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Painting In The Rain
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You've selected:
Painting In The Rain
Sheetmusic to print
43 sheet music found
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1
26
Spring from "The Seasons" (Downloadable Piano/Choral Score)
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Choral SATB
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INTERMEDIATE
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Frank Ferko
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Spring from "The Seasons"
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and string quartet - Medium - Digital Download SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score &...
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SATB choir and string quartet - Medium - Digital Download SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score & instrument part. 10 pages. Duration 2 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8559-E. Published by E. C. Schirmer Music Company - Digital (MQ.8559-E). UPC: 600313485596. English.The Seasons was commissioned by the South Bend Chamber Singers, Nancy Menk, conductor, and first performed on March 3, 2013 by the South Bend Chamber Singers with the Euclid Quartet in a concert devoted to music about the weather. The texts for this work were selected by the composer, and they represent three different time periods, the 17th, 19th and early 20th centuries, to show that writers have long been fascinated by the seasons and by the distinct weather conditions that each season brings. Although certain types of weather, such as wind or rain, may occur in any of the seasons, the descriptions of weather in these four poems present specific weather conditions which commonly occur in each of the four seasons: a still, hot, sultry day interrupted by the movement of a light breeze from the hills (summer); the cooling morning mists and light frost which signal the coming of winter (autumn); the bitter iciness of fierce winds and frozen air-in this poem, further compared with man's ingratitude (winter); the warm rains and southerly winds that melt the ice and bring about new life (spring). Throughout this piece various musical devices are employed to underscore or even interpret the words. These devices include text painting, contrapuntal structures (double canon and fugue), and dramatically shifting harmonic colors as each season unfolds. The contrasting performing forces of mixed choir and string quartet are particularly well-suited for presenting, very colorfully, the various musical depictions of the weather conditions and characteristics of each of the seasons. -Frank FerkoDuration: 2:40.
$2.65
Painting In The Rain
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Todrick Hall
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Ted Gehring
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Painting In The Rain
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Ted Gehring
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SheetMusicPlus
Large Ensemble - Level 3 - Digital Download SKU: A0.940818 By Todrick Hall. By Carl Mcgrier, Carl Seante Mcgrier, Jean-Yves G. Ducornet, Kofi A Owusu-ofo...
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Large Ensemble - Level 3 - Digital Download SKU: A0.940818 By Todrick Hall. By Carl Mcgrier, Carl Seante Mcgrier, Jean-Yves G. Ducornet, Kofi A Owusu-ofori, Kofi Owusu, Todrick Dramaul Hall, and Todrick Hall. Arranged by Ted Gehring. A Cappella,Contemporary,Pop. Score and parts. 9 pages. Ted Gehring #5375243. Published by Ted Gehring (A0.940818). A Cappella arrangement for TTTBBB of Toddrick Hall's Painting in the Rain with Solo and optional vocal improv section. Link to original work by Toddrick Hallhttps://www.youtube.com/watch?v=SLv8-O3p5dIIMPORTANT: One purchase allows for up to 25 copies.
$12.99
Painting In The Rain
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Todrick Hall
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Ted Gehring
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Painting In The Rain
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Ted Gehring
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.940813 By Todrick Hall. By Carl Mcgrier, Carl Seante Mcgrier, Jean-Yves G. Ducornet, Kofi A Owusu-ofori, Kofi Owusu, T...
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Level 3 - Digital Download SKU: A0.940813 By Todrick Hall. By Carl Mcgrier, Carl Seante Mcgrier, Jean-Yves G. Ducornet, Kofi A Owusu-ofori, Kofi Owusu, Todrick Dramaul Hall, and Todrick Hall. Arranged by Ted Gehring. A Cappella. 14 pages. Ted Gehring #4756105. Published by Ted Gehring (A0.940813). SSATBB A Cappella arrangement of Toddrick Hall's Painting in the Rain with Solo and optional vocal improv section. Â IMPORTANT: One purchase allows for up to 25 copies. Link to Todrick Hall's performance: https://www.youtube.com/watch?v=SLv8-O3p5dI.
