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Ostinato-Aria
Sheetmusic to print
221 sheet music found
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1
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51
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201
Ostinato-Aria
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Organ
#
EASY
#
Felix Bräuer
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Ostinato-Aria
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Felix Bräuer
#
SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 2 - Digital Download SKU: A0.1169130 Composed by Felix Bräuer. Classical,Contemporary,Sacred,Traditional,Wedding....
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Instrumental Solo,Pipe Organ - Level 2 - Digital Download SKU: A0.1169130 Composed by Felix Bräuer. Classical,Contemporary,Sacred,Traditional,Wedding. Individual part. 2 pages. Felix Bräuer #769480. Published by Felix Bräuer (A0.1169130). Ostinato-Aria (2019).
$2.50
Introduction, Aria and Dance for Brass Sextet
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Brass ensemble
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ADVANCED
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Contemporary
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Sy Brandon
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Introduction, Aria and Dance f
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Sy Brandon
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.755133 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 52 pages. Sy Brandon #3399...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.755133 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 52 pages. Sy Brandon #3399595. Published by Sy Brandon (A0.755133). This piece was written for the Chicago Brass Band Players and later transcribed by the composer for brass sextet. The introduction has fanfare type figures combined with a lyrical line over an ostinato. The Aria is operatic with lyrical outer sections contrasting with a dramatic middle section. The dance uses rhythmic sections of 7/8 and 5/8 contrasting with sections of 4/4 that contained tight counterpoint. The tonal language is modal and tonal throughout.
$14.99
Introduction, Aria, and Dance for Brass Choir and Percussion
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Brass ensemble
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ADVANCED
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Contemporary
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Sy Brandon
#
Introduction, Aria, and Dance
#
Sy Brandon
#
SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.1043247 Composed by Sy Brandon. Classical,Contemporary,Contest,Festival. Score and parts. 111 pages. ...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.1043247 Composed by Sy Brandon. Classical,Contemporary,Contest,Festival. Score and parts. 111 pages. Sy Brandon #647935. Published by Sy Brandon (A0.1043247). The introduction had fanfare type figures combined with an lyrical line over an ostinato. The Aria is operatic with lyrical outer sections contrasting with a dramatic middle section. The dance uses rhythmic sections of 7/8 and 5/8 contrasting with sections of 4/4 that contained tight counterpoint. The tonal language is modal and tonal throughout.
$19.99
Introduction, Aria and Dance for Brass Band
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Brass ensemble
#
ADVANCED
#
Contemporary
#
Sy Brandon
#
Introduction, Aria and Dance f
#
Sy Brandon
#
SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.755134 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 89 pages. Sy Brandon #3399...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.755134 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 89 pages. Sy Brandon #3399597. Published by Sy Brandon (A0.755134). This piece was written for the Chicago Brass Band Players. The introduction had fanfare type figures combined with an lyrical line over an ostinato. The Aria is operatic with lyrical outer sections contrasting with a dramatic middlesection. The dance uses rhythmic sections of 7/8 and 5/8 contrasting with sections of 4/4 that contained tight counterpoint. The tonal language is modal and tonal throughout.
$19.99
Ode to Sadness (a minor key variation of Ode to Joy)
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Easy Piano
#
BEGINNER
#
Classical
#
Ludwig van Beethoven
#
Amanda Dills
#
Number of Pages: 1
&bull
#
Ode to Sadness
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Amanda Dills
#
SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1105617 Composed by Ludwig van Beethoven. Arranged by Amanda Dills. Classical,Contest,Festival,Folk,Holid...
