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Machaut: La Messe de Nostre Dame for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1257962 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 85 pages. Jmsgu3 #851199. Published by jmsgu3 (A0.1257962). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
68.82 €
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Saxophone Quartet: 4 saxophones
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Guillaume de Machaut, 1300-1377
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Machaut: La Messe de Nostre Dame for Saxophone Quartet
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Saxophone Quartet - Score Only
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1257713 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1257713 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850942. Published by jmsgu3 (A0.1257713). Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He composed the mass for the Cathedral at Reims, where he served as a canon, and a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Some scholars hypothesize that Machaut did not actually come to work for the Reims Cathedral until the end of the 1350s, composing the mass as an act of devotion and dedication marking his arrival in the precinct.Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. Â It was composed for four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period.Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century.T.
$49.95
45.87 €
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Saxophone Quartet: 4 saxophones
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Guillaume de Machaut, 1300-1377
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Machaut: La Messe de Nostre Dame for Saxophone Quartet - Score Only
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jmsgu3
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SheetMusicPlus
La Valse D'amelie
Alto Saxophone
Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1473184 By Yann Tiersen. B…
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Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1473184 By Yann Tiersen. By Yann Tiersen. Arranged by André Machado. 21st Century,Classical,Film/TV,Multicultural,World. Individual part. 1 pages. Albus Music #1050808. Published by Albus Music (A0.1473184). La Valse D’Amelie, composed by Yann Tiersen, featured in Amelie, for alto sax, dedicated to beginners, students and all music lovers. Key signature: A minor (F sharp minor transposed); Range: C#4 - C#5 (as written); Duration: 36 seconds; one page. Arranged by André Machado; edited by Albus Music.
$4.99
4.58 €
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Alto Saxophone
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Yann Tiersen
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Range: C#4 - C#5 (as written)
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La Valse D'amelie
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Albus Music
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SheetMusicPlus
La Valse D'amelie
Soprano Saxophone
Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1473182 By Yann Tiersen…
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Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1473182 By Yann Tiersen. By Yann Tiersen. Arranged by André Machado. 21st Century,Classical,Film/TV,Multicultural,World. Individual part. 1 pages. Albus Music #1050805. Published by Albus Music (A0.1473182). La Valse D’Amelie, composed by Yann Tiersen, featured in Amelie, for soprano sax, dedicated to beginners, students and all music lovers. Key signature: A minor; (B minor transposed); Range: F#4 – F#5 (as written); Duration: 35 seconds; with chords for C instruments; one page. Arranged by André Machado; edited by Albus Music.
$4.99
4.58 €
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Soprano Saxophone
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Yann Tiersen
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(B minor transposed)
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La Valse D'amelie
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Albus Music
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SheetMusicPlus
La Valse D'amelie
Soprano Saxophone
Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1473185 By Yann Tiersen…
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Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1473185 By Yann Tiersen. By Yann Tiersen. Arranged by André Machado. 21st Century,Classical,Film/TV,Multicultural,World. Individual part. 1 pages. Albus Music #1050811. Published by Albus Music (A0.1473185). La Valse D’Amelie, composed by Yann Tiersen, featured in Amelie, for alto sax, dedicated to beginners, students and all music lovers. Key signature: A minor; (F sharp minor transposed); Range: C#4 - C#5 (as written); Duration: 36 seconds; with chords for C instruments; one page. Arranged by André Machado; edited by Albus Music.
$4.99
4.58 €
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Soprano Saxophone
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Yann Tiersen
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(F sharp minor transposed)
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La Valse D'amelie
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Albus Music
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SheetMusicPlus
La Valse D'amelie
Soprano Saxophone
Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1473180 By Yann Tiersen…
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Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1473180 By Yann Tiersen. By Yann Tiersen. Arranged by André Machado. 21st Century,Classical,Film/TV,Multicultural,World. Individual part. 1 pages. Albus Music #1050803. Published by Albus Music (A0.1473180). La Valse D’Amelie, composed by Yann Tiersen, featured in Amelie, for soprano sax, dedicated to beginners, students and all music lovers. Key signature: A minor (B minor transposed); Range: F#4 – F#5 (as written); Duration: 35 seconds; one page. Arranged by André Machado; edited by Albus Music.