$12.99
Painting In The Rain
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Choral TTBB
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EASY
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Contemporary
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Todrick Hall
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Ash
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Painting In The Rain
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Music by Ash
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.919835 By Todrick Hall. By Carl Mcgrier, Carl Seante Mcgrier, Jean-Yves G. Ducornet, Kofi A Owus...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.919835 By Todrick Hall. By Carl Mcgrier, Carl Seante Mcgrier, Jean-Yves G. Ducornet, Kofi A Owusu-ofori, Kofi Owusu, Todrick Dramaul Hall, and Todrick Hall. Arranged by Ash. Contemporary. Octavo. 17 pages. Music by Ash #6286381. Published by Music by Ash (A0.919835). General DetailsTTBB with pianoWritten for medium to large chorusesT2 split for the final chorus (option for lower T1s to sing upper T2 part)Duration: approx. 4:05Vocal RangesTenor 1: C3-Bb4Tenor 2: C3-A4Baritone: C3-D4Bass: A2-C4 (Optional low note: D2)Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com
$2.00
THREE SAX REPAINTINGS for saxophone & piano
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Rainer Fabich
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THREE SAX REPAINTINGS for saxo
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Fajora Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.889792 Composed by Rainer Fabich. 20th Century,Contemporary. S...
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Small Ensemble Alto Saxophone,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.889792 Composed by Rainer Fabich. 20th Century,Contemporary. Score and parts. 44 pages. Fajora Music #3481995. Published by Fajora Music (A0.889792). Three beautiful musical tableaux for saxophone and piano from the CDRAINER FABICH - SOP SAX TUNES:WATER VISIONS 2:32 FALLING ANGEL 2:33 WAVES 2:40 Sheet music (piano, soprano saxophone in Bb, alternatively alto sax in Eb or C part), 42 pages. The three musical pieces were originally composed for solo piano and recorded by the Munich concert pianist Prof. Michaela Pühn for the CD Piano Pur in the Great Concert Hall of the University of Music and Theater, Munich. Analogous to techniques of visual art was added at Three Sax Repaintings subsequently another solo voice. The soprano saxophone overpaints the piano part, so to speak, and places it in a new context. Music by the composer Rainer Fabich. Further information and audio samples at:www.rainer-fabich.de, www.fajora.com, itunes or amazon. ISBN: 9783746703237 Format: DIN A4 high Pages: 42
$19.95
The Shadow of the Falling Lead - Score Only
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String Orchestra
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ADVANCED
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Apostolos Paraskevas
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The Shadow of the Falling Lead
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Silver Sickle Publications
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.1350504 By Apostolos Paraskevas. By Apostolos Paraskevas. 21st Century,Contemporary,Multicultural,W...
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String Orchestra - Level 5 - Digital Download SKU: A0.1350504 By Apostolos Paraskevas. By Apostolos Paraskevas. 21st Century,Contemporary,Multicultural,World. 30 pages. Silver Sickle Publications #935314. Published by Silver Sickle Publications (A0.1350504). In the echoes of history, where the ravages of war leave indelible scars on the fabric of humanity, there emerges a haunting melody that seeks to articulate the unspeakable pain and devastation wrought by the shadow of falling lead. The Shadow of the Falling Lead is a musical composition born out of a deep and poignant reflection on the profound impact of bombing during wartime.As the symphony unfolds, it endeavors to traverse the emotional landscape of those whose lives have been forever altered by the relentless rain of destruction. Each note serves as an empathetic brushstroke, painting the canvas of despair with the hues of sorrow, resilience, and the human spirit's enduring will to survive.The title itself evokes the grim reality of warfare, where the shadow of falling lead becomes an ominous specter, casting darkness over the lives it touches. This composition seeks to transcend the boundaries of language, inviting listeners to immerse themselves in the somber beauty of the music and connect with the shared humanity that unites us all.As we embark on this musical journey, may The Shadow of the Falling Lead serve as a solemn reminder of the cost of conflict and the imperative to strive for a world where the echoes of such devastation become but distant memories, replaced by the harmonious chords of peace and understanding.A solo violin ends this journey as a mother lamenting for her lost children. Â
$25.00
Three Hopper Paintings
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Piano solo
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ADVANCED
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Contemporary
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Geoffrey Peterson
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Three Hopper Paintings
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Geoffrey Peterson
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.942951 Composed by Geoffrey Peterson. Contemporary. Score. 8 pages. Geoffrey Peterson #3915779. Published...
