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Op. 45, No. 9: Si la pitié trouve en vous from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 9: Si la pitié tr
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-09E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-09E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Strepitus Sound Effects
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Sacred music
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Stephen DeCesare
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Strepitus Sound Effects
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Exultet Music
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SheetMusicPlus
Digital Download SKU: A0.1052331 Composed by Stephen DeCesare. Christian,Easter,Musical/Show,Praise & Worship. Accompaniment. Duration 165. Exultet Music...
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Digital Download SKU: A0.1052331 Composed by Stephen DeCesare. Christian,Easter,Musical/Show,Praise & Worship. Accompaniment. Duration 165. Exultet Music #4569489. Published by Exultet Music (A0.1052331). This is the sound effects that follows the death of Christ dying on the Cross - starting with soft rain, building into thunder, earthquake, then settling softly into soft falling rain. This effect would be greatly used if you are trying to demonstrate the conditions of the Crucifixion with the reading of the Passion or a Tenebrae service. .
$3.99
Passionfruit - Score Only
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Percussion Ensemble
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INTERMEDIATE
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Drake
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Josh Ball
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Passionfruit - Score Only
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The BeatCave
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1306153 By Drake. By Aubrey Graham, Nana Rogues, and Noah Sheabib. Arranged by Josh Ball. 21st C...
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1306153 By Drake. By Aubrey Graham, Nana Rogues, and Noah Sheabib. Arranged by Josh Ball. 21st Century,Hip-Hop,Pop,R & B. 1 pages. The BeatCave #895419. Published by The BeatCave (A0.1306153). Color-coded Top 40 chart for use with Boomwhackers, Xylophones, Keyboards, and all pitched percussion instruments.
$4.99
Take A Walk
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Piano solo
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EASY
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Passion Pit
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Passion Pit
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Take A Walk
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Mr. Lu Lai
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1391140 By Passion Pit. By Michael Angelakos. Arranged by Passion Pit. Multicultural,World. Score. 6 page...
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Piano Solo - Level 2 - Digital Download SKU: A0.1391140 By Passion Pit. By Michael Angelakos. Arranged by Passion Pit. Multicultural,World. Score. 6 pages. Mr. Lu Lai #974670. Published by Mr. Lu Lai (A0.1391140). Take a walk Piano score.
$5.99
Take A Walk
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Piano solo
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EASY
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Passion Pit
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Passion Pit
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Take A Walk
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Mr. Lu Lai
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1391138 By Passion Pit. By Michael Angelakos. Arranged by Passion Pit. Multicultural,World. Score. 3 page...
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Piano Solo - Level 2 - Digital Download SKU: A0.1391138 By Passion Pit. By Michael Angelakos. Arranged by Passion Pit. Multicultural,World. Score. 3 pages. Mr. Lu Lai #974668. Published by Mr. Lu Lai (A0.1391138). Take a walk Piano score.
$4.99
Take A Walk
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Piano solo
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EASY
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Passion Pit
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Passion Pit
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Take A Walk
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Mr. Lu Lai
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1391141 By Passion Pit. By Michael Angelakos. Arranged by Passion Pit. Multicultural,World. Score. 7 page...
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Piano Solo - Level 2 - Digital Download SKU: A0.1391141 By Passion Pit. By Michael Angelakos. Arranged by Passion Pit. Multicultural,World. Score. 7 pages. Mr. Lu Lai #974671. Published by Mr. Lu Lai (A0.1391141). Take a walk Piano score.
$5.99
Take A Walk
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Piano solo
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EASY
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Passion Pit
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Passion Pit
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Take A Walk
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Mr. Lu Lai
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1391139 By Passion Pit. By Michael Angelakos. Arranged by Passion Pit. Multicultural,World. Score. 3 page...
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Piano Solo - Level 2 - Digital Download SKU: A0.1391139 By Passion Pit. By Michael Angelakos. Arranged by Passion Pit. Multicultural,World. Score. 3 pages. Mr. Lu Lai #974669. Published by Mr. Lu Lai (A0.1391139). Take a walk Piano score.
$4.99
The Reeling
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Lyrics and Chords
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Rock
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Passion Pit
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Rock
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The Reeling
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Passion Pit. Pop; Rock. GTRCHD. 2 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Passion Pit. Pop; Rock. GTRCHD. 2 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
CONJUNCTION: The Christmas Star of 2020
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Orchestra
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INTERMEDIATE
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Christmas
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. Whea...
