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You've selected:
Poem and Dance
Sheetmusic to print
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Timbrel and Dance
Handbells
3, 4, or 5 octaves handbells - Level 2+ - Digital Download SKU: C7.CGB290 Composed …
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3, 4, or 5 octaves handbells - Level 2+ - Digital Download SKU: C7.CGB290 Composed by Kevin McChesney. General. Score. 8 pages. Chorister's Guild - Digital #CGB290. Published by Chorister's Guild - Digital (C7.CGB290). UPC: 749193007945.Using the text of a beautiful poem by Shirley Erena Murray, this anthem for intergenerational choirs (children, youth, and adults) features a gently flowing melody that later joins a secondary tune. The piece culminates as both melodies occur simultaneously, leading to a quiet, reflective ending. Adult singers can be substituted in the absence of children and youth choirs. This anthem was commissioned by Choristers Guild for the 2002 Choristers Guild Summer Seminars in Kansas City, Missouri and Grand Rapids, Michigan. Handbell part is AGEHR Level 2+. Choral/Full Score: CGA944 Handbell Score: CGB297.
$4.50
4.13 €
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Handbells
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Kevin McChesney
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Timbrel and Dance
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Chorister's Guild - Digital
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SheetMusicPlus
POEM FOR DANCE, op.31 No.1(1981) - A Duet For Flute solo and Piano
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1046219 Composed by An-lun Huang. …
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Flute,Piano - Level 5 - Digital Download SKU: A0.1046219 Composed by An-lun Huang. 20th Century,Classical,Contemporary. Score and part. 17 pages. DoReMi Edition #650720. Published by DoReMi Edition (A0.1046219). Created by An-lun Huang, “Poem for Dance†is a special music form for musicians and ballet dancers together appearing on a stage. Of course, the music could be performed itself as an instrumental piece, too. Huang’s three “Poem for Dance†have been quite successful. The Taste of Chinese color with the giving play to the Flute and Ballet skill, the “Poem for Dance#1†has been put on the stage of the National Ballet of Canada in 1984. It has also been also appointed as the official piece of the National Flute Competition of China, in 1984. The attached mp3 was a performance by the Moscow master Elmann and Feiping Hsu 2001. 舞詩第一號 长笛與鋼ç´çš„二é‡å¥ 黃安倫 作å“三å一號之一 ï¹ä¸€ä¹å…«é›¶ ─八二﹞ 黃安倫所作的《舞詩》是為器樂ç¨å¥èˆ‡èŠè•¾é›™äººèˆžæ‰€ç”¨çš„一種特殊曲體，演出時，ç¨å¥å®¶èˆ‡èˆžè¹ˆå®¶åŒæ™‚在舞å°ä¸Šå‡ºç¾ï¼Œè€Œä½œå“亦å¯ä½œç‚ºå–®ç¨çš„器樂ç¨å¥ã€‚黃安倫這類作å“å·²å–得相當æˆç¸¾ï¼Œä¸¦å‡å·²ç”±éŸ³æ¨‚出版社出版：《舞詩》第一號ï¹é•·ç¬›èˆ‡é‹¼ç´, Op.31, No.1﹞ä¸åƒ…æˆç‚ºä¸åœ‹ç¬¬ä¸€å±†é•·ç¬›æ¯”賽的決賽曲目，由æŽå¸å…¨ã€é®‘蕙蕎錄æˆå”±ç‰‡ï¼Œæ›´ç”±åŠ 拿大國家èŠè•¾èˆžåœ˜æ¬ä¸Šèˆžå°ã€‚.
