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Overture - King And I, The
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Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Be…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
11.11 €
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Alto Saxophone and Piano
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Ali Ben Sou Alle, Wolfgang Amadeus Mozart
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Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
#
Musik Fabrik Music Publishing
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SheetMusicPlus
Ukrainian Bell Overture (Carol of the Bells)
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.934821 Composed by Mykola Leontov…
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Concert Band - Level 2 - Digital Download SKU: A0.934821 Composed by Mykola Leontovych. Arranged by Christopher Durigg. Christmas,Contemporary,Folk. Score and parts. 50 pages. Christopher Durigg #6208375. Published by Christopher Durigg (A0.934821). PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com  VISIT FOR AN AUDIO SAMPLE RECORDING AND VIRTUAL SCORE: www.cdurigg.com/cdb001  C. DURIGG MUSIC ID FOR THIS PIECE: CDB-001GRADE LEVEL: SOARING BAND SERIES (Grade 2)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced students in a very small band program? Are your students ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back? My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:Leontovych’s CAROL OF THE BELLS is one of the most iconic and timeless Christmas carols in Western music. This arrangement inserts the classic carol into an exciting, lively concert band overture that is sure to interest both your students and your audience! This overture begins with a loud and bombastic riff, accompanied by a lively accented background rhythm. The introduction then gives way to a soft and lively melody in the flutes and high woodwinds. The full ensemble then enters, combining traditional carol with the lively accented rhythm. The piece then softly passes the melody between sections. The melody is further passed around as instruments are added. The piece finally gives way to a bombastic combination of the traditional carol and the introductory riff. The melody is then softly passed between sections once more, and then this section finally builds to a full orchestral finish. I sincerely hope that you enjoy my lively arrangement of Carol of the Bells.   - Christopher Durigg
$30.00
27.89 €
#
Concert band
#
Mykola Leontovych
#
Ukrainian Bell Overture
#
Christopher Durigg
#
SheetMusicPlus
A Celebration of Bells (A Christmas Overture)
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.934824 Composed by Calkin, James …
(+)
Concert Band - Level 2 - Digital Download SKU: A0.934824 Composed by Calkin, James Pierpont, and Longfellow. Arranged by Christopher Durigg. Christmas,Contemporary,Folk. Score and parts. 44 pages. Christopher Durigg #6433709. Published by Christopher Durigg (A0.934824). PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING AND VIRTUAL SCORE: http://www.cdurigg.com/cdb002.htmlC. DURIGG MUSIC ID FOR THIS PIECE: CDB-002GRADE LEVEL: EMERGING BAND SERIES (Grade 1.5)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced students in a very small band program? Are your students ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back?My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:The joyful ringing of bells is often associated with the holiday season. This is a common theme running through Christmas Carol literature. Conceived as a fun, accessible overture for young bands or bands with limited instrumentation, A Celebration of Bells highlights two of the most beloved Christmas carols associated with bells. The piece begins with a joyful brass bell-tone fanfare accompanied by trilling woodwinds. The introduction gives way to mostly-unison woodwind rendition of I Heard the Bells On Christmas Day. The brass then further works out the melody with a more chordal presentation. The woodwinds present a short, light interlude, followed by an explosive snare drum and full-band chord one key higher than the beginning. The piece shifts to a Jingle Bells march. Following the march, the music modulates back down one key and returns to a full band, Maestoso version of I Heard the Bells. The overture comes to a close with a return to the familiar introductory bell tones. This piece is sure to be a festive hit for both your students and their audience!
