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19 sheet music found
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1
El viejo vals. Por: José González Castillo y Carlos José Pérez de la Riestra (Charlo)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1120915 By José González Cast…
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Piano Solo - Level 4 - Digital Download SKU: A0.1120915 By José González Castillo. By Carlos José Pérez de la Riestra (Charlo). Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #722113. Published by Juan Carlos Cortés Aguirre (A0.1120915). Transcripción para piano solo por: JUAN CARLOS CORTÉS A. AntologÃa especial con tangos y valses cantados por Enrique Campos. El viejo vals. Letra: José González Castillo Música: Carlos José Pérez de la Riestra (Charlo) INTRODUCCIÓN: Al lánguido compás, de un vals de Chopin. Mi amor te confesé, sin ver que más, llamaba tu interés…Aquel vals. Por eso hoy mi canción, a su mismo compás. Te llora como un bien, que ya jamás, traerá a mi corazón…Su vaivén. DÚO: Fue como un loco volar de falena, con giros y vueltas en torno al fanal. Que nos deslumbra y nos llena, de un dulce mareo, sutil y fatal. Juntos mi pecho y tu seno, los dos corazones, latiendo a la par. Fijo, impasible y sereno, ¡tu frÃo mirar!... Quién me dirÃa que toda la dicha de aquella gentil posesión. Era la efÃmera coda que al valse le ponÃa mi loca ilusión. Dócil tu mano en mi mano, mi brazo oprimiendo tu talle liviano, y en tanto mi acento muriendo en el lento girar del valsar. INTERLUDIO: Falena de salón, mi corazón soñó… Mi corazón también soñó. Sus alas de ilusión… Sus alas de ilusión. Quemó tenaz… Tenaz quemó. Girando en aquel vals… De Chopin... Borracho de pasión, y ciego de querer. Se lanza a su atracción, sin ver que más, Que un alma en ti mujer…Hay un vals. DÚO: Quién me dirÃa que toda la dicha de aquella gentil posesión. Era la efÃmera coda que al valse le ponÃa mi loca ilusión. Dócil tu mano en mi mano, mi brazo oprimiendo tu talle liviano, y en tanto mi acento muriendo en el lento girar del valsar. Dócil tu mano en mi mano, mi brazo oprimiendo tu talle liviano, y en tanto mi acento muriendo en el lento girar del valsar.
$7.99
7.37 €
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Piano solo
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José González Castillo
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El viejo vals. Por: José González Castillo y Carlos José Pérez de la Riestra
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Tú pálida voz. Vals por: Homero Manzi (Homero Nicolás Manzione Prestera) y Charlo (Carlos José P
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.961841 Composed by Homero Nicolá…
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Piano Solo - Level 3 - Digital Download SKU: A0.961841 Composed by Homero Nicolás Manzione Prestera, Carlos José Pérez de la Riestra. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Standards,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #6872671. Published by Juan Carlos Cortés Aguirre (A0.961841). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Basada en la versión de Jorge Abril con la Orquesta de Porfirio DÃaz Tú pálida voz.Vals por: Letra : Homero Manzi (Homero Nicolás Manzione Prestera)Música : Charlo (Carlos José Pérez de la Riestra)INTRODUCCIÓN:Te oà decir... adiós, adiós...Cerré los ojos y oculté el dolor, Sentà tus pasos cruzando la tarde,Y no te atajaron mis manos cobardes.Mi corazón... lloró de amor,Y en el silencio resonó tu voz, Tu voz querida, lejana y perdida,Tu voz que era mÃa, tu pálida voz.En las noches desoladas que sacude el viento, Brillan las estrellas frÃas del remordimiento,Y me engaño que habrás de volver otra vez, Desandando el olvido y el tiempo.Siento que tus pasos vuelven por la senda amiga,Oigo que me nombras llena de mortal fatiga,Para qué, si ya sé que es inútil mi afán,Nunca... nunca... vendrás...INTERLUDIO:En las noches desoladas que sacude el viento,Brillan las estrellas frÃas del remordimiento,Y me engaño que habrás de volver otra vez,Desandando el olvido y el tiempo.Siento que tus pasos vuelven por la senda amiga,Oigo que me nombras llena de mortal fatiga,Para qué, si ya sé que es inútil mi afán,Nunca... nunca... vendrás...
