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Passacaglia in B Minor
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You've selected:
Passacaglia in B Minor
Sheetmusic to print
14 sheet music found
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1
Buxtehude Passacaglia in D minor for Brass Choir
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE/ADVANCED
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Dietrich Buxtehude
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Robert B Oldroyd
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Buxtehude Passacaglia in D min
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Robert Oldroyd Music
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.976161 Composed by Dietrich Buxtehude. Arranged by Robert B Oldr...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.976161 Composed by Dietrich Buxtehude. Arranged by Robert B Oldroyd. Baroque,Classical,Sacred. Score and parts. 56 pages. Robert Oldroyd Music #581524. Published by Robert Oldroyd Music (A0.976161). This arrangement of Buxtehude's Passacaglia in d minor makes a great addition to any concert. Carefully arranged for brass choir, this arrangement is both moderately difficult and musically satisfying. 3 Trumpets, Flugelhorn, 4 Horns, 4 Trombones, Euphonium, Tuba.
$45.00
Passacaglia and Fugue in C minor
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Craig Garner
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Passacaglia and Fugue in C min
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Dorm 40 Music
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.740280 Composed by Johann Sebastian Bach. Arranged by Craig Garner. Baroque. Score and parts. 71 page...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.740280 Composed by Johann Sebastian Bach. Arranged by Craig Garner. Baroque. Score and parts. 71 pages. Dorm 40 Music #6210525. Published by Dorm 40 Music (A0.740280). This arrangement is part of the Chicago Gargoyle Brass & Organ Ensemble Signature Series.Passacaglia and Fugue in C minor (BWV 582) is an organ work composed by Bach early in his career. It is arguably one of his greatest and most important works. The passacaglia starts with an ostinato theme, followed by 20 variations. Immediately after the passacaglia, without break, is a double fugue based on the ostinato theme. This arrangement pays homage to the great transcriptions of Stokowski and Ormandy, by weaving the colors of brass, organ and percussion into symphonic textures. Perfect for any recital, concert or pops program. This arrangement is scored for brass quintet, organ and a single percussionist (timpani, snare drum, suspended cymbal). Due to the range of the first trumpet (to C6), parts are provided for trumpet in C, E-flat and doubling on B-flat trumpet/B-flat piccolo (select whichever part works best for you). Performance time is about 14 minutes. Published by Dorm 40 Music, www.dorm40music.com.
$25.00
Passacaglia
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Eric J Roth
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Passacaglia
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #475682...
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Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #4756827. Published by Eric J Roth (A0.914738). (7 pages. 3 pages of music)This Passacaglia is the first of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming, but the Passacaglia is offered here as a single, standalone work. I have performed the Passacaglia in my own concert programs both on its own and as part of the larger sonata. I believe that it works equally well both ways. The Passacaglia form originated in 17th-century Spain. It started as a series of strummed chords that served as an interlude between dances. The term itself translates as street song. Over time, it evolved to become a series of variations set over an ostinato or ground bass, usually in triple meter. It is often indistinguishable from a Chaconne. In character, the Passacaglia is often serious, or even grave. The Passacaglia offered here adheres to this tradition in most ways, except that it is in 5/4 instead of triple meter. The ostinato phrase is five measures long and set in quarter notes. Variations usually occur in pairs and are distinguished by texture. Beginning simply, the variations build in complexity throughout the piece. The main theme, introduced in the second pair of variations, recurs later in a fuller texture. One final statement of the ostinato in bare octaves ends the piece. The tonality stems from an E harmonic minor scale, although an added B flat serves to blur any sense of strict tonality.Please note that there are some minor differences between the score and the YouTube video of a live performance from 2018.
$2.99
Passacaglia in C (piano duet)
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1 Piano, 4 hands
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ADVANCED
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 p...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$9.99
Passacaglia in C (Organ)
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Organ
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ADVANCED
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Musi...
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Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$7.99
Passacaglia
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Piano solo
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INTERMEDIATE
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Classical
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George Frideric Handel
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Diana Bar
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Passacaglia
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Diana Bar
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SheetMusicPlus
Piano - Level 3 - Digital Download SKU: A0.1493799 Composed by George Frideric Handel. Arranged by Diana Bar. Baroque,Classical. Full Performance. Durati...
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Piano - Level 3 - Digital Download SKU: A0.1493799 Composed by George Frideric Handel. Arranged by Diana Bar. Baroque,Classical. Full Performance. Duration 207. Diana Bar #1070455. Published by Diana Bar (A0.1493799). Händel`s Passacaglia from Suite No. 7 in G minor (1720) was originally written for harpsichord and popularized by Johan Halvorsen for Violin, Viola in 1893. Discover the magic of Passacaglia, adapted by Diana Bar in a special solo piano arrangement designed for two shortversions in two levels: easy intermediate (A) and intermediate (B) and a third longversion (intemediate). Here ist a longversion! I hope, you enjoy it.