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Piano Solo - Level 5 - Digital Download SKU: A0.942951 Composed by Geoffrey Peterson. Contemporary. Score. 8 pages. Geoffrey Peterson #3915779. Published by Geoffrey Peterson (A0.942951). Three Hopper Paintings was written in the early 1990s. The three movements are connected by a ten-note theme. Much of the music, both melodic and harmonic, is derived from this. In my early twenties at the time, and having recently spent some months in Vienna studying the atonal and twelve-tone works of Arnold Schoenberg, I was greatly influenced by the music and compositional techniques of the Second Viennese School. The first movement, Nighthawks, is brooding and mysterious attempting to capture those qualities depicted in the painting. The music takes its cue from the early atonal piano works of Schoenberg. Rooms by the Sea has an impressionistic quality. With some exceptions, the music is predominantly in the sound world of Debussy. Some artistic license is taken with the last two chords to portray a sudden sea breeze closing the door shut. House by the Railroad is musically the most literal representation of the three paintings. The sustain pedal is left down for almost the entire movement to simulate the rumbling of an oncoming train. Allegedly, the house in Alfred Hitchcock's Psycho was inspired by it. Ironically, I lived in a small carriage house a few hundred feet from an active railroad when I composed the work.
$5.99
The Huron Carol — brass quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Traditional French Melody
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Todd Marchand
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The Huron Carol — brass quin
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1147711 Composed by Traditional French Melody. Arranged by T...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1147711 Composed by Traditional French Melody. Arranged by Todd Marchand. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 16 pages. Con Spirito Music #747929. Published by Con Spirito Music (A0.1147711). “The Huron Carol†is the popular name for a Christmas song written in the language of the Wendat, an indigenous people of Canada — their name meaning “people of the island†or “dwellers on a peninsula†— nicknamed “Huron†(“boar's headâ€) by French explorers and traders due to the bristly hairstyle of Wendat men.The song began as a tool for teaching and converting the Wendat to Christianity, and it was likely written in the early 1640s by the French Jesuit missionary, Jean de Brébeuf. In Wendat, the song is titled “Jesous Ahatonnia,†which means “Jesus is Born.†The song's melody is based on a traditional French folk song, “Une Jeune Pucelle†(“A Young Maidâ€). Jean de Brébeuf’s lyrics present the Nativity story using images and ideas that would have been familiar to the Wendat. Angels are “spirits†and “sky peopleâ€; the Magi (wise men) are “elders,†and as an act of reverence they oil Jesus’ scalp, a practice Wendat people would have recognized. Today, “The Huron Carol's†most well-known lyrics, beginning “'Twas in the moon of winter-time,†were written by Canadian poet Jesse Middleton and published in 1927 in a small illustrated book titled “The First Canadian Christmas Carol.â€Middleton’s text is not a translation, but a complete rewriting of “Jesous Ahatonnia†for English speakers, and bears almost no relation to the original Wendat text. Middleton relied on stereotypes, critics say, painting a picture of an indigenous Nativity in a “lodge of broken bark,†with “hunter braves†replacing shepherds, and “gifts of fur and beaver pelt†delivered by “chiefs from far.†Still, the carol has long been popular, perhaps in part due to its refrain, “Jesus your King is born, Jesus is born. In excelsis gloria!†and its pairing with the easily singable “Une Jeune Pucelle†tune.This arrangement for brass quintet takes a contemplative, lyrical approach, featuring rich harmonies to the chant-like tune and contrasts in dynamics and tempo that evoke both the quiet peace and solemnity accompanying the birth of Christ.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
Fantasy on Ukrainian Bell Carol - Organ Score
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Christmas
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Brian Childers
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Brian Childers
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Fantasy on Ukrainian Bell Caro
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octabes handbells - Level 4 - Digital Download SKU: C7.CGB1034 Composed by Brian Childers. Arranged by Brian Childers. Christmas. Master Ringe...
