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You've selected:
Overture Brilliante
Sheetmusic to print
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Overture Brilliante
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1020679 Composed by Ronald . Stit…
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Concert Band - Level 4 - Digital Download SKU: A0.1020679 Composed by Ronald . Stitt. Contemporary. Score and parts. 85 pages. Ronald E. Stitt #5828479. Published by Ronald E. Stitt (A0.1020679). Overture Brilliante is a 5:30 work for concert band. It is intended for high school, college and community bands. The dissonant introduction leads to a bright and rhythmic allegro section that utilizes the full coiler of the modern concert band. The contrasting middle section features solo lines for euphonium and cornet before returning to a restatement of the opening allegro. The percussion parts beyond the standard timpani and battery are optional but add work for the larger percussion sections found in many ensembles while not limiting performance to smaller sections.
$50.00
45.48 €
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Concert band
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Ronald
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Overture Brilliante
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Ronald E. Stitt
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SheetMusicPlus
Mikhail Glinka - Spanish Overture No. 1 "Capriccio Brilliante" (Partial Piano Transcription)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1005470 Composed by Mikhail Glinka.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1005470 Composed by Mikhail Glinka. Arranged by Can Demir. Romantic Period,World. Score. 4 pages. Can Demir #6015417. Published by Can Demir (A0.1005470). Partial piano transcription for Mikhail Glinka's Spanish Overture No. 1 Capriccio Brilliante.
$2.99
2.72 €
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Piano solo
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Mikhail Glinka
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Mikhail Glinka - Spanish Overture No. 1 "Capriccio Brilliante"
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Can Demir
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SheetMusicPlus
The Flying Dutchman Overture for 11-part Brass Ensemble and Timpani
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1140551
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1140551 Composed by Richard Wagner. Arranged by Randall Malmstrom. Opera,Romantic Period. Score and parts. 103 pages. Gordon Cherry #740789. Published by Gordon Cherry (A0.1140551). The Flying Dutchman (Der fliegende Holländer) is a German opera composed by Richard Wagner, first performed in 1843 in Dresden. The work is relatively an early one and exhibits styles that became hallmarks of his later operas. The music is dramatic, expressive, tempestuous and mysterious. The Overture, brilliantly arranged by Randall Malmstrom is scored for an 11-part Brass Ensemble and Timpani with the instrumentation of 3 Trumpets in C, 4 Horns, 3 Trombones, Tuba and Timpani. The Overture is appropriate for advanced performers and is 9-minutes in length.
$47.50
43.21 €
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Brass quartet : 2 trumpets, trombone, tuba
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Richard Wagner
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The Flying Dutchman Overture for 11-part Brass Ensemble and Timpani
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Gordon Cherry
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.37 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from The Nutcracker for Piano Quartet (Violin, Viola, Cello, Piano) Set of 4 Parts
Piano Quartet: piano, violin, viola, cello
Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Viola,Violin - Level 4 - Digital Download
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Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.530077 Composed by Peter Ilyich Tschaikovsky. Arranged by Daniel Kelley. Christmas,Concert,Romantic Period,Standards. Score and parts. 18 pages. Last Resort Music Publishing #506397. Published by Last Resort Music Publishing (A0.530077). Overture from the Nutcracker brilliantly arranged for Piano Quartet (Violin, Viola, Cello, Piano). Part 1 is also playable by Flute or Oboe. Part 3 is also playable by Bassoon. The Piano Part (Keyboard or Guitar) encompasses Part 2 and Part 3. Therefore, the arrangements could be played as a piano trio or an entire trio could play with a pianist - as long as Part 1 is being played. 8 from the Nutcracker are available: Chinese Dance, Arab Dance, March, Dance of the Reed Flutes, Dance of the Sugar Plum Fairy, Overture, Scene in the Snowy Pine Forest & Trepak. Don't miss our other fabulous arrangements for trio. www.lastresortmusic.com.
