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Perfectly Wrong
SheetMusicPlus
Sheetmusic to print
12 sheet music found
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1
Perfectly Wrong
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Piano solo
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EASY
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Shawn Mendes
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Shawn Mendes
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Perfectly Wrong
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Mr. Lu Lai
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1405601 By Shawn Mendes. By Geoffrey Warburton, Scott Harris, Shawn Mendes, and Teddy Geiger. Arranged by...
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Piano Solo - Level 2 - Digital Download SKU: A0.1405601 By Shawn Mendes. By Geoffrey Warburton, Scott Harris, Shawn Mendes, and Teddy Geiger. Arranged by Shawn Mendes. Multicultural,World. Score. 2 pages. Mr. Lu Lai #988660. Published by Mr. Lu Lai (A0.1405601). Perfectly Wrong Piano score.
$4.99
Perfectly Wrong
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Piano, Vocal and Guitar
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Pop music
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Shawn Mendes and Teddy Geiger
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Perfectly Wrong
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.421589 By Shawn Mendes and Teddy Geiger. This edition: Interactive Download. Pop. Piano/Vocal/Guitar. 6 pages. Published by ...
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Interactive Download SKU: HX.421589 By Shawn Mendes and Teddy Geiger. This edition: Interactive Download. Pop. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital (HX.421589).
$4.99
Triad Chord Worksheet
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Guitar notes and tablatures
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BEGINNER
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Instructional
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Brian Streckfus
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Triad Chord Worksheet
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published b...
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Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
$1.99
Aria and variations from 5th Harpsichord suite for Clarinet in Bb backing track
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Clarinet and Piano
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Classical
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G
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JCBmusic
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Aria and variations from 5th H
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Rachel Brown
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SheetMusicPlus
Clarinet,Piano - Digital Download SKU: A0.1069379 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Accompaniment. Duration 294. Rachel Brown #43192...
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Clarinet,Piano - Digital Download SKU: A0.1069379 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Accompaniment. Duration 294. Rachel Brown #4319281. Published by Rachel Brown (A0.1069379). Backing track to go with my arrangement of the associated part FOR CLARINET IN Bb (please ensure you buy the correct backing track - as buying one for a different instrument could mean that the track is in the wrong key)Backing tracks and sheet music are available across a growing range of instruments for the following movementsPreludeallemandecourantearia - with variationsBacking tracks will fit my arrangements perfectly but may not work with other arrangements. For a list of available arrangements please see the main publisher page - https://www.sheetmusicplus.com/publishers/jcbmusic-sheet-music/3005705
$2.60
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Allemande from 5th Harpsichord suite for clarinet in Bb backing track
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Clarinet and Piano
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Classical
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G
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JCBmusic
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Allemande from 5th Harpsichord
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Rachel Brown
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SheetMusicPlus
Clarinet,Piano - Digital Download SKU: A0.1069376 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Accompaniment. Duration 228. Rachel Brown #43192...
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Clarinet,Piano - Digital Download SKU: A0.1069376 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Accompaniment. Duration 228. Rachel Brown #4319277. Published by Rachel Brown (A0.1069376). Backing track to go with my arrangement of the associated part FOR CLARINET IN Bb (please ensure you buy the correct backing track - as buying one for a different instrument could mean that the track is in the wrong key)Backing tracks and sheet music are available across a growing range of instruments for the following movementsPreludeallemandecourantearia - with variationsBacking tracks will fit my arrangements perfectly but may not work with other arrangements. For a list of available arrangements please see the main publisher page - https://www.sheetmusicplus.com/publishers/jcbmusic-sheet-music/3005705
$2.60
Aria and variations from 5th Harpsichord suite for flute backing track
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Flute and Piano
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Classical
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G
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JCBmusic
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Aria and variations from 5th H
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Rachel Brown
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SheetMusicPlus
Flute,Piano - Digital Download SKU: A0.1069375 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Accompaniment. Duration 294. Rachel Brown #4319273....
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Flute,Piano - Digital Download SKU: A0.1069375 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Accompaniment. Duration 294. Rachel Brown #4319273. Published by Rachel Brown (A0.1069375). Backing track to go with my arrangement of the associated part FOR FLUTE (please ensure you buy the correct backing track - as buying one for a different instrument could mean that the track is in the wrong key)Backing tracks and sheet music are available across a growing range of instruments for the following movementsPreludeallemandecourantearia - with variationsBacking tracks will fit my arrangements perfectly but may not work with other arrangements. For a list of available arrangements please see the main publisher page - https://www.sheetmusicplus.com/publishers/jcbmusic-sheet-music/3005705
$2.60
Courante from 5th Harpsichord suite for flute backing track
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Flute and Piano
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Classical
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G
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JCBmusic
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Courante from 5th Harpsichord
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Rachel Brown
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SheetMusicPlus
Flute,Piano - Digital Download SKU: A0.1069374 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Accompaniment. Duration 109. Rachel Brown #4319271....