$5.49
Passacaglia in B Minor (A Cry For Help)
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Piano solo
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INTERMEDIATE
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Bruce A
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Passacaglia in B Minor
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Bruce A Phillips Jr
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1208229 Composed by Bruce A. Phillips, Jr. 20th Century,Classical,Contemporary,Multicultural,New Age,Worl...
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Piano Solo - Level 3 - Digital Download SKU: A0.1208229 Composed by Bruce A. Phillips, Jr. 20th Century,Classical,Contemporary,Multicultural,New Age,World. Score. 2 pages. Bruce A Phillips Jr #806343. Published by Bruce A Phillips Jr (A0.1208229).
$4.99
Cirques Progress
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Piano solo
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INTERMEDIATE
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Jazz
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Ennio A
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... within a play.
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Cirques Progress
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Significant Music®™
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1030715 Composed by Ennio A. Paola. Jazz. Score. 4 pages. Significant Music®™ #2013437. Publishe...
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Piano Solo - Level 3 - Digital Download SKU: A0.1030715 Composed by Ennio A. Paola. Jazz. Score. 4 pages. Significant Music®™ #2013437. Published by Significant Music®™ (A0.1030715). Notice: For a Multi-Metric, Binary, Passicaglia, Rondo in B minor, over a Ground Bass in Crab Form -- Look No Further! Cirque - (Ring, Circus, Circle) | Progress - (Onward Movement) A fun, jazzy Rondo based on light chromatic motives underscoring a world at play; ... within a play.
$3.99
BEST OF BACH (20 TUNES) - Collection [EASY PIANO]
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Easy Piano
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EASY
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Classical
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Johann Sebastian Bach
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Darek
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BEST OF BACH
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Darek
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SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.1326457 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Mu...
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Easy Piano - Level 2 - Digital Download SKU: A0.1326457 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music,Religious. Score. 56 pages. Darek #914599. Published by Darek (A0.1326457). BEST OF BACH (20 TUNES) - Sheet Music Collection [EASY PIANO]Sheet music for piano or keyboard in easy arrangements for beginner pianists. Johann Sebastian Bach and 20 of the composer's most famous works. Easy sheet music | Baroque | Classical Music | Easy Sheet Music Collection | Piano | Keyboard | Grand Piano | Easy version for pianists | Beginner Version | Easy Piano Sheet Music | Arrangement for Beginners Included: Articulation, Dynamics, Fingering and a simplified Youtube tutorial. Song List:1. Adagio from Oboe Concerto in D Minor (BWV 974)2. Air on the G String from Suite No. 3 (BWV 1068)3. Ave Maria (Prelude in C major, BWV 846) (Bach/Gounod)4. Badinerie from Orchestral Suite No. 2 in B Minor (BWV 1067)5. Bourrée in E Minor (BWV 996)6. Brandenburg Concerto No. 3 in G Major, First Movement (BWV 1048)7. Cantata: Jesu, Joy of Man’s Desiring (BWV 147)8. Cello Suite No. 1, Prelude (BWV 1007)9. Goldberg Variations, Aria (BWV 988)10.  Invention No. 1 in C Major (BWV 772)11.  Invention No. 8 in F Major (BWV 779)12.  Italian Concerto in F Major, First Movement (BWV 971)13.  Minuet in G Major (BWV Anh. 114)14.  Minuet in G Minor (BWV Anh. 115)15.  Minuet in G Major (BWV Anh. 116)16.  Musette in D Major (BWV Anh. 126)17.  Partita No. 2 in C Minor, I. Sinfonia (BWV 826)18.  Passacaglia in C Minor (BWV 582)19.  Prelude in C (BWV 846)20.  Toccata and Fugue in D Minor (BWV 565).
$20.00
Hope Collage for Saxophone Octet
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Saxophone ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
#
the
time the movement
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Sy Brandon
#
Hope Collage for Saxophone Oct
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Sy Brandon
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SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.755338 Composed by Sy Brandon. 20th Century,Contemporary. 81 pages. Sy Brandon ...