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
Eva's Showstopper
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Piano solo
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INTERMEDIATE
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Anna Robinson
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Eva's Showstopper
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Anna Robinson
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.895328 Composed by Anna Robinson. Broadway,Contemporary,Musical/Show,Standards. Score. 4 pages. Anna Robi...
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Piano Solo - Level 3 - Digital Download SKU: A0.895328 Composed by Anna Robinson. Broadway,Contemporary,Musical/Show,Standards. Score. 4 pages. Anna Robinson #6104519. Published by Anna Robinson (A0.895328). Eva's Showstopper (piano solo)An original composition by Melbourne-based piano teacher and composer, Anna Robinson. This piece was written for my student Eva, who shares my passion for musical theatre. For her, I aimed to incorporate all of those most enjoyable moments in the pit pianist’s score.
$4.99
TEMPTING FATE (Destino Incierto)
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Piano solo
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INTERMEDIATE/ADVANCED
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ROBERT VAN HORNE
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ROBERT VAN HORNE
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TEMPTING FATE
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1432658 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Latin,Mariachi,...
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Piano Solo - Level 4 - Digital Download SKU: A0.1432658 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Latin,Mariachi,Multicultural,World. Score. 8 pages. White Piano International Publishing #1012489. Published by White Piano International Publishing (A0.1432658). TEMPTING FATE (Destino Incierto)Original Piano Solo Music from “FOREVER AMOR”Composed and arranged by Robert Van Horne in 1992Advanced Intermediate Piano Solo Arrangement(This sheet music does not contain the violin and bass scores as heard on the mp3 sample)8 pagesDuration approximately 3:15In 1985, I fell in love with Mexican, Spanish, and Latin music after visiting Mexico City. There I discovered composers like Agustin Lara, Jose Alfredo Jimenez, Antonio Carlos Jobim, and Astor Piazzolla. Despite not speaking Spanish fluently, I'm captivated by the language's musicality.This passion inspired me to compose Latin-style songs in the early 1990s, culminating in my album “FOREVER AMOR,” and later recording the music in 2016 for Piano, Violin and Bass. The opening of TEMPTING FATE carries an air of mystery, featuring a hauntingly beautiful melody. Subsequently, a recurring sequential theme takes center stage, echoing multiple times with a mesmerizing effect in a higher pitch. Like many tracks on the album, it hints at the possibility of narrating a love tale through the evocative use of imaginary Spanish words.The piano sheet music for TEMPTING FATE is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.While the mp3 sample includes violin and bass, the sheet music is for solo piano, suitable for intermediate to advanced players and instructors. You can find the full version on my album at: https://www.amazon.com/Forever-Amor-Robert-Van-Horne/dp/B01DAE052KPublished by White Piano International PublishingRobert Van Horne is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$2.99
Like a Pine Tree
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Piano solo
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INTERMEDIATE
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New Age
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Antonella Di Giulio
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Antonella Di Giulio
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Like a Pine Tree
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ANTONELLA DI GIULIO
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1121322 By Antonella Di Giulio. By Antonella Di Giulio. Arranged by Antonella Di Giulio. New Age. Score. ...
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Piano Solo - Level 3 - Digital Download SKU: A0.1121322 By Antonella Di Giulio. By Antonella Di Giulio. Arranged by Antonella Di Giulio. New Age. Score. 3 pages. ANTONELLA DI GIULIO #722492. Published by ANTONELLA DI GIULIO (A0.1121322). During a retreat at the Blue Cliff Monastery, a very common question within the participants had been: “How can I be peaceful and compassionate in a world that seems to be full of anger and resentment?†One of the young nuns shared with us that, like Thich Nhat Hanh, she was aiming to be like a pine tree on the top of a mountain, able to always be the most beautiful tree she can ever be, despite rain, sun, snowstorms and anything else the world can throw at her. I remember her beautiful smile while she was talking to us and how she was shining in the darkness of a meditation hall. Out there, right next to you, maybe in your house, in your family, out in the society, there is violence and wars, fights and disruptions, and a lot of anger and suffering. How can you stay peaceful and be a strong and beautiful pine tree in a world which seems set up to create despair?
