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You've selected:
Pass The Peas
SheetMusicPlus
Sheetmusic to print
18 sheet music found
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1
Pass The Peas
Marching band
Marching Band - Level 2 - Digital Download SKU: A0.1257514 Composed by Ben Hayslip,…
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Marching Band - Level 2 - Digital Download SKU: A0.1257514 Composed by Ben Hayslip, Dallas Davidson, Jesse Frasure, and Rhett Akins. Arranged by Jonathan Neff. Funk,Hip-Hop,Pop,R & B,Soul. Score and Parts. 18 pages. Jonathan Neff #850806. Published by Jonathan Neff (A0.1257514). A vamped marching band arrangement of Pass the Peas great for time-outs during football or basketball games!
$49.99
45.52 €
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Marching band
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Ben Hayslip, Dallas Davidson, Jesse Frasure, and Rhett Akins
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Pass The Peas
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Jonathan Neff
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SheetMusicPlus
Play in Harmony in 12 Major Keys: Folk Songs and Singing Games from Around the World Book One
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.517906 Composed by Jolea Jensen. Ar…
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Easy Piano - Level 1 - Digital Download SKU: A0.517906 Composed by Jolea Jensen. Arranged by Arr. Jolea Jensen. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 106 pages. Jolea Jensen #128632. Published by Jolea Jensen (A0.517906). Learn folk songs and singing games from around the world in this early elementary book. This series features a solo melody line accompanied by I, IV, and V7 chords, making it perfect for a general classroom setting or for private lessons. Level One (Book 1, Part 1) begins with basic rhythms (quarter, half, dotted half, and whole) in the keys of C, G, D. Each key begins with several songs in the basic five-finger position, then adds either one note above or one note below, then adds 3/4 time, then adds songs in which the hand is not in the basic five-finger position for that key. Level One (Book 1, Part 2) continues with the keys of A, E, B. Eighth notes are introduced in the key of E. Level One (Book 1, Part 3) contains the keys of F#, Db, and Ab. Level One (Book 1, Part 4) contains the keys of Eb, Bb, and F. I have been teaching several of my students with this book, and they are often eager to begin their lessons by playing their assignment out of this book. The feedback I've received from parents is that their child loves the songs because they are fun and easy to understand. Children often love coloring in the black and white pictures on each page. I hope your students also enjoy these songs. Scope and Sequence for Level One songs: Introduction to I and V Simple with LH thumb melody note I and V More leaps I and V I and IV and V extend pinky I IV V extend thumb I IV V three four time simple move hand Alphabetical Song Index with Key and Pg Number: A Ram Sam Sam Ab 67 AijÄ, Žūžū, LÄÄa BÄ“rni E 32 Ainsi Font Bb 82 Alle Meine Entchen C 5 Ambos a Dos B 37 Ang Pato Ko Eb 70 Arroz con Leche F# 47-48 Au Clair de la Lune E 34 Bells in the Steeple Bb 83 Bill Grogan's Goat Bb 84 Björnen Sover Bb 81 Boil Them Cabbage Down C 4 Brinca la Tablita F 88 Buttercup G 8 Button, You Must Wander Ab 64 Chase the Squirrel C 1 Chopsticks C 6 Clap, Clap, Clap Your Hands D 15 Closet Key F# 42 Cobbler, Cobbler F 85 Cradle Hymn Db 52 Down by the Station F 86 Down in the Valley G 12 Five Fat Turkeys F# 45 Five Little Chickadees G 11 Frog in the Meadow Ab 59 Frogs in the Pond C 2 Go Tell Aunt Rhody D 14 Goodbye, Old Paint F 91 Grandma Grunts F 87 Ha' Sukkah Mah Yafah Ab 60 Hob Ich a Por Oksn Ab 61-62 Hop, Old Squirrel B 35 Hush-A-Bye G 10 Hush, Little Baby G 9 I'm a Nut Eb 75 Johnny's Hammer E 30 Journey of the Leaves E 33 Juan Pirulero B 40 Kangaroo Skippy Roo Bb 76 King's Land Eb 73 Kolyada A 24 Kuckuck Db 57 Lady Come A 22 Lavender's Blue Eb 74 Lightly Row C 3 Limerick Song D 19 Long-Legged Sailor F# 43 Love Somebody G 10 Mmm, Ahh, Went the Little Green Frog Bb 77-78 Mon Petit Lapin a Bien du Chagrin Ab 63 My Horses Ain't Hungry G 13 Naughty Kitty Cat F# 46 O wie wohl ist mir am Abend Db 58 Old King Cole B 38 On Top of Old Smokey D 20 One, Two, Three, Aleerie F 92 Over in the Meadow F 89-90 Pak Pak Ka-ak A 21 Passa, Passa, Gavião Db 51 Pease Porridge Hot A 25 Piva, Piva l'oli d'uliva Ab 65-66 Promenons-nous dans les Bois Eb 71-72 Sandy McNab A 26 Sasara ang Bulaklak Bb 79-80 Scotland's Burning B 36 Seashell Eb 68 Sleep, Baby, Sleep D 16 Tallis' Canon A 27 Ten in the Bed Eb 69 The Deaf Woman's Courtship A 23 The Elfin Knight Db 55-56 The Frog in the Bog D 17 The Noble Duke of York E 31 The Old Sow Took the Measles Db 53-54 The Sandman Comes D 18 Three Jolly Fishermen E 29 There's a Hole in the Bucket F# 49 Twinkle, Twinkle, Little Star B 41 Ulo Abaga B 39 Vamos a la Mar F# 44 Who's That Tapping at the Window Db 50 Yoo Hoo! E 28 Zhao Peng You C 7.
