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Piano Concerto in E minor
Sheetmusic to print
232 sheet music found
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Bach: Piano Concerto in E Minor
2 Pianos, 4 hands
Piano Concerto in E Minor. Composed by Wilhelm Friedemann Bach (1710-1784). Classical.…
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Piano Concerto in E Minor. Composed by Wilhelm Friedemann Bach (1710-1784). Classical. Part. 32 pages. Alfred Music - Digital Sheet Music #00-PC- 0004992. Published by Alfred Music - Digital Sheet Music
$7.95
7.3 €
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2 Pianos, 4 hands
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Wilhelm Friedemann Bach
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Bach: Piano Concerto in E Minor
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Felix Mendelssohn-Bartholdy: Concerto in E minor Op.64 for violin & piano
Violin and Piano
Instantly downloadable sheet music by Felix Mendelssohn-Bartholdy for violin & piano o…
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Instantly downloadable sheet music by Felix Mendelssohn-Bartholdy for violin & piano of HIGH skill level. Contents: concerto opus 64, opus 64, op. 64 / classical,concert
$7.75
7.12 €
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Violin and Piano
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Felix Mendelssohn-Bartholdy
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Virtualsheetmusic
Felix Mendelssohn-Bartholdy: Concerto in E minor Op.64 for viola & piano
Viola, Piano
This is an exclusive transcription for viola & piano of HIGH skill level from the orig…
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This is an exclusive transcription for viola & piano of HIGH skill level from the original composition by Felix Mendelssohn-Bartholdy. This title is available as instant sheet music download. Contents: concerto opus 64, opus 64, op. 64 / classical,concert
$9.75
8.95 €
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Viola, Piano
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Felix Mendelssohn-Bartholdy
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Virtualsheetmusic
Oskar Rieding: Concerto in E minor Op.7 for violin & piano
Violin and Piano
Instantly downloadable sheet music by Oskar Rieding for violin & piano of MEDIUM skill…
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Instantly downloadable sheet music by Oskar Rieding for violin & piano of MEDIUM skill level. Contents: opus 7,op. 7 / classical,concert
$4.99
4.58 €
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Violin and Piano
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Oskar Rieding
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Virtualsheetmusic
Frederic Chopin: Concerto in E minor Op.11 No.1 for piano & orchestra
Piano and Orchestra
Instantly downloadable sheet music by Frederic Chopin for piano & orchestra of HIGH sk…
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Instantly downloadable sheet music by Frederic Chopin for piano & orchestra of HIGH skill level. Contents: Op. 11, opus 11 / classical,concert
$6.99
6.42 €
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Piano and Orchestra
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Frederic Chopin
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Virtualsheetmusic
Third Piano Concerto in E minor
Piano and Orchestra
Composed by Nikolai Medtner. Downloadable, Piano reduction. Op. 60. Duration 35 minute…
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Composed by Nikolai Medtner. Downloadable, Piano reduction. Op. 60. Duration 35 minutes. Zimmermann #Q564179. Published by Zimmermann
$19.99
18.36 €
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Piano and Orchestra
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Nikolai Medtner
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Third Piano Concerto in E minor
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SheetMusicPlus
Cello and Piano String Sampler
Cello, Piano
Piano Accompaniment, Cello - Early Intermediate - Digital Download Arranged by Robin …
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Piano Accompaniment, Cello - Early Intermediate - Digital Download Arranged by Robin Kay Deverich. 255 pages. Published by Global Music School String Publications
