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913
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890
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672
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570
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379
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338
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242
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233
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208
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156
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136
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115
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92
1 Piano, 6 hands
45
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15
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12
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12
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11
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11
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5
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5
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4
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2
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692
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308
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281
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257
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188
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132
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98
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82
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80
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44
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41
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31
Melody line, (Lyrics) and Chords
29
Ukulele Ensemble
17
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15
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14
2 Dulcimers (duet)
12
2 Ukuleles
9
Dulcimer
6
Lyrics and Chords
6
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6
Banjo
5
Mandolin, Piano (duet)
4
Guitar, String Quartet
3
2 Mandolins (duet)
3
Baritone Ukulele
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Zither
2
2 Guitars, Clarinet (trio)
1
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VOICE
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1111
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614
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545
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390
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263
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88
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81
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74
Children choir
27
Voice solo
18
Soprano voice, Piano
14
Choral SSAB a cappella
11
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10
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9
Voice, Guitar
8
Medium voice, Piano
7
Soli, Mixted choir and accompaniment
6
Baritone voice, Piano
6
Tenor voice, Piano
5
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5
Choral SSATB
3
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3
Low voice, Piano
2
Children choir, Piano
2
Tenor voice
2
Voix Masculines
2
Soprano voice
2
Choral SAATB A Cappella
1
Choral SATBB
1
Soprano voice, Orchestra
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2317
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2269
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2246
2 Saxophones (duet)
2124
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1615
Flute, Oboe, Clarinet, Bassoon
1570
2 Clarinets (duet)
1297
Alto Saxophone and Piano
1297
Flute Quartet: 4 flutes
1294
2 Flutes (duet)
1258
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1234
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1225
Flute and Guitar
1058
Flute, Clarinet (duet)
996
3 Clarinets (trio)
946
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717
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713
Flute Trio: 3 flutes
688
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665
Clarinet Ensemble
597
Saxophone (band part)
555
Oboe, Bassoon (duet)
527
Saxophone, Clarinet (duet)
523
Flute, Violin
501
3 Saxophones (trio)
496
Clarinet, Violin (duet)
492
Oboe, Clarinet (duet)
385
Clarinet Quintet: 5 clarinets
373
Recorder Quartet
367
Saxophone ensemble
334
Clarinet, Guitar (duet)
319
Oboe, Flute
293
Clarinet, Trumpet (duet)
290
Recorder
270
2 Recorders (duet)
252
Clarinet, Bassoon (duet)
250
Flute, Violoncello
237
Flute, Saxophone (duet)
230
Flute, Violin and Violoncello
226
Clarinet and Viola
225
Flute, Viola (duet)
216
Clarinet
203
Flute, Clarinet and Bassoon.
200
Flute, Oboe (duet)
193
Flute, Clarinet, Piano (trio)
185
2 Oboes (duet)
171
Flute
167
2 Saxophones, Piano
162
Flute, Trumpet (duet)
159
Flute Quintet : 5 flutes
146
Flute, Cello, Piano (trio)
140
3 Recorders (trio)
137
2 Flutes, Piano
123
Clarinet, Cello (duet)
123
Flute, Oboe, Clarinet (trio)
122
Baritone Saxophone, Piano
115
2 Clarinets, Piano
115
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101
English Horn, Guitar (duet)
100