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3, 4, or 5 octabes handbells - Level 4 - Digital Download SKU: C7.CGB1034 Composed by Brian Childers. Arranged by Brian Childers. Christmas. Master Ringer. With Brass quintet or organ, timpani. Score. 8 pages. Chorister's Guild - Digital #CGB1034. Published by Chorister's Guild - Digital (C7.CGB1034). UPC: 749193026724.From Joshua 1:9: ...Be strong and courageous. Do not be afraid; do not be discouraged, for the Lord your God will be with you wherever you go. Resilience is a musical painting of the journey of life, and of a resilient soul. We hear the serenity of sure comfort at the beginning, and then a melody appears--it emanates peacefulness, but also challenge. Major seventh and minor seventh chords are used back-to-back to portray the juxtaposition of light and darkness. When the minor chords take over and the melody begins to fall, a contemplative, tearful section begins, only to be interrupted by a confident rhythm. The 11/8 time signature conveys unsteadiness, but as it continues and grows, it becomes steady and powerful. Finally, the main theme returns in exuberance--the true form of a resilient spirit. As the music comes to a close, the final chord is a major seventh, not minor--good has triumphed over evil--and the notes float up heavenward to the final resting place--it is finished; having persevered, the soul has earned its peaceful rest.
$6.95
I Felt a Funeral in My Brain
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Choral SATB
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INTERMEDIATE/ADVANCED
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Jay Dougherty
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I Felt a Funeral in My Brain
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Jay Dougherty
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1343384 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Contemporary,Contest,F...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1343384 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Contemporary,Contest,Festival. 14 pages. Jay Dougherty #928911. Published by Jay Dougherty (A0.1343384). With a text by Emily Dickinson, I Felt a Funeral in My Brain is a haunting and introspective exploration of the psychological and emotional turmoil experienced during moments of intense internal crisis. The poem, composed circa 1861, delves into the human psyche, employing vivid and metaphorical language to convey the unraveling of the speaker's mental stability.Striving to bring awareness to the mental health crises of our day, Jay Dougherty's setting of this text serves as a visceral exploration of the poem's profound emotional and psychological themes. Through a careful selection of musical elements, the composition endeavors to immerse the audience in the turbulent inner world of the speaker through various uses of word painting and sonic experiences.Please purchase one copy per singer.For more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.com.
$3.99
The Snow Begins to Fall
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Choral 2-part
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Andy Beck
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Recorded Acc. Available.
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The Snow Begins to Fall
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - Digital Download SKU: AX.00-PO-0003154 The Snow Begins to Fall - 2-Part. Composed by Andy Beck. Secular Choral. 7 pages. Alfred Music - D...
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Chorus - Digital Download SKU: AX.00-PO-0003154 The Snow Begins to Fall - 2-Part. Composed by Andy Beck. Secular Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0003154. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003154). UPC: 038081211954.You can't miss the vivid text painting as the floating vocal parts layer one upon another in the rich sequential refrain. You can almost feel the chill of a winter wind as the haunting opening theme is combined with a chromatically descending counter melody. It's classic choral writing with a contemporary flair. Logical, comfortable singing in all four voicings makes it easy for your choir to sing a sophisticated, secular choral work this winter.Inst. Parts Available (choral); Recorded Acc. Available.
$2.25
The Snow Begins to Fall
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Choral 3-part
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Andy Beck
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Recorded Acc. Available.
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The Snow Begins to Fall
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - Digital Download SKU: AX.00-PO-0002204 The Snow Begins to Fall - SAB. Composed by Andy Beck. Secular Choral. 10 pages. Alfred Music - Dig...
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Chorus - Digital Download SKU: AX.00-PO-0002204 The Snow Begins to Fall - SAB. Composed by Andy Beck. Secular Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0002204. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002204). UPC: 038081211947.You can't miss the vivid text painting as the floating vocal parts layer one upon another in the rich sequential refrain. You can almost feel the chill of a winter wind as the haunting opening theme is combined with a chromatically descending counter melody. It's classic choral writing with a contemporary flair. Logical, comfortable singing in all four voicings makes it easy for your choir to sing a sophisticated, secular choral work this winter.Inst. Parts Available (choral); Recorded Acc. Available.
