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Piece for Solo Piano in a, Work 3-1
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Piece for Solo Piano in a, Work 3-1
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.942271 Composed by Vasilis Voyiadji…
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Piano Solo - Level 4 - Digital Download SKU: A0.942271 Composed by Vasilis Voyiadjis. 20th Century,Classical,Romantic Period. Score. 5 pages. Vasilis Voyiadjis #548073. Published by Vasilis Voyiadjis (A0.942271). A musical piece for solo piano in a minor.
$3.00
2.73 €
#
Piano solo
#
Vasilis Voyiadjis
#
Piece for Solo Piano in a, Work 3-1
#
Vasilis Voyiadjis
#
SheetMusicPlus
Vignettes - 5 Late-Intermediate Impressionist Piano Pieces that Prepare for Maurice Ravel
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1490673 Composed by Nicole Elyse Di…
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Piano Solo - Level 4 - Digital Download SKU: A0.1490673 Composed by Nicole Elyse DiPaolo. 20th Century,Classical,Contest,Festival,Instructional. Score. 18 pages. Nicole Elyse DiPaolo #1067479. Published by Nicole Elyse DiPaolo (A0.1490673). Vignettes is a set of 5 short (2 or 3-page) late-intermediate piano pieces that introduce unique aspects of Maurice Ravel's piano writing that students tend to find challenging. Given that Ravel himself wrote very little at the intermediate level for solo piano (except the recently rediscovered Prelude in A minor), I saw a great need for appropriate Ravel-preparatory repertoire.Notes on the Pieces in Vignettes1. Réminiscences d’EspagneThis work is an homage to Maurice Ravel's Habañera-styled pieces. It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: numerous hand and arm crossings, 3-against-4 polyrhythms as evident in the habañera, very high registers, dissonances like German 7th chords and diminished thirds, and Spanish-flavored modal writing, to name a few. This piece also recalls my time as a cruise ship duo pianist aboard the ms Maasdam, which visited five ports in Spain.2. Le jardin des papillons (The Butterfly Garden)Le jardin des papillons is an homage to Maurice Ravel's piano writing as shown in pieces including the Sonatine, Le tombeau de Couperin, and others. It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), whole tone sonorities, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music.3. Le jardin englouti (The Sunken Garden)Le jardin englouti is an homage to Maurice Ravel's minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). This piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of solo and collaborative repertoire before moving away in 2019. The Biology Building greenhouse now sits on the former Sunken Garden site.4. Point PeléePoint Pelée is an homage to Maurice Ravel's toccata-style movements, like the finale of the Sonatine or the toccata from Le tombeau de Couperin. This piece can be programmed with Le jardin des papillons and Le jardin englouti to form a three-movement suite that roughly corresponds to the Sonatine. This movement was inspired by Point Pelée National Park, in Ontario, Canada, a frequent roosting spot for monarch butterflies making the long migration from Canada to southern Mexico. In this piece I tried to capture the flutters of the roosting monarchs' wings as they'd settle into the trees at night and venture out across Lake Erie after resting. You can find more information on the park here: https://www.pc.gc.ca/en/pn-np/on/pelee/nature/faune-wildlife/monarque-monarch5. À la manière d'une PavaneÀ la manière d'une Pavane is an homage to Maurice Ravel's piano writing as shown in his Pavane pour une infante défunte and the Pavane from the Mother Goose suite. It combines Baroque-reminiscent polyphony with the clarity and delicacy of articulation required more widely in the Ravel repertoire.
