaiski
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SheetMusicPlus
ÄurÄ‘evdan - Djurdjevdan - Ederlezi - for string quartet (2 violins, cello, viola)
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1261986 By Goran Bregovic. By serbian folk song. Arranged by Zoran Radanovic. Folk,Multicultural,Patriotic,Traditional,Wedding,World. 13 pages. Zoran Radanovic #855071. Published by Zoran Radanovic (A0.1261986). This arrangement is for very famous serbian folk song and movie song in BALKAN RUMBA STYLE for string quartet(2 violins, cello, viola) with set of parts. Diese Arrangement ist für sehr berühmtes serbisches Volkslied in BALKAN RUMBA RHYTMUS für String Quartett mit Partitüren. Ovaj aranzman je za vrlo poznatu srpsku narodnu pesmu za gudaÄki kvartet sa partiturama. Ederlezi is a popular traditional folk song of the Romani people in the Balkans. The song got its name from Ederlezi, which is a festival[1] celebrating the return of springtime, especially by the Romani people of the Balkans, and elsewhere around the world. Ederlezi is the Romani name for the Feast of Saint George. It is celebrated on 6 May [O.S. 23 April] (occurring approximately 40 days after the spring equinox),[2]. The various Balkan spellings (Herdeljez, Erdelezi) are variants of the Turkish Hıdırellez, a holiday signaling the beginning of spring, occurring on the same day.Goran Bregović's version titled Ederlezi(Scena Djurdjevdana Na Rijeci) was famously used in Emir Kusturica's movie Time of the Gypsies.[1] It was performed by the Macedonian singer Vaska Jankovska.[6] Ederlezi (Scena Djurdjevdana Na Rijeci) also appeared in the movie Borat, although it has no connection to the authentic music of Kazakhstan. The text in brackets in Serbo-Croatian means: The scene of ÄurÄ‘evdan on the river, a description of a ÄurÄ‘evdan celebration on a river in the movie Time of the Gypsies where that song was used. Sacha Baron Cohen's movie does not have a ÄurÄ‘evdan river scene.[7][8] In both soundtrack albums – Time of the Gypsies and Stereophonic Musical Listenings That Have Been Origin in Moving Film Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan – it was credited to Goran Bregović, although he is not the author nor the singer of the song on these albums. However, he arranged the song.
$5.99
5.52 €
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String Quartet: 2 violins, viola, cello
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Goran Bregovic
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ÄurÄ‘evdan - Djurdjevdan - Ederlezi - for string quartet
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Zoran Radanovic
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SheetMusicPlus
Two Brahms Quartets for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.9…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.949375 Composed by Johannes Brahms. Arranged by Adam Lenhart. Romantic Period. 43 pages. Adam Lenhart #5290319. Published by Adam Lenhart (A0.949375). In this arrangement, two of Brahms most famous and beautiful quartets have been set to string quartet with piano or organ accompaniment. Included is Wie lieblich sind deine Wohnungen (How lovely are thy dwellings), the fourth movement from A German Requiem, to words of the Holy Scriptures, Op. 45, and Der Gang zum Liebchen (Journey to thy beloved) from Three Quartets, Op. 31. These quartets have been arranged to be performed by all levels of musicians in a variety of settings. Includes full score and individual parts for both quartets.This set of quartets is also available for the following chamber ensembles:Flute Quartet (4 Flutes with opt. Piccolo)Flute Choir (Piccolo, Concert, Alto and Bass Flute)Oboe Quartet (Oboe, Violin, Viola and Cello)Clarinet Quartet (2 Bb Clarinets, Alto and Bass Clarinet; or 3 Bb Clarinets and Bass Clarinet)Saxophone Quartet (Soprano, Alto, Tenor and Baritone Saxophone; or 2 Alto Saxophones, Tenor and Baritone Saxophone)Brass Quartet (2 Bb Trumpets, F Horn and Trombone)Woodwind Quartet (Flute, Oboe, Bb Clarinet and Bassoon)String Quartet (2 Violins, Viola and Cello)---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99
9.2 €
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String Quartet: 2 violins, viola, cello
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Johannes Brahms
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Two Brahms Quartets for String Quartet
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Adam Lenhart
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SheetMusicPlus
String Trio in G minor
String Trio: 2 violins, cello
String Ensemble,String Trio Cello,Violin - Level 5 - Digital Download SKU: A0.742477
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String Ensemble,String Trio Cello,Violin - Level 5 - Digital Download SKU: A0.742477 Composed by Alexander Borodin. Arranged by Arte Nova Music Lab. Concert,Easter,Romantic Period,Standards,World. Score and parts. 31 pages. Arte Nova Music Lab #4602739. Published by Arte Nova Music Lab (A0.742477). Alexander Porfiryevich Borodin (Russian: ÐлекÑаÌндр ПорфиÌрьевич БородиÌн, IPA: [Élʲɪkˈsandr pÉrˈfʲi rʲjɪvʲɪtÉ• bÉ™rÉˈdʲin] (12 November 1833 – 27 February 1887) was a Russian chemist and Romantic musical composer ofGeorgian ancestry. He was one of the prominent 19th-century composers known as The Mighty Handful, a group dedicated to producing a uniquely Russian kind of classical music, rather than imitating earlier Western European models.[3][4][5]Borodin is known best for his symphonies, his two string quartets, the symphonic poem In the Steppes of Central Asia and his opera Prince Igor. Music fromPrince Igor and his string quartets was later adapted for the US musical Kismet. A doctor and chemist by profession, Borodin made important early contributions to organic chemistry. Although he is presently known better as a composer, during his lifetime, he regarded medicine and science as his primary occupations, only practising music and composition in his spare time or when he was ill. As a chemist, Borodin is known best for his work concerning organic synthesis, including being among the first chemists to demonstrate nucleophilic substitution, as well as being the co-discoverer of the aldol reaction. Borodin was a promoter of education in Russia and founded the School of Medicine for Women in Saint Petersburg, where he taught until 1885. Taken from https://en.wikipedia.org/wiki/Alexander_Borodin