$2.25
A Parting Blessing (May the Father's Light)
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Choral SATB
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INTERMEDIATE
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Michael S
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A Parting Blessing
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Bryson Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.933373 Composed by Michael S. Bryson. A Cappella,Christian,Sacred. Octavo. 6 pages. Bryson Music...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.933373 Composed by Michael S. Bryson. A Cappella,Christian,Sacred. Octavo. 6 pages. Bryson Music #14037. Published by Bryson Music (A0.933373). SATB a capella. A chorale benediction. Duration: 1:30. I composed this choral benediction for a collegiate commencement ceremony. Like a Renaissance madrigal, this piece abounds with word painting. For instance, the opening words are derived from James 1:17 and melodically reflect the Father’s light coming down from above. The harmony of the second phrase turns constraining when quoting 2 Corinthians 5:14 concerning the love of Christ, and, in the third phrase, the voices’ movements quicken at mention of the Spirit's moving. The doxological statement God receive the glory appears three times to honor the Trinity, and, finally, the lyrics ’til He calls you home signal the return of the home key to conclude the benediction. Contact michaelsbryson@gmail.com with any questions. www.michaelsbryson.com.
$1.99
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Missa Solemnis, op. 27 - Score Only
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Orchestra
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #86...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Song Of The Volga Boatmen
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Mily Alexeyevich Balakirev
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Chris Gorman
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Song Of The Volga Boatmen
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Chris Gorman
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1094658 Composed by Mily Alexeyevich Balakirev. Arranged by Chris Gorman. Jazz,Traditional. Brass Band. 67 pages. Chris Gorman #698728. Published by Chris Gorman (A0.1094658). He Song of the Volga Boatmen Yo, heave-ho!, after the refrain is a well-known traditional Russian song collected by Mily Balakirev and published in his book of folk songs in 1866. It was sung by burlaks, or barge-haulers, on the Volga River. Balakirev published it with only one verse . Ilya Repin's famous painting Barge Haulers on the Volga depicts such burlaks in Tsarist Russia toiling along the Volga. The song was popularized by Feodor Chaliapin, and has been a favorite concert piece of bass singers ever since. Bill Finegan's jazz arrangement for the Glenn Miller band took the song to No. 1 in the US charts in 1941. This arrangement Is a nod to that.
$35.00
N. Leontovych - Carol of the Bells, "Щедрик", For Children Chorus (S/A) and Symphony Orches
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Orchestra
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Christmas
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N
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A
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N. Leontovych - Carol of the B
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008427 Composed by N. Leontovych. Arranged by A. Leytush. Christian. Score and parts. 12 pages. Arkady Leytush...
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Full Orchestra - Digital Download SKU: A0.1008427 Composed by N. Leontovych. Arranged by A. Leytush. Christian. Score and parts. 12 pages. Arkady Leytush #6629255. Published by Arkady Leytush (A0.1008427). Chedrik, chedrik, Carol of the Bells, written by the Ukrainian composer N. Leontovych is very well known in America as Christmas Carol. It takes one of the central piece in the bouquet of the best songs dedicated to Christmas. Orchestrating this work for a two-part children's choir and a symphony orchestra, I set myself the task of painting the score with all kinds of colors of a winter landscape and trying to create an atmosphere of the approaching Christmas.
$20.00
Brazil
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Piano solo
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ADVANCED
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The Ritchie Family
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Timothy Stapay/Liberace
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Brazil
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1217783 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by Timothy Stapay/Liberace. Film...