$7.99
Raga Jogiya Kalingra "Aroma of Saffron"
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Piano solo
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ADVANCED
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John Pitts
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Raga Jogiya Kalingra "Aroma of
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Intensely Pleasant Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.890724 Composed by John Pitts. Contemporary,Standards,World. Score. 33 pages. Intensely Pleasant Music #5...
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Piano Solo - Level 5 - Digital Download SKU: A0.890724 Composed by John Pitts. Contemporary,Standards,World. Score. 33 pages. Intensely Pleasant Music #5012469. Published by Intensely Pleasant Music (A0.890724). The word rÄga literally means ‘colour’, and from that also ‘passion’ or ‘emotion’. The musical term rÄga refers to a performance, within the melodic and structural conventions of Indian classical music, that evokes a particular emotion. RÄga Jogiya Kalingra Aroma of Saffron evokes a mood of wonder: It is night-time. Strong breezes blow through purple fields of the beautiful saffron flower, its red stigma the source of the world’s most expensive spice, releasing wafts of powerful fragrance. This fully composed RÄga Jogiya Kalingra Aroma of Saffron is a solo performance piece for piano lasting around 16 minutes. It is a fully fleshed-out version of the musical material from the 12th rÄga/raag in the book How to Play Indian Sitar Raags on a Piano (2016) by British composer John Pitts, and is suitable for advanced pianists. Indian rÄgas have an extraordinary musical heritage dating back several centuries (from the area that is now India, Pakistan and Bangladesh) - a truly unique musical genre of fascinating melodic beauty and rhythmic intricacy – freely combining elaborate composed melodies with carefully rehearsed improvisation.
$8.99
La barque sur l'eau
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Violin and Piano
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BEGINNER
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Classical
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Bastien Chevalley
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La barque sur l'eau
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Bastien Chevalley
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SheetMusicPlus
Piano,Violin - Level 1 - Digital Download SKU: A0.1264997 Composed by Bastien Chevalley. 19th Century,20th Century,Chamber,Classical,Romantic Period. 2 p...
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Piano,Violin - Level 1 - Digital Download SKU: A0.1264997 Composed by Bastien Chevalley. 19th Century,20th Century,Chamber,Classical,Romantic Period. 2 pages. Bastien Chevalley #857838. Published by Bastien Chevalley (A0.1264997). I'm delighted to present my latest composition, the fruit of my growing passion for the violin! Just three weeks ago, I began this incredible musical adventure, discovering the subtleties of this fascinating instrument. Oh, how I love it already, despite the challenges it presents! Despite my short experience, I already had an irrepressible urge to create music. And so was born this original composition, based on just three modest notes on the violin. However, thanks to a more elaborate piano accompaniment, the piece comes to life and acquires a more captivating musical interest.********************************************************************************************************************Je suis ravi de vous présenter ma toute nouvelle composition, fruit de ma passion grandissante pour le violon ! Il y a tout juste trois semaines, j'ai entamé cette incroyable aventure musicale en découvrant les subtilités de cet instrument fascinant. Oh, que je l'adore déjà , malgré les défis qu'il m'impose ! Malgré ma courte expérience, j'ai déjà une envie irrépressible de créer de la musique. C'est ainsi qu'est née cette composition originale, basée sur seulement trois modestes notes au violon. Cependant, grâce à un accompagnement plus élaboré au piano, la pièce prend vie et acquiert un intérêt musical plus captivant.
$5.00
IL SOGNO DI MEDEA
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Piano solo
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EASY
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New Age
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Contemporary
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Diego Spitaleri
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Diego Spitaleri
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IL SOGNO DI MEDEA
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Diego Spitaleri
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.744991 By Diego Spitaleri. By Diego Spitaleri. Arranged by Diego Spitaleri. Classical,Contemporary,New Ag...
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Piano Solo - Level 2 - Digital Download SKU: A0.744991 By Diego Spitaleri. By Diego Spitaleri. Arranged by Diego Spitaleri. Classical,Contemporary,New Age. Score. 3 pages. Diego Spitaleri #352986. Published by Diego Spitaleri (A0.744991). I composed The Dream of Medea for a play inspired by one of the most fascinating and controversial characters in Greek mythology. Medea is a woman with magical powers, always struggling between reason and passion, very strong and cruel but, at the same time, weak and passionate. In this song I like to think of Medea as she surrenders to a sweet dream.