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99
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99
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92
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89
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82
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82
Clarinet (band part)
81
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79
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75
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72
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70
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70
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69
Alto Saxophone
67
Clarinet, Cello, Piano (trio)
66
Flute, Bassoon, and Piano
65
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58
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56
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53
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52
Flute, Oboe, Piano (trio)
49
Oboe, Cello
46
Descant (Soprano) Recorder
45
Flute, Viola and Piano
39
Recorder, Piano
38
Saxophone
38
Flute, harp and violin
38
Flute, trombone and piano
33
Tenor Saxophone
32
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31
Oboe, Harp
31
Flute, Organ (duet)
30
Oboe (band part)
29
Clarinet, Trombone (duet)
29
2 English horns and Pianoforte
28
Saxophone and Harp
28
2 Clarinets, Bassoon
27
Clarinet Quintet: Clarinet, String Quartet
25
Eb Instruments
25
Treble (Alto) Recorder, Piano
24
Tenor Recorder
24
Oboe, Violin (duet)
24
Treble (Alto) Recorder
23
Clarinet, Bassoon, Piano (trio)
22
Oboe
22
Piccolo, Piano
22
Clarinet, trumpet and piano
22
3 Oboes
21
Clarinet, Tuba
21
Wind ensemble
20
Recorder, Guitar (duet)
19
Clarinet Quartet: Clarinet, Violin, Viola, Cello
19
Flute, Harp and Cello
18
4 Oboes
18
Flute and Strings Trio
18
Flute, Clarinet, Horn and Bassoon (Quartet)
16
Flute, Viola and harp
16
Flute, Cello, Guitar
16
Saxophone, Violin (duet)
15
Clarinette, Viola and Piano (trio)
15
Clarinet, Organ
15
Oboe, Trombone (duet)
15
Flute, Tuba (duet)
14
Flute, Orchestra
13
Oboe, Cello and Piano
13
Flute, French horn (duet)
13
Oboe, Bassoon and Piano
12
Flute and String Quartet
10
2 Flutes and Guitar
10
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9
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9
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9
English Horn
8
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8
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8
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7
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7
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7
Piccolo
6
Oboe, Violin, Viola and Violoncello (Quartet)
5
Soprano Saxophone
5
Oboe, Clarinet and Piano (Trio)
5
Oboe ensemble
4
2 Oboes, Piano
4
Baritone Saxophone
4
2 Flutes, 2 Clarinets (Quartet)
3
Clarinet, String quartet and Piano
3
Oboe and String quartet
3
2 Flutes and Harp
3
2 Oboes and Basson
3
Oboe, Violin, Piano
2
2 Oboes and English horn
2
2 Recorders, Piano
2
Oboe, Clarinet, Bassoon and Piano
2
Harmonica, Piano
2
Clarinet, Saxophone, Piano
1
2 Flutes, Basso continuo
1
Pan Flute
1
Bagpipe
1
Oboe, Organ
1
Flute, viola, cello and guitar
1
Descant (Soprano) Recorder, Basso continuo
1
Clarinet, Double bass (duet)
1
Harmonica
1
Bass Clarinet
1
Treble (Alto) Recorder, Basso continuo
1
Pennywhistle
1
2 Recorders, Guitar
1
Ocarina
1
2 Oboes, 2 Horns and 2 Bassoons
1
2 clarinets, 2 bassoons
1
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Brass Quintet: 2 trumpets, horn, trombone, tuba
4522
Brass quartet : 2 trumpets, trombone, tuba
2821
Trumpet, Piano
1351
Trombone and Piano
1183
Brass Quartet: 2 trumpets, horn, trombone
1135
Brass Quartet: 4 trombones
804
Trumpet, Trombone (duet)
780
Brass Quartet
656
Brass Quartet: 4 horns
552
Trombone (band part)
495
French Horn and Piano
481
Trumpet, Saxophone (duet)
472
4 Tubas
470
2 Trombones (duet)
423
Trumpet (band part)
402
Trombone ensemble
319
2 Trumpets (duet)
314
2 French horns (duet)
310
Tuba and Piano
291
3 Trombones (trio)
288
Trumpet, Horn (duert)
257
Brass Trio
223
Trumpet
219
Trumpet ensemble
198
3 Trumpets (trio)
172
Euphonium, Piano (duet)
168
2 Tubas (duet)
145
Horn Ensemble
128
2 Euphoniums and 2 Tubas
119
Brass Quartet: 4 trumpets
114
English Horn, Guitar (duet)
100
English horn, Piano
99
French horn (band part)
89
Euphonium, Tuba (duet)
87
2 Trumpets, Keyboard (piano or organ)
82
Trumpet, Tuba (duet)
75
Trombone
74
Tuba (band part)
67
French horn
59
Trombone, Tuba (duet)
58
2 Euphoniums (duet)
54
Trombone, Organ
53
3 French horns (trio)
53
Tuba ensemble
46
French Horn and Harp
43
Tuba
42
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
37
Trombone, Violin (duet)
37
Tuba and Organ
36
Horn, Tuba (duet)
36
Bass Clef Instruments
34
Brass Quartet: 2 trumpets, 2 trombones
33
Bass Trombone and Piano
32
Clarinet, Horn (duet)
30
Trumpet, violin (duet)
30
Trumpet, Harp
30
Bb Instruments
29
2 English horns and Pianoforte
28
Trumpet, Cello (duet)
26
Euphonium
24
Trombone, Horn (duet)
23
F Instruments
23
Trumpet, Trombone, Piano
23
Horn and Organ
21
Horn, Trumpet, Trombone (trio)
18
Trumpet, Cello, Piano
17
Bass Trombone
16
Horn, Cello (duet)
14
3 Euphoniums
11
Cornet and Piano
9
English horn, Harp (duet)
9
English Horn
8
Trumpet, Orchestra