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Easy Piano - Level 1 - Digital Download SKU: A0.1105617 Composed by Ludwig van Beethoven. Arranged by Amanda Dills. Classical,Contest,Festival,Folk,Holiday,Instructional. Score. 1 pages. Amanda Dills #708834. Published by Amanda Dills (A0.1105617). This minor-key version of Ode to Joy features a mysterious ostinato in the right hand and a haunting left-hand melody. The entire piece is in A minor position, making it perfect for beginning players. Arrangement Details: • Number of Pages: 1 • Duration: approx 1 min • Hand Position: A Minor position • Key: A mior • Includes: 1 repetition of the main theme • Features: finger numbers, dynamics, legato markings • Great For: sight reading, teaching major and minor, Halloween recitals and lessons, beginners, self-taught, group lessons About the Arranger: Amanda Dills is a composer and arranger (and educator and instructional designer) from Oklahoma City. She has a degrees in Music Education and Music Composition, and teaching experience in settings ranging from private violin and piano instruction to K12 Vocal Music to college music theory courses. For more information (including full composition and arrangement catalogue and fun freebies!), visit www.amandasmusicshop.com Looking for other minor key variations or Beethoven arrangements? Here are some other pieces by this arranger you may like: • Für Elise (Sheet Music Plus | Sheet Music Direct) • Seven Sinister Songs for Easy Piano (Sheet Music Plus | Sheet Music Direct)
$1.99
Pumpkin Spiced: Grande Variation on Tchaikovsky's Arabian Dance (Halloween/Thanksgiving Piano Solo)
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Piano solo
#
EASY
#
Halloween
#
Peter Ilyich Tchaikovsky
#
Amanda Dills
#
Pumpkin Spiced: Grande Variati
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Amanda Dills
#
SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.829769 Composed by Peter Ilyich Tchaikovsky. Arranged by Amanda Dills. Christmas,Hanukkah,Holiday,Standar...
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Easy Piano - Level 2 - Digital Download SKU: A0.829769 Composed by Peter Ilyich Tchaikovsky. Arranged by Amanda Dills. Christmas,Hanukkah,Holiday,Standards. Score. 2 pages. Amanda Dills #6077563. Published by Amanda Dills (A0.829769). It's that time of year again: Pumpkin Spiced Nutcracker Season! ;)This beginning/intermediate piano solo is perfect for virtually any holiday season recital, from Halloween to Christmas! (Or, if you're a coffee lover like me, it's perfect for any season at all!)Inspired by the Arabian (Coffee) Dance from Tchaikovsky's Nutcracker, this charming piano solo has been adapted with a 4/4 time signature and modern feel, while still keeping the ostinato and harmonies of the original work.**View more of my Halloween-themed Arrangements on Sheet Music Plus! Â (Just copy and paste the item number into the Search Box)**Beginning Piano7 Sinister Songs for Easy Piano [Collection] (S0.426087)Easy Piano Solos:- ADDAMS FAMILY THEME (H0.422913-4800)- All Around the Halloween Pyre (S0.423083)- Black Bat, Black Bat (S0.423067)- Oh, I Come From Sleepy Hollow (S0.423009)- Oh, When the Ghouls (S0.426079)- Over the Graveyard and Through the Wood (S0.423055)- RADIOACTIVE (H0.194611-227204)- Spooky (Baby) Shark (S0.885725)- The Spooky, Scary Spider (S0.422885)- Trick or Treat (S0.422997)Intermediate Piano- Tenth Piano Suite [Dr. Who - themed Piano Solos] (S0.26571)Choral:- Facebook Fugue/What Scares You [SAB] (S0.200665)*********************
$1.99
Ave Maria - low voice and cello
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Phil Beaman
#
Ave Maria - low voice and cell
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Phil Beaman
#
SheetMusicPlus
Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1147705 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 2 pages. Phil...
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Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1147705 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 2 pages. Phil Beaman #747924. Published by Phil Beaman (A0.1147705). The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more. The lyrics quote only the first 3 phrases of the traditional Ave Maria text. These 6 words are in common across most usages regardless of region or religion or purpose and impart a broader blessing. These 6 words are interspersed throughout the piece with the Ave (Hail) high in the range for celebration, Gratia (Grace) mid-range for acceptance, and Dominus (God) low in the range for humility. The vocal range of the song is thus quite large - a full two octaves. The High version goes from a B flat below the Treble Staff to an A flat above the Treble Staff. The Low version (a third lower) goes from a low G to a high F. The accompaniment is a circling minimalist 2 chord ostinato for the entire piece. Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it. 2 pages, 3:45 minutes attached is a live recording of the High voice version with piano accompaniment; cello plays exactly the same part as the minimalist piano but the cello will give it a warmer sound than the piano.