$19.99
18.36 €
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Flute and Piano
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An-lun Huang
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POEM FOR DANCE, op.31 No.1(1981) - A Duet For Flute solo and Piano
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DoReMi Edition
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SheetMusicPlus
Plateau of Dances with a Scottish Flavour
Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Compos…
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Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages. Forton Music - Digital #FM628. Published by Forton Music - Digital (F2.FM628). ISBN 9790570485277.'Plateau of Dances with a Scottish Flavour' Plateau of Dances with a Scottish Flavour was composed in autumn 2016, Eastbourne, and is inspired by my childhood in Doune, Perthshire; as well as the Ceilidhs and Feis (cultural festival in the Highlands) my daughter, Clara, and I were immersed in when we lived in the picturesque village of Kingussie, Badenoch and Strathspey. The four dances are a celebration of my love and nostalgia for Scotland, and an expression of my family's Scottish memories. Each dance comes with a quote from my favourite poet, Robert Burns, whose insightful and sensitive observations are a poignant appreciation of everyday life. Why the reference to Scottish food? Because this piece is dedicated to my father, Papou, who appreciates a merry supper. The 1st Movement, 'To the Mighty Haggis', is a Strathspey with its characteristic Scotch snap -a short-long rhythm, as if saying the word 'haggis'; which is fitting as the Scottish bard's quote comes from his poem Address to a Haggis, traditionally said on Burns' Night. The 2nd Movement, 'The Humble Shortbread', is a Reel; as is usually the case in Scottish dances. It should be played with a slightly 'snappy', swung rhythm. 'What though on homely fare we dine, [...] A man is a man for all that' comes from my favourite Burns' poem: A Man's a Man for A' That. And who doesn't enjoy the humble shortbread? There is a more reflective, nostalgic mood to the 3rd Movement, 'Ode to the Homely (salty) Porridge'. The Air is a reminiscence of the quiet evenings Clara and I would spend in Kingussie, with our view of the beautifully haunting mountains. 'What will I get to my supper, [...] Ye'se get a panfu' o' plumpin parridge' comes from Burns' The Shepherd's Wife who tries to entice her husband back home with the promise of porridge (the Scottish way: with salt). Finally, the 4th Movement, 'Too Many Drams of Whisky', is a cheerful and lively Jig. It's the convivial merriness of being with friends and family, maybe at a Ceilidh, with a wink to Scotland's 'water of life'. 'We'll tak a cup o' kindness yet, For auld lang syne' comes from Burns' famous Auld Lang Syne: a fitting end to our musical and culinary tour of Scotland.
$7.95
7.3 €
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Alexandra Lehmann
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Plateau of Dances with a Scottish Flavour
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Forton Music - Digital
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SheetMusicPlus
A time of change - for alto and guitar
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1347356 By David Wari…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1347356 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Score. 5 pages. David Warin Solomons #932165. Published by David Warin Solomons (A0.1347356). Setting of the poem A time of change by Mark Haviland:Survivors of some strange social shipwreck we swim seperately to shore There to sit with heads in hands not speaking to each other any more We were a group a single body united in our purpose Now isolated helpless communication contact lost the fragments of some past mosaic whole now each a single coloured splinter without guidance or control The kaleidoscope is shaken the pattern disappears the fragments rearranging A new design appears we take on new identities abandonning the past Memories of our former ties are all that's left at last.