$4.00
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
Where I Come From
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Piano, Vocal and Guitar
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Film/TV
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Passion Pit and Twilight: Brea
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Pop
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Where I Come From
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Passion Pit and Twilight: Breaking Dawn Part 2 (Movie). Film/TV; Pop; Rock. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Passion Pit and Twilight: Breaking Dawn Part 2 (Movie). Film/TV; Pop; Rock. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
STAY FOREVER (No Quiero Perderte Nunca)
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Piano solo
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INTERMEDIATE/ADVANCED
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ROBERT VAN HORNE
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ROBERT VAN HORNE
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STAY FOREVER
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1432654 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Latin,Mariachi,...
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Piano Solo - Level 4 - Digital Download SKU: A0.1432654 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Latin,Mariachi,Multicultural,World. Score. 9 pages. White Piano International Publishing #1012429. Published by White Piano International Publishing (A0.1432654). STAY FOREVER (No Quiero Perderte Nunca)Original Piano Solo Music from “FOREVER AMOR”Composed and arranged by Robert Van Horne in 1991Advanced Intermediate Piano Solo Arrangement(This sheet music does not contain the violin and bass scores as heard on the mp3 sample)9 pagesDuration approximately 4 minutesIn 1985, I fell in love with Mexican, Spanish, and Latin music after visiting Mexico City. There I discovered composers like Agustin Lara, Jose Alfredo Jimenez, Antonio Carlos Jobim, and Astor Piazzolla. Despite not speaking Spanish fluently, I'm captivated by the language's musicality.This passion inspired me to compose Latin-style songs in the early 1990s, culminating in my album “FOREVER AMOR,” and later recording the music in 2016 for Piano, Violin and Bass. STAY FOREVER captures the essence of a Mexican serenade beautifully. The free and ad lib style, combined with a yearning melody, would evoke a sense of longing and passion. Mexican serenades often convey deep emotions, whether it's love, longing, or even heartbreak, and it seems like this song encapsulates that sentiment perfectly. It's the kind of music that can touch the soul and transport listeners to a world of romance and emotion.Imaginary Spanish words can add a touch of mystery and romance, enhancing the storytelling aspect of the music. It seems like the kind of song that could tug at heartstrings and transport listeners to another world.The piano sheet music for STAY FOREVER is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.While the mp3 sample includes violin and bass, the sheet music is for solo piano, suitable for intermediate to advanced players and instructors. You can find the full version on my album at:Published by White Piano International PublishingRobert Van Horne is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$2.99
My Love has Died for Me
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Choral SATB
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Will Todd
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My Love has Died for Me
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Oxford University Press Digital
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SheetMusicPlus
SATB choir divisi unaccompanied - Digital Download SKU: OX.9780193530577 (from Passion Music). Composed by Will Todd. Sheet music. Octavo. 6 pages...
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SATB choir divisi unaccompanied - Digital Download SKU: OX.9780193530577 (from Passion Music). Composed by Will Todd. Sheet music. Octavo. 6 pages. Oxford University Press Digital #9780193530577. Published by Oxford University Press Digital (OX.9780193530577). ISBN 9780193530577.For SATB choir (with divisions) unaccompanied 'My Love has Died for Me' is taken from Passion Music, a concert and liturgical work that epitomizes Todd's love of blending jazz and choral music. Recurring melodies, changing metres, and extended harmonies combine to explore the theme of loss in this powerful and expressive lament.
$3.25
Being the Prettiest Girl in the Room
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Fiona Linnane
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Being the Prettiest Girl in th
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Fiona Linnane
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1514761 Composed by Fiona Linnane. 21st Century,Celtic,Chamber,Classical,Irish,Opera. Score. 9 pag...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1514761 Composed by Fiona Linnane. 21st Century,Celtic,Chamber,Classical,Irish,Opera. Score. 9 pages. Fiona Linnane #1089253. Published by Fiona Linnane (A0.1514761). Songs from Kate O’Brien is a cycle of 12 songs with music by Fiona Linnane and lyrics by Mary Coll. Each song depicts a protagonist from a Kate O’Brien novel at a pivotal moment in their development. Being the Prettiest Girl in the Room Marie Rose from The Ante RoomTeresa Mulqueen lies dying surrounded by her family on the Eve of All Saints, 1880. Her daughter Agnes anxiously awaits the return of her sister Marie-Rose and brother-in-law Vincent. Agnes adores her sister, but secretly, passionately loves Vincent—and she knows their marriage is foundering. In Being the Prettiest Girl in the Room Marie Rose despairs at her husband’s lack of attention, despite her efforts to be a dutiful and beautiful wife.