$4.99
4.58 €
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Soprano Saxophone
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Yann Tiersen
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La Valse D'amelie
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Albus Music
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SheetMusicPlus
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes - SATB
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708–1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:L’Orgelbüchlein (Le Petit LIvre D‘Orgue) BWV 599−644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitl’organiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Fried’ und Freud’ ich fahr’ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuß den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, bewein’ dein’ Sünde groß, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daß mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heil’ge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heut’ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wend’, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heil’gen zehn Gebot’, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adam’s Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich hab’ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et l’Enterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
$64.95
59.64 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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J. S. Bach : Orgelbüchlein
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Musik Fabrik Music Publishing
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SheetMusicPlus
Allmächtig
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1028863 Composed by A…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1028863 Composed by Agur Desale. Children,Christian,Contemporary,Praise & Worship,World. Score. 4 pages. Sam Smith #6326261. Published by Sam Smith (A0.1028863). German PieceAllmächtig - KinderlobpreisliedDieses Lied ist mit zwei Strophen notierteinfaches KinderliedcreationDate 2019-06-14
$4.99
4.58 €
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Piano, Vocal and Guitar
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Agur Desale
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Allmächtig
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Sam Smith
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SheetMusicPlus
Allmächtig (ohne Drums)
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1001928 Composed by A…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1001928 Composed by Agur Desale. Children,Christian,Contemporary,Praise & Worship,World. Score. 2 pages. Agur Desale #6330307. Published by Agur Desale (A0.1001928). Einfaches Kinder- Lobpreislied (deutsch)notiert mit zwei Strophen für Gesang/Melodie und Akkorde ohne DrumsVersion mit Drums ebenso auf Profil erhältlichsimple Children- Worshipsong (german lyrics)written with two Verse for Voice/Melody and Chords without Drumsversion with drums also available on profilecreationDate 2019-06-14.
$3.99
3.66 €
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Piano, Vocal and Guitar
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Agur Desale
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Allmächtig
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Agur Desale
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SheetMusicPlus
Allmächtig (mit Drums)