7
Brass Quintet: 2 trumpets, horn, 2 trombones
7
Trumpet and Guitar
6
Trombone and Orchestra
6
2 Trombones, Piano
6
Trumpet, Bassoon (duet)
5
Horn, Cello and Piano
5
3 Tubas (trio)
4
2 French horns, Piano
4
Horn and Orchestra
3
Trumpet, Euphonium (duet)
3
4 Euphoniums
3
French horn and Basson (duet)
3
Cornet and Orchestra
2
Bass Saxhorn or Euphonium or Tuba and Piano
2
Cornet
1
Euphonium (band part)
1
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STRINGS
String Quartet: 2 violins, viola, cello
13782
Violin and Piano
3282
Violin, Cello (duet)
2698
String Trio: violin, viola, cello
2422
Cello, Piano
2245
Violin, Viola (duet)
1428
Viola, Piano
1409
2 Violins (duet)
1003
String Quintet: 2 violins, viola, cello, bass
668
String Trio: 2 violins, cello
668
4 Cellos
621
Viola, Cello (duet)
579
2 Cellos (duet)
567
Violin
562
Violin, Guitar (duet)
492
Piano Trio: Violin, Viola, Piano
459
Harp
374
2 Violas (duet)
363
String Trio: 3 cellos
345
Cello, Guitar (duet)
331
String Trio: 3 violins
325
String trio
284
2 Harps (duet)
277
String quartet: 4 violins
274
Cello
250
Viola, Guitar (duet)
208
Harp, Flute (duet)
203
Cello, String Bass (duet)
198
Double bass, Piano (duet)
187
Harp, Violin (duet)
177
Violin (band part)
170
String Quartet : 4 violas
170
Doublebass (band part)
154
String Trio: 2 violins, viola
140
2 Double basses (duet)
133
Viola
119
2 Violins, Piano
96
String Trio: 3 violas
91
Harp, Cello (duet)
87
Viola and Harp
60
Viola (band part)
58
Violin, Bassoon (duet)
57
4 Double Basses
51
Cello Ensemble
50
Double Bass
42
Harp, Voice
40
Violin ensemble
40
Violin, Organ
38
String Quintet: 2 violins, 2 violas, cello
37
Cello, Organ
36
Viola ensemble
31
Flute, Doublebass (duet)
30
Violin, Clarinet, Piano (trio)
30
2 Cellos, Piano
29
Violin, Tuba (duet)
23
Harp, Violin, Violoncello
22
Cello, Orchestra
21
Cello (band part)
19
Viola and Bassoon
17
3 double basses
15
3 Harps
13
Viola, Organ
11
Harp and Piano
11
String Quintet: 2 violins, viola, 2 cellos
10
Harp, Trombone (duet)
10
Violin, Trumpet and Piano
7
Violin, Cello, Clarinet
7
5 Harps
6
Viola and orchestra
5
Harp, Orchestra
4
Harp and mandolin
4
4 Harps
4
Harp, String quartet
4
2 Violas, Piano
4
Double basses ensemble
3
Cello and Marimba
3
Harp (band part)
2
Violin, Double bass (duet)
1
2 Violins and Basso
1
Autoharp
1
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PERCUSSION & ORCHESTRA
Concert band
6513
Orchestra
5954
String Orchestra
5823
Brass ensemble
4034
Jazz Ensemble
3425
Chamber Orchestra
2206
Jazz combo
1183
Percussion Ensemble
810
Marching band
747
Handbells
232
Drums
224
Woodwind Quintet
118
Drum (band part)
96
Woodwind Quartet: any 4 woodwinds
68
Percussion (band part)
47
Marimba
31
Big band
30
School Ensemble
23
Vibraphone
22
Percussion
22
Brass Quintet: other combinaisons
18
Flexible Instrumentation
17
Vibraphone and Marimba
17
Piano and Orchestra
15
Orchestra, Violin
11
Xylophone, Piano
9
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
8
3 Marimbas
8
Timpani
5
Woodwind Trio: any 3 woodwinds
5
2 Marimbas
5
Xylophone
4
Snare drums
4
2 Snare Drums (duet)
3
Marimba, Piano (duet)
3
Voice and Orchestra
2
Mariachi
1
3 Percussions
1
Snare drums, Piano
1
Vibraphone, Piano
1
2 Percussions
1
Marimba or Xylophone and Piano
1
Symphonic Band
1
Instrumentations suivantes
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OTHERS
Musical course - Solfege
42
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9976
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
29.64 €
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2 Pianos, 4 hands
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze…
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Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00
67.47 €
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Concert band
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Gregory Fritze
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Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Musica Nova USA
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
269.88 €
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Percussion Ensemble
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
134.94 €
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Percussion Ensemble
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.8894…
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
9.89 €
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Johann Sebastian Bach
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edited by Wilhelm Rust. 
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Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Go forth into the world in peace
Choral SATB
SATB chorus and organ or strings - Digital Download Composed by John Rutter (1945-). …
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SATB chorus and organ or strings - Digital Download Composed by John Rutter (1945-). Sheet music. Octavo. 4 pages. Oxford University Press Digital #9780193542433. Published by Oxford University Press Digita
ISBN 9780193542433.<br> <br> For SATB and organ or strings. This short and easy anthem is a statement of the Christian intent, serene in its quiet confidence. Words are from the 1928 Book of Common Prayer. Scores and string parts are available on hire. Also available in John Rutter Anthems.