$16.99
15.47 €
#
Piano solo
#
Nicole Elyse DiPaolo
#
Vignettes - 5 Late-Intermediate Impressionist Piano Pieces that Prepare for Maurice Ravel
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig …
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.72 €
#
Bass Clarinet, Piano
#
Ludwig van Beethoven
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beet…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.72 €
#
Flute and Piano
#
Ludwig van Beethoven
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
22.72 €
#
Alto Saxophone and Piano
#
Ludwig van Beethoven
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beet…
(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.72 €
#
Flute and Piano
#
Ludwig van Beethoven
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
French Horn and Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.549653 Composed by Ludwig va…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
22.72 €
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French Horn and Piano
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Ludwig van Beethoven
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
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jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
Trombone and Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van B…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
22.72 €
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Trombone and Piano
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Ludwig van Beethoven
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
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jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beet…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516289. Published by jmsgu3 (A0.549634). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.72 €
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Viola, Piano
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Ludwig van Beethoven
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549642 Composed by Ludwi…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.72 €
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Tenor Saxophone and Piano
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Ludwig van Beethoven
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
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jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beeth…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano. Â
$24.95
22.72 €
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Oboe, Piano (duet)
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Ludwig van Beethoven
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
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jmsgu3
#
SheetMusicPlus
Solitude is Oneself [piano]
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. Co…
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Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. Contemporary Classical, Post-Romantic, Neo-Classical, Repertoire, Funeral. Score. 8 pages. Published by Juan Maria Solare
Solitudeis Oneself: Three piano pieces:<br> <br> 1 NeverUnderestimate the Difficulties of Simple Things<br> <br> 2 Too MuchBut Still Not Enough<br> <br> 3 Waitingfor Perfection is Waiting Forever<br> <br> Tranquil, relaxing, "chill",minimalist, expressive music for solo piano.<br> <br> You can "use" this music formeditation, study, learning, sleeping, relax or praying.<br> <br> The phrase wherethe title (Solitude is Oneself)comes from belongs to Javier Adúriz (1948-2011), Argentine poet, one ofmy best teachers and friends (the original Spanish reads "La soledad es uno mismo").<br> <br> Don'tsee any negative aspects in Solitude. In Spanish there is only one word forSolitude and Loneliness (namely "Soledad"). Loneliness is a state ofisolation, without dialog, feeling abandoned and without external points ofreference. But I conceive Solitude as a highely creative state, in which one isfaced to what one actually wants to achieve, with one's thoughts, with one'sself.<br> <br> NeverUnderestimate the Difficulties of Simple Things. Lots of times I have seenthis in several persons - and in myself: when something is simple, easy anduncomplicated, we tend to underestimate it too much and its hidden difficultiesend up tackling us. We leave to the last moment a text that seems easy tolearn, and we do not assimilate it as we could. Or a chess game that is(really) won, but we feel over-confident, we play with superficiality, we makeslight mistakes one after the other and loose control of the situation.<br> <br> Thistitle can be understood as self-referent: this particular piano piece seems tobe simple... until you try to perform it really well and record it.<br> <br> About the ArtWork / Cover Art of Solitudeis Oneself:<br> <br> It shows a human face (concretely the composer's)faced simmetrically to its silhouette, in black. This illustration alludes tothe title: Solitude is Oneself. Is oneself (the person) facing his ownsolitude, his internal misterious being. A real human facing his own shadow. Itis not a negative shadow: is the shadow of which Shamanism speaks, the ownshadow from where one draws strength.<br> <br> The music is dedicated to Mr. Cadmiel Pérez from República Dominicana.<br> <br> Solitude isOneself was recorded by the composer and released as single on Friday 17August 2018 on Spotify, Deezer, Apple Music, Qobuz, Tidal, Amazon mp3 and nearly all streaming platforms you canimagine.<br> <br> In Spotify is here:<br> <br> https://open.spotify.com/album/6KffxzDSVYJqZuNEK3Bj0h<br> <br> In Bandcamp is here:<br> <br> https://juanmariasolare.bandcamp.com/album/solitude-is-oneself<br> <br> If you readSpanish you can find more about this music here:<br> <br> https://es.quora.com/blog/musica-neoclasica/La-soledad-es-uno-mismo-m%C3%BAsica-para-piano
$3.00
2.73 €
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Piano solo
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Juan María Solare
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Solitude is Oneself [piano]
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Juan Maria Solare
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SheetMusicPlus
The Emergence (Breathing Structures #1)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1343120 Composed by Nicholas Yandel…
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Piano Solo - Level 3 - Digital Download SKU: A0.1343120 Composed by Nicholas Yandell. 20th Century,21st Century,Classical,Contemporary,Sacred. Score. 7 pages. Nicholas Yandell Music #928399. Published by Nicholas Yandell Music (A0.1343120). Premiered July 15, 2023 at the Cascadia Composers In Good Hands student piano concert at Portland State University, in Portland, Oregon, USA.Composed in 2023.Level: Intermediate level; great for a high school student recital, but could be a very managable piece for a college student as well. Composition notes: The first of a trio of pieces called Breathing Structures, this piece was written for and premiered/performed by Andrew Bren as part of the Cascadia Composers' In Good Hands program (where composers write custom works student performers). This is a expressive, post-minimalist influenced composition, with flexible tempos and dynamics. Great for students who are interested in late 20th-century/early 21st-century classical music influenced by Philip Glass, John Adams, Michael Torke, and Ludovico Einaudi. The following poem serves as the program note for this work: The Emergence Stepping out that place of hidingAn infernal state of comfortWith smothering holds of safetyShielding from rays of lucidity. Stumbling forwardOne step pastThe formerly towering limit.A rush of adrenalineAn urge of retreatBut staying firmly plantedWith bristling folliclesAnd quickened breathing.Transformation is jarringShedding skin is tiringYet soon will exhilarateReleasing onwardLeaving old pathsAs distant dreamsPainted by the hazeOf the oncoming gleam.Performing Rights Organization: ASCAPComposer's website: https://www.nicholasyandell.com.