$30.00
27.89 €
#
Concert band
#
Calkin, James Pierpont, and Longfellow
#
A Celebration of Bells
#
Christopher Durigg
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.51 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.51 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.51 €
#
Guitar
#
Richard Strauss
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Suite Revelation for cello and piano
Cello, Piano
Cello,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.987858 Composed …
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Cello,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages. Robert M. Greenberg #115605. Published by Robert M. Greenberg (A0.987858). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://mail.google.com/mail/?tab=wm#inbox/14f3cea616cb0a88?projector=1 Duration: ca. 12 minutes Year of composition: 2014 Program Note: I. Overture II. Nigun no. 9 III. Molad’ti IV. Gilu Hagalilim V. Y’mey Hanoar VI. The Gigue Is Up My apologies upfront for all the first person pronouns in this program note! A few years back, Nina Flyer asked me to write for her a piece of music that would contain or make reference to Jewish/Yiddish/Hebrew dance music and/or folk songs. The more I thought about it, the more difficult I realized the challenge would be. As best as I could tell, I had three options. Option one: I could set said dance music/songs for cello and piano, with the result being a series of arrangements: nice, but artlessly unoriginal (meaning dull). Option two: I could weave the tunes into a single narrative and in doing so write another version of Schlomo (a self-proclaimed Hebraic work for cello and orchestra by Ernst Bloch). Option three: I could make up my own ethnic-sounding melodies and either arrange them for cello and piano or weave them into some sort of Hebraic narrative: options one and two all over again. So I came up with option four. I selected four folk tunes (movements II, III, IV, and V) and composed a counter-melody to each. The first half of movements II, III, IV, and V set that counter-melody without any reference to the original folk tune. The second half of those movements then combines the counter-melody with the original tune (and thus the revelation, as the original tune is revealed). The generally two-part shape described above (excepting movement IV, which is A-B-A in structure) suggested Baroque binary dance form, and so I turned the piece into a sort of Baroque dance suite. It begins with a French Overture based on the counter-melodies of movement III and V, and concludes with a gigue based on the counter melodies of movements II and IV. The historical references are supposed to be tongue-in-cheek and I can only hope they will be taken that way. A thousand-and-one thanks to Nina Flyer and Lori Lack for their patience, hard work, and musical brilliance. Suite Revelation is dedicated – with the greatest respect and affection – to Nina Flyer.
$28.00
26.03 €
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Cello, Piano
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Robert M
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Suite Revelation for cello and piano
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Robert M. Greenberg
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SheetMusicPlus
The Forest Overture
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.995854 Composed by Andrew Strawn.…
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Concert Band - Level 4 - Digital Download SKU: A0.995854 Composed by Andrew Strawn. Contemporary,Romantic Period. Score and parts. 108 pages. Andrew Strawn #4790949. Published by Andrew Strawn (A0.995854). In 2017, I had the opportunity to test out a piece with my middle school band. A very generous offer from my director, if only it had been playable. In honor of that director and the original piece, I have composed a remastered version based on the classic themes. This time, perhaps more realistic. After two years of composition training, I am proud to demonstrate how far I have progressed. Composed for Wind Ensemble, Grand Piano, and Percussion, The Forest Overture is a dramatic and exciting piece designed to inspire. With immense fortissimos and beautiful suspensions, this piece is sure to excite. I hope you enjoy, The Forest Overture.Includes a legal-sized score and a letter-sized set of parts.Andrew StrawnFrank the Cat Music Publications
$55.00
51.12 €
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Concert band
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Andrew Strawn
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The Forest Overture
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Andrew Strawn
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SheetMusicPlus
Bass and Piano String Sampler
Double bass, Piano (duet)
Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.902215 Arranged …
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Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.902215 Arranged by Robin Kay Deverich. Contemporary. Score and part. 255 pages. Global Music School String Publications #5355089. Published by Global Music School String Publications (A0.902215). This combined version of the of the Piano Accompaniment and String Bass Online String Sampler Bass Sheet Music is a fun and easy way to actively learn, study and play beautiful bass music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available online on StringBassOnline* as a self-guided class specifically designed to accompany this music: https://www.stringbassonline.com The study guide explains the history and musical form of the selected pieces, and includes bass technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$5.99
5.57 €
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Double bass, Piano (duet)
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Bass and Piano String Sampler
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Global Music School String Publications
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SheetMusicPlus
ColorAll Violin Fingering and Piano String Sampler
Violin and Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.902216 Arranged by Robin Kay Deve…
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Piano,Violin - Level 2 - Digital Download SKU: A0.902216 Arranged by Robin Kay Deverich. Contemporary. 255 pages. Global Music School String Publications #5355093. Published by Global Music School String Publications (A0.902216). This combined version of the of the Piano Accompaniment and Violin Online String Sampler: ColorAll Fingering Violin Music is a fun and easy way to actively learn, study and play beautiful violin music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. If you need help with fingering, this ColorAll Fingering version of Violin Online String Sampler Violin Music is a simple and easy way to quickly begin playing the violin sheet music. ColorAll Fingering is a patented approach to violin playing, and uses colored violin fingering numbers over each note to indicate which string should be used to play the fingered notes: blue fingering numbers, play these notes on the G string; gold fingering numbers, play these notes on the D string; green fingering numbers, play these notes on the A string; purple fingering numbers, play these notes on the E. As an added bonus, sound files of each piece and a study guide are currently available on the website ViolinOnline.com* as a self-guided class specifically designed to accompany this music: https://www.violinonline.com/stringclass.html The study guide explains the history and musical form of the selected pieces, and includes violin technique tips for each piece of music. Let the music begin!*No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jar.
