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Orchestra
Soprano Saxophone and Piano
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O mio babbino caro - for Soprano Saxophone and Piano accompaniment - orchestral play along
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1145444 Composed by Gi…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1145444 Composed by Giacomo Puccini. Arranged by Samuel Sequeira. 20th Century,Classical,Opera. Score and part. 4 pages. Samuel Sequeira #745681. Published by Samuel Sequeira (A0.1145444). O mio babbino caro - Giacomo Puccini - ScorePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation. More arrangements on the link: Sam'S arrangementsO mio babbino caro - for Soprano Saxophone and Piano accompanimentPlay it with a pianist or with a orchestral play along on the youtube video.Full score and Soprano Saxophone part avaiable on this saleContact the Arranger:Youtube: @SamuelseqInstagram: @SamuelseqEmail: samyseq@gmail.com
$1.99
1.86 €
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Soprano Saxophone and Piano
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Giacomo Puccini
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O mio babbino caro - for Soprano Saxophone and Piano accompaniment - orchestral play along
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Samuel Sequeira
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SheetMusicPlus
Mendelssohn: Wedding March for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549895 Composed by Fel…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95
30.75 €
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Soprano Saxophone and Piano
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Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Grace
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1021994 Composed by Ma…
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1021994 Composed by Mark Engebretson. 20th Century,Contemporary. Score and part. 29 pages. Effiny Music #6273879. Published by Effiny Music (A0.1021994). Grace is a piano version of the second movement of a larger Concerto for soprano saxophone and orchestra. It is a highly ornamented adagio that is harmonically and expressively rooted in the tradition of the jazz standard. The entire Concerto for Soprano Saxophone and Orchestra was completed in 2012 for saxophonist Susan Fancher. The project was supported by the North Carolina Arts Council, a division of the Department of Cultural Resorces, with funding from the National Endowment for the Arts. The work is in three movements, entitled Groove, Grace, and Burn. The first movement takes inspiration from electronic, pop and hip-hop worlds, and features a cadenza played over the top of looped orchestral parts. The third movement is a flashy tour-de-force that fully displays the technical virtuosity of the soloist. Overall, the Concerto continues my interest in developing pieces in close collaboration with stellar performers, so that the composition is imbued with aspects of the musicality, performance abilities and personality of the dedicatee. Susan Fancher is set to give the first performance of the entire work on April 15, 2012 with conductor Ligia Amadio and the Symphonic Orchestra of the University of Sao Paulo in Sala Sao Paulo, Brazil.
$10.00
9.33 €
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Soprano Saxophone and Piano
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Mark Engebretson
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Grace
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Effiny Music
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SheetMusicPlus
Concerto for Soprano Saxophone
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1021992 Composed by Ma…
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1021992 Composed by Mark Engebretson. 20th Century,Contemporary. Score and part. 79 pages. Effiny Music #6273829. Published by Effiny Music (A0.1021992). The Concerto for Soprano Saxophone and Orchestra was composed in 2012 for saxophonist Susan Fancher. The project was supported by the North Carolina Arts Council, a division of the Department of Cultural Resources, with funding from the National Endowment for the Arts. Duration is 20:00 The work is in three movements, entitled Groove, Grace, and Burn. The first movement takes inspiration from electronic, pop and hip-hop worlds, and features a cadenza played over the top of looped orchestral parts. The second is fashioned as a highly ornamented jazz ballad. The third movement is a flashy tour-de-force that fully displays the technical virtuosity of the soloist. Overall, the Concerto continues my interest in developing pieces in close collaboration with stellar performers, so that the composition is imbued with aspects of the musicality, performance abilities and personality of the dedicatee. Susan Fancher gave the first performance on April 15, 2012 with conductor Ligia Amadio and the Symphonic Orchestra of the University of Sao Paulo in Sala Sao Paulo, Brazil.