$5.99
5.45 €
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Piano solo
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Nicholas Yandell
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The Emergence
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Nicholas Yandell Music
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SheetMusicPlus
Elegie in Eb Minor (Classical Music for Tablet Series)
Piano solo
Instrumental Solo - Level 5 - Digital Download SKU: A0.818281 By Stephen R Dalrympl…
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Instrumental Solo - Level 5 - Digital Download SKU: A0.818281 By Stephen R Dalrymple. By Sergei Rachmaninoff. Arranged by Edited by Stephen R Dalrymple. Romantic Period. Individual part. 18 pages. Stephen R Dalrymple #4966281. Published by Stephen R Dalrymple (A0.818281). Élegié in E Flat Minor for solo piano (Classical Music for Tablet Series) ♫ by Sergei Vasilyevich Rachmaninoff (Opus 3.1) ♫ Rachmaninoff (born in 1873) , Russian composer, virtuoso pianist, and conductor, was considered one of the finest pianists of his day. His compositions belong to the Romantic period of music history. He graduated at the Moscow Conservatory in 1892. After the premiere of his First Symphony in 1897, the negative reaction by an important critic sent him into a tailspin of depression that lasted several years. ♫ In 1909 he performed a series of 26 performances with the Boston Symphony Orchestra in the USA. In 1914 he travelled to England for a concert tour. ♫ In February 1917 on the day the Socialist Revolution began in St Petersburg, he performed a benefit piano recital in Moscow for wounded Russian soldiers. When he returned home, he found that a group of Social Revolutionary Party members had seized his property as their own communal property. He had invested most of his earnings on the estate, but left it behind. Rachmaninoff's concert performance in Yalta on 5 September 1917 was to be his last in Russia. The chaos and tension of the October Revolution was daunting. He composed with the noise of gunshots and rallies in the background. He received an invitation to perform 10 recitals across Scandinavia. He accepted the offer, using it as an excuse to obtain permits so he and his family could flee Russia. ♫ He returned to the USA in November 1918 and America became his home. When he became an American citizen in 1943, Sergei Rachmaninoff said: “This is the only place on earth where a human being is respected for what he is and what he does, and it does not matter who he is and where he came from.†He died in March 1943 from cancer at the age of 70. (condensed from Wikipedia - October 2022) ♫ Rachmaninoff’s Opus 3 contains 5 piano pieces. The first is the Élegié in E Flat Minor, the second is the Prelude in C# Minor (one of his most famous piano compositions). This opus was finished in 1892, when he was 19 years old. The Prelude in C# Minor is loud, explosive, and declarative; the Élegié in E Flat Minor is soft, fluid, and contemplative. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Sequenced by the Editor ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.63 €
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Piano solo
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Stephen R Dalrymple
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Elegie in Eb Minor
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Stephen R Dalrymple
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SheetMusicPlus
The Etherea Suite, Volume 1 for Solo Piano (Complete)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1135733 Composed by JohnWillard Utu…
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Piano Solo - Level 3 - Digital Download SKU: A0.1135733 Composed by JohnWillard Utuk. Contemporary,Contest,Festival,Film/TV,Instructional,Video Game. Score. 18 pages. JohnWillard Utuk #735794. Published by JohnWillard Utuk (A0.1135733). The Etherea Suite, Volume 1 is for intermediate to advanced players who enjoy lyrical, exciting, and showy repertoire, while expressing their imagination through their playing. Players get to musically explore the mountains, the desert, volcanoes, time travel to ancient times, and fight in battle! Volume I of the suite represents three main characters from the sci-fi, fantasy book Trials of the Innermost (release date May 26, 2023). Each movement has a distinct feel and reflects each character's personality. This edition features performance notes written by the composer, including musical elements unique to each movement, fun facts, and personal influences JohnWillard had in mind when creating the work. A graphic of the musical cryptogram system used to make the melodies for each character is featured at the end of the notes. The three movements imitate a sonata, with the overall order of the suite is slow, slow, fast. Some teaching elements in the first movement I. Vayriel: Protector of the Mountains, include: scalar passages (A natural minor scale), shifting hands position, rolled chords, repeated left hand patterns, ornaments, and pedaling. II. Zinvar: Peacemaker of the Volcanic Rifts is more challenging, but has more room for musicality, expression, exploring different touches on the piano, and ethereal use of pedaling, like the sostenuto pedal (if you have one!) The movement opens with a mysterious, wave-like arpeggiated left hand pattern, similar to pieces of Chopin or