$2.60
2.34 €
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Choral SATB
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John Rutter (1945-)
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Go forth into the world in peace
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Oxford University Press Digita
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SheetMusicPlus
Go forth into the world in peace
Choral SATB
SATB choir and organ or strings - Digital Download Composed by John Rutter (1945-). S…
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SATB choir and organ or strings - Digital Download Composed by John Rutter (1945-). Sheet music. Octavo. 4 pages. Oxford University Press Digital #9780193539372. Published by Oxford University Press Digital
ISBN 9780193539372.<br> <br> For SATB and organ or strings This short and easy anthem is a statement of the Christian intent, serene in its quiet confidence. Words are from the 1928 Book of Common Prayer. Scores and string parts are available on hire from the publisher. Also available in John Rutter Anthems.
$2.85
2.56 €
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Choral SATB
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John Rutter (1945-)
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Go forth into the world in peace
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Oxford University Press Digital
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SheetMusicPlus
'Point Forms'
Bass Clarinet, Piano
Basset clarinet in A or clarinet in A and piano - difficult - Digital Download (after…
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Basset clarinet in A or clarinet in A and piano - difficult - Digital Download (after Kandinsky). Composed by Kenneth Hesketh. This edition: score and parts. Downloadable. Duration 12 minutes. Schott Music - Digital #Q19145. Published by Schott Music - Digital
'Point forms' was suggested by a group of five diagrams found in Wassily Kandinsky's book Point and Line and Plane. Many explanations of the geometric shapes, including Kandinsky's use of the words 'stippled', 'sprayed' and 'compact' suggested musical ways to amass textures. line development and manipulation, for example by the interleaving of one idea temporarily intertwined with a previous one, allow the form to determine its own organic development. In writing for the specific quality of the basset clarinet, which extends the pitch range of the normal A clarinet, the structure of the piece allows various timbres and extended effects to come to prominence as mood and momentum change. Static or forward-moving, playful, aggressive or wailing, the musical narrative seeks through abstract paths to communicate an 'inner beauty' as well as 'inner necessity'. Processes in the work are often varied as they are repeated, in a single line or between the two performers, echoing Kandinsky's proposition that 'forces coming from without, which transform the point into a line, can be very diverse indeed. 'Point forms' was commissioned by the Rushworth Trust, and is dedicated with affection to Mark Simpson. Ken Hesketh (2010).
$25.99
23.38 €
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Bass Clarinet, Piano
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'Point Forms'
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Schott Music - Digital
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SheetMusicPlus
Finland National Anthem and US National Anthem for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.722742 Composed by Fredrik Pacius, John Stafford Smith. Arranged by Jari A. Villanueva. Holiday,Patriotic,Romantic Period,World. Score and parts. 12 pages. JV MUSIC #3389317. Published by JV MUSIC (A0.722742). Anthems of Finland and The United StatesFinland National Anthem US National Anthem for Brass QuintetArranged by Jari VillanuevaIn honor of the 100 years of independence of Finland and 100 years of friendship between our two great nations.Score 2 Trumpets in BbHorn in FTromboneTubaSubstitute parts for Eb Horn and Baritone T.C .providedMaamme or VÃ¥rt land is the title of Finland's national anthem. The music was composed by the German immigrant Fredrik Pacius, with words by Johan Ludvig Runeberg, and with this music it was performed for the first time on 13 May 1848. The Star-Spangled Banner is the national anthem of the United States of America. The lyrics come from Defence of Fort M'Henry, a poem written on September 14, 1814, by the 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large American flag, the Star-Spangled Banner, flying triumphantly above the fort during the American victory. Jari Villanueva earned a Bachelor of Music Education degree from the Peabody Conservatory of the Johns Hopkins University and a Master of Music from Kent State University, Ohio. He retired from the US Air Force Band in Washington DC where he spent 23 years as a trumpeter, bugler and staff arranger. He started his publishing company JV MUSIC in 1995. A student of Bill Holcombe, he continues writing for different ensembles and his arrangements are played by bands, brass ensembles and brass quintets all over the country. He is the winner of the 2016 Sheet Music Plus Arranging Contest and 2016 Holiday Arranging Contest.https://youtu.be/FkGeeFGmcHw
$10.00
9 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Fredrik Pacius, John Stafford Smith
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Finland National Anthem and US National Anthem for Brass Quintet
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JV MUSIC
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SheetMusicPlus
Walking In The Air for Intermediate Guitar Quartet/Ensemble
4 Guitars (Quartet)
Guitar Tab - Intermediate - Digital Download By Howard Blake. Arranged by Dan Jones …
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Guitar Tab - Intermediate - Digital Download By Howard Blake. Arranged by Dan Jones (www.danjonesguitarist.com). Score, Set of Parts, Tablature. 24 pages. Published by danjonesguitarist.com
Walking in the Air is the iconic, beautiful song used in the 1982 animated film 'The Snowman'. The Welsh child singer, Aled Jones, popularised the song in a single released in 1985 to great commercial success.<br> <br> This version is for four guitars of intermediate level. In the single download you will receive:<br> <br> A full score in both notes and TAB.<br> Independent parts for each of the guitars in notes<br> Independent parts for each of the guitars in TAB<br> <br> Please note than I am aware that many teachers and ensembles dislike using TAB. Therefore, my TAB parts are provided on separate sheets so that teachers and performers can chose whichever system of notation they prefer.<br> <br> To see my huge range of recordings, arrangements and films of guitar music for all abilities, please visit www.danjonesguitarist.com<br> <br> A film of this arrangement will be uploaded before the end of November 2020.