$20.00
18.21 €
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Easy Piano
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Jolea Jensen
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Play in Harmony in 12 Major Keys: Folk Songs and Singing Games from Around the World Book One
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Jolea Jensen
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SheetMusicPlus
Country Wedding, from The Moldau (Solo Piano)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.762243 Composed by Bedrich Smetana.…
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Piano Solo - Level 3 - Digital Download SKU: A0.762243 Composed by Bedrich Smetana. Arranged by Scott Powell. Concert,Romantic Period,Standards,Wedding. Score. 3 pages. Scott Powell Music #5361797. Published by Scott Powell Music (A0.762243). For solo piano. In the symphonic poem The Moldau, Smetana evokes the course of the Vltava River (Moldau in German), from the Bohemian forest through the Czech countryside. A peasant wedding is passed along the way. The music gradually dies away as the river passes the wedding dance and continues its course. (Known by various titles, including Country Wedding, Village Wedding, Peasant Dance, etc.)
$1.99
1.81 €
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Piano solo
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Bedrich Smetana
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Country Wedding, from The Moldau
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Scott Powell Music
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SheetMusicPlus
Sonata for Piano Quintet
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
36.42 €
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Good King Wenceslas
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1125812 By Michael Swedberg. By 13t…
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Piano Solo - Level 4 - Digital Download SKU: A0.1125812 By Michael Swedberg. By 13th Century Finnish Carol. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726552. Published by Niska Music Publishing (A0.1125812). This carol holds a special memory for me. I was living in Green Bay following my graduate studies and I was teaching private voice lessons at Appleton West High School with my brother and his wife at the request of the choral director, Kevin Meidl. Kevin was also the director of the Appleton Boychoir and one year he asked me to sing the solo part of this carol for a recording they were making. My arrangement of this carol is rather straightforward with very little altering of the basic rhythms found in the original tune. However, the melody in the first verse is found among triplet figures and therefore one must be sure to bring out the important notes. There is a dance-like quality to the music, reminiscent of a gigue from the Baroque period. Following a brief reprise of the opening material the melody shifts to the left hand, starting out as a single note and soon joined in harmony. To me, it represents the page and the king from the story as they walk through the cold, winter night to bring food and fuel to the peasant living near the mountain. The melody then moves back to the right hand, but is now played in half notes indicating the difficult terrain and the snow they must traverse causing them to move more slowly. The left hand rumbles below as a reminder of the wind blowing and the snow swirling about them. The page, fears he cannot go on, but the king tells him to walk in his footsteps and all will be well. Soon, monarch and servant are moving swiftly to their destination. The music slowly fades as they pass into the mountain’s shadow only to grow once again as they arrive at the poor man’s home. The final chords ring out as the door is thrown open and they step inside to share what they have brought.