This combined version of the of the PianoAccompaniment and Cello Online String Sampler Cello Sheet Music is a fun and easy way to activelylearn, study and play beautiful cello music from a wide variety of styles anderas. 54 pieces are featured, representing music history periods, cultures andstyles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20thCentury, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi,Ragtime and Blues. These arrangements have been simplified for advancedbeginners to intermediate players, and include a representative sampling ofmost major forms of string music such as concertos, symphonies, sonatas,quartets and trios. As an added bonus, sound files of each piece and a studyguide are currently available on the website CelloOnline.com* as a self-guidedclass specifically designed to accompany this music: https://www.celloonline.com/stringclass.html The studyguide explains the history and musical form of the selected pieces, andincludes cello technique tips for each piece of music. Let the music begin!<br> <br> *No guarantees are made that these sound files and websitewill be available indefinitely.<br> <br> Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-Tyāgarāja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$5.99
5.5 €
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Cello, Piano
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Cello and Piano String Sampler
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Global Music School String Publications
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.03 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
La Stravaganza from Violin Concerto in E Minor (EASY PIANO) Op. 4, No. 2, I. Allegro (RV 279)
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1272798 By Antonio Vivaldi. By Anto…
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Easy Piano - Level 2 - Digital Download SKU: A0.1272798 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #864995. Published by Darek (A0.1272798). La Stravaganza from Violin Concerto in E Minor (EASY PIANO) Op. 4, No. 2, I. Allegro (RV 279) [Antonio Vivaldi]Simplified arrangement for pianists of La Stravaganza from Violin Concerto in E Minor Op. 4, No. 2, I. Allegro (RV 279) by Antonio Vivaldi. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Classical Period | Baroque Music | Arrangement for Beginners | Piano | Keyboard | For Novice Pianists. Included: Fingering, Dynamics, Articulations and video YouTube tutorial. Indulge in the enchanting world of classical music with my carefully curated collection of easy piano sheet music, thoughtfully designed for budding pianists. Immerse yourself in the captivating La Stravaganza from Antonio Vivaldi's Violin Concerto in E Minor, Op. 4, No. 2 - a true gem from the Baroque era. Discover the joy of playing this lively Allegro with my sheet music, complete with fingering, articulation, and detailed dynamics markings, ensuring a seamless learning experience for aspiring pianists. Embrace the spirited and exuberant spirit of La Stravaganza as you effortlessly master each note. To elevate your musical journey, I offer a valuable YouTube tutorial video, providing expert guidance and insights to refine your performance and capture the essence of Vivaldi's genius. Whether you're a novice seeking an enthralling challenge or an enthusiast eager to expand your repertoire, this easy-level arrangement is perfect for all piano enthusiasts. Embrace the magic of Vivaldi's La Stravaganza and transport yourself to the captivating era of Baroque music. Keywords: easy piano sheet music, beginner pianists, La Stravaganza, Violin Concerto in E Minor, Op. 4, No. 2, Allegro, RV 279, Antonio Vivaldi, Baroque era, fingering, articulation, dynamics, YouTube tutorial, piano, notes, music, musicians, song, spirited, classical music, genius, exuberant, repertoire, melodies.
$3.00
2.75 €
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Easy Piano
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Antonio Vivaldi
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La Stravaganza from Violin Concerto in E Minor
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Darek
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SheetMusicPlus
Violin Concerto in E minor ("Concert pt vioara orchestra in mi minor") - violin&piano reduction
Violin and Piano
Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano,Violin - Level 5 - Digital Downlo…
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Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano,Violin - Level 5 - Digital Download SKU: A0.1313060 By Andrei Lucian Dragoi. By Andrei Lucian Dragoi. Arranged by Andrei Lucian Dragoi. Classical,Contemporary,Contest,Festival. 221 pages. Andrei-Lucian Dragoi #901897. Published by Andrei-Lucian Dragoi (A0.1313060). This is a violin&piano reduction of my Violin Concerto in E minor (Concert pentru vioară È™i orchestra in mi minor) (“The Sad Seasons of Humankindâ€/â€Anotimpurile triste ale umanitățiiâ€) (E minor[160bpm] - A minor[100bpm] - D minor[100bpm] - E minor[140 bpm]) which is entirely composed by me and integrally interpreted by Note Performer 3 (the only Artificial Intelligence-based playback engine for musical notation worldwide).Have a nice, inspired audition! FOR AUDIO SEE THE 1ST PIECE FROM MY SONGTRADR PROFILE PAGE: https://www.songtradr.com/user/profile/dragoiAlbum on YouTube: https://www.youtube.com/playlist?list=OLAK5uy_mjnDEAiYsXiei4syYMd2xf3P_8ZbGnfyc.