$9.00
8.27 €
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Piano, Vocal and Guitar
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David Warin Solomons
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A time of change - for alto and guitar
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David Warin Solomons
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SheetMusicPlus
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuar…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
7.11 €
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High voice
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Stuart Brown
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Idylls - five songs for solo high voice
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Stuart Brown Music
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SheetMusicPlus
Saint-Saëns: Danse Macabre for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549996 Composed by Camille Saint-…
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Concert Band - Level 3 - Digital Download SKU: A0.549996 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. Romantic Period,Standards. 118 pages. Jmsgu3 #4366268. Published by jmsgu3 (A0.549996). Full-length arrangement for Concert Band. Instrumentation: 2 flutes, 1 oboe, 2 Bb clarinets, 1 bass clarinet, 2 alto saxes, 1 tenor sax, 1 baritone sax, 2 Bb trumpets, 2 horns in F, 2 tenor trombones, 1 tuba. Melodic percussion: xylophone (or marimba) chimes (or tubular bells). Percussion 1: snare drum, crash cymbals, gong. Percussion 2: bass drum, crash cymbals, gong.The significance of Saint-Saëns' Danse Macabre lies in its representation of death as the great social equalizer and its association with Halloween and the macabre. Originally an art song for voice and piano, the piece was later expanded and reworked into a tone poem for violin and large orchestra, becoming one of Saint-Saëns' most famous works.Representation of Death: Danse Macabre was inspired by the French legend that Death plays the fiddle at midnight on Halloween, causing the skeletons in the cemetery to crawl out of their graves for a dance party. The theme of death as the great social equalizer, where no one can escape the dance with death, is depicted in the music and has inspired various paintings and art pieces.Composition and Reception: The piece is in the key of G minor and scored for an obbligato violin and an orchestra of various instruments.  When it was first performed in 1875, Danse Macabre received mixed reviews, with some critics expressing anxiety due to its dissonance, use of a xylophone, and hypnotic repetitions. However, it is now considered one of Saint-Saëns' masterpieces and is widely regarded and reproduced in high and popular culture.
$82.95
76.18 €
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Concert band
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Camille Saint-Saens
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Saint-Saëns: Danse Macabre for Concert Band
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jmsgu3
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SheetMusicPlus
The Magician (piano solo with optional poems, paintings, and movement)
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.971642 Composed by Jeffrey Hoover. …
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Piano Solo - Level 5 - Digital Download SKU: A0.971642 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score. 45 pages. Musicart Publications #4276221. Published by Musicart Publications (A0.971642). In five movements. 16 piano solo. 18 min. 30 sec. with poetic narration. Score, 53 pages. For solo piano, with optional poems, paintings, and movement. In The Magician, each movement is based on the development of a single sound, idea, or process. The work also possesses cyclic material; musical ideas that are carried to successive movements and are further transformed in a new context. As with other works by Jeffrey Hoover, the music of The Magician is connected to other artworks - paintings and poems (and sometimes dance/movement) also created by the composer. In the music and connected art forms, the ideas of creative energy and transformation are explored in sound, images, words, and movement.Jeffrey Hoover's work- music ranging from soloist to symphony orchestra -has received recognition through the prestigious Trieste prize, the Luigi Russolo composition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.
$24.95
22.92 €
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Piano solo
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Jeffrey Hoover
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16 piano solo.
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The Magician
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Musicart Publications
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SheetMusicPlus
Czardas: Hungarian Dance from Coppelia - Piano Duet
1 Piano, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.721883
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.721883 Composed by Leo Delibes. Arranged by Anne Christopherson GRSM ARCM. Children,Concert,Wedding. Score and parts. 17 pages. Music-Scores.com #5292839. Published by Music-Scores.com (A0.721883). Czardas: Hungarian Dance: Danse Hongroise: The ballet Coppelia is based on a poem Der Sandmann, by E.T.A. Hoffmann, later used in Offenbach's Tales of Hoffmann. This is the first Czardas to be used in a ballet.Duration: about 3 minutes.Arranged for Piano Duet.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