$20.00
18.67 €
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Soprano Saxophone and Piano
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Mark Engebretson
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Concerto for Soprano Saxophone
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Effiny Music
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SheetMusicPlus
Elegy for Soprano Saxophone and Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.986062 Composed by Dav…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.986062 Composed by David E. Harris. Contemporary,Standards. Score and part. 9 pages. LLB Music Publishing (ASCAP) #4404432. Published by LLB Music Publishing (ASCAP) (A0.986062). This is an original composition by David E. Harris for soprano sax and piano. A great piece for a high school or college player. Included is a separate part for Bb Soprano Saxophone. It hints at being in various tonalities without ever a remaining in a certain tonal center. Duration: 3:30 at 60 BPM. David E. Harris is a composer in the Nashville, Tennessee area who holds a Bachelor of Music degree in Trumpet Performance from Furman University. Further education at the University of Memphis, includes a Master of Music degree in Music Theory and a Doctor of Musical Arts in Composition. Dr. Harris is a past member of the trumpet sections of the Greenville (S.C.) and Memphis Symphony Orchestras and a current member of the Brentwood Baptist Church Orchestra where he plays trumpet and keyboard. Facebook page: https://www.facebook.com/LLB-Music-Publishing-2584616388232407More music listening available at https://soundcloud.com/user-985960936
$7.99
7.46 €
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Soprano Saxophone and Piano
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David E
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Elegy for Soprano Saxophone and Piano
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LLB Music Publishing
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nik…
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire. Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi.
$32.95
30.75 €
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Soprano Saxophone and Piano
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Nikolay Andreyevich Rimsky-Korsakov
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Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Pomp and Circumstance March No. 1 for Soprano Saxophone and Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1041524 Composed by Ed…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1041524 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #646278. Published by Diego Marani (A0.1041524). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for soprano sax with piano is suitable for classroom, repertoire and recital.
$9.99
9.32 €
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Soprano Saxophone and Piano
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Edward Elgar
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Pomp and Circumstance March No. 1 for Soprano Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Slavonic Dance Op. 72 No. 2 for Soprano Saxophone and Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1266569 Composed by An…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1266569 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 10 pages. Diego Marani #859233. Published by Diego Marani (A0.1266569). The Slavonic Dances are a series of 16 orchestral pieces composed by Antonín Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for soprano sax (or tenor sax) with piano accompaniment of the marvelous and nostalgic dance no. 2 is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
9.32 €
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Soprano Saxophone and Piano
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Antonin Dvorak
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Slavonic Dance Op. 72 No. 2 for Soprano Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Slavonic Dance Op. 46 No. 2 for Soprano Saxophone and Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1270348 Composed by An…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1270348 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 12 pages. Diego Marani #862758. Published by Diego Marani (A0.1270348). The Slavonic Dances are a series of 16 orchestral pieces composed by Antonín Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for soprano sax (or tenor sax) with piano accompaniment of the marvelous dance no. 2 (Dumka) is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
9.32 €
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Soprano Saxophone and Piano
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Antonin Dvorak
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Slavonic Dance Op. 46 No. 2 for Soprano Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Scheherazade for Soprano Saxophone and Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1148483 Composed by Ni…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1148483 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Diego Marani. Chamber,Classical,Instructional,Romantic Period,Standards. Score and part. 13 pages. Diego Marani #748643. Published by Diego Marani (A0.1148483). Scheherazade, also commonly Sheherazade Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on One Thousand and One Nights (also known as The Arabian Nights). This orchestral work combines two features typical of Russian music in general and of Rimsky-Korsakov in particular: dazzling, colorful orchestration and an interest in the East, which figured greatly in the history of Imperial Russia, as well as orientalism in general. The name Scheherazade refers to the main character Scheherazade of the One Thousand and One Nights. It is one of Rimsky-Korsakov's most popular works. This arrangement for soprano sax (or tenor sax) with piano accompaniment of the most famous themes of the suite is suitable for classroom, repertoire and recital.