$30.00
27.55 €
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Violin and Piano
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Andrei Lucian Dragoi
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Violin Concerto in E minor
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Andrei-Lucian Dragoi
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SheetMusicPlus
Concerto in E Minor Op. 35 by O. Rieding arr. for Viola and piano (orig. in B Minor)
Viola, Piano
Level 2 - Digital Download SKU: A0.1135397 By Violin Friends. By Oskar Rieding. Arr…
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Level 2 - Digital Download SKU: A0.1135397 By Violin Friends. By Oskar Rieding. Arranged by Lauri Halamainen. 19th Century,Chamber,Classical,Contest,Festival,Instructional. Accompaniment. Duration 581. Suomi Music #735441. Published by Suomi Music (A0.1135397). Play-along backing track for the Concerto in E Minor for Viola and piano (orig. in B Minor) by Oskar Rieding. Part 1 Allegro moderato, Part 2 Andnate, Part 3 Allegro moderato.
$4.99
4.58 €
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Viola, Piano
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Violin Friends
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Concerto in E Minor Op. 35 by O. Rieding arr. for Viola and piano
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Suomi Music
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SheetMusicPlus
Vivaldi - Violin Concerto in E minor RV 273 for Violin and Cembalo (or Piano)
Violin and Piano
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano,Violin - Level 5 - Digital Dow…
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.517692 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 33 pages. Santino Cara #6445747. Published by Santino Cara (A0.517692). Complete score and part of the Violin Concerto in E minor RV 273 for Violin and Cembalo (or Piano). Composed for the Pio Ospedale della Pietà in Venice between 1717 and 1719 by Antonio Vivaldi for the female orchestra le putte. Transcribed in Rome in 2002 by Santino Cara.
$17.40
15.98 €
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Violin and Piano
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Antonio Vivaldi
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Vivaldi - Violin Concerto in E minor RV 273 for Violin and Cembalo
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Santino Cara
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SheetMusicPlus
Vivaldi - Violin Concerto in E minor RV 278 for Violin and Cembalo (or Piano)
Violin and Piano
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano,Violin - Level 5 - Digital Dow…
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.517694 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 39 pages. Santino Cara #6453563. Published by Santino Cara (A0.517694). Complete score and part of the Violin Concerto in E minor RV 278 for Violin and Cembalo (or Piano). Composed in Venice around 1730 by Antonio Vivaldi. Transcribed in Rome in 2002 by Santino Cara.
$18.60
17.08 €
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Violin and Piano
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Antonio Vivaldi
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Vivaldi - Violin Concerto in E minor RV 278 for Violin and Cembalo
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Santino Cara
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SheetMusicPlus
Vivaldi - Bassoon Concerto in E minor RV 484 for Bassoon and Piano
Bassoon, Piano (duet)
Bassoon,Piano - Level 4 - Digital Download SKU: A0.517337 Composed by Antonio Vival…
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Bassoon,Piano - Level 4 - Digital Download SKU: A0.517337 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and part. 20 pages. Santino Cara #4410749. Published by Santino Cara (A0.517337). Complete score and part of the Concerto in E minor RV 484 for Bassoon and Piano, composed by Antonio Vivaldi in 1722. Transcribed by Santino Cara.
$16.40
15.06 €
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Bassoon, Piano (duet)
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Antonio Vivaldi
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Vivaldi - Bassoon Concerto in E minor RV 484 for Bassoon and Piano
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Santino Cara
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SheetMusicPlus
Max Bruch - Double Concerto in E minor, Op.88 arr. for piano quartet
Piano Quartet: piano, violin, viola, cello
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.816441 Composed by Max Bruch. Arranged by Maksym Kravchenko. Concert,Romantic Period,Standards,World. Score and parts. 17 pages. Julia Samarska #6715983. Published by Julia Samarska (A0.816441). Max Bruch - Double Concerto in E minor, Op.88 re-arranged for piano quartet ensemble - piano, violin, viola, cello.