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1001926 Composed by A…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1001926 Composed by Agur Desale. Children,Christian,Contemporary,Praise & Worship,World. Score. 4 pages. Agur Desale #6330305. Published by Agur Desale (A0.1001926). Einfaches Kinder- Lobpreislied (deutsch)notiert mit zwei Strophen für Gesang/Melodie, Akkorde und DrumsVersion ohne Drums ebenso auf Profil erhältlichsimple Children- Worshipsong (german lyrics)written with two Verse for Voice/Melody, Chords and Drumsversion without drums also available on profilecreationDate 2019-06-14.
$4.20
3.86 €
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Piano, Vocal and Guitar
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Agur Desale
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Allmächtig
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Agur Desale
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SheetMusicPlus
Hafis
Choral SATB
Soloistss (SATB), mixed choir (SATB) and piano - intermediate - Digital Download SKU: S…
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Soloistss (SATB), mixed choir (SATB) and piano - intermediate - Digital Download SKU: S9.Q560929 Eine Lieder-Reihe für Solostimmen und Chor mit Begleitung des Pianoforte. Composed by Friedrich Gernsheim. Downloadable, Score (also performing score). Duration 42 minutes. Schott Music - Digital #Q560929. Published by Schott Music - Digital (S9.Q560929). German.Friedrich Gernsheim (1839–1916) entstammt einer angesehenen jüdischen Familie aus Worms am Rhein und war zu Lebzeiten ein äußerst erfolgreicher und hoch angesehener Komponist, dessen Musik es wiederzuentdecken gilt. Mit dem Gesangverein des Stern’sche Konservatoriums und Wilhelm Berger am Klavier wurde „Hafis – Eine Lieder-Reihe 1891 im Konzertsaal der Berliner Singakademie uraufgeführt. Die Texte der Lieder wählte Gernsheim aus einer 1846 erschienenen und von Georg Friedrich Daumer angefertigten Ãœbersetzung von mehr als 200 Gedichten des persischen Dichters Hafis (eigentlich Mohammed Schemseddin (KhÄwje Shams-od-DÄ«n Moḥammad ḤÄfeẓ-e ShÄ«rÄzÄ«), ca. 1325–1390) aus. Er vertonte 17 Texte, hauptsächlich zu den Themen Liebe, Wein und dem sich stets wandelnden, aber dennoch kreisenden Menschsein, und verteilt sie auf 13 Nummern unterschiedlicher Form und Besetzung. Ähnlich wie die Liebesliederwalzer seines guten Freundes Johannes Brahms enthält Gernsheims Zyklus einige solistische Lieder, Duette und Quartette. Der Hauptunterschied und letztlich auch das Ungewöhnliche an der Reihe ist die grundsätzliche Konzeption für (wahrscheinlich groß besetzten) Chor und Solisten, die teils getrennt, in einzelnen Nummern aber auch gemeinsam und im Wechsel auftreten. Strophenlieder sind ebenso enthalten wie durchkomponierte und offene Formen. Ein groß angelegtes Finale schließt die Liederreihe ab, die tatsächlich als zusammenhängender Zyklus konzipiert ist, was aber die Aufführung einer Auswahl an Liedern nicht grundsätzlich ausschließt. Musikalisch ist die chorische Anlage deutlich zu erkennen, was Hafis auch im Gegensatz zu den Brahms’schen Quartetten für einen Amateurchor deutlich leichter aufführbar macht und nicht zuletzt auf Gernsheims eigene Chorleitungspraxis zurückzuführen sein dürfte. Der Klavierpart hingegen zeugt von einer technisch versierten Beschäftigung mit dem Instrument und auch die Soli sind merklich anspruchsvoller angelegt. Im Gesamten stellt die Liederreihe eine äußerst gelungene und in sich schlüssige Komposition dar. Sie leistet somit ihren Beitrag zur Wiederentdeckung der (nach jahrelanger Nicht-Beachtung während und nach der NS-Zeit) bisher nur dürftig erschlossenen Chorwerke des Wormser Komponisten Friedrich Gernsheim. Die zeitgleich zur Edition erschienene CD-Einspielung des Kammerchors Vox Quadrata ermöglicht einen leichteren Zugang zur Musik Friedrich Gernsheims.
$13.99
12.85 €
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Choral SATB
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Friedrich Gernsheim