$3.99
3.63 €
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Piano solo
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Michael Swedberg
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Good King Wenceslas
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Niska Music Publishing
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SheetMusicPlus
Vivaldi: The Four Seasons Complete for Euphonium & Piano
Euphonium, Piano (duet)
Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque …
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Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Wedding, Recital. Score, Set of Parts, Solo Part. 188 pages. Published by jmsgu3
Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4<br> Contents:<br> SPRING<br> Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42<br> I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.<br> FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.<br> <br> THUNDER: The skies are dark; lightning flashes and thunder roars.<br> SONG OF THE BIRDS: After the storm, the birds return with their song.<br> II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking Dogs<br> III. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.<br> <br> SUMMER<br> Vivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements<br> I. Allegro non molto<br> LANGUISHING IN THE HEAT<br> Man and beast wilt in the burning sun; even the evergreens feel the heat.<br> THE CUCKOO<br> The Cuckoo sings loudly.<br> THE DOVE<br> And the songs of the turtledove and goldfinch are ardent.<br> THE GOLDFINCH<br> The gentle breezes sigh.<br> CHANGING WINDS.<br> but the north wind suddenly appears and starts to quarrel.<br> THE NORTH WIND<br> A frightened shepherd weeps in fear and bemoans his fate.<br> II. Adagio<br> The fierce lightning and terrible thunder makes the shepherd unable to rest his weary body.<br> BLUE-BOTTLE FLIES<br> III. Presto<br> TEMPESTUOUS SUMMERTIME<br> The shepherd is right to be afraid. The sky flashes and the thunder is awesome.<br> Grain and fruit are destroyed by the storm.<br> <br> AUTUMN<br> Vivaldi: Autumn from the Four Seasons, Op. 8 No. 3 (RV316) Score: 27 pages, Duration: 10:37, 3 movements.<br> I. Allegro. The peasants dance and sing, hailing the fruits of the harvest.<br> The drunkard drinks deeply from the cup of Bacchus.<br> The Drunks. A Drunk.<br> The drunkards fall into a deep slumber.<br> II. Adagio molto. The drunkards sleep soundly; the season is mild; peace and rest overtake all the joyous peasants.<br> III. Allegro. The Hunt.<br> As dawn breaks the hunter appears with his horn, hound, and gun.<br> The prey appears; the chase is on.<br> The prey is bewildered by the clamorous dogs and the noise of the guns.<br> Fatigued and wounded, the prey falls and dies.<br> <br> WINTER<br> Vivaldi: Winter from The Four Seasons, Op. 8 (RV297) Score: 23 Pages, Duration: ca. 8:30, 3 movements.<br> I. Allegro non molto. We shiver in the snow and are pierced by the cruel winds.<br> We run and stamp our feet at every step.<br> Our teeth chatter with the cold.<br> II. Largo. We pass the day contented by the fireside; outside it is raining very hard.<br> III. Allegro. We carefully walk on the ice. We are afraid we may fall.<br> We Slip and fall. We get up and bravely try again.<br> The ice is breaking, the cracks are wide.<br> The shrieking winds are at war.<br> Such is winter, but it has its joys.
$49.95
45.48 €
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Euphonium, Piano (duet)
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Antonio Vivaldi (1678-1741)
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Vivaldi: The Four Seasons Complete for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Where Is The Love
Choral SATB
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 3 - Interactive Down…
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Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 3 - Interactive Download SKU: A0.479577 By The Black Eyed Peas. By Allan Pineda, George Pajon Jr., J. Curtis, Jaime Gomez, Justin Timberlake, Michael Fratantuno, Printz Board, and Will Adams. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 245. Deke Sharon #79AZtwkP83BSXgp58o5UoJ. Published by Deke Sharon (A0.479577). Key: F major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.81 €
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Choral SATB
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The Black Eyed Peas
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Where Is The Love
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Deke Sharon
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SheetMusicPlus
Country Wedding, from the Moldau (New Section Added)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.762244 Composed by Bedrich Smetana.…
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Piano Solo - Level 4 - Digital Download SKU: A0.762244 Composed by Bedrich Smetana. Arranged by Scott Powell. Concert,Romantic Period,Standards,Wedding. Score. 7 pages. Scott Powell Music #5325741. Published by Scott Powell Music (A0.762244). For solo piano. In the symphonic poem The Moldau, Smetana evokes the course of the Vltava river (Moldau in German), from the Bohemian forest through the Czech countryside. A peasant wedding is passed along the way. The music is only too brief, gradually dying away as the river continues its course. A friend suggested I try lengthening this segment of The Moldau, which I did by adding a middle section.