$25.00
23.03 €
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String Trio: 2 violins, cello
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Alexander Borodin
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String Trio in G minor
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Arte Nova Music Lab
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SheetMusicPlus
String Quartet No. 9
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.982883 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.982883 Composed by Christopher M. Wicks. Arranged by Christopher M. Wicks. Contemporary. Score and parts. 37 pages. Christopher M. Wicks #15199. Published by Christopher M. Wicks (A0.982883). This is a four-movement string quartet, employing traditional formal designs and centered on G, but not without its modernist and post-modernist aspects. The fourth movement has as cantus firmus the traditional German tune 'Wie lieblich ist der Maien. File contains both score and parts.
$20.00
18.42 €
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String Quartet: 2 violins, viola, cello
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Christopher M
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String Quartet No. 9
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Christopher M. Wicks
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SheetMusicPlus
BACH: Trio Sonata No. 2 BWV 526 for String Trio
String Trio: violin, viola, cello
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.552653 Composed by…
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.552653 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 59 pages. Jmsgu3 #6494883. Published by jmsgu3 (A0.552653). Trio Sonata No. 2 BWV 526, originally for organ, arranged for string trio: violin, viola & cello. Duration: ca. 10:00, Score: 35 pages. J.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
30.35 €
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String Trio: violin, viola, cello
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Johann Sebastian Bach
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cello
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BACH: Trio Sonata No. 2 BWV 526 for String Trio
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jmsgu3
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SheetMusicPlus
Believe
String Quartet: 2 violins, viola, cello
Piano Quartet,String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.7…
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Piano Quartet,String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.793116 By Josh Groban. By Alan Silvestri and Glen Ballard. Arranged by Christopher Kalstad. Contemporary,Pop. Score and parts. 21 pages. Christopher Kalstad #3691643. Published by Christopher Kalstad (A0.793116). The inspirational song from The Polar Express is now available in this beautiful arrangement for piano quartet - a welcome addition to any holiday program that features piano quartet.
$14.00
12.9 €
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String Quartet: 2 violins, viola, cello
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Josh Groban
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Believe
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Christopher Kalstad
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SheetMusicPlus
My Bonnie Lies Over The Ocean (Orchestra/ Concert Band Flexible Instrumentation)
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.902744 Composed by Traditional. A…
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Concert Band - Level 1 - Digital Download SKU: A0.902744 Composed by Traditional. Arranged by Frank Chow. Children,Folk,Instructional. Score and parts. 30 pages. Frank Chow #6718825. Published by Frank Chow (A0.902744). My Bonnie Lies over the Ocean is a traditional Scottish folk song. Bonnie actually refers to Charles Edward Stuart instead of a woman. This term also means charming and attractive in Scotland. The flexible instrumentation enables a mixture of instruments, from small ensemble to orchestra. Essential fingerings and bowings are provided in the string parts. This arrangement is suitable for amateur players who have played the instrument for around 1 year. The range of all instruments is within one octave.InstrumentationPart 1: Violin, Flute, Clarinet, Oboe, TrumpetPart 2: Violin, Flute, Clarinet, Alto Saxophone, TrumpetPart 3: Viola, Violin(Viola T.C.), Alto Saxophone, Tenor Saxophone, Horn, Trombone, EuphoniumPart 4: Cello, Double Bass, Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, TubaPercussion: Triangle, Tambourine, Mallet PercussionCondense Score & Full ScoreContactEmail:walter1994430@gmail.comWebsite: https://walter1994430.wixsite.com/frankchow.