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Hafis
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Schott Music - Digital
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SheetMusicPlus
Mein Fahrrad
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.851134 By Die Prinzen. By …
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.851134 By Die Prinzen. By Sebastian Krumbiegel and Tobias Kuenzel. Arranged by Sophia Transistor. A Cappella. Octavo. 25 pages. Sophia Transistor #6401511. Published by Sophia Transistor (A0.851134). Description mostly in German, because this song is also in german ;-):Ein Lied über Bipolartransistoren aus Siliziumkarbid in der Leistungselektronik. Ein A-Capella Arrangement des Songs mein Fahrrad von den Prinzen, umgedichtet von Sophia Transistor zu einer Elektrotechniker-Hymne.Lyrics:1. Strophe:Ja ich frag'mich immer wieder,warum gibt's so wenig Liederüber Leistungselektronikoder Halbleiterphysik.das sind Themen, die Bewegennen' Antrieb oder Strom.Betriebszustände: active, desat,failure, off and on.2. Strophe:Mein schöner Bipolartransistor,leitet vorwärts richtig gut,auch sein Steuerstrom ist kraftvoll,Treiber bauen kostet Mut.Soviel kann dabei passieren,wer soll das dann reparieren?Desatschutz und Bypass,sicheres Booting das macht Spaß!REFRAIN:Jeder Popel schaltet MOSFETs,jeder Affe IGBT,jeder Blödmann schaltet JFETs,jeder Arsch verbaut ne Schottky,jeder Spinner setzt auf Silizium,jeder Depp nimmt Gallium Arsenid,nur Genießer schalten Biposaus Siliziumkarbid.3. Strophe:Diese Manager, die meinen:Transistorforschung darf nicht bleiben!Hör'n nicht die Physikerproteste:Unser Bipo ist der Beste!Ingenieure sollen's bauen:Ihr schafft das, hab't vertrauen!Zu spät, der Bipo ist vom Markt verbannt,obwohl zu recht total verkannt.REFRAIN:Jeder Popel schaltet MOSFETs,jeder Affe IGBT,jeder Blödmann schaltet JFETs,jeder Arsch verbaut ne Schottky,jeder Spinner setzt auf Silizium,jeder Depp nimmt Gallium Arsenid,nur Genießer schalten Biposaus Siliziumkarbid.Referenzen / Quellenangabe:https://de.wikipedia.org/wiki/SiliciumEigene alte Power Point Präsentationen von mir (Sophia Transistor)Power Semiconductor Deviceshttps://de.wikipedia.org/wiki/Gallium-Arsenidhttps://en.wikipedia.org/wiki/History_of_the_transistorEigene Aufnahmen aus meiner LaborarbeitszeitNotenreferenz (keine Sorge, dieses Stück ist Teil des SMP arrange-me Programmes, das bedeutet: Arrangieren erlaubt: Copyright © BMG RIGHTS MANAGEMENT GMBH (GERMANY) / LAKEWORTH MUSIC PUBLISHING): Gesangsstimmen:- Part: Solo Voice (Tenor oder Alt) einmal auf 2 Notenseiten und einmal kleiner auf nur einer Seite notiert- Part: 2nd Voice (Alt oder Tenor)- Part: 3rd Voice (Tenor)- Part: 4th Voice (Baritone)- Part: Percussive Baritone (optional)- Part: 5th Voice (Bass)Instrumente (optional):- Part: Piano; ausgeschriebene Klavierbegleitung mit zusätzlichen Akkordsymbolen auf 2 Seiten- Part: Basslinie notiert in C und im Bassschlüssel (Kontrabass, E-Bass, Posaune, Tenorhorn, etc.) notiert auf einer Seite + zusätzlichen Akkordsymbolen- Part: Percussive Bassline (optional zum Gesangspart), ebenfalls als Bassstimme notiert- Part: Drum Set; Schlagzeugnotation (Fahrradklingel steht auch drin)Ultimatives Chor Noten Arrangement von Mein Fahrrad - A Capella Version umgedichtet zu einem Transistor Song.Inhaltsangabe mit timestamps: 00:00 Intro mit Sophia an der Gitarre00:18 Das großartige Transistorlied02:15 Outro mit Gitarre und übertriebenen Laboreinsichten voller Elektronik03:34 Doppelseitig gekühltes package mit rosa Blümchen und SchmetterlingenVideo created, arranged, performed and edited by Sophia Transistor* Disclaimer: Ich habe einen Tonumfang von maximal 2 Oktaven und kann sehr tief singen. Die Bassstimme kann also auch von manchen Frauen komplett ausgefüllt werden.YouTube.