$7.99
7.37 €
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Piano solo
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Homero Nicolás Manzione Prestera, Carlos José Pérez de la Riestra
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Tú pálida voz. Vals por: Homero Manzi
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
La Gran Vía - Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet - Advanced Intermediate - Digital Download Composed by Federico Chue…
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Clarinet Quartet - Advanced Intermediate - Digital Download Composed by Federico Chueca y Joaquín Valverde. Arranged by Juan A. Perez. Opera. Score, Set of Parts. 39 pages. Published by Juan A. Perez
Arrangement of the zarzuela composed by Federico Chueca and Joaquín Valverde, with a libretto by Felipe Pérez y González. It was premiered at the Felipe Theater in Madrid on July 2, 1886.
$24.00
22.13 €
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Clarinet Quartet: 4 clarinets
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Federico Chueca y Joaquín Valverde
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La Gran Vía - Clarinet Quartet
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Juan A. Perez
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SheetMusicPlus
Solitude is Oneself [piano]
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. Co…
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Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. Contemporary Classical, Post-Romantic, Neo-Classical, Repertoire, Funeral. Score. 8 pages. Published by Juan Maria Solare
Solitudeis Oneself: Three piano pieces:<br> <br> 1 NeverUnderestimate the Difficulties of Simple Things<br> <br> 2 Too MuchBut Still Not Enough<br> <br> 3 Waitingfor Perfection is Waiting Forever<br> <br> Tranquil, relaxing, "chill",minimalist, expressive music for solo piano.<br> <br> You can "use" this music formeditation, study, learning, sleeping, relax or praying.<br> <br> The phrase wherethe title (Solitude is Oneself)comes from belongs to Javier Adúriz (1948-2011), Argentine poet, one ofmy best teachers and friends (the original Spanish reads "La soledad es uno mismo").<br> <br> Don'tsee any negative aspects in Solitude. In Spanish there is only one word forSolitude and Loneliness (namely "Soledad"). Loneliness is a state ofisolation, without dialog, feeling abandoned and without external points ofreference. But I conceive Solitude as a highely creative state, in which one isfaced to what one actually wants to achieve, with one's thoughts, with one'sself.<br> <br> NeverUnderestimate the Difficulties of Simple Things. Lots of times I have seenthis in several persons - and in myself: when something is simple, easy anduncomplicated, we tend to underestimate it too much and its hidden difficultiesend up tackling us. We leave to the last moment a text that seems easy tolearn, and we do not assimilate it as we could. Or a chess game that is(really) won, but we feel over-confident, we play with superficiality, we makeslight mistakes one after the other and loose control of the situation.<br> <br> Thistitle can be understood as self-referent: this particular piano piece seems tobe simple... until you try to perform it really well and record it.<br> <br> About the ArtWork / Cover Art of Solitudeis Oneself:<br> <br> It shows a human face (concretely the composer's)faced simmetrically to its silhouette, in black. This illustration alludes tothe title: Solitude is Oneself. Is oneself (the person) facing his ownsolitude, his internal misterious being. A real human facing his own shadow. Itis not a negative shadow: is the shadow of which Shamanism speaks, the ownshadow from where one draws strength.<br> <br> The music is dedicated to Mr. Cadmiel Pérez from República Dominicana.<br> <br> Solitude isOneself was recorded by the composer and released as single on Friday 17August 2018 on Spotify, Deezer, Apple Music, Qobuz, Tidal, Amazon mp3 and nearly all streaming platforms you canimagine.<br> <br> In Spotify is here:<br> <br> https://open.spotify.com/album/6KffxzDSVYJqZuNEK3Bj0h<br> <br> In Bandcamp is here:<br> <br> https://juanmariasolare.bandcamp.com/album/solitude-is-oneself<br> <br> If you readSpanish you can find more about this music here:<br> <br> https://es.quora.com/blog/musica-neoclasica/La-soledad-es-uno-mismo-m%C3%BAsica-para-piano
$3.00
2.77 €
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Piano solo
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Juan María Solare
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Solitude is Oneself [piano]
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Juan Maria Solare
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SheetMusicPlus
Missa Brevis
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1177521 Composed by Juan A. Perez…
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Concert Band - Level 3 - Digital Download SKU: A0.1177521 Composed by Juan A. Perez. Christian,Classical,Sacred,Spiritual. Score and parts. 227 pages. Juan A. Perez #777533. Published by Juan A. Perez (A0.1177521). Missa Brevis for choir and band composed by Juan A. Pérez. The work consists of the 6 traditional parts: Kyrie Eleison, Gloria, Credo, Sanctus, Benedictus and Agnus Dei, with Latin lyrics. Kyrie Eleison: https://youtu.be/IytQmnecg8AGloria: https://youtu.be/jucR9RDkWSkSanctus/Benedictus: https://youtu.be/jJDA75p8TyUAgnus Dei: https://youtu.be/3FdM872t_f4.