$20.00
18.42 €
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Concert band
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Traditional
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My Bonnie Lies Over The Ocean
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Frank Chow
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SheetMusicPlus
Donkey Riding for string trio and piano
String Trio: violin, viola, cello
Piano Quartet,String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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Piano Quartet,String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.576918 Composed by Traditional. Arranged by David Warin Solomons. Children,Contemporary,Folk,World. Score and parts. 9 pages. David Warin Solomons #519539. Published by David Warin Solomons (A0.576918). Donkey Riding is a traditional work song or sea shanty originally sung in Canada, Scotland and the North Eastern United States. It has also become popular as a children's song. The earliest written record of the song dates to 1857. It is generally assumed agreed that the donkey of the song title is a reference to the steam donkey, a kind of general-purpose steam engine. In this arrangement, each of the melody instruments takes a turn at playing a simple variation on the tune while the piano tinkles gracefully around the harmonies. The sound sample is an electronic preview. The pdf file contains score and parts (including a separate piano part) Versions are available for string trio and piano, wind trio and piano and saxophone trio and piano. There is also a simpler version for three part choir and piano on this site.
$8.00
7.37 €
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String Trio: violin, viola, cello
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Traditional
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Donkey Riding for string trio and piano
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David Warin Solomons
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SheetMusicPlus
Toriad y Dydd, - instruments in five parts
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.835813 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.835813 Composed by Traditional. Arranged by Paul Burnell. Contemporary,Folk. Score and parts. 41 pages. Paul Burnell #3692737. Published by Paul Burnell (A0.835813). Toriad y Dydd, traditional Welsh tune arranged for instruments in five parts by Paul Burnell October 2018. Duration c.5:00The arrangement is suitable for multiple quintet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, soprano recorder, Eb clarinet, violin 1)Part 2: C, Bb (flute, oboe, alto recorder, Bbclarinet, violin 2)Part 3: C, Bb (Bb clarinet, tenor recorder, violin 3, viola)Part 4: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola) Part 5: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 5 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with layout appropriate for strings this does not indicate a preferred instrumentation. Programme note:'Toriad y Dydd', also known as 'Break of Day', is a traditional Welsh tune. Joseph Haydn arranged the tune for soprano and piano trio for a collection of Welsh songs around 1803-1804. The song became better known when it was included in the collection 'The Songs of Wales' published by Boosey and Hawkes in 1873. When sung, the song title is given variously as 'Torriad y Dydd' (spelt with a double 'r'), 'The Dawn of Day', 'Taliesin's Prophecy' and 'Golwg Ar dy Gyfaill'.
$3.99
3.68 €
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Traditional
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Toriad y Dydd, - instruments in five parts
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Paul Burnell
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SheetMusicPlus
Vuelie
String Quartet: 2 violins, viola, cello
Composed by Christophe Beck and Frode Fjellheim. Arranged by Jeremy Crosmer. Contemp…
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Composed by Christophe Beck and Frode Fjellheim. Arranged by Jeremy Crosmer. Contemporary. Score and parts. 11 pages. Jeremy Crosmer #6525799. Published by Jeremy Crosmer
$12.99
11.97 €
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String Quartet: 2 violins, viola, cello
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Christophe Beck and Frode Fjellheim
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Vuelie
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Jeremy Crosmer
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Double String Quartet
Strings - Level 3 - Digital Download SKU: A0.549209 Composed by Gabrieli. Arranged …
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Strings - Level 3 - Digital Download SKU: A0.549209 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462323. Published by jmsgu3 (A0.549209). Instrumentation: Two string quartets arranged antiphonally. Full Score: 28 pgs. Study Score: 14 pgs. Instrumental parts: 2 pg. ea. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. www.jamesguthrie.com.
$47.95
44.17 €
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Gabrieli
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Gabrieli: Canzon Septimi Toni Ch 172 for Double String Quartet
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jmsgu3
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SheetMusicPlus
Eugenia (Xylophone)
Small Ensemble Marimba,Piano,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.…
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Small Ensemble Marimba,Piano,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.840275 Composed by Scott Joplin. Arranged by Glen D. Lienhart. Folk,Ragtime. Score and parts. 9 pages. Glen D. Lienhart #3501037. Published by Glen D. Lienhart (A0.840275). Grade V xylophone solo with piano. This xylophone solo is compatible with the string orchestra arrangement from the same arranger.
$12.00
11.05 €
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Scott Joplin
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Eugenia
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Glen D. Lienhart
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.73 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
13.82 €
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Mark O'Connor
#
Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
13.82 €
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Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
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