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Piano Solo - Level 5 - Digital Download SKU: A0.1217783 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by Timothy Stapay/Liberace. Film/TV,Jazz,Latin,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #814316. Published by Timothy Stapay (A0.1217783). This arrangement of Brazil is written as performed by famous piano artist, Liberace. This is the same version that he performed on his emmy-award winning TV. show and in concerts around the world.Aquarela do Brasil (Portuguese: [akwaˈɾɛlÉ du bɾaˈziw], 'Watercolor of Brazil'), written by Ary Barroso in 1939 and known in the English-speaking world simply as Brazil, is one of the most famous Brazilian songs. Ary Barroso wrote Aquarela do Brasil in early 1939, when he was prevented from leaving his home one rainy night due to a heavy storm. Its title, a reference to watercolor painting, is a clear reference to the rain. He also wrote Três lágrimas (Three Teardrops) on that same night, before the rain ended.Describing the song in an interview to Marisa Lira, of the newspaper Diário de NotÃcias, Barroso said that he wanted to free the samba away from the tragedies of life, of the sensual scenario already so explored. According to the composer, he felt all the greatness, the value and the wealth of our land, reliving the tradition of the national panels.WÅ‚adziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:Brazil, where hearts were entertaining JuneWe stood beneath an amber moonAnd softly murmured Someday soonWe kissed and clung togetherThen, tomorrow was another dayThe morning found me miles awayWith still a million things to sayNow, when twilight dims the skies aboveRecalling thrills of our loveThere's one thing I'm certain ofReturn, I will, to old BrazilThen, tomorrow was another dayThe morning found me miles awayWith still a million things to sayNow, when twilight dims the sky aboveRecalling thrills of our loveThere's one thing that I'm certain ofReturn, I will, to old BrazilThat old BrazilMan, it's old in BrazilBrazil, Brazil
$8.99
望春風 "Desire to the Spring Breeze" (Arranged for String Quartets)
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String Quartet: 2 violins, viola, cello
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EASY
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Jaron Khor
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Jaron Khor
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望春風 "Desire to
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Jaron Khor
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1366465 By Jaron Khor. By Deng Yuxian. Arranged by Jaron Khor. 19th...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1366465 By Jaron Khor. By Deng Yuxian. Arranged by Jaron Khor. 19th Century,Chamber,Classical,Folk,Traditional. 12 pages. Jaron Khor #950798. Published by Jaron Khor (A0.1366465). Deng Yuxian (July 21, 1906 - June 11, 1944) was a Taiwanese Hakka composer known for nearly a hundred iconic compositions, including Rainy Night Flowers, Spring Breeze, and Four Seasons Red. He is acclaimed as the Father of Taiwanese Ballads. Born in Taoyuan into a family with a rich history, Deng attended the Taipei Normal School under Japanese rule and later pursued composition studies in Japan.Upon returning to Taiwan, Deng Yuxian created numerous popular songs. In 1940, he left the music industry to become a teacher. Unfortunately, he succumbed to heart and lung disease in 1944 at the age of less than 40. Deng's musical legacy has had a profound impact on the Taiwanese music scene, leaving an indelible mark on its history.Spring Breeze, also known as Desire to the Spring Breeze, is an ancient traditional music piece with roots in a rich and old musical tradition. Known for its millennia-old melody and profound cultural significance, the song typically expresses anticipation for spring and praises the vibrant natural scenery. In this reimagined arrangement, I aimed to depart from traditional arrangement methods, incorporating rich scene paintings and vivid imagery. Each section has been crafted as a musical canvas, seeking to portray imaginative landscapes between the notes. This innovative approach challenges tradition, breathing new life into this ancient piece, making it more resonant with contemporary audiences. This arrangement is not just a reinterpretation of the music but also a tribute to tradition and an exploration of new perspectives. I hope this musical adventure guides you through the intersection of tradition and modernity, allowing Spring Breeze to blossom anew in a fresh narrative of sound, providing you with a wondrous journey for the soul.
$2.99
Tannhäuser und der Sängerkrieg auf Wartburg
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Classical
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Richard Wagner
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Tannhäuser und der Sängerkri
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Schott Music - Digital
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SheetMusicPlus
Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner....
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Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99
Extinction
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Choral SATB
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INTERMEDIATE/ADVANCED
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Adrienne Inglis
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Extinction
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1215070 Composed by Adrienne Inglis (ASCAP). 20th Century,A Cappella,Classical. Octavo. 3...