$5.99
5.57 €
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Violin and Piano
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ColorAll Violin Fingering and Piano String Sampler
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Global Music School String Publications
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SheetMusicPlus
Overture in Am/A: The Light Of Inner Mist (Valse & Fugue)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1153607 Composed by Socrates Ar…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1153607 Composed by Socrates Arvanitakis. Classical,Contemporary. Score and parts. 104 pages. Socrates Arvanitakis #753872. Published by Socrates Arvanitakis (A0.1153607). As the header and title of this score implies, this is an orchestral overture to a cycle of songs entitled The Light Of Inner Mist which In turn belongs to much bigger structural units, present in the header, i.e. LEMONIA => SUMMER BLAST => A DREAM OF LONG AGO, containing other song cycles with their overtures. Many of these songs are still works in progress, but all thematic material of this particular overture is taken from some of its songs.
$50.00
46.48 €
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Orchestra
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Socrates Arvanitakis
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Overture in Am/A: The Light Of Inner Mist
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Socrates Arvanitakis
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SheetMusicPlus
In the Bleak Midwinter (Quartet for Three Clarinets and Piano)
Clarinet and Piano
Small Ensemble B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.523192 Co…
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Small Ensemble B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.523192 Composed by Gustav Holst and Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 18 pages. John A. Dempsey #3360691. Published by John A. Dempsey (A0.523192). A wintry landscape, a miracle, a wondrous season: all these are richly evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant quartet for three clarinets and piano, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: prelude, postlude, offertory, interlude, Christmas play overture and silent prayer accompaniment. 14 pages of music (that includes separate two-page parts for clarinet 1, clarinet 2 and clarinet 3).  Concert Key (Piano): Bb major.  Clarinet Key: C major.  Clarinet Level: Intermediate.  Piano Level: Late Intermediate   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$14.00
13.01 €
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Clarinet and Piano
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Gustav Holst and Christina Rossetti
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
March Slav (Concert Band Transcription) - Tsarist Edition
Concert band
Concert Band - Digital Download SKU: A0.733069 Composed by Peter Ilyich Tchaikovsky…
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Concert Band - Digital Download SKU: A0.733069 Composed by Peter Ilyich Tchaikovsky. Arranged by Marc Oliver. Romantic Period. Score and parts. 179 pages. Ayotte Custom Musical Engravings #2968245. Published by Ayotte Custom Musical Engravings (A0.733069). Tchaikovsky referred to the piece as his Serbo-Russian March while writing it. It was premiered in Moscow on November 17 1876, conducted by Nikolai Rubinstein. The march is highly programmatic in its form and organization. The first section describes the oppression of the Serbs by the Turkish. It uses two Serbian folk songs, Sunce jarko, ne sijaš jednako (Bright sun, you do not shine equally), by Isidor Ćirić and Rado ide Srbin u vojnike (Gladly does the Serb become a soldier), by Josip Runjanin - giving way to the second section in the relative major key, which describes the Russians rallying to help the Serbs. This is based on a simple melody with the character of a rustic dance which is passed around the orchestra until finally it gives way to a solemn statement of the Russian national anthem God Save the Tsar. The third section of the piece is a repeat of Tchaikovsky's furious orchestral climax, reiterating the Serbian cry for help. The final section describes the Russian volunteers marching to assist the Serbs. It uses a Russian tune, this time in the tonic major key and includes another blazing rendition of God Save the Tsar prophesying the triumph of the Slavonic people over tyranny. The overture finishes with a virtuoso coda for the full orchestra. The piece shares a few refrains with the 1812 Overture, with which it is frequently paired in performance. This is the Tsarist (i.e., non-Soviet) Version.