$8.95
8.05 €
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4 Guitars (Quartet)
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Howard Blake
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Walking In The Air for Intermediate Guitar Quartet/Ensemble
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danjonesguitarist.com
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SheetMusicPlus
Visiting with Cecil Forsyth, 1914
Flute,Horn,Voice - Level 4 - Digital Download SKU: A0.1381380 Composed by Jason V. …
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Flute,Horn,Voice - Level 4 - Digital Download SKU: A0.1381380 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Historic. 36 pages. Barabba Music #966091. Published by Barabba Music (A0.1381380). For Flute, Horn and NarratorTexts taken from Forsyth’s Orchestration. Commissioned by Peggy Moran with Kent Leslie, Bernhard Scully and Angela Winter Duration Approximately 11 minutesDecisions about the narration should be made with the acoustics of the hall and the voice of the narrator in mind. If no amplification is needed, that’s great. All the narrator’s parts are in the bold, boxed texts with quote marks. When a specific beat is not indicated, the text can be ready calmly and at a comfortable speed without concern for meter or pulse. The narrator should read the text with a sense of importance, but also sound relaxed…like an academic lecture. Even in places where the text is indicated for a specific beat within a measure, they should sound natural and not performative..pdf download include a full set of performance parts. For more information visit www.jasonbarabba.com.
$31.40
28.25 €
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Jason V
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Visiting with Cecil Forsyth, 1914
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Barabba Music
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SheetMusicPlus
For the beauty of the earth
Choral SATB
SATB chorus and small orchestra - Digital Download SKU: OX.9780193703995 Composed b…
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SATB chorus and small orchestra - Digital Download SKU: OX.9780193703995 Composed by John Rutter. John Rutter Anniversary Edition. Vocal score. 26 pages. Oxford University Press Digital #9780193703995. Published by Oxford University Press Digital (OX.9780193703995). ISBN 9780193703995.For SATB and small orchestra. Full score for the classic Rutter anthem For the beauty of the earth. About John Rutter Anniversary EditionThe John Rutter Anniversary Edition celebrates the 70th birthday of one of Britain's leading composers and the 30th anniversary of his choir, The Cambridge Singers. Featuring mainly earlier pieces from the composer's catalog, this series presents seminal works for mixed chorus in brand new editions and with accompanying notes on both the music and performance, written by the composer himself. The Anniversary Edition provides the most comprehensive and authoritative performance materials (including full scores and parts) for over 30 of the composer's favorite anthems, carols, and songs.