5.46 €
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1 Piano, 4 hands
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Leo Delibes
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Czardas: Hungarian Dance from Coppelia - Piano Duet
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Music-Scores.com
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SheetMusicPlus
Asleep in a Blanket Spun of Energy for SATB+electronic track, in English and Ojibwe
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.953630 Composed by Adrienne Inglis (…
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Choral Choir (SATB) - Digital Download SKU: A0.953630 Composed by Adrienne Inglis (ASCAP), with electronic dance track by Trevor F. Shaw (ASCAP). Contemporary,Dance,Pop,Spiritual,World. Octavo. 16 pages. Adrienne Inglis (ASCAP) #6531047. Published by Adrienne Inglis (ASCAP) (A0.953630). Asleep in a Blanket Spun of Energy for mixed chorus and electronic track with music by Adrienne Inglis (ASCAP) and electronic track by Trevor F. Shaw (ASCAP), a setting of the poem We Are Returning Always by Margaret Noodin from Weweni, poems in Anishinaabemowin and EnglishComposed for Inversion Ensemble’s March 2019 Dream Keeper concert, Asleep in a Blanket Spun of Energy for mixed chorus and electronic track evokes vivid imagery of Margaret Noodin’s poem We Are Returning Always. Honoring the composer’s Ojibwe ancestors, the piece sets all of the English text and a few key words of the Anishinaabemowin text from the bilingual poem that beautifully captures a glimpse into the natural and celestial wonders of the Ojibwe world. The music reflects a taste of the syncopated embellished singing, pentatonic melodies, and steady drumbeat characteristic of Ojibwe music. The electronic track provides both a compelling rhythmic foundation and a fantastical sonic representations of the moon, nebulae, supernovae, aurora borealis, and the forests of the Ojibwe lands.In addition to being the director of EQI, Margaret Noodin is an Assistant Professor in the English Department and American Indian Studies. She is a poet and the author of Bawaajimo: A Dialect of Dreams in Anishinaabe Language and Literature (2014) and Weweni: Poems in Anishinaabemowin and English (2015). She teaches the Anishinaabemowin language at UWM. Margaret is the editor of ojibwe.net. Noodin holds an MFA in Creative Writing and a PhD in English and Linguistics, both received at the University of Minnesota. Her doctoral dissertation is titled Native American Literature in tribal context: Anishinaabe Aadisokaanag Noongom (2001)Electronic track is available at http://adrienneinglis.com.
$3.99
3.66 €
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Choral SATB
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Adrienne Inglis
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Asleep in a Blanket Spun of Energy for SATB+electronic track, in English and Ojibwe
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Adrienne Inglis
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SheetMusicPlus
Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download SKU: A0.1005681 Co…
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Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creating Music Joy #6197023. Published by Creating Music Joy (A0.1005681). My original song, Poe's Christmas Eve Carousel Ride, is a microtonal melody for Celesta and/or Flute/Voice, based on Edgar Allan Poe's Evening Star.I imagined Edgar Allan Poe sitting on one of the carousel horses as it was going around and around. While this was happening, he was looking up at the night sky and thought about how much he liked the evening star better than the moon's light. (The celesta is known for its recognized sound in Tchaikovsky's, The Nutcracker Suite, The Dance of the Sugar Plum Fairy.). I figured out how to put it in a quartal tone key in Finale, thanks to Google. I used quartal tones in the left hand, so it's a blend of a tonal melodic line in an atonal landscape. Edgar Allan Poe had a horrific life. His father abandoned his family when he was young. His mother died when he was a child. After he was adopted, although not legally, he had a falling out with his foster father, who alienated him and didn't let him know that his foster mother was dying. But, he did inform him after she died. Edgar married his cousin, Virginia Clem, who was 13 and he was 26. She died 11 years into their marriage due to tuberculosis. Thus, some writers say that all of his writings have a beautiful woman who died in his stories. He lost all of the women who loved him in his life. When you see his portrait, he has sad eyes, as someone who has suffered much. But, his writing has lived well beyond his lifetime of misery and heartache. My song symbolizes, not only Poe's poem, but his life, as very difficult, yet beautiful. With me poetry has not been a purpose, but a passion. Edgar Allan Poe. Warning: Before purchasing this music, make sure that you know how to use quartal tones in your keyboard.