$4.99
Ave Maria - vocal solo-high
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High voice
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EASY
#
Phil Beaman
#
Ave Maria - vocal solo-high
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Phil Beaman
#
SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.844444 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil...
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.844444 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil Beaman #3364773. Published by Phil Beaman (A0.844444). The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more.The lyrics quote only the first 3 phrases of the traditional Ave Maria text. These 6 words are in common across most usages regardless of region or religion or purpose and impart a broader blessing. These 6 words are interspersed throughout the piece with the Ave (Hail) high in the range for celebration, Gratia (Grace) mid-range for acceptance, and Dominus (God) low in the range for humility.The vocal range of the song is thus quite large - a full two octaves. The High version goes from a B flat below the Treble Staff to an A flat above the Treble Staff. The Low version (a third lower) goes from a low G to a high F.The accompaniment is a circling minimalist 2 chord ostinato for the entire piece.Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it.(4 pages, 3:45 minutes)
$4.99
Ave Maria - vocal solo-low
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Phil Beaman
#
Ave Maria - vocal solo-low
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Phil Beaman
#
SheetMusicPlus
Low Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.844445 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil ...
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Low Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.844445 Composed by Phil Beaman. 20th Century,Multicultural,New Age,Sacred,World. 4 pages. Phil Beaman #3364781. Published by Phil Beaman (A0.844445). The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more.The lyrics quote only the first 3 phrases of the traditional Ave Maria text. These 6 words are in common across most usages regardless of region or religion or purpose and impart a broader blessing. These 6 words are interspersed throughout the piece with the Ave (Hail) high in the range for celebration, Gratia (Grace) mid-range for acceptance, and Dominus (God) low in the range for humility.The vocal range of the song is thus quite large - a full two octaves. The High version goes from a B flat below the Treble Staff to an A flat above the Treble Staff. The Low version (a third lower) goes from a low G to a high F.The accompaniment is a circling minimalist 2 chord ostinato for the entire piece.Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it.(4 pages, 3:45 minutes)-- live recording of High version attached)
$4.99
Ave Maria
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String Orchestra
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INTERMEDIATE/ADVANCED
#
Classical
#
Franz Schubert
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Mark W
#
Ave Maria
#
Mark Wayne Music, LLC
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.808266 Composed by Franz Schubert. Arranged by Mark W. Huxhold. Christian,Romantic Period,Sacred,We...
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String Orchestra - Level 4 - Digital Download SKU: A0.808266 Composed by Franz Schubert. Arranged by Mark W. Huxhold. Christian,Romantic Period,Sacred,Wedding. Score and parts. 10 pages. Mark Wayne Music, LLC #3586629. Published by Mark Wayne Music, LLC (A0.808266). Ave Maria is one of Schubert’s most beloved melodies, often heard at various functions, both sacred and secular. The work is lightly edited to best represent the vocal articulation in the first violin and a slurring suggestion in the second violin and viola ostinato. This is a great addition to your string quartet folio. Double bass can also be added to the cello part (playing as written) for a string quintet or string orchestra.
$12.95
Ave Maria - alto flute-cello duet
#
Phil Beaman
#
Ave Maria - alto flute-cello d
#
Phil Beaman
#
SheetMusicPlus
Instrumental Duet Alto Flute,Cello,Instrumental Duet - Level 3 - Digital Download SKU: A0.1140429 Composed by Phil Beaman. 20th Century,New Age,Spiritual...
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Instrumental Duet Alto Flute,Cello,Instrumental Duet - Level 3 - Digital Download SKU: A0.1140429 Composed by Phil Beaman. 20th Century,New Age,Spiritual. Score and parts. 4 pages. Phil Beaman #740680. Published by Phil Beaman (A0.1140429). This duet is a Meditation for Alto Flute and Cello. The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more. My inspiration for the melodic line is the 3 main words in the traditional Ave Maria text; Ave (Hail) higher in the staff for celebration, Gratia (Grace) mid-staff for acceptance, and Dominus (God) low in the staff for humility. The melodic range for Flute is thus quite large - a full two octaves, from Db above the staff to Eb on the bottom line. The cello accompaniment is the same in every bar of the entire piece; a circling minimalist 2 chord broken triad ostinato. Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it. 2 pages; 3:00 minutes (presented in a condensed single staff score with the Cello part notated in the introduction then the score switches to the Flute part with instructions for the Cello to repeat that measure for the remainder of the song. 2 copies provided in download.).