$9.99
9.32 €
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Soprano Saxophone and Piano
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Nikolay Andreyevich Rimsky-Korsakov
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Scheherazade for Soprano Saxophone and Piano
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Diego Marani
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SheetMusicPlus
The Wedding Album, for Solo Soprano Saxophone and Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587622 Composed by Var…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587622 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594677. Published by David McKeown (A0.587622). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Soprano Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.32 €
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Soprano Saxophone and Piano
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Various
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The Wedding Album, for Solo Soprano Saxophone and Piano
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David McKeown
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SheetMusicPlus
Meditation from "Thais" for Soprano Saxophone and Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.527916 Composed by J. …
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.527916 Composed by J. Massenet. Arranged by Diego Marani. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 7 pages. Diego Marani #3583465. Published by Diego Marani (A0.527916). Méditation is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet and is considered to be one of the great encore pieces; world-class violin soloists such as Joshua Bell, Sarah Chang, Anne-Sophie Mutter, Itzhak Perlman, David Garrett and Maxim Vengerov have performed the piece as soloists with major orchestras throughout the world.This arrangement for Bb soprano sax and piano faithfully reproduces the original for violin.2018 Instrumental Arranging Contest Entry
$9.90
9.24 €
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Soprano Saxophone and Piano
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J
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Meditation from "Thais" for Soprano Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533492 Composed by Ali…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabrik Music Publishing #3000185. Published by Musik Fabrik Music Publishing (A0.533492). Souvenirs d’Angleterre is composed of an opening aria with a number of cadenzas followed by a Valse brillante with variations. Stylistically, the work seems to be more influenced by German Classical music (note especially the classical piano figurations in the opening aria, reminiscent of such composers as Beethoven and Weber). The Valse has an expressive variation in a minor key and the entire work ends, elegantly, pianissimo.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95
11.15 €
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Soprano Saxophone and Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Eine Kleine Nachtmusik for Soprano Saxophone and Piano
Soprano Saxophone and Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level …
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.528340 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards. Score and parts. 31 pages. Diego Marani #5771907. Published by Diego Marani (A0.528340). Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means a little serenade, though it is often rendered more literally but less accurately as a little night music. Probably it is the most popular of all Mozart's works.This arrangement for Soprano Sax (or Tenor Sax) faithfully reproduces the original for string orchestra and includes all the four movements (Allegro, Romance, Minuet, Rondo) of the composition.
$19.99
18.66 €
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Soprano Saxophone and Piano
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Wolfgang Amadeus Mozart
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Eine Kleine Nachtmusik for Soprano Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Lascia Ch'io Pianga - From Opera 'Rinaldo' - G.F. Handel ( Soprano Saxophone and Piano)
Soprano Saxophone and Piano
Chamber Orchestra Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.759994
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Chamber Orchestra Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.759994 Composed by George Frideric Handel. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Praise & Worship,Standards. Score and part. 17 pages. Raymond Fenech #3478947. Published by Raymond Fenech (A0.759994). Lascia ch’io pianga, originally Lascia la spina, cogli la rosa, is an Italian-language soprano aria by composer George Frideric Handel that has become a popular concert piece. Its melody is first found in Act III of Handel’s 1705 opera Almira as a sarabande. This aria is arranged for Soprano Saxophone and Piano . The Duration is approx. 4 minutes and the level is Advanced Intermediate.
$3.50
3.27 €
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Soprano Saxophone and Piano
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George Frideric Handel
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Lascia Ch'io Pianga - From Opera 'Rinaldo' - G.F. Handel
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Raymond Fenech
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SheetMusicPlus
Dvoà Âák: Largo from the New World Symphony for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549421 Composed by Ant…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background Antonín Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia). Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.75 €
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Soprano Saxophone and Piano
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Antonin Dvorak
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dynamic control
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Dvoà Âák: Largo from the New World Symphony for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Romantic Night - Solo Soprano Saxophone and Piano
Soprano Saxophone and Piano
Chamber Orchestra Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.760248
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Chamber Orchestra Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.760248 Composed by Raymond Fenech. Arranged by Raymond Fenech. Contest,Easter,Festival,Film/TV,Holiday,Wedding. Score and part. 6 pages. Raymond Fenech #3537373. Published by Raymond Fenech (A0.760248). This original composition is for Solo Soprano Saxophone and Piano. The level is an intermediate and the duration is 2.45 minutes. This is a romantic piece of composition and could be used for any activity and concerts.