$7.95
7.3 €
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Grace Joy Reid
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Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
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Creating Music Joy
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SheetMusicPlus
All Things Bright and Beautiful — festival hymn accompaniment for organ, brass quintet
Horn,Organ,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1264232 Compo…
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Horn,Organ,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1264232 Composed by English Traditional Melody. Arranged by Todd Marchand. Christian,Sacred,Traditional. 22 pages. Con Spirito Music #857095. Published by Con Spirito Music (A0.1264232). All Things Bright and Beautiful is a beloved hymn written by Cecil Frances Alexander (1818-1895), an Anglo-Irish poet known for her hymns There is a Green Hill Far Away and Once in Royal David's City as well as her metrical paraphrase of St. Patrick's Breastplate (a prayer attributed to Patrick, patron saint of Ireland), known by its opening words, I bind unto myself today the strong name of the Trinity. An exposition of the clause of the Apostles' Creed that describes God as maker of heaven and earth, All Things Bright and Beautiful was published in Alexander's Hymns for Little Children in 1848. It was later included in The English Hymnal (1906) with a tune composed by W.H. Monk in 1887.All Things Bright and Beautiful is also frequently sung to the hymn tune ROYAL OAK, adapted from a 17th-century English folk tune, The Twenty-Ninth of May and published in the collection of English country dances, The Dancing Master, in 1686. This tune was first associated with Alexander's poem in a 1916 arrangement published by English composer Martin Shaw (1875-1978) and earned wide popularity after its inclusion in the 1925 English hymnal, Songs of Praise. This accompaniment to unison voices for organ and brass quintet is based on the ROYAL OAK tune. Includes full score, parts for organ, Bb trumpets 1-2, F horn, trombone, tuba, and reproducible bulletin insert.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00
22.96 €
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English Traditional Melody
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All Things Bright and Beautiful — festival hymn accompaniment for organ, brass quintet
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Con Spirito Music
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SheetMusicPlus
Czardas: Hungarian Dance from Coppelia - Violin and Piano
Violin and Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.721888 Composed by Leo Delibes. A…
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Piano,Violin - Level 4 - Digital Download SKU: A0.721888 Composed by Leo Delibes. Arranged by Anne Christopherson GRSM ARCM. Children,Concert,Wedding. 11 pages. Music-Scores.com #5292889. Published by Music-Scores.com (A0.721888). Czardas: Hungarian Dance: Danse Hongroise: The ballet Coppelia is based on a poem Der Sandmann, by E.T.A. Hoffmann, later used in Offenbach's Tales of Hoffmann. This is the first Czardas to be used in a ballet.Duration: about 3 minutes.Arranged for Violin and Piano.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
5.46 €
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Violin and Piano
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Leo Delibes
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Czardas: Hungarian Dance from Coppelia - Violin and Piano
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Music-Scores.com
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SheetMusicPlus