Rachmaninoff. The B section is practice in using the sostenuto (middle) pedal while playing softly, imitating Gregorian Chant. Best of all the ending sounds harder than it actually is and you get to play as loud as possible! III. Idrilia: Warrior of the Desert is fast paced, rhythmic, and inspired by video games. This piece is a nice supplement for students learning techniques found in toccatas, nocturnes, and pieces that require a big, full sound. The longest and most advanced movement, players can enjoy using all the things: pedaling, accents, quick changes in dynamic contrast, and a lyrical B section. Technique requires comfort with arpeggios, chord inversions, octaves, and sensitivity to voicing. Once mastered, this movement can be both fun to play as a stand-alone recital piece or an exciting treat to play for friends and family. You'll find yourself humming the simple melody as it transforms throughout the work, and the ending is a chance to play big chords by using the full range of the keyboard.
$15.00
13.66 €
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Piano solo
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JohnWillard Utuk
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The Etherea Suite, Volume 1 for Solo Piano
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JohnWillard Utuk
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Piccolo & Piano
Piccolo, Piano
Instrumental Solo,Piano,Piccolo - Level 3 - Digital Download SKU: A0.549520 Compose…
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Instrumental Solo,Piano,Piccolo - Level 3 - Digital Download SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 17 pages. Jmsgu3 #3504453. Published by jmsgu3 (A0.549520). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Piccolo! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
30 €
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Piccolo, Piano
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Edvard Grieg
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Grieg: Morning Mood from Peer Gynt Suite for Piccolo & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for English Horn & Piano
English horn, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549522 Composed by Edvard G…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549522 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504485. Published by jmsgu3 (A0.549522). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the English Horn! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
30 €
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English horn, Piano
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Edvard Grieg
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Grieg: Morning Mood from Peer Gynt Suite for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549515 Composed by Edvard Grieg. A…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549515 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502595. Published by jmsgu3 (A0.549515). Duration: ca. 4:00, Score: 9 pages, solo prt: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works really well on the Alto Flute! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
30 €
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Flute and Piano
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Edvard Grieg
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Grieg: Morning Mood from Peer Gynt Suite for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for French Horn & Piano
French Horn and Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.549526 Composed by Edvard Gr…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.549526 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3505241. Published by jmsgu3 (A0.549526). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.  This arrangement works particularly well on the horn. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Â
$32.95
30 €
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French Horn and Piano
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Edvard Grieg
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Grieg: Morning Mood from Peer Gynt Suite for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Nocturnes 1-3 for solo piano
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1511177 Composed by Alan Bullard. 2…
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Piano Solo - Level 3 - Digital Download SKU: A0.1511177 Composed by Alan Bullard. 21st Century,Classical. Score. 12 pages. Colne Edition / BullardMusic #1086390. Published by Colne Edition / BullardMusic (A0.1511177). Nocturnes - Songs of Night - are a developing and growing collection of meditative piano pieces, at intermediate performance level, responding to the varying aspects of night-time. 1. Moonlight2. Searching3. FallingThe first twelve will be available from October 2024, in four booksAlan Bullard lives in East Anglia, UK, and has worked for many years as a composer of music for both professionals and amateurs. His pieces, both instrumental and choral, are performed and broadcast world-wide, and are in the repertoire of a wide range of ensembles. He is the composer of many piano pieces, both for educational and recital use, and together with his wife Janet he is the author of the Pianoworks series for adult beginners (OUP), and the Janet and Alan Bullard Piano Series (Colne Edition).www.alanbullard.co.uk.