$31.50
28.34 €
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Choral SATB
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John Rutter
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For the beauty of the earth
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Oxford University Press Digital
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SheetMusicPlus
Don't Start Now - Pop String Quartet with Rhythm Section parts
String Quartet: 2 violins, viola, cello
String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - Digital Download By Dua Li…
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String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - Digital Download By Dua Lipa, Dallas String Quartet. Arranged by Kyle Pudenz. Score, Set of Parts. 63 pages. Published by ViolinVagabond Music
This unique version of Dua Lipa's "Don't Start Now" was performed by Dallas String Quartet in their latest music video, and is now available to your ensemble as well!<br> <br> "If you don't wanna see me dancing with..." some random person's iPod speaker instead of listening to your amazing string quartet, then Don't Start buying shoddy arrangements from free-gig-whatevers dot com. Instead, make the right choice for your ensemble and invest in high quality charts from real, professional arrangers. What you're getting here is not a 72% accurate transcription of someone's Dua Lipa YouTube piano cover that has been laid out "legibly enough" on 4 staves. This is a tasteful setting of one of the sexiest disco grooves to hit radio since the Beegee's untimely decline, and it highlights all those hip string parts from Dua's original track while adding some original figures to really make this tune pop as an instrumental version.<br> <br> Within the pages of this fantastically funky fresh score, you'll find some simple (but effective) chopping, slapping & extended string techniques to help your ensemble get their groove on, an extendable outro solo where players can stretch their creative legs on a dull gig, and enough sneaky reharminizations to earn an oh-so-satisfying nod of approval from that one guy in the back of the audience who used to be in a jazz band.<br> <br> This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. While this arrangement is more than capable of moving, grooving and soothing with just the string parts, there are a variety of scenarios in which you may find adding some of those "loud" instruments may benefit your ensemble, such as:<br> <br> - Cool collaborations with non-classical musicians.<br> <br> - Making peace and finally finding common ground with those heathens who use frets to play in tune.<br> <br> - Performing at outdoor events... or anywhere where alcohol is served. Small talk doesn't stand a chance against drums!<br> <br> - You just got the stage plot for the gig and are concerned people won't take you seriously if you have less than 7 inputs on your rider.<br> <br> - You carpooled to the wedding with the band, and figured you guys might as well play something together during the reception rather than spend all night starting at the appetizers that you aren't allowed to eat.<br> <br> ... and the list goes on.<br> <br> Help take your ensemble to a new level when expanding your gig repertoire this year. This chart will keep your musicians inspired and your audience's insatiable need to consume brand new music in alternative instrumentations satisfied. To be clear, some practice and/or rehearsal will likely be required, so sight reading is not recommended, but with just a little bit of effort this arrangement will be FUN for your group to play!<br> <br> Performance time - approximately 3:00, longer if you want to vamp the outro<br> <br> Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$24.99
22.48 €
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String Quartet: 2 violins, viola, cello
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Dua Lipa, Dallas String Quartet
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Don't Start Now - Pop String Quartet with Rhythm Section parts
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ViolinVagabond Music
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SheetMusicPlus
Four for Five
2tpt. Hn. Tbn. tba - Intermediate-Advanced - Digital Download SKU: F2.FM481 Compose…
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2tpt. Hn. Tbn. tba - Intermediate-Advanced - Digital Download SKU: F2.FM481 Composed by Roma Cafolla. Brass Quintet. Score and parts. 58 pages. Forton Music - Digital #FM481. Published by Forton Music - Digital (F2.FM481). ISBN 9790570483808.Brass 4 All This piece was inspired by the brass section of the WNO, the importance of 'Music For All', and the need to make it accessible to children. A stately introduction opens the piece, with all the instruments passing the theme between them. This leads into a the main body of the piece, a bold, driving tune that contrasts with a more lyrical middle section before bursting out into fanfares of repeated notes to bring the music to a thrilling finish. Brass Neck The tuba is featured prominently in ths piece. The repeated motif drives the rhythm forward: 'Cry the tears for the freezing years. Just walk away' ... as the other players finally do. Marked Andantino and in Bb major the central section changes to Bb minor, where the horn and trombone carry the melody. This is then taken up be the second trumpet and the players stand as the music modulates back to Bb major. As each player finishes they sit down until the tuba is left to finish alone. Autumn Breeze A sultry September evening and a gentle breeze fans the last of the fading flowers. The family are gathered informally, and the music begins.... Marked Andante and with flowing descending quavers, the opening has interest for every player. The horn and then the trombone pick up the central theme, and this is then embellished by the trumpets. A gentle phrase marks the ending. Bankers Notes A letter drops on the mat. A final demand and the thought of the 'green paper rotting in their clutch' assails my mind. I write notes of a differnt kind! The opening is marked Vivace and is rather punchy, but soon settles into the main theme with driving rhythms throughout. The extended ending climaxes in rising staccato semiquavers for all.