$14.99
13.76 €
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Choral TTBB
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Die Prinzen
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Mein Fahrrad
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Sophia Transistor
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SheetMusicPlus
Tamo daleko - for Bb trumpet duet
2 Trumpets (duet)
Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.1088658 Composed by serbi…
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Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.1088658 Composed by serbian folk song. Arranged by Zoran Radanovic. Folk,Multicultural,Traditional,Wedding,World. Score. 10 pages. Zoran Radanovic #692865. Published by Zoran Radanovic (A0.1088658). I made this arrangement for most famous song from ex Yugoslavia and from Balkan. I wrote for two Bb trumpets and with lyrics. WITH SET OF PARTS. Ich habe diese Arrangement für berühmteste Lied aus ex Jugoslawien und aus Balkan gemacht. Ich habe für zwei Bb Trumpets und Text geschrieben. MIT PARTITUREN. Ovaj aranzman sam napravio za najpoznatiju pesmu iz bivse Jugoslavije i Balkana. Napisao sam ju za dve Bb trube i tekstom.SA PARTITURAMA. Tamo daleko is a Serbian folk song which was composed on the Greek island of Corfu in 1916 to commemorate the Serbian Army's retreat through Albania during World War I. It is played in triple metre and begins solemnly in a minor key before switching to the relative major of the dominant key in the third line of the first verse, symbolizing hope before returning to the tonic minor key from the beginning. The lyrics to the song come in multiple versions, all of which end with the line long live Serbia! Tamo daleko (kyrillisch: Тамо далеко; Deutsch: Dort, weit weg) ist ein traditionelles serbisches Lied aus dem Ersten Weltkrieg. Das Lied wird als Hymne der serbischen Soldaten betrachtet, die außerhalb Serbiens für ihr Land kämpften. Tamo daleko wird von einem serbischen Soldaten gesungen, der auf Korfu stationiert ist. Die Streitkräfte Serbiens hatten sich über Nordalbanien auf die Insel zurückgezogen und wurden von den Mittelmächten bekämpft.Der Soldat singt von seinem Heimatdorf, der zerstörten Kirche, in der er heiratete, und dem katastrophalen Rückzug seiner Kameraden, von denen viele an Kälte, Hunger und Krankheiten starben.Das Lied ist auch eines der beliebtesten nostalgischen Lieder der serbischen Einwanderer, die nach dem Zweiten Weltkrieg nach Amerika zogen. Für diese Menschen bezieht sich das Lied auf die Entfernung zu ihrem Heimatland.
$3.99
3.66 €
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2 Trumpets (duet)
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serbian folk song
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Tamo daleko - for Bb trumpet duet
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Zoran Radanovic
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SheetMusicPlus
The Peanut Vendor (el Manisero)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
11.93 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Stan Kenton & His Orchestra
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
Wachet auf, ruft uns die Stimme für Posaunenquartett
Brass Quartet: 4 trombones
Brass Ensemble,Trombone Quartet - Level 5 - Digital Download SKU: A0.798691 Compose…
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Brass Ensemble,Trombone Quartet - Level 5 - Digital Download SKU: A0.798691 Composed by Johann Sebastian Bach. Arranged by Jörg Richter. Baroque,Praise & Worship,Sacred. Score and parts. 9 pages. Jörg Richter #5335473. Published by Jörg Richter (A0.798691). Das Arrangement für Posaunenquartett basiert auf dem Satz von Johann Sebastian Bach.Wachet auf, ruft uns die Stimme ist ein Kirchenlied von Philipp Nicolai aus dem Jahre 1599, veröffentlicht im Anhang seines Buches Freudenspiegel des ewigen Lebens. Die Melodie zitiert eine Wendung aus der seinerzeit bekannten Silberweise des Nürnberger Schuhmachers und Meistersängers Hans Sachs. Es findet sich heute im Evangelischen Gesangbuch (EG 147, 3. Strophe mit Choralsatz von Johann Sebastian Bach zusätzlich EG 535 als Abschluss des Stammteils) als Eröffnung des Abschnitts Ende des Kirchenjahres, was seiner Stellung als Hauptlied für den Ewigkeitssonntag entspricht; im alten Gotteslob (Nummer 110) stand es, wie im alt-katholischen Gesangbuch Eingestimmt (E 304) hingegen im Abschnitt Advent. Im am 1. Adventssonntag 2013 eingeführten neuen Gotteslob ist das Lied unter der Nummer 554 in der Rubrik „Die himmlische Stadt (Eschatologie) eingeordnet, im Gesangbuch der Evangelisch-reformierten Kirchen der deutschsprachigen Schweiz unter Nr. 850, im freikirchlichen Gesangbuch Feiern und Loben unter Nr. 287 und im Mennonitischen Gesangbuch unter Nr. 414. (Aus: Wikipedia.org).