$96.00
88.5 €
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Concert band
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Juan A
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Missa Brevis
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Juan A. Perez
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SheetMusicPlus
Swan Lake - Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet - Intermediate - Digital Download Composed by Peter Ilyich Tchaiko…
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Clarinet Quartet - Intermediate - Digital Download Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Juan A. Perez. Romantic Period, Classical Period. Score, Set of Parts. 31 pages. Published by Juan A. Perez
Arrangement of the famous ballet “Swan Lake” by P. Tchaikovsky. Tells the story of Odette, a princess turned into a swan by an evil sorcerer’s curse. The ballet was premiered by the Bolshoi Ballet on 4 March 1877 at the Bolshoi Theatre in Moscow. It is one of Tchaiskovsky’s most famous works.
$6.00
5.53 €
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Clarinet Quartet: 4 clarinets
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Peter Ilyich Tchaikovsky
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Swan Lake - Clarinet Quartet
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Juan A. Perez
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SheetMusicPlus
Foreign Tales - Six Duets for Guitar and Violin
Violin, Guitar (duet)
Acoustic Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1411699
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Acoustic Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1411699 By Juan MartÃnez Pérez and Larsen Genovese. By Juan MartÃnez Pérez and Larsen Genovese. Classical,Contemporary,Folk,New Age. 21 pages. Speedchill #993946. Published by speedchill (A0.1411699). Juan MartÃnez Pérez, on the acoustic guitar, and Larsen Genovese, on the violin, have been working on a joint repertoire since the autumn of 2023. A first result is the EP Foreign Tales: six duets blending diverse styles into modern, distinctive compositions.Crystal Orb gracefully marries neoclassical elegance with the intimate warmth of folk music. Eclipses pays tribute to Erik Satie, blending guitar and violin in a dynamic call and response, mirroring an eclipse's shifting shadows. Delight is a folksy serenade to joy, inviting a season of renewal and vibrant beginnings. Carol presents a harmonious blend of classical and modern music, breathing new life into Bach's timeless melodies with a contemporary twist. Hidden Grace weaves a serene tapestry of sound, melding folk vibes with rhythmic elegance. Talisman is an emotionally charged piece, weaving a sense of unity in challenging times through its musical narrative.More info at www.speedchill.com.
$18.00
16.59 €
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Violin, Guitar (duet)
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Juan MartÃnez Pérez and Larsen Genovese
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Foreign Tales - Six Duets for Guitar and Violin
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speedchill
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SheetMusicPlus
Eclipses
Violin, Guitar (duet)
Acoustic Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1411458
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Acoustic Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1411458 By Juan MartÃnez Pérez and Larsen Genovese. By Juan MartÃnez Pérez and Larsen Genovese. Classical,Contemporary,Folk,New Age. 3 pages. Speedchill #993725. Published by speedchill (A0.1411458). Eclipses is a homage to the music of Erik Satie. It is a conversation between guitar and violin, a kind of call and response, like an eclipse, involves one voice momentarily moving into the shadow of the other, creating a dynamic interplay throughout the tune. It is the second piece of the debut EP by Juan MartÃnez Pérez and Larsen Genovese called Foreign Tales, released on their own label speedchill, featuring 6 duets for acoustic guitar and violin.More info at www.speedchill.com.
$5.99
5.52 €
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Violin, Guitar (duet)
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Juan MartÃnez Pérez and Larsen Genovese
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Eclipses
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speedchill
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SheetMusicPlus
Carol
Violin, Guitar (duet)
Acoustic Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1411469
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Acoustic Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1411469 By Juan MartÃnez Pérez and Larsen Genovese. By Juan MartÃnez Pérez and Larsen Genovese. Classical,Contemporary,Folk,New Age. 3 pages. Speedchill #993735. Published by speedchill (A0.1411469). Carol presents a harmonious blend of classical and modern music, breathing new life into Bach's timeless melodies with a contemporary twist. It is the fourth piece of the debut EP by Juan MartÃnez Pérez and Larsen Genovese called Foreign Tales, released on their own label speedchill, featuring 6 duets for acoustic guitar and violin.More info at www.speedchill.com.