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1215070 Composed by Adrienne Inglis (ASCAP). 20th Century,A Cappella,Classical. Octavo. 30 pages. Adrienne Inglis (ASCAP) #811933. Published by Adrienne Inglis (ASCAP) (A0.1215070). Help fight the extinction crisis! Here's an important work for our times that's perfect for your nature/environmental program. It's an SATB (some divisi) a cappella choral piece with option soundscape, but stands alone with the singers making some nature sounds.Extinction by Adrienne Inglis (ASCAP)Soundscapes arranged by Seylon Stills in the audio sampleText : An Extinction by Kim Stafford (https://www.kimstaffordpoet.com) The poem “An Extinction†© 2022 Kim Stafford is unpublished and used with permission. An Extinction by Kim Stafford Not just the creature gone, not just the tattered feathers, dry leaf pressed thin. Not just the rendering from memory, not just the lost-list growing longer, a shape and hue from the field guide fled, not just a name that meant a life, a syllable that once was teeming glory, one bright flurry shimmering the sun. No. No. No. It’s one name gone from our happiness, one breath lost from our respiration, one thread frayed from our salvation, one plank gone from the ark that carried us. Be the songbird now and testify. Be the butterfly hinge of gold. Be the one with open hands these wonders to behold. Don’t let them fly. Be the songbird now and testify. Program note — Commissioned by Inversion Ensemble for its February 2023 Planet Home concert, Extinction sets the poem “An Extinction†(2022) by Kim Stafford for SATB mixed chorus. The three stanzas of the poem get distinct musical treatment: the first some text-painting and dissonance, the second rhythmic parts underpinning canonic melodic lines, the third a rich chorale. During my work on this piece, I happened to be traveling by train. The pitches of the train whistle snuck their way into the score as a dissonant chord. A nature soundscape may sometimes accompany this piece, although the tongue click sounds create a bit of their own aural ecosystem. Drawing attention to the unfolding catastrophe of mass extinction, Extinction hopes to inspire humans to action to prevent further loss of species biodiversity.
$1.99
Balcony Scene
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Piano solo
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EASY
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Claire Jones The Claire Jones
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Mav Duo
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Balcony Scene
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Musicial
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SheetMusicPlus
Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1262572 By Claire Jones The Claire Jones String Ensemble. By Craig Armstrong, Desree Weekes,...
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Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1262572 By Claire Jones The Claire Jones String Ensemble. By Craig Armstrong, Desree Weekes, Marius Devries, Nellee Hooper, and Tim Atack. Arranged by Mav Duo. Broadway,Classical,Musical/Show. Score and individual part. 2 pages. Musicial #855589. Published by Musicial (A0.1262572). Introducing a Melodic Masterpiece: The Enchanting Cello and Piano Arrangement of Balcony Scene from Craig Armstrong's Romeo and Juliet FilmAre you a true connoisseur of musical beauty? A lover of timeless melodies that whisk you away to ethereal realms of emotion? If so, we have a mesmerizing treasure in store for you – an exquisitely simple cello and piano arrangement of the enchanting Balcony Scene from Craig Armstrong's unforgettable score for the iconic Romeo and Juliet film.Immerse yourself in the tender love story of Shakespeare's star-crossed lovers like never before, as the hauntingly delicate strains of the cello entwine with the elegant piano harmonies, transporting you to the very heart of Verona. This exceptional arrangement, designed to be accessible to musicians of all levels, captures the essence of the film's most poignant and passionate moments, painting a musical tableau of love, longing, and the thrill of forbidden romance.Crafted by acclaimed musicians and meticulously transcribed with utmost care, this arrangement is a true testament to the power of music to evoke profound emotions. The simplicity of the arrangement ensures that even beginners can embrace the beauty of Balcony Scene and bring it to life through their own musical journey. It provides an ideal opportunity for aspiring musicians to develop their skills and for seasoned performers to showcase their interpretation.The velvety timbre of the cello, resonating with warmth and depth, dances gracefully with the piano's gentle touch, creating an enchanting synergy that will captivate your senses. Regardless of your skill level, this arrangement allows you to explore the depths of your musical expression and connect with the soul-stirring emotions that lie within Balcony Scene.Whether you're a beginner seeking a captivating piece to embark on your musical journey, an intermediate player looking for an enjoyable challenge, or an advanced musician seeking an elegant addition to your repertoire, this cello and piano arrangement is an absolute must-have. Its simplicity allows for personal interpretation and adaptability, ensuring that musicians of all levels can revel in the joy of playing this beautiful composition.Indulge in the richness of this musical gem, and experience the magic of Balcony Scene like never before. Let the music weave its spell, transporting you to a world of romance and transcendence. Each note resonates with longing, each chord exudes a profound depth of emotion, and every phrase carries you on a breathtaking journey through the hearts of Romeo and Juliet themselves.Don't miss this extraordinary opportunity to own a piece of musical history. Order your cello and piano arrangement of Balcony Scene today and let the sublime melodies breathe life into your every day. Immerse yourself in the pinnacle of musical expression and create your own personal love story with this unique, unforgettable masterpiece, designed to inspire musicians of all levels.Keywords: cello and piano arrangement, Balcony Scene, Romeo and Juliet film, Craig Armstrong, musical beauty, timeless melodies, emotional journey, passionate moments, forbidden romance, captivating performance piece, musical gem, romance and transcendence, musical history, sublime melodies, personal love story, simple arrangement, accessible to all levels.