$100.00
92.95 €
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Concert band
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Peter Ilyich Tchaikovsky
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March Slav
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Ayotte Custom Musical Engravings
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SheetMusicPlus
20 Arrangements of Classical Favorites for Beginner and Intermediate String Orchestra
String Orchestra
String Orchestra - Level 2 - Digital Download SKU: A0.1107759 Composed by Bach, Bee…
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String Orchestra - Level 2 - Digital Download SKU: A0.1107759 Composed by Bach, Beethoven, Bizet, Brahms, Dvorak, Handel, Mozart, Puccini, Rossini, Wagner. Arranged by Laura Jekel. Classical,Instructional,Romantic Period,Standards. Score and parts. 125 pages. Laura Jekel #710385. Published by Laura Jekel (A0.1107759). 20 fun arrangements for beginner and intermediate string orchestra. Written for and played by the MYCincinnati Youth Orchestra over the last decade, and they are greatly enjoyed by the students. These arrangements are available individually, and you can also buy 10 beginner pieces or 10 intermediate pieces. Hope you enjoy! 1. Sarabande and Gavotte by J.S. Bach 2. Symphony No. 5, Movement 3 by Ludwig van Beethoven 3. Symphony No. 7, Movement 2 by Ludwig van Beethoven 4. Carmen Overture by Georges Bizet 5. Piano Quartet No. 1, Gypsy Rondo by Johannes Brahms 6. New World Symphony Finale by Antonin Dvorak 7. Hallelujah Chorus from Messiah by G.F. Handel 8. Rondo alla Turca from Sonata K. 331 by W.A. Mozart 9. Vogelfanger from the Magic Flute by W.A. Mozart 10. ‘O mio babbino caro from Gianni Schicchi by Giaccomo Puccini 11. Nessun Dorma from Turandot by Giaccomo Puccini 12. Overture from William Tell by Gioacchino Rossini 13. Symphony No. 3, Movement 2 by Jean Sibelius 14. Poet and Peasant Overture by Franz von Suppe 15. Symphony No. 4, Movement 3 by P.I. Tchaikovsky 16. Andante from Serenade for Strings by P.I. Tchaikovsky 17. Dance of the Little Swans from Swan Lake by P.I. Tchaikovsky 18. Triumphal March from Aida by Giuseppe Verdi 19. Spring from the Four Seasons by Antonio Vivaldi 20. Tannhauser Overture by Richard Wagner.
$49.99
46.47 €
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String Orchestra
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Bach, Beethoven, Bizet, Brahms, Dvorak, Handel, Mozart, Puccini, Rossini, Wagner
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20 Arrangements of Classical Favorites for Beginner and Intermediate String Orchestra
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Laura Jekel
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SheetMusicPlus
The Wizard of the West
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.733027 Composed by Charles Edward…
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Concert Band - Level 4 - Digital Download SKU: A0.733027 Composed by Charles Edward Duble. Arranged by Marc Oliver. 20th Century. Score and parts. 53 pages. Ayotte Custom Musical Engravings #2347281. Published by Ayotte Custom Musical Engravings (A0.733027). Every genre of music has its one-hit wonders-composers or performers who are forever known for just one piece of music. In classical music, two composers come to mind: Johann Pachebel for his Canon in D and Emil Reznecek for his overture to Donna Diana. I am certain that they have written a lot more music, but we only know them for the above-mentioned works. The same is true in wind band music. The composer in question is one, Charles E. Duble. His one big hit is his circus march, Bravura. One of his lesser known marches is Wizard of the West. It was originally written in 1908 and dedicated To A. R. Wheeler, Musical Director, Howes Great London Shows. To this day, however, this occidental expert remains a mystery because he has not come out from behind the curtains. However, the western wizard does make his presence known in the euphonium section-especially in the trio.
$59.99
55.76 €
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Concert band
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Charles Edward Duble
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The Wizard of the West
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Ayotte Custom Musical Engravings
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SheetMusicPlus
I Saw Thee Ships for String Quartet (or Mixed Quartet or Piano Quintet)
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.530721 Composed by Tradition…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.530721 Composed by Traditional. Arranged by Daniel Kelley. Baroque,Christmas,Standards. Score and parts. 19 pages. Last Resort Music Publishing #4887799. Published by Last Resort Music Publishing (A0.530721). An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.The following 6 parts plus score are included in the set:Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or ViolinPart 3 ViolaPart 3 ViolinPart 4 Cello or BassoonKeyboard or GuitarScoreDon't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more! Available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$9.95
9.25 €
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Chamber Orchestra
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Traditional
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Cello, Piano Quartet &
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I Saw Thee Ships for String Quartet
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Last Resort Music Publishing
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SheetMusicPlus
Overture Promenade
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.918665 Composed by Frank Bryce. A…
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Concert Band - Level 4 - Digital Download SKU: A0.918665 Composed by Frank Bryce. Arranged by Clive Longhurst. Contemporary. Score and parts. 137 pages. Clive Longhurst #6883763. Published by Clive Longhurst (A0.918665). This arrangement is a re-orchestration of a British brass band contest piece, commisioned for the 1970, 2nd Section,W.D. & H. O. Wills Final test piece. A particularly musical (unlike a lot of more recent contest pieces), yet subtly testing piece for most sections of the band. I have included a page (page 35) with useful printing instructions.I hope I have done it justice as it is my personal favourite contest piece. And, if you would like parts for other instruments, please contact me via my email address: clive.longhurst57@gmail.com.Please do leave comments - good or bad - I will be most grateful.