$6.95
6.32 €
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Piano Quartet: piano, violin, viola, cello
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Peter Ilyich Tschaikovsky
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Trepak
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Overture from The Nutcracker for Piano Quartet
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Last Resort Music Publishing
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SheetMusicPlus
Overture to the Magic Flute for Trombone Octet
Trombone ensemble
Large Ensemble Trombone - Level 5 - Digital Download SKU: A0.810757 Composed by Wol…
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Large Ensemble Trombone - Level 5 - Digital Download SKU: A0.810757 Composed by Wolfgang Amadeus Mozart. Arranged by Malmstrom, Randall. Classical. Score and parts. 79 pages. Gordon Cherry #2881313. Published by Gordon Cherry (A0.810757). Mozart's Die Zauberflöte (Magic Flute) Opera was premiered in 1791, just two months before the composer's untimely death. The Overture was composed last and includes three Trombones, giving the music to have a timbre of richness never before heard in orchestral world. Randall Malmstrom has once again done a brilliant job arranging this great music for an 8-part Trombone ensemble (octet) of advanced performers.
$40.00
36.38 €
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Trombone ensemble
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Wolfgang Amadeus Mozart
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Overture to the Magic Flute for Trombone Octet
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Gordon Cherry
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SheetMusicPlus
Light Cavalry Overture for 7-part Trumpet Ensemble, arr. Justin Bland
Brass Ensemble Trumpet - Level 5 - Digital Download SKU: A0.810795 Composed by Fran…
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Brass Ensemble Trumpet - Level 5 - Digital Download SKU: A0.810795 Composed by Franz von Suppe. Arranged by Bland, Justin. Romantic Period. Score and parts. 53 pages. Gordon Cherry #3064595. Published by Gordon Cherry (A0.810795). Justin Bland has brilliantly arranged the Light Cavalry Overture for 7-part Trumpet Ensemble. This popular and exciting work of about 6 minutes in length is appropriate for advanced performers.
$25.00
22.74 €
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Franz von Suppe
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Light Cavalry Overture for 7-part Trumpet Ensemble, arr. Justin Bland
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Gordon Cherry
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SheetMusicPlus
Overture to Royal Fireworks Music
Large Ensemble Bass Trombone,Horn,Timpani,Trumpet,Tuba - Level 5 - Digital Download SKU…
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Large Ensemble Bass Trombone,Horn,Timpani,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.792290 Composed by Handel, G. F. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance. Score and parts. 57 pages. Gordon Cherry #4803911. Published by Gordon Cherry (A0.792290). Ralph Sauer has brilliantly transcribed the Overture to Handel's great work, the Music for the Royal Fireworks for Brass Ensemble & Timpani. For advanced performers, this transcription is scored for: 4 Trumpets in C (optional Piccolo on part 1) 4 Horns 4 Trombones 2 Tubas (1st Tuba part may be performed on Euphonium) Timpani This music will add a dramatic flair to your concert.
$27.50
25.01 €
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Handel, G
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Timpani
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Overture to Royal Fireworks Music
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Gordon Cherry
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SheetMusicPlus
Romeo and Juliet Fantasy Overture for Trombone octet
Trombone ensemble
Large Ensemble Trombone - Level 5 - Digital Download SKU: A0.792539 Composed by P. …
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Large Ensemble Trombone - Level 5 - Digital Download SKU: A0.792539 Composed by P. I. Tchaikovsky. Arranged by Alexa Kuberra. 20th Century,Contemporary,Romantic Period. Score and parts. 68 pages. Gordon Cherry #5008433. Published by Gordon Cherry (A0.792539). Tchaikovsky’s iconic Romeo and Juliet Overture is now available as a brilliant arrangement of the entire work for Trombone octet of advanced performers by Alexa Kuberra. The music is grand, sweeping, romantic, with dark tragic tones. The Trombone ensemble is an excellent medium for Shakespeare’s and Tchaikovsky’s works of genius.
$42.50
38.66 €
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Trombone ensemble
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P
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Romeo and Juliet Fantasy Overture for Trombone octet
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Gordon Cherry
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SheetMusicPlus
La Gazza Ladra (The Thieving Magpie) by Rossini - Overture for Flute Choir
Flute ensemble
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 4 - Digital Download…
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Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 4 - Digital Download SKU: A0.856403 Composed by Gioachino Rossini. Arranged by Fabio Barnaba. Classical,Opera. 73 pages. Fabio Barnaba #5708625. Published by Fabio Barnaba (A0.856403). The Brilliant Overture from La Gazza Ladra (The Thieving Magpie) by Gioacchino Rossini in a new arrangement for Flute Choir (Piccolo, 4 C Flutes, Alto Flute, Bass Flute and optional Contrabass Flute). Download includes Score and set of Parts.