$50.00
45.91 €
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Piano Quartet: piano, violin, viola, cello
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Max Bruch
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Max Bruch - Double Concerto in E minor, Op.88 arr. for piano quartet
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Julia Samarska
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SheetMusicPlus
Vivaldi - Violin Concerto in E minor RV 275 for Violin and Piano
Violin and Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.517052 Composed by Antonio Vivald…
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Piano,Violin - Level 4 - Digital Download SKU: A0.517052 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. 18 pages. Santino Cara #3367005. Published by Santino Cara (A0.517052). Complete version for Violin and Piano of the Violin Concerto in E minor RV 275 by Antonio Vivaldi. Transcribed by Santino Cara. Full score and violin part
$16.40
15.06 €
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Violin and Piano
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Antonio Vivaldi
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Vivaldi - Violin Concerto in E minor RV 275 for Violin and Piano
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Santino Cara
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SheetMusicPlus
Mendelssohn - Violin Concerto in E minor Op.64 - For Easy Piano With Fingered
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1301254 Composed by Felix Bartholdy…
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Easy Piano - Level 2 - Digital Download SKU: A0.1301254 Composed by Felix Bartholdy Mendelssohn. Arranged by poon. Classical. Score. 2 pages. Poon #890903. Published by poon (A0.1301254). Mendelssohn - Violin Concerto in E minor Op.64 - For Easy Piano With Fingered.
$1.99
1.83 €
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Easy Piano
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Felix Bartholdy Mendelssohn
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Mendelssohn - Violin Concerto in E minor Op.64 - For Easy Piano With Fingered
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poon
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SheetMusicPlus
Mendelssohn - Violin Concerto in E minor Op.64 - For Flute and Piano Original
Flute and Piano
Alto Flute,Piano - Level 4 - Digital Download SKU: A0.1301253 Composed by Felix Bar…
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Alto Flute,Piano - Level 4 - Digital Download SKU: A0.1301253 Composed by Felix Bartholdy Mendelssohn. Arranged by poon. Classical. Score and part. 116 pages. Poon #890902. Published by poon (A0.1301253). Mendelssohn - Violin Concerto in E minor Op.64 - For Flute and  Piano Original score and parts.
$2.99
2.75 €
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Flute and Piano
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Felix Bartholdy Mendelssohn
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Mendelssohn - Violin Concerto in E minor Op.64 - For Flute and Piano Original
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poon
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SheetMusicPlus
Violin Concerto in E minor
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1222593 Composed by Felix Barthold…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1222593 Composed by Felix Bartholdy Mendessohn. Arranged by André Nusa. 19th Century,Romantic Period. Score and part. 3 pages. Andre_Nusa #818878. Published by Andre_Nusa (A0.1222593). Piano and flute arrangement of the theme from the violin concerto in E minor by Felix Mendelssohn.
$5.99
5.5 €
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Flute and Piano
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Felix Bartholdy Mendessohn
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Violin Concerto in E minor
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Andre_Nusa
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SheetMusicPlus
Violin Concerto in E minor
Oboe, Piano (duet)
Oboe,Piano - Level 2 - Digital Download SKU: A0.1222594 Composed by Felix Bartholdy…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1222594 Composed by Felix Bartholdy Mendessohn. Arranged by André Nusa. 19th Century,Romantic Period. Score and part. 3 pages. Andre_Nusa #818880. Published by Andre_Nusa (A0.1222594). Piano and oboe arrangement of the theme from the violin concerto in E minor by Felix Mendelssohn.
$5.99
5.5 €
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Oboe, Piano (duet)
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Felix Bartholdy Mendessohn
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Violin Concerto in E minor
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Andre_Nusa
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SheetMusicPlus
Violin Concerto in E minor
Violin and Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.1218944 Composed by Felix Barthol…
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Piano,Violin - Level 2 - Digital Download SKU: A0.1218944 Composed by Felix Bartholdy Mendessohn. Arranged by André Nusa. 19th Century,Romantic Period. 3 pages. Andre_Nusa #815359. Published by Andre_Nusa (A0.1218944). Piano and violin arrangement of the theme from the violin concerto in E minor by Felix Mendelssohn.
$5.99
5.5 €
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Violin and Piano
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Felix Bartholdy Mendessohn
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Violin Concerto in E minor
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Andre_Nusa
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SheetMusicPlus
Violin Concerto in E minor
Clarinet and Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1222591 Composed by Feli…
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1222591 Composed by Felix Bartholdy Mendessohn. Arranged by André Nusa. 19th Century,Romantic Period. Score and part. 3 pages. Andre_Nusa #818875. Published by Andre_Nusa (A0.1222591). Piano and clarinet arrangement of the theme from the violin concerto in E minor by Felix Mendelssohn.