$5.99
St. Matthew Blue (Swing Version)
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Jazz combo
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INTERMEDIATE/ADVANCED
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Jazz
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Mike Strand, ASCAP <
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Mike Strand
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St. Matthew Blue
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Michael M. Strand
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SheetMusicPlus
Jazz Combo - Level 4 - Digital Download SKU: A0.970755 Composed by Mike Strand. Concert,Jazz. Score and parts. 3 pages. Michael M. Strand #5739279. Publi...
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Jazz Combo - Level 4 - Digital Download SKU: A0.970755 Composed by Mike Strand. Concert,Jazz. Score and parts. 3 pages. Michael M. Strand #5739279. Published by Michael M. Strand (A0.970755). By Mike Strand, ASCAP This is a swing tune lead sheet with lyrics, chord symbols and guitar fret boards, for a jazz ensemble with two voices, or for one voice and a singing instrument, or for two singing instruments. It serves as a good foundation for a variety of arrangements, contra facts, and improvisations. The audio sample is a medium swing accompaniment from iReal Pro, combined with my tunes from Finale PrintMusic. You hear two melodies with the accompaniment -- a treble electric guitar, and a simulated baritone voice (without the words). A rock version of St. Matthew Blue is also for sale on this web site. St. Matthew Blue portrays an unhappy person coping with the COVID 19 pandemic, which started early in the year 2020. It’s not a blues tune, however, so the word blue is in the title without the s. St. Matthew Blue contains unusual harmonies inspired by J. S. Bach’s opening chorus to the St. Matthew Passion. This tune doesn't match the profundity and appeal of Bach's chorus, but the two 16-bar themes of St. Matthew Blue contain some of my favorite harmonic ideas from Bach’s work. This gives a depth to this piece that sets it apart from other swing tunes. Here are the lyrics to St. Matthew Blue:An evil little bug has got me down.I want to drink a mug of beer in town. But now I get supplies brought to my door From many tries to find an online store. Self-pity brings to mind St. Matthew’s tale, How Jesus saved our kind from fiery hell. That my soul is safe may well be true, But I still chafe at fighting this damn flu.
$3.00
St. Matthew Blue (Rock Version)
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Vocal duet
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INTERMEDIATE
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Rock
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Mike Strand, ASCAP <
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Mike Strand
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St. Matthew Blue
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Michael M. Strand
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SheetMusicPlus
Voice Duet Voice - Level 3 - Digital Download SKU: A0.970756 Composed by Mike Strand. Concert,Pop,Rock. 3 pages. Michael M. Strand #5741591. Published by...
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Voice Duet Voice - Level 3 - Digital Download SKU: A0.970756 Composed by Mike Strand. Concert,Pop,Rock. 3 pages. Michael M. Strand #5741591. Published by Michael M. Strand (A0.970756). By Mike Strand, ASCAP This is a pop rock lead sheet with lyrics, chord symbols and guitar fret boards, for a rock ensemble with two voices, or for one voice and a singing instrument, or for two singing instruments. It serves as a good foundation for a variety of arrangements, depending on your group’s particular setup. The audio sample is a pop rock accompaniment from iReal Pro, combined with my tunes from Finale PrintMusic. You hear two melodies with the accompaniment -- a treble electric guitar, and a simulated baritone voice (without the words). A swing version of St. Matthew Blue is also for sale on this web site. St. Matthew Blue portrays an unhappy person coping with the COVID 19 pandemic, which started early in the year 2020. It’s not a blues tune, however, so the word blue is in the title without the s. St. Matthew Blue contains unusual harmonies inspired by J. S. Bach’s opening chorus to the St. Matthew Passion. My rock tune doesn't match the profundity and appeal of Bach's chorus, but the two 16-bar themes of St. Matthew Blue contain some of my favorite harmonic ideas from Bach’s work. This gives a depth to this piece that sets it apart from other rock tunes. Here are my lyrics to St. Matthew Blue: An evil little bug has got me down. I want to drink a mug of beer in town. But now I get supplies brought to my door From many tries to find an online store. Self-pity brings to mind St. Matthew’s tale, How Jesus saved our kind from fiery hell. That my soul is safe may well be true, But I still chafe at fighting this damn flu.
$3.00
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pag...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 page...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
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