$3.99
Sicilienne by Maria Theresia Von Paradis
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Violin and Piano
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INTERMEDIATE
#
Classical
#
Maria Theresia von Paradis
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Inacio Saldanha
#
Sicilienne by Maria Theresia V
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Inacio Saldanha
#
SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.798104 Composed by Maria Theresia von Paradis. Arranged by Inacio Saldanha. Classical,Concert,Contemp...
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Small Ensemble - Level 3 - Digital Download SKU: A0.798104 Composed by Maria Theresia von Paradis. Arranged by Inacio Saldanha. Classical,Concert,Contemporary,Standards,Wedding. Score and parts. 7 pages. Inacio Saldanha #5203739. Published by Inacio Saldanha (A0.798104). Originally for violin and piano, this version was adapted for a string quartet where, in the first half of the work, the melody is played by the cello. After the initial moment, the first violin takes on the melody for itself, ending it in its lowest strings. The second violin and viola take care of the harmonic conductions following an ostinato. This song is ideal for many types of occasions, including being wonderful for chamber music recitals. Arranged for String Quartet. Key of Eb. Intermediate.
$12.99
Ave Maria - oboe-cello duet
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Phil Beaman
#
Ave Maria - oboe-cello duet
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Phil Beaman
#
SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.1140481 Composed by Phil Beaman. 20th Century,New Age,Spiritual. Scor...
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Instrumental Duet Cello,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.1140481 Composed by Phil Beaman. 20th Century,New Age,Spiritual. Score and parts. 4 pages. Phil Beaman #740717. Published by Phil Beaman (A0.1140481). This duet is a Meditation for Oboe and Cello. The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more. My inspiration for the melodic line is the 3 main words in the traditional Ave Maria text; Ave (Hail) higher in the staff for celebration, Gratia (Grace) mid-staff for acceptance, and Dominus (God) low in the staff for humility. The melodic range for Oboe is thus quite large - a full two octaves, from Bb above the staff to Middle C. The cello accompaniment is the same in every bar of the entire piece; a circling minimalist 2 chord broken triad ostinato. Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it. 2 pages; 3:00 minutes (presented in a condensed single staff score with the Cello part notated in the introduction then the score switches to the Oboe part with instructions for the Cello to repeat that measure for the remainder of the song. 2 copies provided in download.).
$3.99
Ave Maria - organ solo
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Organ
#
INTERMEDIATE
#
Phil Beaman
#
Ave Maria - organ solo
#
Phil Beaman
#
SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1139947 Composed by Phil Beaman. New Age,Spiritual. Score. 4 pages. Phil Beaman #740213. Published by Phil Bea...
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Organ - Level 3 - Digital Download SKU: A0.1139947 Composed by Phil Beaman. New Age,Spiritual. Score. 4 pages. Phil Beaman #740213. Published by Phil Beaman (A0.1139947). This is a unique Organ Meditation. The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more. My inspiration for the melodic line is the 3 main words in the traditional Ave Maria text; Ave (Hail) higher in the staff for celebration, Gratia (Grace) mid-staff for acceptance, and Dominus (God) low in the staff for humility. The accompaniment is the same in every bar of the entire piece; a circling minimalist 2 chord ostinato which is in 2 voices, the upper voice being an offbeat descending mantra. Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it. 4 pages; 3:40 minutes.