$1.99
1.81 €
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Piano solo
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Bedrich Smetana
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Country Wedding, from the Moldau
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Scott Powell Music
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
80.12 €
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Choral SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
91.06 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Guthrie: Good King Wenceslas for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1491194 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 20 pages. Jmsgu3 #1067931. Published by jmsgu3 (A0.1491194). Good King Wenceslas is a well-known Christmas carol that narrates the story of a kind-hearted ruler who braves winter weather to help a poor peasant. The carol is inspired by the historical figure of Saint Wenceslas I, Duke of Bohemia, who lived from approximately 907 to 935 AD. Although he is referred to as a king in the carol, he was a duke during his lifetime; the title of king was conferred upon him posthumously by Holy Roman Emperor Otto I.Historical ContextWenceslas was born into a Christian family and raised primarily by his grandmother, Ludmila, who significantly influenced his faith. His mother, Drahomíra, was aligned with paganism and ultimately had Ludmila murdered to gain power. Upon becoming Duke at 18, Wenceslas sought to promote Christianity and was known for his charitable acts, especially towards the poor and marginalized. His reign was marked by efforts to end religious conflicts and to build churches, including part of what is now St. Vitus Cathedral in Prague. However, his commitment to Christianity and his benevolent nature made him a target for his jealous younger brother, Boleslav, who ultimately conspired to murder him in 929 or 935 AD.The CarolThe carol Good King Wenceslas was written in 1853 by English hymn-writer John Mason Neale, set to a melody from a 13th-century spring carol. It was designed to encourage Christian charity, particularly during Christmas, and is traditionally sung on the Feast of Stephen, December 26. The lyrics depict Wenceslas and his page witnessing a poor man gathering firewood and deciding to help him by bringing food and supplies. This story reflects the historical Wenceslas's reputation for generosity and compassion, which has led to his veneration as a saint and the patron saint of the Czech Republic. His legacy is celebrated in the Czech Republic, where he is known as Václav, and he is commemorated on September 28, known as St. Wenceslas Day.Cultural SignificanceThe carol has become a staple of Christmas music in the English-speaking world, performed by various artists and choirs. It serves not only as a festive song but also as a reminder of the values of charity and kindness, echoing the life and virtues of the historical Wenceslas.
$34.95
31.82 €
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String Quartet: 2 violins, viola, cello
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Traditional
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Guthrie: Good King Wenceslas for String Quartet
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jmsgu3
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SheetMusicPlus
Cassiopeia
Piano solo
Piano Solo - Digital Download SKU: A0.507272 Composed by Heather Cattanach. 20th Ce…
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Piano Solo - Digital Download SKU: A0.507272 Composed by Heather Cattanach. 20th Century,Children,Contemporary,Instructional. Score. 3 pages. Published by Heather Cattanach (A0.507272). Vain Queen Cassiopeia boasted that her beauty surpassed that of the Nereids (sea nymphs). Poseidon, angered, sent a sea monster to destroy her land. King Cepheus and Queen Cassiopeia chained their daughter Andromeda to a rock as a sacrifice to the sea monster to appease Poseidon. Luckily, Perseus heroically rescued Andromeda. Cassiopeia’s punishment for her vanity was to spend all of eternity on her throne in the sky, half the year hanging upside down. The 5-star W shape of her throne can be seen in the northern hemisphere sky. You can draw Ws or Ms as per bars 1, 2, 31 and 32 wherever her theme recurs, if you like. This piece is written in Locrian mode, creating a dissonant, dark and unstable mood. This Intermediate Piano Solo is from “88 Constellations†a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Performance Time 1 1/2 minutes. 2 pages. A nice recital set could include Cassiopeia, Andromeda, Cepheus, Perseus and Cetus. (General Instructional, 21st Century, Modern, Repertoire, Recital, Modal).
$3.99
3.63 €
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Piano solo
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Heather Cattanach
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Cassiopeia
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Heather Cattanach
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SheetMusicPlus
Dancing Song
Concert band
Concert Band - Level 1 - Digital Download SKU: A0.1213050 Composed by Jordan R. Saw…
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Concert Band - Level 1 - Digital Download SKU: A0.1213050 Composed by Jordan R. Sawyer. Classical. Score and Parts. 26 pages. J.R. Sawyer #810224. Published by J.R. Sawyer (A0.1213050). This Dance uses the 1st 6 pitches of the Bb scale and basic rhythmic concepts to convey a peasant-style country dance in simple 8-bar phrases. Every instrument group enjoys the opportunity to perform the melody, harmony, or accompaniment. Opening with a brief intro based on the main theme, low voices lead the first section and pass to the high voices in the second. Middle voices lead the 2nd theme and a back-and-forth leads the 3rd theme back to the main theme, this time passing through the various voices.
