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Pastorale D'ete
Sheetmusic to print
9 sheet music found
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1
Pastorale D'ete
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1296692 Composed by Arthur Oscar …
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Concert Band - Level 5 - Digital Download SKU: A0.1296692 Composed by Arthur Oscar Honegger. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. Score and Parts. 86 pages. John Ivor Holland #886856. Published by John Ivor Holland (A0.1296692). Inspired by a vacation in the Swiss Alps above Bern in 1920, this short piece was composed by Arthur Honegger for chamber orchestra and given its first performance in February 1921 in Paris, winning an audience prize for the best work performed that night; the first British performance was given 6 months later in London. A member of Les Six (a collective of composers based in Paris at the turn of the 20th century), Honegger would go on to write many symphonies, concertos and other large works, so this more intimate work has been performed many times over the years by orchestras around the world where situations call for a smaller ensemble. This arrangement for concert band includes important string bass and contrabass clarinet parts to bring the necessary sustained resonance required.
$79.99
73.47 €
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Concert band
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Arthur Oscar Honegger
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Pastorale D'ete
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John Ivor Holland
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SheetMusicPlus
Paul Wehage: Christmas Pastorale on Old French Carols for concert band, complete woodwind parts
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.532973 Composed by Paul Wehage. C…
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Concert Band - Level 3 - Digital Download SKU: A0.532973 Composed by Paul Wehage. Christmas,Contemporary,Instructional. Score and parts. 66 pages. Musik Fabrik Music Publishing #428011. Published by Musik Fabrik Music Publishing (A0.532973). This Christmas Pastorale is a setting of two Provençal carols: “Venez, Bergers†and “Un Flambeau, Jeanette, Isabelleâ€, both of which date from around the 16th century. The two themes are first presented seperately and then combined to form a unique texture. The three percussion insturments may be placed in different positions in order to underline the conterpoint between the three parts. This item is the complete set of woodwind parts (pic22EH2 Eb3AclBscl Asx1-2 Tsx Bsx). The full score and the complete brass and percussion parts are available as two seperate items. The individual parts are also available as single items. Instrumentation : Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Cornet I, II and III F Horn I - IV Trombone I, II and III Baritone I and II Tuba Timpani Percussion 1: snare drum Percussion II: triangle, tambour de Provence (or large tom) Percussion III: tambour de Basque (tambourine).
$39.95
36.69 €
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Concert band
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Paul Wehage
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Paul Wehage: Christmas Pastorale on Old French Carols for concert band, complete woodwind parts
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Musik Fabrik Music Publishing
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SheetMusicPlus
Paul Wehage: Christmas Pastorale on Old French Carols for concert band, complete brass and percussio
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.532974 Composed by Paul Wehage. C…
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Concert Band - Level 3 - Digital Download SKU: A0.532974 Composed by Paul Wehage. Christmas,Contemporary,Instructional. Score and parts. 70 pages. Musik Fabrik Music Publishing #428013. Published by Musik Fabrik Music Publishing (A0.532974). This Christmas Pastorale is a setting of two Provençal carols: “Venez, Bergers†and “Un Flambeau, Jeanette, Isabelleâ€, both of which date from around the 16th century. The two themes are first presented seperately and then combined to form a unique texture. The three percussion insturments may be placed in different positions in order to underline the conterpoint between the three parts. This item is the set of brass and percussion parts (Bb Cornet I, II and III, F Horn 1-4, Trombone I, II and II, IBaritone I and II, Tuba, Timpani, Percussion 1: snare drum, Percussion II: triangle, tambour de Provence (or large tom), Percussion III: tambour de Basque (tambourine)). The complete woodwind parts and the full score are available as two seperate items. The individual parts are also available as single items. Instrumentation : Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Cornet I, II and III F Horn I -IV Trombone I, II and III Baritone I and II Tuba Timpani Percussion 1: snare drum Percussion II: triangle, tambour de Provence (or large tom) Percussion III: tambour de Basque (tambourine).
$39.95
36.69 €
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Concert band
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Paul Wehage
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Paul Wehage: Christmas Pastorale on Old French Carols for concert band, complete brass and percussio
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Musik Fabrik Music Publishing
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SheetMusicPlus
Paul Wehage: Christmas Pastorale on Old French Carols for concert band, score only
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.532972 Composed by Paul Wehage. C…
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Concert Band - Level 3 - Digital Download SKU: A0.532972 Composed by Paul Wehage. Christmas,Contemporary,Instructional. Score and parts. 17 pages. Musik Fabrik Music Publishing #428009. Published by Musik Fabrik Music Publishing (A0.532972). This Christmas Pastorale is a setting of two Provençal carols: “Venez, Bergers†and “Un Flambeau, Jeanette, Isabelleâ€, both of which date from around the 16th century. The two themes are first presented seperately and then combined to form a unique texture. The three percussion insturments may be placed in different positions in order to underline the conterpoint between the three parts. This item is the full score only. The complete woodwind parts and the complete brass and percussion parts are available as two seperate items. The individual parts are also available as single items. Instrumentation : Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Cornet I, II and III F Horn I-IV Trombone I, II and III Baritone I and II Tuba Timpani Percussion 1: snare drum Percussion II: triangle, tambour de Provence (or large tom) Percussion III: tambour de Basque (tambourine).