$6.99
6.36 €
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Piano solo
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Alan Bullard
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Nocturnes 1-3 for solo piano
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Colne Edition / BullardMusic
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SheetMusicPlus
Miscellany, 7 Short Movements For Piano Solo
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1314290 By PIano - Sebastian Kurz. …
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Piano Solo - Level 5 - Digital Download SKU: A0.1314290 By PIano - Sebastian Kurz. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary,Romantic Period. Score. 27 pages. Geraldine (Denny) Green at Oakmountmusic #903031. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314290). Written in 2008, Miscellany, 7 short movements for solo piano, was Commissioned by conductor/pianist Anthony Davie.Duration: approx 15 minutes in total.Inspired by friends, family and general life experiences, this set of short pieces encompasses a range of moods; from Romantic and melodic to comical and dissonant.Movement 1. Didi – Didi was a very unique and special friend for many years. She gave out great spiritual strength and insight into this very confusing world in which we all live. She was a real tower of quiet, gentle strength.Movement 2. Brew! – This movement was inspired directly by the Brewing Industry. It strives to depict the hustle and bustle of a busy, working brewery and the the many hilarious, fabulous people I met during my three years in the beer-making industry.Movement 3 – Convent Cherub – This little piece began life as the opening title music of a film score I worked on while at college. The film itself, entitled My Brother Rob, was made by Alison Hilder, a student director at the Harrow School of Film. The story told of a young boy traumatised by a convent boarding school up-bringing. I have felt for many years that this little main theme has needed an alternative home, as much film music is never played again.Movement 4 – Megan – This movement comes directly from my wonderful and beautiful daughter, who was 5 years old at the time of the writing of this piece. It seeks to express her wild vibrance, eternal cheekiness, infinite energy, sparkle and the utter fearlessness of youth.Movement 5 – Edward – This music is for my gorgeous little son, who has Down’s Syndrome, and was only 3 at the time of the writing of this piece. The opening came to me moments after the doctor had confirmed Edward had Down’s, when he was only 6 hours old. The music tries to convey the fear of the unknown, huge unconditional love and moments of uncertainty alternated by washes of strength. And yet, all through the fear the resolve to forever love and stay strong always wins.Movement 6 – Indifference – The opening 4 notes are the core of this movement, and the piece is built around and from them. This music is an observation of deep, rumbling frustration at the indifference growing in our fast moving, modern society.Movement 7 – “Wee Us†– This movement expresses family triumph, the gifts of life and love, and the glory of boundless, wild, youthful energy. This tune has not yet run its course. It will be back!