$17.95
16.15 €
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Roma Cafolla
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Four for Five
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Forton Music - Digital
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SheetMusicPlus
Your Favorite Christmas Hymns and Carols for Strings, Book 1
String Quartet: 2 violins, viola, cello
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed b…
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String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, Christmas. Score, Set of Parts. 61 pages. Published by Colin Kirkpatrick Publications
YourFavorite Christmas Hymns and Carols for Strings, Book 1<br> <br> Arrangedfor strings by Colin Kirkpatrick<br> <br> Here’sa brand new collection of best-loved Christmas hymns and carols arranged for strings,to brighten up your next Christmas event. They are presented in a set of twobooks and include full four-part instrumental scores plus parts for first violin,second violin, viola, cello and optional double bass. Both cello and bass partsappear on a single staff. The arrangements can be used with string quartet, stringquintet or string ensemble. There’s also an optional but useful simplifiedkeyboard part intended for less experienced keyboard players. The left handplays only the bass part most of the time, with the right hand part kept assimple as possible. It could be used as the basis of an accompaniment whichmeans that you can use the arrangements as solos, duets or trios.<br> <br> Thearrangements are intended either as stand-alone pieces that could be used asinterludes in a concert or service, or they could be used to accompany solo,choral or congregational singing. The arrangements been written in string-friendlykeys as often as possible. While the hymns mostly use the traditionalharmonies, the carols have been treated more freely.<br> Book 1 includes thefollowing 19 titles: Angels from the Realms of Glory (Melody: Gloria); Awayin a Manger (Melody: Mueller); Unto Us a Child Is Born (Melody: PuerNobis); Christians Awake! (Melody: Yorkshire); Deck the Halls withBoughs of Holly (Melody: Nos Galan); Go Tell it on the Mountain; GoodChristian Men, Rejoice (Melody: In Dulci Jubilo); Good King Wenceslas(Melody: Tempus Adest Floridum); I Saw Three Ships Come Sailing In; ItCame Upon the Midnight Clear (Melody: Carol); Little Jesus, SweetlySleep (Melody: Rocking); O Christmas Tree (Melody: Tannenbaum); OCome all ye Faithful (Melody: Adeste Fidelis); O Little Town ofBethlehem (Melody: Saint Louis); O Holy Night (Melody: CantiqueNoël); Silent Night (Melody: Stille Nacht); The Holly and the Ivy;We Wish You a Merry Christmas and What Child is This? (Melody:Greensleeves)<br> <br> Theaudio samples include Go Tell it on the Mountain; O Christmas Tree; O Holy Night and SilentNight. Please note that the arrangements are usually not usually compatiblewith the brass collection of the same name
$25.99
23.38 €
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String Quartet: 2 violins, viola, cello
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Various
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Worship, Christmas
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Your Favorite Christmas Hymns and Carols for Strings, Book 1
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Colin Kirkpatrick Publications
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SheetMusicPlus
Handel: Largo from Xerxes for Violin & Piano
Violin and Piano
Violin & Piano - Intermediate - Digital Download Composed by George Frideric Hand…
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Violin & Piano - Intermediate - Digital Download Composed by George Frideric Handel (1685-1759). Arranged by James M. Guthrie, ASCAP. Baroque Period, General Worship, Repertoire, Wedding, Recital. Score, Set of Parts. 9 pages. Published by jmsgu3
Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from "Xerxes"<br> Suitable for any venue requiring meditative music. Excellent choice for a recital encore.<br> <br> Xerxes<br> Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s “Largo,” Handel has, on the contrary, clearly marked "Larghetto" in the score.<br> <br> Handel Background<br> George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany.<br> <br> Career in England<br> It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London.<br> <br> Legacy<br> Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded.<br> <br> <br> <br> Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
29.64 €
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Violin and Piano
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George Frideric Handel
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Handel: Largo from Xerxes for Violin & Piano
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jmsgu3
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SheetMusicPlus
Dorian Album For String Trio
Cello, Violin, String Duet, String Ensemble - Difficulty: medium SKU: HL.4472730
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Cello, Violin, String Duet, String Ensemble - Difficulty: medium SKU: HL.4472730 Violin, Cello and Piano. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Baroque and Classical Period. Set of performance parts (includes separate pull out parts for violin & cello). 63 pages. Rubank Publications #RUBL285. Published by Rubank Publications (HL.4472730). ISBN 9781540001801. UPC: 073999184112. 9x12 inches. Whistler/Hummel.These 30 easy level (grade 2) string trios from the masters, arranged by Rubank legends Harvey Whistler and Herman Hummel, are the ultimate way to introduce your youngest players to ensemble playing. Songs average 30-40 measures long, with optional repeats to create a longer piece at your discretion. Includes a treasure trove of titles: Abendlied (Schumann) * Allegro from Der Freischutz (Weber) * Ave Verum (Mozart) * Carnival of Venice * Chanson Triste (Tchaikovsky) * Cielito Lindo * Country Dance (Beethoven) * Liebestraum (Liszt) * Drink to Me Only with Thine Eyes * New World Symphony Excerpts (Dvorak) * Jesu, Joy of Man's Desiring (students play the melody, not the triplet pattern) * Jolly Coppersmith * Melody for Strings (Rubinstein) * Men of Harlech * Menuet from Symphony No. 7 (Haydn) * Procession (Handel) * Theme from Fantasie Impromptu (Chopin) * Rondo (Schubert) * Theme from Symphony No. 1 (Brahms) * Vienna Life (Strauss) * Volga Boatman * Waltz from HMS Pinafore.