《無形的神殿》管弦樂與男è²å¤§åˆå”± The Invisible Temple - for male chorus and orchestr
Small Ensemble Choir,Voice - Digital Download SKU: A0.961991 Composed by Ma Shui Lo…
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Small Ensemble Choir,Voice - Digital Download SKU: A0.961991 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 47 pages. SpringAutumnmusic #47107. Published by SpringAutumnmusic (A0.961991). 《無形的神殿》，管弦樂與男è²å¤§åˆå”± 　 　　2003å¹´11月間一個美好的機緣，åƒèˆ‡æ–‡åŒ–總會ä¸éƒ¨è¾¦å…¬å®¤è·¯å¯’袖先生所推展的「玉山å¸ã€ï¼Œé€ 訪了å°ç£ç²¾ç¥žè–åœ°ï¼Œé«”é©—ç¾¤å¶½ä¹‹å† ã€ŒçŽ‰å±±ã€çš„雄å‰èˆ‡å¯¬å®¹ã€‚èª å¦‚ä½œå®¶è·¯å¯’è¢–å…ˆç”Ÿæ‰€è¨€ï¼šã€Œç„¡è«–ç™»é ‚èˆ‡å¦ï¼Œæ—¢å…¥å±±ä¸ï¼Œå³ç‚ºå±±æ‰€åŒ…容ã€ã€‚的確，登山ä¸åƒ…是觀賞美景讚嘆山的壯麗與險峻，而更é‡è¦çš„在空éˆçš„å±±ä¸éš±è—禪機，讓我們å¸ç¿’到真æ£çš„謙å‘。當作曲者親臨時刻，心ä¸å»ä¸€ç‰‡èŒ«ç„¶è€Œç„¡èªžï¼Œçž¬é–“，想起詩人æŽé賢先生一首詩作「無形的神殿ã€è¨€ï¼š 　　我高高在上 　　ä¸åœ¨ä¹Žçœ‹å¾—é 　　é 方茫茫 　　什麼也看ä¸è¦‹ ã€€ã€€æˆ‘å …æŒå†· 　　éœæˆ‘內部岩層的 　　 世界，我ç¨ç«‹ 　　在喧囂的紅塵外 　　熱氣騰騰的人 　　來我這裡無形的神殿 　　回到世間還是熱氣騰騰 　 　什麼也沒體會 　　作曲者經詩人æŽé賢先生的åŒæ„，借用詩å「無形的神殿ã€ä½œç‚ºæœ¬æ›²ä¹‹æ¨™é¡Œï¼Œèœå¯«ä½œæ›²è€…親臨拜訪「玉山ã€ï¼Œå¿ƒä¸çš„悸動與感å—ã€‚æœ¬æ›²å‰µä½œç´ æä¸ï¼Œäº¦å¼•ç”¨å¹¾é¦–é„’æ—與布農æ—原ä½æ°‘之æŒï¼Œåœ¨ç”·ç”Ÿå¤§åˆå”±èˆ‡ç®¡å¼¦æ¨‚交織ä¸ï¼Œåˆ†ç‚º(一)夜話排雲(二)日出(三)ç¥ç¥žç‰ä¸‰å¤§éƒ¨ä»½ï¼Œä»¥é€£æ¨‚ç« å½¢å¼å‘ˆç¾ã€‚ ※(1)本曲為邱å†èˆˆæ–‡æ•™åŸºé‡‘會委託創作之作å“，完æˆæ–¼2005~2006年，2007å¹´12月ä¸æ—¬åˆ†åˆ¥æ–¼å°ä¸åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團演å¥å»³ã€é«˜é›„市文化ä¸å¿ƒè‡³å¾·å ‚åŠå°åŒ—國家音樂廳，指æ®å®¶é‚±å›å¼·æŒ‡æ®åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團åŠå°åŒ—愛樂åˆå”±åœ˜è¯åˆèˆ‰è¡Œä¸–界首演。 (2)é„’æ—與布農æ—之æŒæ—‹å¾‹ï¼Œè³‡æ–™ä¾†è‡ªæ–¼é›²é–€èˆžé›†åŠæµ©æ©å‡ºç‰ˆç¤¾ï¼ˆé«˜å±±çš„禮讚）所出版之CD，並由我的作曲å¸ç”Ÿè”¡æ¬£å¾®è½å¯«æ•´ç†æ供，在æ¤ä¸€ä½µè¡¨ç¤ºæ„Ÿè¬ä¹‹æ„。 The Invisible Temple - for male chorus and orchestra 　　 In November 2003, by a chance of attending the Yushan Studies offered by Mr. Han-Hsu Lu at the General Association of Culture, the composer then visited the highest mountain and also the Holy spirit land of Taiwan, Yushan, and experienced its sublime grandeur. Just as Mr. Lu has said: No matter whether you climb to the top of the mountain or not, we are all embraced by it. It is true that we admire it not only for its great majesty and steep scenery, but, more importantly, for the spiritual meaning behind it, from which we learn humility. When visiting the mountain, the composer was moved to be lost and speechless, and soon reminded of the poem by the poet Kuei-Shien Lee, The Invisible Temple, as follows: I stand high, having no fear of seeing very far. It is blurry far away from here, and nothing can’t be seen. I insist on coldness, silencing the world in my inner rock strata. I am independent of the uproarious world of mortals. Those who are frantic come here, the invisible temple. Still frantic, they return to the world, without appreciating anything. With Lee’s consent, the title of the poem was applied to this work, to represent the composer’s feelings of visiting the Yu-shan Mountain. In this work, several songs from the aboriginal Tsou and Bunun tribes are adopted for the large male chorus and orchestra. It comprises three parts: 1. The talk in the night staying at the Inn Paiyun, 2. The Sunrise, and 3. The Worship, which are to be performed attacca (without pause or interruption). P.S. 1. The work was commissioned by Chew’s Culture Foundation, and was composed in 2005-2006. In December 2007, it was premiered by Chun-Chiang Chiu conducting the Taiwan National Symphony Orchestra and the Taipei Philharmonic Chorus at the Kaohsiung City Cultural Center and the National Concert Hall in Taipei, respectively. 2. The source of the folk melodies of Tsou and Bunun tribes is from the CD released by the Cloud Gate Dance Theatre of Taiwan and.