$3.99
Ave Maria
#
String Quartet: 2 violins, viola, cello
#
INTERMEDIATE/ADVANCED
#
Classical
#
Franz Schubert
#
Mark W
#
Ave Maria
#
Mark Wayne Music, LLC
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.808318 Composed by Franz Schubert. Arranged by Mark W. Huxhold. Christian,Romantic Per...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.808318 Composed by Franz Schubert. Arranged by Mark W. Huxhold. Christian,Romantic Period,Wedding. Score and parts. 4 pages. Mark Wayne Music, LLC #3675637. Published by Mark Wayne Music, LLC (A0.808318). Ave Maria is one of Schubert’s most beloved melodies, often heard at various functions, both sacred and secular. The work is lightly edited to best represent the vocal articulation in the first violin and slurring suggestion in the second violin and viola ostinato. This is a great addition to your string quartet folio.
$6.95
Bryn Calfaria
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
William Owen
#
Daniel Steenson
#
Bryn Calfaria
#
Daniel Steenson
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.905643 Composed by William Owen. Arranged by Daniel Steenson. 20th Century,Easter,Sacred. Score. 5 pages....
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Piano Solo - Level 4 - Digital Download SKU: A0.905643 Composed by William Owen. Arranged by Daniel Steenson. 20th Century,Easter,Sacred. Score. 5 pages. Daniel Steenson #4796773. Published by Daniel Steenson (A0.905643). Daniel Steenson's piano arrangement of the hauntingly beautiful hymn tune, BRYN CALFARIA (Calvary Hill) is suitable for any season, particularly Advent, Lent, Resurrection and Pentecost. Hymn texts associated with this Welsh melody include, Lord, Enthroned in Heav'nly Splendor, Look, Ye Saints, the Sight is Glorious and Come, Ye Sinners, Poor and Wretched. Visit https://hymnary.org/tune/bryn_calfaria_owen to familiarize yourself with the rich history of this timeless hymn. This setting lies comfortably under the hands, though it requires the pianist to make smooth shifts between registers of the keyboard. Listen carefully so the melodic layer sings above the ostinato figure. Let the music breathe before both interludes (mm. 18 and 50). Respond to the contrast between the moving ostinati stanzas versus the freer, improvisatory middle stanza and codetta.
$3.99
Counterpoint Invariable
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String Trio: 3 violins
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ADVANCED
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Contemporary
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Sarah Wallin Huff
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Counterpoint Invariable
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Novel Soundtrax
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SheetMusicPlus
String Ensemble,String Trio Violin - Level 5 - Digital Download SKU: A0.800316 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 47 pages. No...
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String Ensemble,String Trio Violin - Level 5 - Digital Download SKU: A0.800316 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 47 pages. Novel Soundtrax #32443. Published by Novel Soundtrax (A0.800316). Appears on Soul of the Machine by Navona Records. Completed in 2011, this complex and experimental work for violin trio consists of three movements: I. Intervallic Structure (Andante con moto) II. Tone and Color (Meno mosso) III. Urban Rhythm (Allegro ma non troppo) Based upon a strict and unvarying formula of patterns that are passed equally between the three violin parts, all three movements utilize this same precise structure of A, B, C, and Ostinato phrases. Each movement, however, while based upon the same formulaic set of patterns, vary by the material of the four phrases themselves; the phrases’ material is each based upon very different scales, depending on the particular movement’s character. Counterpoint Invariable is a successful thought-experiment, turned to driving and evocative emotional artwork, highlighting Wallin Huff's ongoing fascination with the logic of mechanical structure giving way to outward beauty. It is a true, fulfilling reward to perform and explore this work in its entirety.
$18.00
Bulgaria 1300
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Piano solo
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ADVANCED
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Emile Naoumoff
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Bulgaria 1300
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Schott Music - Digital
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SheetMusicPlus
Piano - advanced - Digital Download SKU: S9.Q53689 Theme and variations for piano. Composed by Emile Naoumoff. This edition: single sheet. Downloa...
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Piano - advanced - Digital Download SKU: S9.Q53689 Theme and variations for piano. Composed by Emile Naoumoff. This edition: single sheet. Downloadable, Separate edition. Duration 15 minutes. Schott Music - Digital #Q53689. Published by Schott Music - Digital (S9.Q53689). Ethnically inspired, these thirty variations blossom from an epically anthem-like theme which was originally the piano soloist’s introduction to my symphonic poem commemorating the thirteen centuries of the foundation of my native Bulgaria’s state. The heroically tragic mood of this virtuosic musical narration displays a rhapsodic rainbow of emotional rollercoasters hanging over a traditional Slavic ostinato developing a powerfully compelling sculptural pianism resulting in a contagiously radiating osmosis with the audience. (Emile Naoumoff).