$17.99
16.36 €
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Flute ensemble
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Gioachino Rossini
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La Gazza Ladra
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Fabio Barnaba
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SheetMusicPlus
OVERTURE to BEOWULF for Piano, Four-Hands
Piano solo
Piano Solo - Digital Download SKU: A0.939805 Composed by Richard St. Clair. 20th Ce…
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Piano Solo - Digital Download SKU: A0.939805 Composed by Richard St. Clair. 20th Century,Contemporary. Score. 12 pages. Richard St. Clair #4717589. Published by Richard St. Clair (A0.939805). This brilliant 5-minute overture is the prelude to an extended dramatic vocal work, Beowulf, for SATB voices and Men's Double Chorus, by Richard St. Clair. It also stands as a complete separate work in its own right, suitable for concert performance.
$14.00
12.73 €
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Piano solo
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Richard St
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OVERTURE to BEOWULF for Piano, Four-Hands
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Richard St. Clair
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SheetMusicPlus
Miniature Overture from The Nutcracker Suite - Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.73…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.735993 Composed by Peter Ilyich Tchaikovsky. Arranged by Andrew Middleton. Christmas,Romantic Period. Score and parts. 24 pages. Andrew Middleton #6037157. Published by Andrew Middleton (A0.735993). Miniature Overture from Tchaikovsky's The Nutcracker, has always been a popular piece from the ballet as well as being used in many festive films. This arrangement for wind quintet is brilliant for the intermediate performer and perfect for a festive concert or celebration!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$8.99
8.18 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Peter Ilyich Tchaikovsky
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Miniature Overture from The Nutcracker Suite - Woodwind Quintet
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Andrew Middleton
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SheetMusicPlus
Overture from "The Bat" for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.528417…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.528417 Composed by Johann Strauss Jr. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 38 pages. Diego Marani #5990029. Published by Diego Marani (A0.528417). Die Fledermaus, The Flittermouse or The Bat, sometimes called (The Revenge of the Bat) is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée.In this arrangement for clarinet quartet (Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet) we have the marvelous and brilliant ouverture.
$19.99
18.18 €
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Clarinet Quartet: 4 clarinets
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Johann Strauss Jr
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Overture from "The Bat" for Clarinet Quartet
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Diego Marani
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SheetMusicPlus
Overture from "The Bat" for Flute Quartet
Flute Quartet: 4 flutes
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528418
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528418 Composed by Johann Strauss Jr. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 34 pages. Diego Marani #5990891. Published by Diego Marani (A0.528418). Die Fledermaus, The Flittermouse or The Bat, sometimes called (The Revenge of the Bat) is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée.In this arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto flute) we have the marvelous and brilliant ouverture.
$19.99
18.18 €
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Flute Quartet: 4 flutes
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Johann Strauss Jr
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Overture from "The Bat" for Flute Quartet
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Diego Marani
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SheetMusicPlus
Overture from the Operetta "Die Fledermaus" for Saxophone Ensemble
Saxophone ensemble
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Le…
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.528420 Composed by Johann Strauss Jr. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. 83 pages. Diego Marani #5999797. Published by Diego Marani (A0.528420). Die Fledermaus, The Flittermouse or The Bat, sometimes called The Revenge of the Bat is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée.In this arrangement for sax choir (Eb Sopranino, Bb Soprano 1-2, Eb Alto 1-2-3, Bb Tenor 1-2-3, Eb Baritone 1-2, Bb Bass) we have the marvelous and brilliant ouverture.
$29.99
27.28 €
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Saxophone ensemble
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Johann Strauss Jr
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Overture from the Operetta "Die Fledermaus" for Saxophone Ensemble
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Diego Marani
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SheetMusicPlus
Overture from "The Bat" for Saxophone Quartet
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.528416 Composed by Johann Strauss Jr. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 30 pages. Diego Marani #5989865. Published by Diego Marani (A0.528416). Die Fledermaus, The Flittermouse or The Bat, sometimes called (The Revenge of the Bat) is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée.In this arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) we have the marvelous and brilliant ouverture.
$19.99
18.18 €
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Saxophone Quartet: 4 saxophones
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Johann Strauss Jr
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Overture from "The Bat" for Saxophone Quartet
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Diego Marani
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SheetMusicPlus
Overture to Le Nozze di Figaro
Cello
Cello - Level 4 - Digital Download SKU: A0.1220094 Composed by Wolfgang Amadeus Moz…
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Cello - Level 4 - Digital Download SKU: A0.1220094 Composed by Wolfgang Amadeus Mozart. Arranged by Branimir Pusticki. Classical,Opera. 105 pages. Branimir Pusticki #816457. Published by Branimir Pusticki (A0.1220094). Energy and wit in a brilliant suitArranged for eight cellists.