$15.00
13.66 €
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Concert band
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Jordan R
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Dancing Song
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J.R. Sawyer
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SheetMusicPlus
Un angelo hippie
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.976834 Composed by Monica Bergo. Ch…
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Piano Solo - Level 3 - Digital Download SKU: A0.976834 Composed by Monica Bergo. Children,Christmas,Spiritual. Score. 4 pages. Monica Bergo #3235417. Published by Monica Bergo (A0.976834). 2017 Holiday Contest Entry AN ANGEL HIPPIE It was there abandoned sad not fly more Around us mud and horror If you seek love there is not... Come here, close to me, you're scared , I know, here the faith will not save you But you can fly away I do not understand why dirty your beautiful colors down here . I'm here is because I was looking for you , just here where it all began I'm here to appease the evil that Christmas gives birth to you.... Search , search in the past face everything that has been destroy all ghosts Defeat your fears remove dark areas walk all the way returns, with me close , at that time now passed , are you ready? now we fly you and I. Around us screams and greyness Tell me where is the love ... you feel it too ? Today is Christmas but here there is no peace away from here, away from here I want my reality I open my eyes and you are not there more as I try to grab your memory that disappears in my hands I have your feather….. Monica Bergo
$3.99
3.63 €
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Piano solo
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Monica Bergo
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Un angelo hippie
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Monica Bergo
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SheetMusicPlus
Pump It
Choral Voice - Level 3 - Interactive Download SKU: A0.479882 By The Black Eyed Peas…
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Choral Voice - Level 3 - Interactive Download SKU: A0.479882 By The Black Eyed Peas. By Allan Pineda, Nicholas Roubanis, Stacy Ferguson, Thomas Van Musser, and Will Adams. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 207. Deke Sharon #5F6b1Wm3WTzst13xMuNgRR. Published by Deke Sharon (A0.479882). Key: E major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.81 €
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The Black Eyed Peas
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Pump It
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Deke Sharon
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SheetMusicPlus
I Gotta Feeling
Choral Alto Voice,Soprano voice (4-Part) - Level 3 - Interactive Download SKU: A0.47979…
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Choral Alto Voice,Soprano voice (4-Part) - Level 3 - Interactive Download SKU: A0.479792 By The Black Eyed Peas. By Allan Pineda, David Guetta, Frederic Riesterer, Jaime Gomez, Stacy Ferguson, and Will Adams. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 284. Deke Sharon #1B071zOsXgr5H8jtViETII. Published by Deke Sharon (A0.479792). Key: G major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.81 €
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The Black Eyed Peas
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I Gotta Feeling
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Deke Sharon
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SheetMusicPlus
Don't Lie
Choral SATB
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 3 - Interactive Down…
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Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 3 - Interactive Download SKU: A0.479855 By The Black Eyed Peas. By Allan Pineda, Chris Peters, Drew Peters, Jaime Gomez, Ricky Walters, Stacy Ferguson, and Will Adams. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 163. Deke Sharon #5W7W2Vdscu8Ksyx8qaGoqM. Published by Deke Sharon (A0.479855). Key: A major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.81 €
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Choral SATB
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The Black Eyed Peas
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Don't Lie
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Deke Sharon
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SheetMusicPlus
Intermezzo from ‘Cavalleria Rusticana’
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1291941 Composed by Pietro Mascag…
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Concert Band - Level 2 - Digital Download SKU: A0.1291941 Composed by Pietro Mascagni. Arranged by Mark Armstrong. 19th Century,Opera. Score and Parts. 27 pages. Seolta Music Limited #882537. Published by Seolta Music Limited (A0.1291941). The renowned Intermezzo from Cavalleria Rusticana in an accessible arrangement for concert band. Although Pietro Mascagni (1863-1945) wrote other operas, none matched the success of Cavalleria Rusticana, which was played worldwide and influenced many other composers of the time. This one-act opera is a concise, passionate tale of Sicilian peasants, with lashings of love, jealousy and tragic death.To browse all band and wind ensemble music titles from Seolta Publishing click here.
$60.00
54.63 €
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Concert band
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Pietro Mascagni
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Intermezzo from ‘Cavalleria Rusticana’
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Seolta Music Limited
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SheetMusicPlus
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