$5.00
Brazil
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Orchestra
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INTERMEDIATE/ADVANCED
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Walt Disney
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The Ritchie Family
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Matthew Naughtin
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Brazil
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Matthew Naughtin
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1270201 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by Matthew Naughtin. 20th Ce...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1270201 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by Matthew Naughtin. 20th Century,Latin,Multicultural,Pop,World. Score and Parts. 117 pages. Matthew Naughtin #862632. Published by Matthew Naughtin (A0.1270201). On a stormy night in early 1939 Ary Barroso looked at a watercolor painting of a rainy landscape in his Rio de Janiero home and decided to stay home an write a song--in fact, he wrote two songs. The first, inspired by the painting, was Aquarela do Brasil ('Watercolor of Brazil'). He also wrote Três lágrimas ('Three Teardrops') that same night, before the rain ended. Aquarela do Brasil gained international fame after it was included in Walt Disney's 1942 cartoon Saludos Amigos, and became the first Brazilian song to be played over a million times on American radio in an English version by songwriter Bob Russell. The song's celebration of Brazil's great qualities marked the creation of a new patriotic genre within samba, known as samba-exaltação (exaltation samba). This rhythmically vibrant arrangement presents the song in all its joyous exhilaration. Score and all parts are included. The instrumentation: 2 Flutes (Fl. 2 d. Piccolo), 2 Oboes, 2 Clarinets in Bb (Cl. 2 d. Bass Clarinet), 2 Bassoons, 4 Horns, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, 3 Percussion, Harp, Strings.
$150.00
Frontier Sonatina
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Piano solo
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INTERMEDIATE
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Bruce Berr
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Frontier Sonatina
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The FJH Music Company - Digital
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SheetMusicPlus
Piano Solo - Intermediate - Digital Download SKU: F0.P2017 Composed by Bruce Berr. Sheet Music. FJH Performance Solos. Solo Sheet. 14 pages. The FJH Musi...
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Piano Solo - Intermediate - Digital Download SKU: F0.P2017 Composed by Bruce Berr. Sheet Music. FJH Performance Solos. Solo Sheet. 14 pages. The FJH Music Company - Digital #P2017. Published by The FJH Music Company - Digital (F0.P2017). UPC: 674398233632.A sophisticated, new modern sonatina in which Berr uses a contemporary tonal style in the tradition of Kabalevsky is beautifully written for the intermediate student. The three movements are: I. The Dakotas--oeNeo-classical style, follows classical structure showing form in a modern style. II. Mystery of the Ravine--oeimpressionistic tone painting of a western scene. III. Desert Rainstorm--oeIn 6/8 meter, marked Presto scherzando features chromaticism and cross-hand playing.
$4.95
Symphony No. 6 - 4th Movement
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Concert band
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Randy A
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Symphony No. 6 - 4th Movement
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Randy A. Steinberg
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.870380 Composed by Ludwig van Beethoven. Arranged by Randy A. Steinberg. Classical. Score and parts. 78...
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Concert Band - Level 4 - Digital Download SKU: A0.870380 Composed by Ludwig van Beethoven. Arranged by Randy A. Steinberg. Classical. Score and parts. 78 pages. Randy A. Steinberg #1911479. Published by Randy A. Steinberg (A0.870380). Completed in 1808, Beethoven's Symphony No. 6 was one of his first classical works that is based on programmatic content that evokes his love of nature. The fourth movement of this symphony is presented here for Concert Band. This movement was written to evoke emotions and feelings of arriving in a peaceful rural country to enjoy nature. The composer wanted to portray to an audience, more the expression of feeling than painting and evoke feelings and emotion through his music. With this movement, the composer evokes a country rainstorm. The storm starts with a few raindrops, builds to a cacophony of thunder and lightning and passes on with an occasional peal of thunder still heard in the distance. The movement then segues into the fifth movement – also arranged for Concert Band separately. 2016 Arrangement New Release.
$40.00
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