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Tristes apprêts, pâles flambeaux (C)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1105713 Composed by Jean-Phi…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1105713 Composed by Jean-Philippe Rameau. Arranged by Jean-Philippe Rameau. Baroque,Instructional,Multicultural,Opera,Wedding,World. Score. 5 pages. Passoni Music #708932. Published by Passoni Music (A0.1105713). Rameau, Jean-Philippe - Tristes apprêts, pâles flambeaux (in C) Original key in Eb.
$6.99
6.31 €
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Piano, Voice
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Jean-Philippe Rameau
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Tristes apprêts, pâles flambeaux
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Passoni Music
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SheetMusicPlus
Paul-Agricole Génin: Pastorale, Opus 15, no. 1 for alto saxophone and piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.534640 Composed by Paul-A…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.534640 Composed by Paul-Agricole Génin. Concert,Romantic Period,Standards. Score and part. 23 pages. Musik Fabrik Music Publishing #4850949. Published by Musik Fabrik Music Publishing (A0.534640). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century. Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThe six works in the set of Opus 15 are among the first works ever written for the saxophone. They are in the form of charactor pieces; The Pastorale is in a large ABA form with a final coda.
$10.35
9.35 €
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Alto Saxophone and Piano
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Paul-Agricole Génin
#
Paul-Agricole Génin: Pastorale, Opus 15, no. 1 for alto saxophone and piano
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Op. 45, No. 13: Des beaux yeux de ma Diane from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-13E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-13E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-13E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-13E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.71 €
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Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 13: Des beaux yeux de ma Diane from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-33E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-33E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-33E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-33E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.71 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 44, No. 4: L’attrait de tes beaux yeux from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-29E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.71 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 44, No. 4: L’attrait de tes beaux yeux from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Slimane : Pas Beaux
Piano Accompaniment
Partitions piano d'accompagnement
Partitions piano d'accompagnement
4.99 €
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Piano Accompaniment
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Slimane
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Pas Beaux
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Noviscore
Slimane : Pas Beaux
C Instruments
Instruments en Do
Instruments en Do
4.99 €
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C Instruments
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Slimane
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Pas Beaux
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Noviscore
Slimane : Pas Beaux
Piano solo
Partitions piano solo
Partitions piano solo
4.99 €
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Piano solo
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Slimane
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Pas Beaux
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Noviscore
Slimane : Pas Beaux
Piano solo
Partitions piano solo
Partitions piano solo
4.99 €
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Piano solo
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Slimane
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Pas Beaux
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Noviscore
Slimane : Pas Beaux
Piano solo
Partitions piano solo
Partitions piano solo
4.99 €
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Piano solo
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Slimane
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Pas Beaux
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Noviscore
Slimane : Pas Beaux
Eb Instruments
Instruments en Mi bémol
Instruments en Mi bémol
4.99 €
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Eb Instruments
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Slimane
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Pas Beaux
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Noviscore
Slimane : Pas Beaux
Bb Instruments
Instruments en Si bémol
Instruments en Si bémol
4.99 €
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Bb Instruments
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Slimane
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Pas Beaux
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Noviscore
The Internationale - Communist Anthem (L’Internationale)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.570255 Composed by Eugène…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.570255 Composed by Eugène Pottier, Pierre Degeyter. Arranged by Cadenza Editions. 20th Century,Patriotic,World. Score. 2 pages. Cadenza Editions #4763997. Published by Cadenza Editions (A0.570255). The Communist Anthem (l’Internationale) For Solo PianoDebout! les damnés de la terre!Debout! les forçats de la faim!La raison tonne en son cratère,C'est l'éruption de la fin. Du passé faisons table rase,Foule esclave, debout! debout!Le monde va changer de base:Nous ne sommes rien, soyons tout! C'est la lutte finaleGroupons-nous, et demain,L'Internationale,Sera le genre humain. C'est la lutte finaleGroupons-nous, et demain,L'Internationale,Sera le genre humain. Il n'est pas de sauveurs suprêmes,Ni Dieu, ni César, ni tribun,Producteurs sauvons-nous nous-mêmes!Décrétons le salut commun! Pour que le voleur rende gorge,Pour tirer l'esprit du cachot,Soufflons nous-mêmes notre forge,Battons le fer quand il est chaud!C'est la lutte finaleGroupons-nous, et demain,L'Internationale,Sera le genre humain. C'est la lutte finaleGroupons-nous, et demain,L'Internationale,Sera le genre humain. Ouvriers, Paysans, nous sommes Le grand parti des travailleurs;La terre n'appartient qu'aux hommes,L'oisif ira loger ailleurs. Combien de nos chairs se repaissent!Mais si les corbeaux, les vautours,Un de ces matins disparaissent,Le soleil brillera toujours! C'est la lutte finaleGroupons-nous, et demain,L'Internationale,Sera le genre humain. C'est la lutte finaleGroupons-nous, et demain,L'Internationale,Sera le genre humain.