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Saxophone Ensemble,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.755338 Composed by Sy Brandon. 20th Century,Contemporary. 81 pages. Sy Brandon #6619959. Published by Sy Brandon (A0.755338). Hope Collage was commissioned in honor of Hope College's 14th President, Matthew Scogin. President Scogin was inaugurated in 2019 and exemplifies the qualities of hope represented in this piece. The first movement Castles In The Sky is in 6/8 meter with some of the syncopated rhythmic figures that pit 3/4 against the 6/8. The major tonality is disguised by chromaticism either in the melody or in the counterpoint and harmony. The form is basically AB with a Coda. The slow second movement A Light at the End of the Tunnel has the tenor and baritone saxophones representing the darkness of the tunnel using minor and slightly dissonant harmony. The light at the end of the tunnel is represented by the alto and soprano saxophones. Even though they are still in minor, their brightness and rising arpeggios represent a glimmer of hope. By the time the movement nears the end, optimism has taken over and the entire ensemble is in shifting major tonalities leading up to the quiet, yet, prayerful end in B major. The third movement Knock On Wood has a Scherzo quality and is at an allegro tempo. The opening theme sets the tone of optimism with its combination of quartal, quintal, and triadic harmony along with staccato articulation. It is answered by the saxophones doing rhythmic slap tongue in a pyramid formation that represents knocking on wood. The theme and its variations alternate with the slap tongue throughout most of the movement. In several places, the theme and slap tongue appear in canon. Towards the end, the theme becomes fragmented and the slap tongue dominates. The fragments become pieced together leading to a final outburst of 16th note joy before the last chord. The movement ends with foot stomps that rhythmically suggests knock on wood. The last movement Promised Land is in two parts. The first is meditative and prayer-like in a moderate tempo. It has a passacaglia bass line and contrapuntal lines are added above it. It also grows in intensity until it reaches the Allegro, which is the second part and is celebratory. The Allegro begins with a sixteenth note motif that plays an accompaniment role in many places throughout the last section to the slower moving declarative lines. Near the end, motifs from the Moderato section are transformed in the Allegro, therefore linking the two sections.
$14.99
Bach: Passacaglia and Fugue in c minor for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Classical
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Johann Sebastian Bach
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Darrell Goforth
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Bach: Passacaglia and Fugue in
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Darrell Goforth
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by Darrell Goforth. Baroque Period, General Worship, Technique Training, Graduation, Recital. Score, Set...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Darrell Goforth. Baroque Period, General Worship, Technique Training, Graduation, Recital. Score, Set of Parts. 44 pages. Published by Darrell Goforth (S0.130373). - Score,Set of Parts - Baroque Period,General Worship,Technique Training,Graduation,Recital - Darrell Goforth
Composed between 1706 and 1713, the Passacaglia and Fugue in c-minor is one of Bach's earlier works. It remains an important piece even today as it sets the standard for the passacaglia form. Like many of Bach's work, this piece lends itself particularly well to the brass repertoire.This arrangement is both technically challenging and aurally pleasing. I have used the trumpet in both C and B-flat for their different timbres, but it will sound as well with two trumpets in the same key.On a performance note, I would suggest that you position the players from left to right in the following order:Trumpet in C, Horn, Tuba, Trombone and Trumpet in Bb.This order will become apparent especially at measure 113, where the sound begins a circular pattern which I think you will find pleasing.Comments and questions are always welcome at my email: dgoforth2@comcast.netPlease "like" me on Facebook at https://www.facebook.com/goforthmusic and visit my YouTube channel at https://www.youtube.com/user/dgoforth2.
$21.99
Piano Suite #3 (Gothic)
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Piano solo
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ADVANCED
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Contemporary
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James Domine
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Piano Suite #3
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.976509 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 53 pages. Earth Music, Ltd. #2...
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Piano Solo - Level 5 - Digital Download SKU: A0.976509 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 53 pages. Earth Music, Ltd. #2081771. Published by Earth Music, Ltd. (A0.976509). Composed in 2011 from earlier sketches, the Piano Suite #3 (Gothic) is comprised of three movements: Toccata, Passacaglia & Thema Fugatum that reflect a Baroque concept of form and performance practice combined with a modern sense of tonality and harmonic language. All three movements are based on a single enigmatically chromatic theme that is loosely centered on the tonality of B minor. This single theme is used in various permutations throughout the suite and has a gravitas reminiscent of Gothic architecture.
$14.99
Gigue
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Eric J Roth
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Gigue
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #529628...
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Solo Guitar - Level 4 - Digital Download SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by Eric J Roth (A0.914743). This Gigue is the finale of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming. In the interim, I am offering three movements – the Passacaglia, Sarabande and Gigue – as single standalone works. I have performed them in my own concert programs both as part of the larger sonata and on their own. I believe that they work equally well both ways. The Gigue form is a lively dance in triple meter that stems from the Irish jig. It probably originated in England and Ireland in the 16th century. In the Baroque period and beyond, composers have often used gigues as the final movement of dance suites. The Gigue offered here is a galloping romp in 6/8 time with eighth notes running throughout most of the piece. It recalls similar gigues by the lutenist Sylvius Leopold Weiss (1687-1750) and the Tarantelle by Johann Kaspar Mertz (1806-1856). (The Tarantella is a similar lively dance form in triple time). Like the Passacaglia, the Gigue uses an E harmonic minor scale with an added (structural) B flat that helps to blur the sense of strict tonality. The second section includes hints of G and B tonal areas before returning to E minor to end the piece.
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Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
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