$21.99
Six Pieces For Octet
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Jan Valta
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Six Pieces For Octet
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Editions Marc Reift - Digital
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SheetMusicPlus
String Quintet, Clarinet, Piano & Percussion - Grade 6 - Digital Download SKU: R0.36297 Introduction / Perpetuum Mobile / Intermezzo / In Modo Di Osti...
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String Quintet, Clarinet, Piano & Percussion - Grade 6 - Digital Download SKU: R0.36297 Introduction / Perpetuum Mobile / Intermezzo / In Modo Di Ostinato / Aria / Finale. Composed by Jan Valta. String Quintet, Clarinet, Piano & Percussion. Score and parts. 199 pages. Duration 28'20. Editions Marc Reift - Digital #36297. Published by Editions Marc Reift - Digital (R0.36297).
$46.95
Partita on "O Heiland, reiß die Himmel auf"
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Organ
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Carson Cooman
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Partita on "O Heiland, reiß d
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Carson Cooman
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SheetMusicPlus
Organ - Digital Download SKU: A0.962061 Composed by Carson Cooman. Christmas,Contemporary,Sacred,Spiritual. Score. 7 pages. Carson Cooman #6638947. Publi...
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Organ - Digital Download SKU: A0.962061 Composed by Carson Cooman. Christmas,Contemporary,Sacred,Spiritual. Score. 7 pages. Carson Cooman #6638947. Published by Carson Cooman (A0.962061). Partita on O Heiland, reiß die Himmel auf (2021) was written for organist Philip Hartmann in celebration of the dedication of the new choir organ in Ulm Cathedral, Ulm Germany. The instrument was built in 2021 by Orgelbau Kuhn of Switzerland. The partita is based on a familiar German Advent chorale, O Savior, tear open the heavens, a text attributed to Frederick Spee (published 1622) with an anonymous tune, perhaps written for the text. The partita is in four movement: Fanfare, Ostinato, Aria, and Finale.
$8.99
'4 piano miniatures'
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Piano solo
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EASY
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Vasil Belezhkov
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'4 piano miniatures'
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Vasil Belezhkov
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1015014 Composed by Vasil Belezhkov. Contemporary,Folk,World. Score. 6 pages. Vasil Belezhkov #4603245. P...
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Piano Solo - Level 2 - Digital Download SKU: A0.1015014 Composed by Vasil Belezhkov. Contemporary,Folk,World. Score. 6 pages. Vasil Belezhkov #4603245. Published by Vasil Belezhkov (A0.1015014). '4 piano miniatueres' were written in August 2012 (with them I 'took a rest' from the writting of 'Bossa Copa' for sax quartet and orchestra). They are inspired by the Bulgarian folklore music. The 1st one is a left hand toccata ostinato in 2/2 (and a lot of tonal centers) and in the same time the right hand quotes the Bulgarian folk song from Pirin region 'Katerino mome, sevda golema' ('Kathrin, my great love') in 8/8 (3+2+3). The 2nd one in 11/8 (3+2+2+2+2) is improvisation-like that quotes the folk song 'Uchi me, nayko, karay me' ('Teach me, Mom...'). The 3rd one is written in the spirit of the measureless folk songs (the other very popular thing in Bulgarian music together with the odd meters) but it's entirely atonal. The 4th is a rachenitsa (the most popular folk dance) in rondo structure. The theme is a melody supported by many side dominant 7-chords and the melodies in the episodes are supported by a countermelodies in different registers.