$5.99
5.5 €
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Clarinet and Piano
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Felix Bartholdy Mendessohn
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Violin Concerto in E minor
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Andre_Nusa
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SheetMusicPlus
Bach - Piano Concerto in E major BWV 1042 - Piano Version
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.516534 By Santino Cara. By Johann S…
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Piano Solo - Level 5 - Digital Download SKU: A0.516534 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 25 pages. Santino Cara #19961. Published by Santino Cara (A0.516534). Complete score of the Concerto in E major BWV 1042 for solo piano. Composed by Johann Sebastian Bach in Köthen around 1718 for solo violin, strings and continuo. This piano version, transcribed by Santino Cara in Rome in 2004, faithfully reports the complete score of the 1760 manuscript copied by Carl Friedrich Zelter (1758-1832).3 Movements: 1. Allegro (E major), 2. Adagio (C sharp minor), 3. Allegro assai (E major).
$18.24
16.75 €
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Piano solo
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Santino Cara
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Johann Sebastian Bach in Köthen around 1718 for solo violin, strings and continuo
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Bach - Piano Concerto in E major BWV 1042 - Piano Version
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Santino Cara
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SheetMusicPlus
Brescianello - Concerto in E minor Op.1 No.7 for Oboe (or Flute) and Piano
Oboe, Piano (duet)
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.516813 Composed by Brescianello Giuseppe Antonio. Arranged by Santino Cara. Baroque. Score and parts. 18 pages. Santino Cara #2855229. Published by Santino Cara (A0.516813). Version for Oboe, or Flute and Piano of the Violin concerto Op.1 No.7 for Violin, strings and continuo of Giuseppe Antonio Brescianello (ca. 1690, Bologna – 4 October 1758, Stuttgart). Published for the first time in 1730 in 6 Concerts and 6 Symphonies Op.1. Transcribed by Santino Cara in Rome in 2016.
$8.20
7.53 €
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Oboe, Piano (duet)
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Brescianello Giuseppe Antonio
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Brescianello - Concerto in E minor Op.1 No.7 for Oboe
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Santino Cara
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SheetMusicPlus
18 Concertos Various Composers Transcibed for Piano solo - Complete Scores
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1310682 By Santino Cara. By Allesan…
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Piano Solo - Level 5 - Digital Download SKU: A0.1310682 By Santino Cara. By Allesandro Marcello, Antonio Vivaldi, Johann Sebastian Bach, Ludwing van Beethoven, Mendelssohn Bartoldy, Felix, Pergolesi Giovanni Battista, and Wolfgang Amadeus Mozart. Arranged by Santino Cara. Baroque,Classical. Score. 501 pages. Santino Cara #899656. Published by Santino Cara (A0.1310682). Complete scores for Solo Piano of 18 Baroque and Classical Concertos, transcribed in Rome over the years by Santino Cara.Concerts and Composers:Bach Johann Sebastian:01 - Violin Concerto in A minor BWV 104107 - Double Violin Concerto in D minor BWV 104309 - Harpsichord Concerto no.1 in D minor BWV 105210 - Oboe Concerto in D minor BWV 105913 - Violin Concerto E major BWV 104215 - Harpsichord Concerto in G minor BWV 1056Beethoven van Ludwig:03 - Violin Concerto in D major Op.6112 - Piano Concerto No.5 in E flat major 'Emperor' Op.73Marcello Alessandro:16 - Oboe Concerto in D minor S.Z799Mendelssohn Felix Bartholdy:14 - Piano Concerto No.1 in G minor Op.25Mozart Wolfgang Amadeus:04 - Piano Concerto No.8 in C major - Lützow - K.24606 - Piano Concerto No.9 in E flat major - Jeunehomme - K 27108 - Piano Concerto No.24 in C minor K 49111 - Piano Concerto No.21 in C major K 46717 - Piano Concerto No.26 in D major 'Coronation' K.537Pergolesi Giovanni Battista:05 - Flute Concerto in G major P.33Vivaldi Antonio:   02 - Violin Concerto No.2 in G minor 'L'estate' Op.8 RV 31518 - Violin Concerto No.4 in F minor 'L'inverno' Op.8 RV 297.
$74.80
68.69 €
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Piano solo
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Santino Cara
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18 Concertos Various Composers Transcibed for Piano solo - Complete Scores
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Santino Cara
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SheetMusicPlus
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