$4.99
4.58 €
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Brass Quartet: 4 trombones
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Johann Sebastian Bach
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im
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Wachet auf, ruft uns die Stimme für Posaunenquartett
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Jörg Richter
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SheetMusicPlus
Wachet auf, ruft uns die Stimme für Horn Quartett
Brass Quartet: 4 horns
French Horn Quartet Horn - Level 5 - Digital Download SKU: A0.798693 Composed by Jo…
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French Horn Quartet Horn - Level 5 - Digital Download SKU: A0.798693 Composed by Johann Sebastian Bach. Arranged by Jörg Richter. Baroque,Praise & Worship,Sacred. 6 pages. Jörg Richter #5349485. Published by Jörg Richter (A0.798693). Das Arrangement für Horn Quartett basiert auf dem Satz von Johann Sebastian Bach.Wachet auf, ruft uns die Stimme ist ein Kirchenlied von Philipp Nicolai aus dem Jahre 1599, veröffentlicht im Anhang seines Buches Freudenspiegel des ewigen Lebens. Die Melodie zitiert eine Wendung aus der seinerzeit bekannten Silberweise des Nürnberger Schuhmachers und Meistersängers Hans Sachs. Es findet sich heute im Evangelischen Gesangbuch (EG 147, 3. Strophe mit Choralsatz von Johann Sebastian Bach zusätzlich EG 535 als Abschluss des Stammteils) als Eröffnung des Abschnitts Ende des Kirchenjahres, was seiner Stellung als Hauptlied für den Ewigkeitssonntag entspricht; im alten Gotteslob (Nummer 110) stand es, wie im alt-katholischen Gesangbuch Eingestimmt (E 304) hingegen im Abschnitt Advent. Im am 1. Adventssonntag 2013 eingeführten neuen Gotteslob ist das Lied unter der Nummer 554 in der Rubrik „Die himmlische Stadt (Eschatologie) eingeordnet, im Gesangbuch der Evangelisch-reformierten Kirchen der deutschsprachigen Schweiz unter Nr. 850, im freikirchlichen Gesangbuch Feiern und Loben unter Nr. 287 und im Mennonitischen Gesangbuch unter Nr. 414. (Aus: Wikipedia.org).
$4.99
4.58 €
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Brass Quartet: 4 horns
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Johann Sebastian Bach
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Wachet auf, ruft uns die Stimme für Horn Quartett
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Jörg Richter
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SheetMusicPlus
Nur vom Hörensagen
Choral SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1458311 By Jur…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1458311 By Jurij Neudorf. By Jurij Neudorf. Arranged by Jurij Neudorf. Christian,Religious,Sacred. 9 pages. Jurij Neudorf #1037292. Published by Jurij Neudorf (A0.1458311). Dieses Lied war das erste, welches ich während der Covid19-Pandemie geschrieben habe. Ich hatte bereits im Sommer 2020 den Text und Chorsatz fertig, wollte aber noch eine Klavierbegleitung schreiben. Das habe ich ab Winter 2023 nachgeholt.Das Lied handelt von drei Personen des Alten Testaments: Hiob, Elia und Jona. Es spricht von den schwachen Momenten ihres Lebens und wie Gott sie durch diese Momente getragen hat. Die vierte Strophe wendet sich an den Zuhörer, der ebenfalls in einer schwierigen Situation steckt und macht ihm Mut.Das Lied ist recht lang geworden (etwas über 7 Minuten), da mir die Botschaft jedoch persönlich sehr am Herzen liegt, habe ich es unterlassen, es zu kürzen.Musikalisch wechselt es zwischen Moll in der Strophe und dem Pre-Chorus und Dur im Chorus. Die erste Strophe ist für ein Bariton-Solo arrangiert, welches vom Chor begleitet wird. Ab der zweiten Strophe tritt der Chor in den Vordergrund. Die Strophen sind jeweils individuell auskomponiert, der Pre-Chorus und der Chorus sind ab der zweiten Strophe bis auf einige Silbenverschiebungen gleich.