$49.99
46.47 €
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Concert band
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Frank Bryce
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Overture Promenade
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Clive Longhurst
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SheetMusicPlus
Overture in D Minor
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1086307 Composed by G.F Handel. Transcription by Edward Elgar. Arranged by Chris Gorman. Classical,Praise & Worship. Brass Band. 59 pages. Chris Gorman #690507. Published by Chris Gorman (A0.1086307). The Overture in D minor (Handel, arr. Elgar) is a transcription made in 1923 by Sir Edward Elgar of a musical work by George Friederic Handel composed in 1717-18. This transcription is an arrangement for Brass Band of the overture to Chandos Anthem No. 2 (HWV247) In the Lord put I my Trust, which Handel wrote when he was resident composer for the Duke of Chandos at Cannons house.
$35.00
32.53 €
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G
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Overture in D Minor
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Chris Gorman
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SheetMusicPlus
Children's Galop from the Nutcracker for Violin & Cello Duet Music for Two (or Flute or Oboe & Basso
Violin, Cello (duet)
Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Daniel Kelley. Childre…
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Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Daniel Kelley. Children, Concert, Romantic Period, Standards. 4 pages. Last Resort Music Publishing #3583321. Published by Last Resort Music Publishing
The Tarantellafrom the Tschaikovsky’s Nutcracker is a very fast dance movement in 6/8 and is traditionallyperformed by a male dancer immediately following the Pas de Deux. Don’t missthis delightful and energetic arrangement!<br> <br> The Children’s Galop from Tschaikovsky’s Nutcracker is anabsolutely delightful movement from Act I and is the perfect addition to any Holidayperformance!<br> <br> Playable by Flute & Cello Duet, Oboe &Cello Duet, Violin & Cello Duet, Flute & Bassoon Duet, Oboe &Bassoon Duet, Violin & Bassoon Duet<br> <br> Each duet is published in score form (both parts on the same page) sothat the players can play from the same part.<br> <br> Don\'t miss our other Nutcracker arrangements including MotherGinger, Chocolate, Clara & the Nutcracker, Pas De Deux, FinalWaltz, Apotheosis, Waltz of the Flowers, March, Tarantella, Children\'s Galop,Dance of the Reed Flutes, Chinese Dance, Dance of the Sugar Plum Fairy, March,Overture & Trepak!
$5.95
5.53 €
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Violin, Cello (duet)
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Peter Ilyich Tchaikovsky
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Children's Galop from the Nutcracker for Violin & Cello Duet Music for Two
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Last Resort Music Publishing
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SheetMusicPlus
The Thieving Magpie Overture (arr Flute Choir)
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download SKU: A0.817947 Composed by Gioachino Rosssini. Arranged by Adrian Dee. Multicultural,Romantic Period,World. 110 pages. Adrian Dee #6587987. Published by Adrian Dee (A0.817947). Magpie was premiered at La Scala opera house in Milan, Italy on May 31, 1817 and was an immediate success. The overture has become a staple of the orchestral repertoire, as have many Rosssini overtures. In this arrangement, I have omitted the famous snare drum roll at the beginning, opting instead to stick with just the flute choir instruments. I also simplified the opening rhythmic figure in the interest of ease of consistency across the ensemble. Much of the orchestral piccolo part, often seen in auditions, is preserved in the piccolo part here and I have kept the piece in its original keys. The piece is typical Rossini: lively, challenging, and fun. The total play time is aprox. 9:45. I’d love to hear your feedback! adriandeeflute@gmail.com
$29.95
27.84 €
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Flute ensemble
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Gioachino Rosssini
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The Thieving Magpie Overture
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Adrian Dee
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SheetMusicPlus
I Capuletti ed i Montecchi - overture
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1357170 Composed by Vincenzo Bell…
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Concert Band - Level 4 - Digital Download SKU: A0.1357170 Composed by Vincenzo Bellini. Arranged by Jonas Viggo Pedersen. 19th Century,Classical,Opera. 103 pages. JVPmusic #941800. Published by JVPmusic (A0.1357170). This delightful overture from the belcanto opera gives hints of the dramatic plot of the Romeo And Juliet story. It's a treat for intermediate and advanced concert bands and brings a band stand feeling to any concert.