$1.99
1.8 €
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Piano, Voice
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Eugène Pottier, Pierre Degeyter
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The Internationale - Communist Anthem
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Cadenza Editions
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SheetMusicPlus
My Illness is the Medicine I Need
Cello, Piano
Soprano, violin, cello and piano - difficult - Digital Download SKU: S9.Q45642 F…
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Soprano, violin, cello and piano - difficult - Digital Download SKU: S9.Q45642 For soprano and piano trio. Composed by Thomas Larcher. This edition: score and parts. Downloadable, Score and parts. Duration 15 minutes. Schott Music - Digital #Q45642. Published by Schott Music - Digital (S9.Q45642). English.In a magazine with reports on mental institutions, Thomas Larcher came across interviews with patients: 'These sentences are of a strong inner power, yet do not claim to convey an overall picture of these people. There rather appear snatches from their world like a stroboscope.' The soprano part in Larcher's composition attends to these texts in a very restraint, often introverted manner, but they continue to have an effect in the instrumental parts, like catalysts of seemingly disturbing processes. The world premiere with Juliane Banse, Christian Tetzlaff, Nikolaj Schneider and the composer on the piano took place at the renowned festival 'Spannungen' in the power station of Heimbach in 2002. Recently, a recording has been released by ECM New Series.Dans un reportage sur les établissements psychiatriques, Thomas Larcher a trouvé des interviews de patients : “Ces phrases sont d’une grande force en soi mais elles ne prétendent pas donner une image globale de ces personnes. Comme avec un stroboscope apparaissent plutôt des lambeaux de leur monde.â€.
$46.99
42.44 €
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Cello, Piano
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Thomas Larcher
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My Illness is the Medicine I Need
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Schott Music - Digital
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SheetMusicPlus
Paul-Agricole Génin: Solo de Concours, Opus 15 for alto saxophone and piano, edited by Paul Wehage
Alto Saxophone and Piano
Woodwind Ensemble,Woodwind Trio (Unison) - Level 4 - Digital Download SKU: A0.533250
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Woodwind Ensemble,Woodwind Trio (Unison) - Level 4 - Digital Download SKU: A0.533250 Composed by Solo de Concours (examination piece at the Paris Conservatory/. Arranged by Paul Wehaeg. Concert,Romantic Period,Standards. 22 pages. Musik Fabrik Music Publishing #2151115. Published by Musik Fabrik Music Publishing (A0.533250). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThis work was used as an examination piece at the Paris Conservatory in the class of Adolphe Sax, to whom it is dedicated. After a lyrical introduction which makes use of echo effects, a pastorale theme is presented and then treated in variations. The final variation is a virtuosic valse brillante.
$12.95
11.7 €
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Alto Saxophone and Piano
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Solo de Concours
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Paul-Agricole Génin: Solo de Concours, Opus 15 for alto saxophone and piano, edited by Paul Wehage
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Musik Fabrik Music Publishing
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SheetMusicPlus
Battle Cry
Cello,Flute,Violin - Level 4 - Digital Download SKU: A0.1379378 By Imagine Dragons.…
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Cello,Flute,Violin - Level 4 - Digital Download SKU: A0.1379378 By Imagine Dragons. By Benjamin Arthur Mckee, Daniel Coulter Reynolds, Daniel James Platzman, Daniel Wayne Sermon, and John Anthony White. Arranged by Sybil Shanahan, Beaux Strings. Pop,Rock. 21 pages. S. Shanahan #964061. Published by S. Shanahan (A0.1379378). This is an arrangement of the full song, unabridged, so about 4.5 minutes in length. Upper intermediate level, a couple of tricky rhythms in the cello part - you've got to rock out! Lots of nice melodic lines passed between flute and violin. This could also be used for a string trio (violin/violin/cello) most likely working best if you read the flute part an octave lower in parts.
$16.99
15.35 €
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Imagine Dragons
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Battle Cry
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S. Shanahan
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SheetMusicPlus
Trombone
19.99 €
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Trombone
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Ella Fitzgerald,Thompson,Nina
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Tomplay
Trombone
19.99 €
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Trombone
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Ellington,Thompson,Nina Simone
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Tomplay
Trombone
19.99 €
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Trombone
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Ellington,Thompson,Nina Simone
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Tomplay
Trumpet
19.99 €
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Trumpet
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Traditionnel,Leonard Cohen,Fra
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Tomplay
Saxophone
19.99 €
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Saxophone
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Webber,Ellington,Thompson,Perr
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Tomplay
Saxophone
19.99 €
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Saxophone
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Weber,Ellington,Thompson,Perri
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Tomplay
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