Song List: Alma Mater Ave Verum (Jesu, Word of God Incarnate) Carnival of Venice Cielito Lindo (My Pretty Darling) Drink to Me Only With Thine Eyes Fantaisie-Impromptu It Came Upon the Midnight Clear Jesu, Joy Of Man's Desiring Jolly Coppersmith March Liebestraum (Dream Of Love) Melody Men Of Harlech O Promise Me Silent Night New World Symphony (Theme) Song Of The Volga Boatman Theme (Der Freischutz) Abendlied (Evening Song) Theme (Iphigenia In Tauris) Happy Holiday Theme (Symphony #7) String Salutation Waltz From The H.M.S. Pinafore Chanson Triste Country Dance Theme Theme (Handel) Gaily The Troubador Vienna Life
$12.99
11.69 €
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Dorian Album For String Trio
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Rubank Publications
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Baritone Horn & Piano
Instrumental Duet Baritone Horn TC,Instrumental Duet,Piano - Level 3 - Digital Download
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Instrumental Duet Baritone Horn TC,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549545 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 11 pages. Jmsgu3 #3506335. Published by jmsgu3 (A0.549545). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.45 €
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Edvard Grieg
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Grieg: Ase's Death from Peer Gynt Suite for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Bassoon & Piano
Bassoon, Piano (duet)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549542 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 11 pages. Jmsgu3 #3506315. Published by jmsgu3 (A0.549542). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.45 €
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Bassoon, Piano (duet)
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Edvard Grieg
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Grieg: Ase's Death from Peer Gynt Suite for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Bassoon & Piano
Bassoon, Piano (duet)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549563 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and parts. 16 pages. Jmsgu3 #3508021. Published by jmsgu3 (A0.549563). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.45 €
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Bassoon, Piano (duet)
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Edvard Grieg
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Grieg: Anitra's Dance from Peer Gynt Suite for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Bassoon & Piano
Bassoon, Piano (duet)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.551498 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and parts. 62 pages. Jmsgu3 #5306303. Published by jmsgu3 (A0.551498). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
53.93 €
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Bassoon, Piano (duet)
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Edvard Grieg
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Grieg: Peer Gynt Suite Complete for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Concerto for Two English horns in C Major, Op. 9 No. 9 and String Orchestra
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.955174 Composed by Tomaso Alb…
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String Orchestra - Level 4 - Digital Download SKU: A0.955174 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 87 pages. Chamber Ensemble of Minnesota, Inc. #6197195. Published by Chamber Ensemble of Minnesota, Inc. (A0.955174). Complete score and parts for the English horn arrangement of the Concerto for Two Oboes in C Major, Op. 9, No. 9 and String Orchestra , composed/first edition in 1722 by T. Albinoni, arranged by D Werdick. Includes English horn I & II score, English horn I & II separate parts and Double Bass part with figured bass notation. Movements: 1. Allegro 2. Adagio Legato 3. Allegro Time: 10 minutes, 35 seconds Full Score + Parts: English horn I & II Parts, English horn Score, Violin I, Violin II, Viola, Cello, Double Bass with figured bass notation. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. The English horn I & II arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.75
15.97 €
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String Orchestra
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Tomaso Albinoni
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II score, English horn I &
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Concerto for Two English horns in C Major, Op. 9 No. 9 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
8.94 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Johann Sebastian Bach
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edited by Wilhelm Rust. 
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Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
The Wexford Carol (Trio for Flute, Guitar and Piano)
Composed by Traditional Irish Tune. Arranged by John A. Dempsey. Christian, Spiritua…
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Composed by Traditional Irish Tune. Arranged by John A. Dempsey. Christian, Spiritual, Sacred, Celtic, Christmas. Score, Set of Parts. 18 pages. Published by John A. Dempsey
Also known as "Good People All, This Christmas Time" and Carul Loch Garman, this traditional Irish Christmas carol has a hauntingly beautiful melody dating back to the 12th century. A Celtic-flavored celebration of the Nativity, this trio for flute, guitar and piano is recommended for holiday recitals and concerts as well as Christmas pageants, plays, programs and musicals. 14 pages of music (that includes separate two-page pullout parts for flute and guitar). Key: G major. Flute and Guitar Level: Intermediate. Piano Level: Advanced Intermediate.
$11.99
10.79 €
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Traditional Irish Tune
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The Wexford Carol
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John A. Dempsey
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SheetMusicPlus
The Wexford Carol (String Quartet): Two Violins, Viola and Cello
String Quartet: 2 violins, viola, cello
Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Christian, Spiritua…
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Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Christian, Spiritual, Sacred, Celtic, Christmas. Score, Set of Parts. 20 pages. Published by John A. Dempsey
Also known as "Good People All, This Christmas Time" and Carul Loch Garman, this traditional Irish Christmas carol has a hauntingly beautiful melody dating back to the 12th century. A Celtic-flavored celebration of the Nativity, this arrangement for two violins, viola and cello is recommended for Christmas plays, pageants and programs as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Also makes an elegant, moving selection for Christmas concerts and recitals. 16 pages of music (that includes the score and separate two-page pullout parts for each stringed instrument). Concert Key: G major.
$11.99
10.79 €
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String Quartet: 2 violins, viola, cello
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Traditional Irish Melody
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The Wexford Carol
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John A. Dempsey
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SheetMusicPlus
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