$149.99
139.42 €
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Concert band
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Vincenzo Bellini
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I Capuletti ed i Montecchi - overture
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JVPmusic
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SheetMusicPlus
Purcell: "The Gordion Knot Untied" ( Suite No. 1) - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download …
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.553190 Composed by Henry Purcell. Arranged by Ray Thompson. Baroque,Sacred,Wedding. 20 pages. RayThompsonMusic #2033605. Published by RayThompsonMusic (A0.553190). Purcell wrote a number of movements as Theatre Music for the play The Gordion Knot untied , believed to be based on the legend concerning Alexander the Great.The Libretto has been lost. Originally written for strings only, Gustav Holst added woodwind, horns and trumpets, and set them into two suites.I have arranged them for wind quintet.This is my arrangement of Suite No.1 Movements are: Overture, Air, Rondeau-Minuet, Air and Jig.
$14.95
13.9 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Henry Purcell
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Purcell: "The Gordion Knot Untied"
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RayThompsonMusic
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SheetMusicPlus
Samarqand Concert Overture instrument parts
Concert band
Concert Band - Digital Download SKU: A0.992464 Composed by Eric Watson. 20th Centur…
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Concert Band - Digital Download SKU: A0.992464 Composed by Eric Watson. 20th Century. Score and parts. 106 pages. Eric Watson #4107879. Published by Eric Watson (A0.992464). This PDF contains all the instrument parts for Samarqand Concert Overture. The full score and midifile is a separate PDF. The work is for concert band, advanced players, and is 9.00 minutes in length. I can be contacted at trepicos@gmail.com for programme notes and further information. The work is an evocation of James Elroy Flecker's poem Samarkand.
$62.00
57.63 €
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Concert band
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Eric Watson
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Samarqand Concert Overture instrument parts
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Eric Watson
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SheetMusicPlus
In the Bleak Midwinter (Quartet for Flute, Two Violins and Cello)
Flute, Violin and Violoncello
Small Ensemble Cello,Flute,Violin - Level 3 - Digital Download SKU: A0.523766 Compo…
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Small Ensemble Cello,Flute,Violin - Level 3 - Digital Download SKU: A0.523766 Composed by Gustav Holst and Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and parts. 19 pages. John A. Dempsey #3879547. Published by John A. Dempsey (A0.523766). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a quartet for flute, two violins and cello, this snowy, atmospheric music is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  15 pages of music (that includes the score and separate two-page parts for flute, violin 1, violin 2 and cello).  Key: D major   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.  .
$11.99
11.15 €
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Flute, Violin and Violoncello
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Gustav Holst and Christina Rossetti
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
In the Bleak Midwinter (Woodwind Quartet for Clarinet, Alto Sax, Tenor Sax and Baritone Sax)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Clarinet,Tenor Saxoph…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Clarinet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.524588 Composed by Gustav Holst, Christina Rossetti. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. 19 pages. John A. Dempsey #6049791. Published by John A. Dempsey (A0.524588). A wintry landscape, a miracle, a wondrous season: all these are evoked in this traditional English Christmas carol that's also popular among Celtic music fans.  Arranged as a jubilant woodwind quartet for Bb clarinet, alto sax, tenor sax and baritone sax, this snowy, atmospheric music is recommended for traditional Christmas church services and other worship events, including Christmas plays, pageants and programs, as a prelude, postlude, an offertory, interlude, silent prayer accompaniment, Christmas play overture and special music. This classic also makes a moving selection for holiday recitals and Christmas concerts.  15 pages of music (that includes the score and separate two-page parts for each woodwind instrument).  Concert Key: Eb major.  Clarinet/Tenor Sax Key: F major.  Baritone Sax Key: C major   What can I give Him, poor as I am?   If I were a shepherd, I would give a lamb.   If I were a wise man, I would do my part   But what can I give Him?  Give Him my heart.
$11.99
11.15 €
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Gustav Holst, Christina Rossetti
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In the Bleak Midwinter
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John A. Dempsey
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SheetMusicPlus
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