$9.00
8.19 €
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Cello
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Wolfgang Amadeus Mozart
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Overture to Le Nozze di Figaro
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Branimir Pusticki
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SheetMusicPlus
Overture from the Operetta "Die Fledermaus" for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.528419 Composed by Johann Strauss Jr. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 30 pages. Diego Marani #5993341. Published by Diego Marani (A0.528419). Die Fledermaus, The Flittermouse or The Bat, sometimes called The Revenge of the Bat is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée.In this arrangement for string quartet (Violin I, Violin II, Viola, Cello) we have the marvelous and brilliant ouverture.
$19.99
18.18 €
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String Quartet: 2 violins, viola, cello
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Johann Strauss Jr
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Overture from the Operetta "Die Fledermaus" for String Quartet
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Diego Marani
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SheetMusicPlus
Spanish Overture No. 1 - La Jota Aragonesa Caprice Brilliant
Saxophone ensemble
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopr…
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.824929 Composed by Mikhail Glinka. Arranged by Gary Bricault. Romantic Period. 140 pages. Gary Bricault #4288157. Published by Gary Bricault (A0.824929). Arrangement for Saxophone Ensemble (Sprn2S4A2T2BBs + Timp + Perc). Performance time 9'30.
$19.99
18.18 €
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Saxophone ensemble
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Mikhail Glinka
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Spanish Overture No. 1 - La Jota Aragonesa Caprice Brilliant
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Gary Bricault
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.37 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.37 €
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Guitar
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Richard Strauss
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.37 €
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Guitar
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Richard Strauss
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Symphony in A flat Major "Phoenix" - All Parts
Large Ensemble Choir - Digital Download SKU: A0.948805 Composed by An-lun Huang. Co…
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Large Ensemble Choir - Digital Download SKU: A0.948805 Composed by An-lun Huang. Contemporary,World. Score and parts. 515 pages. DoReMi Edition #6080281. Published by DoReMi Edition (A0.948805). SCORE @ Amazon ï¼?https://amzn.to/34qCMdz The Symphonic Concert No.2, is Huangâ??s second serial symphonic work in a large form. ----- The first part, Op.47a, is The Symphonic Overture No. 2, the second part, Op.47b, is the Violin Concerto in B in three movements. They are all published by Amazon. And the third part, Op.47c, is this Symphony in A flat major 'Phoenix' in 5 movements [62 minutes] The first two parts of the Symphonic Concert No.2 were premiered in Beijing by the China Youth Symphony Orchestra in 1997. However, the composing of the third part has been delayed. The reason is the author's Chinese heart: for thousands of years, the word deep disaster has been following this nation, but, however, the Chinese finally rise in the east of the world from the deadly dark. How can the composer present this symphony in the most appropriate form, and bring blessings to the world? Until the idea of Phoenix sigh inspired the author's rolling music. As a result, the structure of the entire symphony is: a total of five movements, the order is: 1.-ESSENCE ç²¾ Andante con molto 2.-SPIRIT æ°? Allegro assai 3.-DIVINITY ç¥? Larghetto 4.-PEACE å?? Vivo 5.-REVIVAL è?¾é£? Allegro assai con brio The fifth movement of this symphony, Revival, is the end of the entire Symphonic Concert No. 2. Its Phoenixâ??s Flame of Fire symbolizes the composer's powerful belief in the whole composition: Defeat death to obtain the eternal life. This point has a distinct manifestation in this final movement: from the beginning of the world turmoil to the evolution of the huge contrast of the brilliant chorus of the Phoenix; from the disaster making the Phoenix smashes into the fire of hell from the high heaven; its shocking description of self-immolation to the sound of the resurrection and the vitality of the folk instruments which simulate the voice of life from afar; and from the brilliant fire of the phoenix soars to the sky with roar of the organ at the end. The themes of all of the previous music are also interrelated. All of the players join the forces to create the powerful music that The Chinese symphony has never been sounded like this before, and it is all about achieving a brilliant future, the critic said in Peopleâ??s Music, the major music magazine in China, 2009.
$500.00
454.79 €
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An-lun Huang
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Symphony in A flat Major "Phoenix" - All Parts
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DoReMi Edition
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
29.97 €
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Felix Mendelssohn
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Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
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