$1.99
1.83 €
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Choral SATB
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Jurij Neudorf
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Nur vom Hörensagen
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Jurij Neudorf
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SheetMusicPlus
King Priam
Digital Download SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael …
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Digital Download SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael Tippett. This edition: study score. Downloadable, Study score. Duration 125' 0. Schott Music - Digital #Q6264. Published by Schott Music - Digital (S9.Q6264). English â?¢ German.Music of iron and bronze, appropriate to its Trojan War settingâ??of fanfares and percussion tattoos, but with plangent windows of orchestral and vocal beautyâ??Tippettâ??s second opera is unlike his first in every respect except that of the immediacy and fullness with which it portrays the feelings and predicaments of a variety of characters. We understand the warmth and anxiety of Andromache, the majestic command of Hecuba and the erotic charge that runs through Helenâ??the Trojan women who come together at the start of the third act, and who double as the goddesses among whom Paris has to choose at the end of the first. We understand, too, the varieties of blindness and determination inside the male characters who dominate the central act, set on the Trojan plain. Chief among them are Achilles, singing with the vehemence but also the tenderness of a hero, and the troubled Priam, whose tragedy this essentially is, a tragedy multiplied many times over, because it brings about those of so many others.That central, determining tragedy results from Priamâ??s decision to sacrifice his young son Paris and thereby go against his instincts, a decision he takes to forestall a prophesy that Paris will bring about his death. Everything that takes place thereafter unfolds on this battleground between necessity and desire, a battleground on which there can be no conquerors, only casualties.(Paul Griffiths)2 Flutes (doubling 2 piccolos), Oboe, Cor Anglais, Clarinet, Clarinet in Eb, Bass Clarinet, Bassoon, Contrabassoon, 4 Horns in F, 4 Trumpets, 2 Trombones, Tuba, Timpani, Percussion (3 players): Snare Drum, Bass Drum, Cymbal, Wood Block, Tambourine, Triangle, Tam-tam, Xylophone; Harp, PIano (doubling Celesta), Guitar, Strings (6.0.4.4.2 minimum).
$83.99
77.13 €
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Sir Michael Tippett
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King Priam
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Schott Music - Digital
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SheetMusicPlus
Elektra
Digital Download SKU: S9.Q49663 Tragödie in einem Aufzug von Hugo von Hofmann…
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Digital Download SKU: S9.Q49663 Tragödie in einem Aufzug von Hugo von Hofmannsthal. Composed by Richard Strauss. This edition: vocal/piano score. Performance - theater - tragedy. Downloadable, Piano reduction. Op. 58. Duration 105' 0. Fürstner Musikverlag - Digital #Q49663. Published by Fürstner Musikverlag - Digital (S9.Q49663). German.Im Jahr 2009 jährte sich die Uraufführung von Richard Strauss’ Elektra im Königlichen Opernhaus Dresden zum hundertsten Mal. Längst gilt die Oper als Meilenstein in der Musikgeschichte. Zugleich markiert ihre Ent - stehung einen Schlüsselmoment im Schaffen des Komponisten: Mit der Elektra beginnt eine der erfolgreichsten künstlerischen Partnerschaften der Geschichte. Zum ersten Mal vertonte Strauss hier ein Werk des österreichischen Librettisten und Dramatikers Hugo von Hofmannsthal. Aus ihrer kongenialen Zusammenarbeit sollte noch eine Reihe weiterer erfolgreicher Opern entstehen, darunter Der Rosenkavalier, Arabella sowie Die Frau ohne Schatten. Stärker als Sophokles akzentuiert Hofmannsthal in seiner Elektra die psychologischen Extreme, für die Strauss eine neue Tonsprache erfindet. Machtvoll sprengt seine Musik die Grenzen der Tonalität. Die für ein mit 120 Personen besetztes Orchester komponierte Musik verleiht den hysterischen Rachegelüsten der Elektra, Klytämnestras Rastlosigkeit und Chrysothemis’ Sehnsüchten gleichermaßen Ausdruck.Picc. · 3 (3. auch Picc.) · 3 (3. auch Engl. Hr.) · Heckelphon · Es-Klar. · 4 · 2 Bassetthr. · Bassklar. · 3 · Kfg. - 8 (5.-8. auch 2 Tb. in B und 2 Tb. in F) · 6 · Basstrp. · 3 · Kb.-Pos. · 0 · Kb.-Tb. - 6-8 P. (2 Spieler) S. (Glsp. · Trgl. · Beck. · Tamt. · Tamb. · kl Tr. · gr. Tr. · 2 Kast. · Rute) (3-4 Spieler) - Cel. (ad lib.) · 2 Hfn. (womöglich zu verdoppeln) - Str. (8 Vl. I · 8 Vl. II · 8 Vl. III · 6 Va. I · 6 Va. II · 6 Va. III · 6 Vc. I · 6 Vc. II · 8 Kb.).