$3.99
Metamorphosis for solo flute, solo pedal or lever harp, and strings
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Chamber Orchestra
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INTERMEDIATE
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Contemporary
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Adrienne Inglis
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Metamorphosis for solo flute,
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Adrienne Inglis
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.953627 Composed by Adrienne Inglis (ASCAP). Contemporary. Score and parts. 51 pages. Adrienne Ingl...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.953627 Composed by Adrienne Inglis (ASCAP). Contemporary. Score and parts. 51 pages. Adrienne Inglis (ASCAP) #6383557. Published by Adrienne Inglis (ASCAP) (A0.953627). Celebrate women scientists!Metamorphosis (2019) by Adrienne Inglis (ASCAP) for flute, harp, and string orchestra, commissioned by Balcones Community Orchestra, celebrates the life and work of Maria Sibylla Merian (1647-1717), pioneering entomologist, naturalist, and artist.Duration 5:30 minutes.Commissioned by the Balcones Community Orchestra of Austin, Texas, Metamorphosis (2019) by Adrienne Inglis for solo flute, solo harp, and string orchestra, honors the life and work of pioneering entomologist, naturalist, and artist Maria Sibylla Merian (1647-1717). As she carefully documented in illustrated detail the life cycle of so many insects, Metamorphosis musically follows a butterfly from adult, egg, larva, pupa, and adult. The piece opens with an ostinato pattern in the strings over which the flute and harp play fluttering modal melodies. The strings and harp represent the egg stage with minimalistic layers of a single pitch. To recognize Merian’s time in Suriname and her discovery of many insect species there, a cheerful tune fashioned after traditional Arawak folk songs informs the busy larvae in the caterpillar canon. A bit of contemplative dorian polyphony laced with metamorphic machinations demonstrate the remarkable transformation of the pupa as well as Merian’s time at a devout Labadist religious commune. The butterfly emerges from the pupa with a flute/harp cadenza and then the strings underscore the adult butterfly with a return of the ostinato. The piece ends with the same ostinato as the beginning such that the piece could loop seamlessly as in a true life cycle.This performance does not include the revisions made in this version of the music: https://youtu.be/GIjQpkXl6Uc
$9.99
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Variations on Outburst of Spring Triumphant (A Theme of Ludwig Diehn) (Downloadable)
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Organ
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INTERMEDIATE
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Ludwig Diehn and Mary Beth Ben
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Variations on Outburst of Spri
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Organ solo - Medium - Digital Download SKU: MQ.8692-E Composed by Ludwig Diehn and Mary Beth Bennett. 14 pages. E. C. Schirmer Music Company - Digital #8...
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Organ solo - Medium - Digital Download SKU: MQ.8692-E Composed by Ludwig Diehn and Mary Beth Bennett. 14 pages. E. C. Schirmer Music Company - Digital #8692-E. Published by E. C. Schirmer Music Company - Digital (MQ.8692-E). This work is built on a theme of the late Virginia composer, Ludwig Liehn. Commissioned for the 2009 Mid-Atlantic Regional Convention of the American Guild of Organists, it has six movemements: Intrada (2 versions are printed), Ostinato, Celestes, Aria, Interlude, and Toccata. The first five movements are varied in style and mood. The final movement is a fiery toccata. This accessible and captivating piece has been featured on American Public Media's Pipedreams program, and recently received its European premiere at the Cathedral of Notre Dame in Paris.Duration: 10:00.
$11.00
La Bamba
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String Trio: 2 violins, cello
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INTERMEDIATE
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Los Lobos
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Homco/Crinion
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La Bamba
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Homco/Crinion
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1457519 By Los Lobos. By Richard Valenzuela. Arranged by Homco/Crinion. Folk,Latin,Mariachi...
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String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1457519 By Los Lobos. By Richard Valenzuela. Arranged by Homco/Crinion. Folk,Latin,Mariachi. 7 pages. Homco/Crinion #1036545. Published by Homco/Crinion (A0.1457519). La Bamba has no direct English translation, but the dance that is referred to is presumably connected with the Spanish verb bambolear - which means to sway, shake or wobble. It is a lively dance, for sure. A traditional version of this dance is often performed at weddings. This String Trio arrangement has the 2 violins in close harmony on the melody - like violins in a Mariachi Ensemble. The cello maintains the familiar walking ostinato bass line throughout. Ole!
$12.99
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