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Flute,Piano - Digital Download SKU: A0.1069374 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Accompaniment. Duration 109. Rachel Brown #4319271. Published by Rachel Brown (A0.1069374). Backing track to go with my arrangement of the associated part FOR FLUTE (please ensure you buy the correct backing track - as buying one for a different instrument could mean that the track is in the wrong key)Backing tracks and sheet music are available across a growing range of instruments for the following movementsPreludeallemandecourantearia - with variationsBacking tracks will fit my arrangements perfectly but may not work with other arrangements. For a list of available arrangements please see the main publisher page - https://www.sheetmusicplus.com/publishers/jcbmusic-sheet-music/3005705
$2.60
Allemande from 5th Harpsichord suite for flute backing track
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Flute and Piano
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Classical
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G
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JCBmusic
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Allemande from 5th Harpsichord
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Rachel Brown
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SheetMusicPlus
Flute,Piano - Digital Download SKU: A0.1069373 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Accompaniment. Duration 228. Rachel Brown #4319269....
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Flute,Piano - Digital Download SKU: A0.1069373 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Accompaniment. Duration 228. Rachel Brown #4319269. Published by Rachel Brown (A0.1069373). Backing track to go with my arrangement of the associated part FOR FLUTE (please ensure you buy the correct backing track - as buying one for a different instrument could mean that the track is in the wrong key)Backing tracks and sheet music are available across a growing range of instruments for the following movementsPreludeallemandecourantearia - with variationsBacking tracks will fit my arrangements perfectly but may not work with other arrangements. For a list of available arrangements please see the main publisher page - https://www.sheetmusicplus.com/publishers/jcbmusic-sheet-music/3005705
$2.60
Prelude from 5th Harpsichord suite for Clarinet in Bb backing track
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Clarinet and Piano
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Classical
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G
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JCBmusic
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Prelude from 5th Harpsichord s
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Rachel Brown
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SheetMusicPlus
Clarinet,Piano - Digital Download SKU: A0.1069378 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Accompaniment. Duration 97. Rachel Brown #431927...
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Clarinet,Piano - Digital Download SKU: A0.1069378 Composed by G.F Handel. Arranged by JCBmusic. Baroque. Accompaniment. Duration 97. Rachel Brown #4319275. Published by Rachel Brown (A0.1069378). Backing track to go with my arrangement of the associated part FOR CLARINET IN Bb (please ensure you buy the correct backing track - as buying one for a different instrument could mean that the track is in the wrong key)Backing tracks and sheet music are available across a growing range of instruments for the following movementsPreludeallemandecourantearia - with variationsBacking tracks will fit my arrangements perfectly but may not work with other arrangements. For a list of available arrangements please see the main publisher page - https://www.sheetmusicplus.com/publishers/jcbmusic-sheet-music/3005705
$2.60
Allemande from 5th Harpsichord suite for Alto Sax backing track
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Alto Saxophone and Piano
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Classical
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G
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JCBmusic
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Allemande from 5th Harpsichord
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Rachel Brown
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SheetMusicPlus
Alto Saxophone,Piano - Digital Download SKU: A0.1069383 Composed by G.F Handel. Arranged by JCBmusic. Romantic Period. Accompaniment. Duration 191. Rache...
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Alto Saxophone,Piano - Digital Download SKU: A0.1069383 Composed by G.F Handel. Arranged by JCBmusic. Romantic Period. Accompaniment. Duration 191. Rachel Brown #4330107. Published by Rachel Brown (A0.1069383). Backing track to go with my arrangement of the associated part FOR ALTO SAXOPHONE (please ensure you buy the correct backing track - as buying one for a different instrument could mean that the track is in the wrong key)Backing tracks and sheet music are available across a growing range of instruments for the following movementsPreludeallemandecourantearia - with variationsBacking tracks will fit my arrangements perfectly but may not work with other arrangements. For a list of available arrangements please see the main publisher page - https://www.sheetmusicplus.com/publishers/jcbmusic-sheet-music/3005705
$2.60
What About Us
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Violin, Cello (duet)
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INTERMEDIATE/ADVANCED
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Pink
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Sarah Cellobat Chaffee
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What About Us
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1241421 By Pink. By Alecia Moore, Johnny McDaid, and Steve Mac. Arranged by Sarah Cel...
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Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1241421 By Pink. By Alecia Moore, Johnny McDaid, and Steve Mac. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 9 pages. Sarah Cellobat Chaffee #836785. Published by Sarah Cellobat Chaffee (A0.1241421). Released as a single by P!nk in 2017, What About Us is an epic politically-charged EDM anthem. Fitting in perfectly with the era's zeitgeist of protest and inclusivity, the song's lyrics implore the government not to forget about its people; it also sends a message to those people who feel ignored or forgotten. What About Us received widely favorable reviews and quickly shot to the top of the charts, reaching #1 in eight different countries and even receiving a Grammy nomination -- so you can't go wrong adding this one to your gig books! Originally written for a wedding ceremony, this arrangement for violin and cello duet maintains the catchy synth hooks, soaring melodies, beautiful harmonies, and driving beat of the original for a chart that will be just as much fun to play as it is to listen to! Rated advanced-intermediate for some tricky rhythms and a few high notes in the violin part; this will be learnable for students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$9.99
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