$44.99
41.32 €
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Ma Shui Long 馬水é¾
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《無形的神殿》管弦樂與男è²å¤§åˆå”± The Invisible Temple - for male chorus and orchestr
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SpringAutumnmusic
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SheetMusicPlus
Carson Cooman: Sonata for Tuba and Piano (2007)
Tuba and Piano
Piano,Tuba - Level 5 - Digital Download SKU: A0.533704 Composed by Carson Cooman. C…
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Piano,Tuba - Level 5 - Digital Download SKU: A0.533704 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 38 pages. Musik Fabrik Music Publishing #3039001. Published by Musik Fabrik Music Publishing (A0.533704). Sonata for Tuba and Piano (2007) was commissioned by and is dedicated to tubist MarkNelson for premiere at the 2007 Southwest Tuba and Euphonium Conference. The work isin three movements, each using the same basic musical material. Throughout the work,there is an integration of the total chromatic spectrum (represented through row-likeconstructions) with triadic and tonal elements, particularly connected to the interval of aminor third.The first movement, Speaking of Sunsets, is bold and dramatic throughout. The musicalmaterial is subjected to a series of circular paths that loop back on themselves until themovement ends. (The title refers to American poet James Tate’s poem Never Again theSame and also Charles Wuorinen’s musical setting of that text.)The second movement, Build Me a Garden, takes its title from an original song I overheardwhile planning this work. It sung by a homeless man who was then sitting on the banks ofthe Charles River in Boston, Massachusetts. His song (bearing both textual and musicalresemblance to various folk songs and African-American spirituals) spoke of hopes anddreams:Build me a garden, far ‘cross the seaBuild me a garden, a place I can beThe water is wide, the journey is long.I’ve put all my sorrows into this song.The movement opens with a slightly modified version of the song, which is developed overthe course of the movement. Connections are made between the first movement’s materialand the pentatonic melody (with its opening intervals of minor thirds).The third movement, Rising at Dawn, is a moto perpetuo. The ideas from both previousmovements are put together in new, dancing combinations. Coming out of the darker firsttwo movements, this movement continually seeks places of joy. The dance breaks down,and a recollection of the first movement leads to a bright coda.