$5.99
5.52 €
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Violin, Guitar (duet)
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Juan MartÃnez Pérez and Larsen Genovese
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Carol
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speedchill
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SheetMusicPlus
Delight
Violin, Guitar (duet)
Acoustic Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1411465
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Acoustic Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1411465 By Juan MartÃnez Pérez and Larsen Genovese. By Juan MartÃnez Pérez and Larsen Genovese. Classical,Contemporary,Folk,New Age. 3 pages. Speedchill #993731. Published by speedchill (A0.1411465). Delight is a folksy serenade to joy, inviting a season of renewal and vibrant beginnings!It is the third piece of the debut EP by Juan MartÃnez Pérez and Larsen Genovese called Foreign Tales, released on their own label speedchill, featuring 6 duets for acoustic guitar and violin.More info at www.speedchill.com.
$5.99
5.52 €
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Violin, Guitar (duet)
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Juan MartÃnez Pérez and Larsen Genovese
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Delight
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speedchill
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SheetMusicPlus
Talisman
Violin, Guitar (duet)
Acoustic Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1411474
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Acoustic Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1411474 By Juan MartÃnez Pérez and Larsen Genovese. By Juan MartÃnez Pérez and Larsen Genovese. Classical,Contemporary,Folk,New Age. 4 pages. Speedchill #993742. Published by speedchill (A0.1411474). Talisman is an emotionally charged piece, weaving a sense of unity in challenging times through its musical narrative.As the closing track of the debut EP Foreign Tales by Juan MartÃnez Pérez and Larsen Genovese, this piece rounds out the collection on their own label speedchill, which comprises six duets for acoustic guitar and violin.More info at www.speedchill.com.
$5.99
5.52 €
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Violin, Guitar (duet)
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Juan MartÃnez Pérez and Larsen Genovese
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Talisman
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speedchill
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SheetMusicPlus
Hidden Grace
Violin, Guitar (duet)
Acoustic Guitar,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1411472
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Acoustic Guitar,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1411472 By Juan MartÃnez Pérez and Larsen Genovese. By Juan MartÃnez Pérez and Larsen Genovese. Classical,Contemporary,Folk,New Age. 4 pages. Speedchill #993739. Published by speedchill (A0.1411472). Hidden Grace weaves a serene tapestry of sound, melding folk vibes with rhythmic elegance.It is the fifth piece of the debut EP by Juan MartÃnez Pérez and Larsen Genovese called Foreign Tales, released on their own label speedchill, featuring 6 duets for acoustic guitar and violin.More info at www.speedchill.com.
$5.99
5.52 €
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Violin, Guitar (duet)
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Juan MartÃnez Pérez and Larsen Genovese
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Hidden Grace
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speedchill
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SheetMusicPlus
Reencuentro [piano 4 hands]
1 Piano, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596574
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596574 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Jazz,World. Score and parts. 7 pages. Juan Maria Solare #4794263. Published by Juan Maria Solare (A0.596574). Reencuentro (Reunion): Slow Milonga (country-side milonga) written down after a visit to the cemetery at El Escorial (Spain) on 30 March 2008. This is the typical piece that is destilated in concentric stages: first a lead sheet version (only melody and chords), later a simple piano solo version that starts to become more and more complex. The easy piano version was written on 7 April 2008 and finished in Berlin on 9th April 2008. Premiere of this version for piano solo: by the composer on 3 July 2008 at the theatre of the University in Bremen, during a concert of the Orquesta No TÃpica. Premiere in the Americas by Iván Pérez Faccaro on 27 November 2008 at the Conservatorio Superior de Música de Buenos Aires Ãstor Piazzolla (Argentina). Incluided in the CD Tango Monologues (January 2010) by Juan MarÃa Solare. (https://open.spotify.com/track/71ksY7eCbpeKM1Kjj2x9KT) Second version, for piano four hands, written in Köln on April 17, 2008. There are first corrections made in Köln on November 7, 2008, which echo the versions made in between. Premiere by Helga Beier & Markus Deinhard on Thursday, May 27, 2010, recital Klavier 1- bis 6-händig in the theater of the University of Bremen.