$19.95
18.32 €
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Concert band
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Paul Wehage
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Paul Wehage: Christmas Pastorale on Old French Carols for concert band, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beeth…
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Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00
26.63 €
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Piano solo
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven
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Upstream Music
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SheetMusicPlus
Pierné: Album pour mes Petits Amis Op.14 (Complete) - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.553962 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.553962 Composed by Gabriel Pierne. Arranged by Ray Thompson. 20th Century,Children,Concert,Graduation,Romantic Period. 64 pages. RayThompsonMusic #6370067. Published by RayThompsonMusic (A0.553962). Gabriel Pierné was born in Metz. His family moved to Paris, after Metz and part of Lorraine were annexed to Germany in 1871 following the Franco-Prussian War. He studied at the Paris Conservatoire, gaining first prizes for solfège, piano, organ, counterpoint and fugue. He won the French Prix de Rome in 1882, with his cantata Edith. His teachers included Antoine François Marmontel, Albert Lavignac, Émile Durand, César Franck (for the organ) and Jules Massenet (for composition).He succeeded César Franck as organist at Sainte-Clotilde Basilica in Paris from 1890 to 1898. He himself was succeeded by another distinguished Franck pupil, Charles Tournemire. Associated for many years with Édouard Colonne's concert series, the Concerts Colonne, from 1903, Pierné became chief conductor of this series in 1910.His most notable early performance was the world premiere of Igor Stravinsky's ballet The Firebird, at the Ballets Russes, Paris, on 25 June 1910. He remained in the post until 1933 (when Paul Paray took over his duties). This arrangement is taken from his album of 6 short pieces: originally written for piano, and later transcribed by him, for small orchestra (English Translation: Album for my little friends (Children)Movts are:Pastorale FarandoleLa Veillée de l'ange gardien (The vigil of the Guardian Angel)Petite gavotteChanson d'autrefois (Song of olden times)Marche des petits soldats de plomb (March of the Lead Soldiers)The pastorale is the version arranged by Pierné, all other 5 mats are mine.Alternative bb and F horns are provided.
$14.95
13.73 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Gabriel Pierne
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Pierné: Album pour mes Petits Amis Op.14
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RayThompsonMusic
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SheetMusicPlus
Pierné: Album pour mes Petits Amis Op.14 (Complete) - symphonic wind dectet
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553956 Composed by Gabriel Pierne. Arranged by Ray Thompson. 20th Century,Romantic Period. Score and parts. 84 pages. RayThompsonMusic #6352591. Published by RayThompsonMusic (A0.553956). Gabriel Pierné was born in Metz. His family moved to Paris, after Metz and part of Lorraine were annexed to Germany in 1871 following the Franco-Prussian War. He studied at the Paris Conservatoire, gaining first prizes for solfège, piano, organ, counterpoint and fugue. He won the French Prix de Rome in 1882, with his cantata Edith. His teachers included Antoine François Marmontel, Albert Lavignac, Émile Durand, César Franck (for the organ) and Jules Massenet (for composition).He succeeded César Franck as organist at Sainte-Clotilde Basilica in Paris from 1890 to 1898. He himself was succeeded by another distinguished Franck pupil, Charles Tournemire. Associated for many years with Édouard Colonne's concert series, the Concerts Colonne, from 1903, Pierné became chief conductor of this series in 1910.His most notable early performance was the world premiere of Igor Stravinsky's ballet The Firebird, at the Ballets Russes, Paris, on 25 June 1910. He remained in the post until 1933 (when Paul Paray took over his duties). This arrangement is taken from his album of 6 short pieces: originally written for piano, and later transcribed by him, for small orchestra (English Translation: Album for my little friends (Children)Movts are:Pastorale FarandoleLa Veillée de l'ange gardien (The vigil of the Guardian Angel)Petite gavotteChanson d'autrefois (Song of olden times)Marche des petits soldats de plomb (March of the Lead Soldiers)Arranged for double wind quintet and bass.
$24.95
22.92 €
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Gabriel Pierne
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Pierné: Album pour mes Petits Amis Op.14
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RayThompsonMusic
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SheetMusicPlus
Ilfracombe Quadrilles
Piano solo
Piano - Digital Download SKU: LV.16148 Composed by Mrs. M. Yates. Panoramic views, …
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Piano - Digital Download SKU: LV.16148 Composed by Mrs. M. Yates. Panoramic views, Dwellings, Cliffs, Sailboats, Oceans. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16148). Ilfracombe Quadrilles. (1) Pantalon; (2) L'Ete; (3) la Poule; (4) La Trenise; (5) La Pastorale; (6) Final. Composed By Mrs. M. Yates. Published [n.d.] by J.L. Hewitt & Co., 137 Broadway in New York. Composition of (1) and (2) sectional; (3) - (6) da capo with piano instrumentation. Subject headings for this piece include Panoramic views, Dwellings, Cliffs, Sailboats, Oceans. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.5 €
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Piano solo
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Mrs
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Mrs
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(2) L'Ete
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Ilfracombe Quadrilles
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovann…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99
9.18 €
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Choral SATB
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni Battista Bononcini
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
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