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Out of Sight: E-flat Alto Saxophone
Sheetmusic to print
5 sheet music found
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1
Out of Sight: E-flat Alto Saxophone
Saxophone (band part)
Marching Band - Digital Download SKU: AX.00-PC-0016960_AX1 E-flat Alto Saxophone…
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Marching Band - Digital Download SKU: AX.00-PC-0016960_AX1 E-flat Alto Saxophone. By James Brown. By James Brown. Arranged by Jerry Burns. Funk. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016960_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016960_AX1). UPC: 038081503073.Here is the funky James Brown classic in a stellar new arrangement by Jerry Burns. Perfect for the stands, drill teams, and pep band, this chart will come together in a hurry! (1:20).
$3.00
2.74 €
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Saxophone (band part)
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James Brown
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Out of Sight: E-flat Alto Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Moonlight Sonata for Eb saxophone + Pedal Harp (duet)
Instrumental Duet E-Flat Alto Saxophone,Harp,Instrumental Duet - Level 2 - Digital Downloa…
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Instrumental Duet E-Flat Alto Saxophone,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.487305 Composed by Ludwig van Beethoven. Arranged by Ivan de Andrade. Classical,Renaissance,Traditional,Wedding. Score and parts. 17 pages. Finesse Music #104878. Published by Finesse Music (A0.487305). First movement of Sonata 14 (Adagio Sostenuto). Formatted for A4 or tablet. Unique arrangement in the original key (C#m). Articulation, fingering and specific marking for each instrument are notated. Clean layout and proper page turns for better sight reading. Check out the video to see the entire arrangement + sheet music and leave a review!
$5.99
5.48 €
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Ludwig van Beethoven
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Moonlight Sonata for Eb saxophone + Pedal Harp
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Finesse Music
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SheetMusicPlus
Moonlight Sonata for Eb saxophone + Acoustic Guitar (duet)
Instrumental Duet Acoustic Guitar,E-Flat Alto Saxophone,Instrumental Duet - Level 2 - Digi…
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Instrumental Duet Acoustic Guitar,E-Flat Alto Saxophone,Instrumental Duet - Level 2 - Digital Download SKU: A0.487304 Composed by Ludwig van Beethoven. Arranged by Ivan de Andrade. Classical,Renaissance,Traditional,Wedding. Score and parts. 13 pages. Finesse Music #104876. Published by Finesse Music (A0.487304). First movement of Sonata 14 (Adagio Sostenuto). Formatted for A4 or tablet. Unique arrangement in the original key (C#m). Articulation, fingering and specific marking for each instrument are notated. Clean layout and proper page turns for better sight reading. Check out the video to see the entire arrangement + sheet music and leave a review!
$5.99
5.48 €
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Ludwig van Beethoven
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Moonlight Sonata for Eb saxophone + Acoustic Guitar
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Finesse Music
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SheetMusicPlus
Bach: Six Partitas Complete BWV 825-830 for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1434546 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 475 pages. Jmsgu3 #1014683. Published by jmsgu3 (A0.1434546). The Partitas, BWV 825-830, are a set of six keyboard suites composed by Johann Sebastian Bach and published in 1731 as his Opus 1, the first of his works to be published under his direction. They were among the last keyboard suites Bach composed, written between 1725 and 1731, after the English and French Suites. Each partita consists of a series of dances, typically opening with a prelude-like movement followed by an Allemande, Courante, Sarabande, and Gigue, with additional dances inserted. The tonalities of the six partitas form an ascending and descending pattern of intervals, starting and ending with keys related to Bach's name (B-flat and B). Bach supervised the publication, initially publishing them separately before compiling them into the 1731 Clavier-Übung collection. Many surviving printed copies contain handwritten annotations, some likely stemming from Bach himself, providing insights into the composer's final intentions. They are among Bach's greatest keyboard works, demonstrating mastery of counterpoint, expression, and the instrument's technical capabilities. The partitas range widely in character, from the poetic No. 1 in B-flat to the monumental tragic No. 6 in E minor. So, the Partitas represent the culmination of Bach's genius for keyboard composition and his final thoughts on the dance suite genre.YouTube Playlist Link: https://www.youtube.com/playlist?list=PLT9KtY0S7DRDEAJI68McqwUGB6XPMvGHl.
$128.85
117.89 €
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Saxophone Quartet: 4 saxophones
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Johann Sebastian Bach
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Bach: Six Partitas Complete BWV 825-830 for Saxophone Quartet
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jmsgu3
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.15 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
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