$47.99
44.07 €
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Richard Strauss
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Elektra
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Fürstner Musikverlag - Digital
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SheetMusicPlus
Brass Quartet - Titans
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. …
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Brass Ensemble - Level 5 - Digital Download SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00
18.37 €
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Brass ensemble
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
Da pacem, Domine
Organ
3 choirs (SATB) or 2 choirs (SATB) and organ - Digital Download SKU: S9.Q25475 Comp…
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3 choirs (SATB) or 2 choirs (SATB) and organ - Digital Download SKU: S9.Q25475 Composed by Georg Christoph Biller. This edition: choral score. Downloadable, Choral score. Schott Music - Digital #Q25475. Published by Schott Music - Digital (S9.Q25475). Latin • German.Das Da pacem, Domine schrieb ich im Jahr 1982 zunächst für fünf Chöre, Orgel und Gemeinde. Ich widmete es dem Gedenken der barbarischen Sprengung der Leipziger Universitätskirche durch den Beschluss des Politbüros der SED und die darauffolgende Entscheidung der damaligen Universitätsleitung. Bei der Uraufführung auf der Sommerreise des Leipziger Vokalkreises ließ ich mich durch Michael Gläser vertreten, da ich zur selben Zeit die Chance hatte, am Mozarteum in Salzburg einen Dirigierkurs zu belegen. Da das Werk den Chorsängern etwas Mühe machte, nannten sie es Strapazem.
$6.99
6.42 €
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Organ
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Georg Christoph Biller
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Da pacem, Domine
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Schott Music - Digital
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SheetMusicPlus
Zap!
Large Ensemble Cello,Double Bass,Drum Set,Guitar,High Voice,Low Voice,Piano,Xylophone - Le…
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Large Ensemble Cello,Double Bass,Drum Set,Guitar,High Voice,Low Voice,Piano,Xylophone - Level 5 - Digital Download SKU: A0.1013064 Composed by Christine Southworth. 20th Century,Contemporary. Score and parts. 61 pages. Airplane Ears Music #5802121. Published by Airplane Ears Music (A0.1013064). Zap! (2005, 45 minutes) for Van de Graaff Generator, Lyricon, voices, guitar, cello, bass, percussion, piano, robotic xylophone and electronics. The sound of electricity at its rawest and most majestic - sparks, booms, lightning bolts, sizzling corona and low hums from giant motors - intermingle with the sounds of cello, bass, guitar, piano, clarinets, percussion and voice. Christine Southworth created Zap! in 2004 to explore these possibilities, using the Boston Museum of Science's Theater of Electricity as her venue and instrument. Its centerpiece - MIT Professor Robert Van de Graaff's eponymous Generator, was born in 1931 as one of the world's largest atom smashers. It is still the largest of its kind in the world, standing forty-feet tall and producing up to 1.5 million volts of electricity. Zap!, a composition in seven parts, takes the sounds of this machine, two large Tesla Coils, and a Jacob's Ladder, merged with rock rhythms and sweet melodies performed by Robert Black, David Cossin, Felix Fan, Philippa Thompson, Eddie Whalen, & Evan Ziporyn. The resulting music is ... electrifying!Premiered February 4, 2005 at Boston Museum of Science by Ensemble Robot, Jeff Lieberman (guitar), Blake Newman (bass), Sachi Sato (keyboard), Mei-mi Lin (keyboard), Akili Haynes (percussion, voice), Erik Nugent (Lyricon, voice), Rebecca Zook (cello), Christine Southworth (voice, Van de Graaff controls), Leila Hasan (Van de Graaff controls), Giles Hall (robot controls).About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$20.00
18.37 €
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Christine Southworth
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Evan Ziporyn
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Zap!
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Airplane Ears Music
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SheetMusicPlus
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