$12.00
10.93 €
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Piano solo
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PIano - Sebastian Kurz
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Miscellany, 7 Short Movements For Piano Solo
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Geraldine
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SheetMusicPlus
André (Piano)
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1289983 Composed by Rudesindo Soute…
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Piano Solo - Level 2 - Digital Download SKU: A0.1289983 Composed by Rudesindo Soutelo. Arranged by Piano. 21st Century,Children,Contemporary. Score. 17 pages. Publisher by Rudesindo Soutelo #880677. Published by Publisher by Rudesindo Soutelo (A0.1289983). A André Vidal CapomRudesindo SouteloAndré - 5 peças para uma criança / 5 pieces for a child. (Piano, ca. 14'40)1. (A) Prelúdio da manhã / Morning prelude2. (n) Alvorecer na janela / Dawn in the window3. (d) Valsa dos soldadinhos de chumbo / Little lead soldiers’ waltz4. (r) A catedral imergente / The immersing cathedral5. (é) Marcha da formiga atónita / March of the astonished antPremière: 3-X-2006. Colóquios da Lusofonia. Centro Cultural Municipal, Bragança. Int.: Yerko P. Ivánovic-Barbeito.ISWC: T-045.522.026-4ISMN: 979-0-707704-18-9This work was written as a birthday present for André, a very restless and impulsive 8-year-old, but with great emotional capacity and original thoughts. The “Morning prelude†is the restless awakening; the “Dawn in the window†is the light of the new day enlightening the spirit. Creative imagination manifests itself in the “Little lead soldiers’ waltzâ€, who turn rifles into pairs to dance with.From the hill where he lives, the boy contemplates the city crowned by “The immersing cathedralâ€, which was once a spiritual fortress and now the bells echo its inexorable decline, diluting into the surrounding criminal urbanism. The “March of the astonished ant†is about the adventures of an ant who wanders off the path and meets a playful child who likes to put so many obstacles in her way that she is astonished; however, she doesn’t give up her endeavour, takes a deep breath, gains courage and, although exhausted, manages to free herself.The complexes that organise the work are [5, 5, 5, 8] and [9, 7].There's a guitar transcription. See https://soutelo.eu--oOo--Esta obra foi composta como prenda de anos para André, uma criança de 8 anos muito inquieta e impulsiva, mas com grande capacidade emocional e reflexões originais. O “Prelúdio da manhã†é o acordar buliçoso; o “Alvorecer na janela†é a luz do novo dia a esclarecer o espÃrito. A imaginação criativa manifesta-se na “Valsa dos soldadinhos de chumbo†que transformam as espingardas em pares com quem dançar.Desde a colina onde mora, o menino contempla a cidade coroada por “A catedral imergente†que outrora foi fortaleza espiritual e, agora, os sinos ecoam seu inexorável declÃnio, diluindo-se no criminoso urbanismo circundante. A “Marcha da formiga atónita†são as peripécias duma formiga que se desvia do carreiro e encontra uma criança brincalhona que gosta de lhe pôr tantos obstáculos no caminho que ela fica atónita; no entanto, não desiste do seu empenho, respira fundo, ganha coragem e, ainda que exhausta, consegue libertar-se.Os complexos que organizam a obra são [5, 5, 5, 8] e [9, 7].Há uma transcrição para guitarra. Consulte https://soutelo.eu
$8.00
7.28 €
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Piano solo
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Rudesindo Soutelo
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André
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Schumann: Abendlied for French Horn & Piano
French Horn and Piano
French Horn in F & Piano - Early Intermediate - Digital Download Composed by Robe…
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French Horn in F & Piano - Early Intermediate - Digital Download Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Romantic Period, General Worship, Repertoire, Anniversary, Recital. Score, Set of Parts. 6 pages. Published by jmsgu3
Op. 85/12 Horn: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.<br> Schumann Background<br> Robert Schumann (1810 –1856) was a German composer and, moreover,a music critic. Music historians, as well as critics, generally agree that heis one of the greatest composers of the Romantic era. In the first place, Schumann was studying tobecome a lawyer. He quit law school, however, to pursue a career as a concert pianist. Be that as it may, he injured his hand andruined any chance of success as a virtuoso pianist. As a result, Schumann turnedhis musical attention to composing.<br> <br> The Beginning of the End<br> In1848, Robert Schumann was in fact only 38 years old. Nevertheless, he wasalready weakening as a composer and conductor. His productivity, on thewhole, was slowing down. Furthermore, his conducting job at one of the world’soldest orchestras had come under great criticism.<br> <br> Last Period<br> Schumannbecame inspired by the death of his friend Felix Mendelssohn theyear before. Similarly, he was stimulated by the Revolutions of 1848, andconsequently composed some of his most substantive works. It wasduring this last period of inspiration that he wrote his Scenes from Faust. Furthermore, he finishedthe Requiem for Mignon and the Introduction and Allegro for Piano & Orchestra. Next, he composed Scenes from the Forest forpiano. Finally, he composed the Twelve Four-hand Piano Worksfor Small & Large Children, Op. 85. This collection turns out, insummary, to be Schumann’s last great collection of piano literature.<br> <br> Abendlied<br> Thefinal movement (Op.85/12) of this great collection on balance is entitled Abendlied or Evening Song. It is inessence a very effective recital encore especially following a more aggressiveor fast-paced piece. This is, in either case, a chance to develop long rubatophrases and demonstrate your musical sensitivity. This music, for the mostpart, sets a quiet, mysterious, and somewhat melancholy mood reminiscent ofevening-time just after sunset when the shadows become long and the sky beginsto darken.