$4.00
3.69 €
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1 Piano, 4 hands
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Juan MarÃa Solare
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Reencuentro [piano 4 hands]
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Juan Maria Solare
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SheetMusicPlus
Serenata Española. New completely revised and fingered edition based on original sources,
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1449751 Composed by Joaquín Malat…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1449751 Composed by Joaquín Malats (1872 - 1912). Arranged by Pedro Jesús Gómez (arranger) & Juan Velázquez (editor). 19th Century,Romantic Period. Individual part. 12 pages. Pedro Jesús Gómez Lorente #1029511. Published by Pedro Jesús Gómez Lorente (A0.1449751). Joaquín Malats's Serenata Española was premiered at the Salon Érard in Barcelona on 22 September 1891,[1] and was published by Zozaya a year later. Despite what it may seem from the initial title on the cover of the Suite Impresiones de España, this work was never performed as a suite for orchestra. Originally conceived as a collection in which the Serenade was the second of the pieces, only this one was published in addition to the first one: Danza. Joaquim Malats performed these two compositions in numerous concerts as part of the Suite Impresiones de España,[2] however, he neither published them as a unitary corpus, nor did the ochestral version see the light. The suite was initially dedicated to the great writer Benito Pérez Galdós, who was also a personal friend of the composer. This edition aims to provide a new vision of the work by contrasting the first two arrangements that were made, by Tárrega and by his disciple Severino García Fortea, with the original piano source, paying special attention to include agogics, dynamics and phrasing arcs indications in the piano font and to the maintenance of the original structure of the work. [1] «Joaquín Malats i Miarons», Real Academia de la Historia (blog), Last accessed April 12th 2024, https://dbe.rah.es/biografias/12709/joaquin-malats-i-miarons 2024-04-12.[2] Joaquín Malats, Impresiones de España. Suite de orquesta (Madrid: Zozaya, 1892).
$8.50
7.84 €
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Guitar
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Joaquín Malats
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Serenata Española. New completely revised and fingered edition based on original sources,
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Pedro Jesús Gómez Lorente
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestra
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.95 €
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Orchestra
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Manuel de Espinosa de los Monteros (1730-1810)
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Saltando matones. Bambuco fiestero por: Luis Dueñas Perilla.
Piano solo
Piano Solo - Digital Download SKU: A0.958721 Composed by Luis Dueñas Perilla. Ar…
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Piano Solo - Digital Download SKU: A0.958721 Composed by Luis Dueñas Perilla. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Standards,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6115835. Published by Juan Carlos Cortés Aguirre (A0.958721). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Luis Dueñas Perilla nace en Somondoco (Boyacá) el 1 de Febrero de 1921 y muere en Bogotá el 3 de Noviembre de 1977. Autor y compositor de la célebre danza Negrita.Este bambuco es tema de discusión por algunos estudiosos e investigadores musicales, los cuales suponen que este bambuco es original del maestro antioqueño Carlos Vieco OrtÃz por su estilo y forma melódica y armónica. Púes en algún momento tuvo un encuentro con este buen cantante, al cual le confió uno de sus cuadernos con sus obras para estudiarlas, y luego fue devuelto lamentablemente con algunas páginas arrancadas de dicho libro; a lo cual el maestro Vieco no mostró disgusto, ni hizo reclamo, dada su pacÃfica actitud y tranquilo temperamento.Algunos se basan en un sugestivo tÃtulo del pasillo de Carlos Vieco llamado: Saltando PolÃnes. A lo que el investigador Javier Gutiérrez Villegas afirma que:...No todas las canciones de Vieco tuvieron ese origen trascendente ni fueron estrenadas con solemnidad. Y dejando a un lado la actitud circunspecta, nos relata el nacimiento del pasillo Saltando polines: en 1932, plena guerra con el Perú, se juntaron en La Bastilla Alberto Ãngel Vallejo el aplaudido barÃtono, Roberto Muñoz Londoño, educador y poeta, y él. Se encontraban en ruinosa situación