$3.99
3.72 €
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Soprano Saxophone and Piano
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Raymond Fenech
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Romantic Night - Solo Soprano Saxophone and Piano
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Raymond Fenech
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SheetMusicPlus
A Parlance of Episodic Contradiction 2, for flute soprano sax and piano
Soprano Saxophone and Piano
Small Ensemble Flute,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.85154…
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Small Ensemble Flute,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.851543 Composed by Brett Thompson. Contemporary. Score and parts. 38 pages. Brett Thompson #3124703. Published by Brett Thompson (A0.851543). This work was commissioned by Keith Griffin and premiered in June, 2017, as part of the Riverina Conservatorium concert series. The idea and title of this work first came about through my memory of playing medleys in school orchestra as a child - relatively unrelated material, structurally and stylistically, stuck together with fairly abrupt juxtapositions. I set out to follow this model but with original material.If you would like to watch a full video preview, or prefer this product formatted for A4 paper size, please visit: www.fourandtwentymusic.com/pieces/parlance-episodic-contradiction-no-2/
$15.90
14.84 €
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Soprano Saxophone and Piano
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Brett Thompson
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A Parlance of Episodic Contradiction 2, for flute soprano sax and piano
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Brett Thompson
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SheetMusicPlus
Romance in F for Soprano Saxophone and Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.528178 Composed by Lud…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.528178 Composed by Ludwig van Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 24 pages. Diego Marani #5045327. Published by Diego Marani (A0.528178). Beethoven’s two romances for violin are the closest of siblings: No. 2 is in F Major, while No. 1 is in G Major. Both were dedicated to the same violin virtuoso, Ignaz Schuppanzigh. Musically, No. 2 shares the stately pace and singing quality of No. 1, as well as its rondo structure, which allows Beethoven to repeat the theme with additional material at each iteration. Some listeners hear the melancholy of lost love in this romance’s languorous melody, while others hear a more philosophical musing, poetic and contemplative.Originally composed for violin and orchestra, this arrangement is a faithful transcription for soprano sax and piano and includes two different keys: F Major and Eb Major.
$9.99
9.32 €
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Soprano Saxophone and Piano
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Ludwig van Beethoven
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Romance in F for Soprano Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Queen of the Night - From the Magic Flute - Soprano Sax and Piano
Soprano Saxophone and Piano
Chamber Orchestra Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.760283
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Chamber Orchestra Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.760283 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Contest,Festival,Instructional,Multicultural,Opera,World. Score and part. 19 pages. Raymond Fenech #3547285. Published by Raymond Fenech (A0.760283). The Magic Flute (German: Die Zauberflöte), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue.[a] The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Queen of the Night is a popular aria from The Magic Flute. The Duration is approx. 2.51 minutes and the level is Intermediate.
$3.99
3.72 €
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Soprano Saxophone and Piano
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Wolfgang Amadeus Mozart
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Queen of the Night - From the Magic Flute - Soprano Sax and Piano
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Raymond Fenech
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SheetMusicPlus
It's Been A Long, Long Time
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.592559 Composed by Jul…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.592559 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366379. Published by David McKeown (A0.592559). It’s Been a Long Long Time is arranged as a solo for one Soprano Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.59 €
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Soprano Saxophone and Piano
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Jule Styne
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Eine Kleine Nachtmusik (1st Mov.) for Soprano Saxophone and Piano
Soprano Saxophone and Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level …
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.528325 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards,Wedding. Score and parts. 11 pages. Diego Marani #5753965. Published by Diego Marani (A0.528325). Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means a little serenade, though it is often rendered more literally but less accurately as a little night music. Probably it is the most popular of all Mozart's works.This arrangement for Bb Soprano Sax faithfully reproduces the original for string orchestra and includes the first movement (Allegro) of the composition.
$9.99
9.32 €
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Soprano Saxophone and Piano
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Wolfgang Amadeus Mozart
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Eine Kleine Nachtmusik
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Diego Marani
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SheetMusicPlus
Ali Ben Sou Alle :Souvenirs de l'Inde Andante, Air Malabar varié et Polonnaise for soprano saxophone
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533350 Composed by Ali…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533350 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 39 pages. Musik Fabrik Music Publishing #2348229. Published by Musik Fabrik Music Publishing (A0.533350). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs de l'Inde (Souvenirs of India) starts with an expressive andante. A folksong from the region of Malabar is presented in an evocation of drums, bells and pipes and is then varied. The final polonaise is in rondo form and ends with a brilliant coda.
$16.95
15.82 €
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Soprano Saxophone and Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle :Souvenirs de l'Inde Andante, Air Malabar varié et Polonnaise for soprano saxophone
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Musik Fabrik Music Publishing
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SheetMusicPlus
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