$26.95
24.54 €
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French Horn and Piano
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Robert Schumann
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Schumann: Abendlied for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Hommages and Prelude No. 1
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99
27.31 €
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Piano solo
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Divertimento in F major for Piano and Harp, Opus 1: "Luna Park rides, Milson's Point, N.S.W., 2061,
Harp and Piano
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1027281 Composed by Australi…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1027281 Composed by Australian neo-classical composer, Mr. Phillip Anthony Russo, and born 19/03/1965. Classical,Contemporary,Instructional,Standards,World. Score and parts. 56 pages. Mr. Phillip Anthony Russo #2029033. Published by Mr. Phillip Anthony Russo (A0.1027281). Divertimento in F major for Piano and Harp, Opus 1. Copyright, 2005, 2010, 2014, by Phillip Russo, born 19/03/1965. All Rights Reserved. This beautiful, melodious and fun piece, which plays for 12 minutes and 17 seconds on the CD, is scored in a bright F major key, has two sections in C major, and employs 43 orchestral instruments, played by 40 musicians. Two percussionists play five instruments. The pianist directs and conducts the work from the piano, or a conductor may be employed instead. I chose a concert grand piano, or a baby grand piano, and a concert harp as the two leading, but not solo, orchestral instruments which are used to showcase the piece. I have included a .mp3 audio clip of this piece to illustrate the neo-classical melodies in it. Divertimenti, were first written by Franz Joseph Haydn, Michael Haydn and Wolfgang Amadeus Mozart during the Classical period, between 1750 and 1809. A divertimento is a short, entertaining, chamber ensemble or orchestral work, usually in the form of an orchestral suite, written in several sections and/or movements. It can have as few as three, or many more instruments! A divertimento does not have a strict format, but a liberal one, within acceptable limits or conventions, and only small chamber ensembles were employed to perform divertimenti in Haydn's and Mozart's day in the eighteenth century. Both a divertimento and a cassation may contain a leading or obbligato instrument(s), or can even be integrated with vocal or choral music. However, divertimenti and cassations never have solo instruments, as in a concerto. An Opus number 1, means that this is the first written work of a composer; opus 2 means the second work, and so forth. 'Opus' means a work, or composition. I sub-titled the piece: Luna Park rides, Milson's Point, N.S.W., 2061, Australia, and circus sideshows. I chose this sub-title because the work reminds me of my childhood days, of the rides at Luna Park, Sydney, such as the Merry-go-Round, the Ferris Wheel, the Cha-Cha, the Dodgem cars, the Rotor, the Mirror Maze, the slippery dips in Coney Island, the River Caves, the Ghost Train - burnt down presumably due to an electrical fault, in December, 1974, killing 7 people, the Giant Pendulum ride, the Giant Spider ride, the Big Dipper, later renamed the Wild Cat and later the Wild Mouse, which is actually a Roller-coaster ride. Some of the Harp part sounds like the movement of the Roller-coaster! Also, the work reminisces on my experience of the Sole Brothers' Circus sideshows, in 1977, such as the targeting games and prizes, and clowns sideshows, which my dad took me to see when I was about 12 years old.
$40.00
36.42 €
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Harp and Piano
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Australian neo-classical composer, Mr
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Divertimento in F major for Piano and Harp, Opus 1: "Luna Park rides, Milson's Point, N.S.W., 2061,
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Mr. Phillip Anthony Russo
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