y planearon una gira que los sacarÃa de afanes. Imaginábamos montañas de plata, apunta don Carlos, con la voz maravillosa de Alberto, con las declamaciones de Muñoz Londoño y con mis interpretaciones al piano. Escogimos a Cisneros para comenzar. En pleno auge el Ferrocarril de Antioquia, aquella población era centro populoso y muy importante. Pues a la primera función asistieron el cura y el alcalde ya la segunda no fue nadie. Con los gastos de transporte, de hotel, de cartelerÃa, nos quedamos en la pura inopia. Con unas monedas sobrantes compramos pasaje de tercera para Muñoz Londoño que se encontraba enfermo y Ãngel Vallejo y yo resolvimos regresar a MedellÃn, saltando polines. Iniciamos la aventura y cuando llevábamos buen trecho apareció una máquina del Ferrocarril que transportaba veteranos para la guerra y nos recogieron. Y en esta forma, hacinados pero felices, pusimos fin a la correrÃa. (Sic erat scriptum: «asà fue escrito».).Polines: Traviesas de madera o durmientes de madera son un tipo de traviesas utilizadas en la construcción de vÃas férreas.Polémica o no, este Bambuco está registrado legalmente por Luis Dueñas Perilla, compositor boyacense.Gabriel Uribe y el Conjunto de Tomás Burbano. Video You Tube:https://www.youtube.com/watch?v=QxQr3cMmskg
$7.99
7.37 €
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Piano solo
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Luis Dueñas Perilla
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Saltando matones. Bambuco fiestero por: Luis Dueñas Perilla.
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Hasta Mi Final
Cello,Double Bass,English Horn,Fiddle,High Voice,Piano,Viola - Level 4 - Digital Download …
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Cello,Double Bass,English Horn,Fiddle,High Voice,Piano,Viola - Level 4 - Digital Download SKU: A0.1462461 By Il Divo. By Rudy Perez, Steve Mac, and Wayne Hector. Arranged by juan carlos esteve / Gran Coda. 20th Century,Chamber,Christian,Classical,Soul. 26 pages. Juan Carlos Esteve #1041209. Published by Juan Carlos Esteve (A0.1462461). ¡Bienvenidos! Les presento un arreglo especial de Hasta Mi Final para piano, violines (I y II), viola, violonchelo, contrabajo y trompa (en Fa),acompañado de una hermosa melodía para voz solista. La descarga Incluye: 26 páginas en PDF (partitura del director y partituras individuales) Formato folio A4 (21 x 29.7 cm / 8.27 x 11.69 in) Tonalidad: Si mayor. 55 compases en total. Nivel de dificultad: Avanzado. Espero que disfruten tocando esta pieza tanto como yo disfruté arreglarla. ¡Feliz interpretación!
$150.00
138.29 €
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Il Divo
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Hasta Mi Final
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Juan Carlos Esteve
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SheetMusicPlus
Cannabis
B-Flat Saxophone,B-Flat Trumpet,Baritone Saxophone,Bass Voice,Electric Guitar,Electronic K…
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B-Flat Saxophone,B-Flat Trumpet,Baritone Saxophone,Bass Voice,Electric Guitar,Electronic Keyboard,Trombone - Level 4 - Digital Download SKU: A0.1099200 By Ska-P. By Alberto Javier Amado Huete, Antonio Garcia Escobar, Francisco Javier Navio Alcazar, Jose Antonio Lopez Pancorbo, Julio Cesar Sanchez Suarez, Ricardo Delgado De La Obra, and Roberto Ganan Ojea. Arranged by juan carlos esteve / Gran Coda. 20th Century,Hip-Hop,Pop,R & B. 14 pages. Juan Carlos Esteve #703073. Published by Juan Carlos Esteve (A0.1099200). • Transcription of the handwritten score for Keyboard, Guitar, Bass, Trumpet, Trombone, Tenor Saxophone, Baritone Saxophone (accompaniment) with chord numbers of the song Cannabis. • The download contains 14 pages in pdf format folio size A4 (21x29.7cm)-(8.27x11.69 in) • Original Tone: A • Total number of bars: 82 • Degree of difficulty: Intermediate.
$20.00
18.44 €
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Ska-P
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Cannabis
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Juan Carlos Esteve
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SheetMusicPlus
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violin, Clarinet, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
13.82 €
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Violin, Clarinet, Piano (trio)
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Adam Lenhart
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Two Scenes from The Rubáiyát of Omar Khayyám
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Adam Lenhart
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SheetMusicPlus
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