$25.95
23.83 €
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Tuba and Piano
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Carson Cooman
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Carson Cooman: Sonata for Tuba and Piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Canções e sambinhas (1996) for cello and piano
Cello
Cello Solo - Level 4 - Digital Download SKU: A0.869211 Composed by Thomas Oboe Lee.…
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Cello Solo - Level 4 - Digital Download SKU: A0.869211 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Individual part. With Sambinha bachiana ... III. 36 pages. Thomas Oboe Lee #30911. Published by Thomas Oboe Lee (A0.869211). Program note: Canções e Sambinhas is the third of a triptych of compositions written for my friend, the enormously gifted cellist, Andrés DÃaz. The first was Eurydice, a tone poem on the Orpheus myth for cello and orchestra, and the second was La Chimera Fantastica for the DÃaz Trio. Canções e Sambinhas is in four movements. I. Canção de amor ... II. Sambinha bachiana ... III. Valsa lenta ... IV. Mais uma vêz ... Having lived in Brazil during my teen-age years, I inevitably continue to return to the wonderful music of that country for inspiration: the chôros of Ernesto Nazareth, Jacob do Bandolim, Pixinginha, and Heitor Villa-Lobos. The first movement begins with a slow, dark introduction before the love song emerges .... The second movement is a lively samba. As the title indicates, it is a little samba infused with Bach-like counterpoint, although a bit crazier. Villa-Lobos might find this amusing .... The third movement is a slow meditation for the cello on a passacaglia-like theme in the piano. The last movement, Mais uma vêz (meaning One Mo' Time in English), is a samba like the second movement, but it is set more homophonically, more dance-like in character .... The work is dedicated to my wife, Kris, who is an inspiration to my life and work.Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/can-es-e-sambinhas-1996-for-cello-and-pianoVideo link: https://youtu.be/X2gFRiypqTA
$9.99
9.18 €
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Cello
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Thomas Oboe Lee
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Canções e sambinhas
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Thomas Oboe Lee
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SheetMusicPlus
A time of change - for alto and guitar (mp3)
Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1347357 By David Warin Solom…
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Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1347357 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 254. David Warin Solomons #932166. Published by David Warin Solomons (A0.1347357). Setting of the poem A time of change by Mark Haviland:Survivors of some strange social shipwreck we swim seperately to shore There to sit with heads in hands not speaking to each other any more We were a group a single body united in our purpose Now isolated helpless communication contact lost the fragments of some past mosaic whole now each a single coloured splinter without guidance or control The kaleidoscope is shaken the pattern disappears the fragments rearranging A new design appears we take on new identities abandonning the past Memories of our former ties are all that's left at last.
$4.50
4.13 €
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David Warin Solomons
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A time of change - for alto and guitar
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David Warin Solomons
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SheetMusicPlus
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violin, Clarinet, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
13.77 €
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Violin, Clarinet, Piano (trio)
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Adam Lenhart
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Two Scenes from The Rubáiyát of Omar Khayyám
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Adam Lenhart
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SheetMusicPlus
The Troubles of an Automaton, or The Table and the Chair
Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - Digital Download SKU: A…
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Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - Digital Download SKU: A0.835820 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #4805257. Published by Paul Burnell (A0.835820). The Troubles of an Automaton, or The Table and the Chair. Composed Paul Burnell 2019. Duration c.5:45 (c.6:30 if performed with optional additional ending and A6 narration) For Cimbalom or other instruments, three Gongs, Bass Drum and Narrator Text: Clementina Maria Black (1853-1922) / Edward Lear (1812-1888)Note: The associated recording is of the version using the text by Clementina Maria Black. First performed by Jordan Wright-Murray on 30 May 2019. The Cimbalom part may be played on a chromatic hammered dulcimer or hackbrett or any other instruments. Gongs - ideally 3 bossed/tuned gongs, non-specific pitches: high, medium, low. Bass drum - ideally an orchestral bass drum. The octave lower transposition indications in the cimbalom part are optional and when given beneath two-note chords only apply to the lower note. From bar 62 to the end the cimbalom may be played an octave higher than written. The cimbalom and gongs are played laissez vibrer throughout. The bass drum is played laissez vibrer, except where marked with x on stem (for example in bar 32), indicating dead stick technique. The narrator may choose one of two texts: A: The Troubles of an Automaton (Excerpt) by Clementina Maria Black B: The Table and the Chair by Edward Lear. The start of each section of Narrator text is indicated in the score with boxed text. Where necessary the end of a text section is shown as unboxed text. The additional section after Fine 1, starting at bar 101, is optional and can be performed with or without the A6 narration. It is also possible to perform the whole piece without the Narrator, provided the texts are available to the audience.Programme note: This piece may be performed with one of two texts: 'The Troubles of an Automaton (Excerpt)' or 'The Table and the Chair'. 'The Troubles of an Automaton' was written by Clementina Maria Black (1853-1922) and published in the New Quarterly Magazine in 1876. The story begins with a fictional advertisement announcing a public exhibition of Mr. Slade's Famous Chess-Playing Automaton. 'The Table and the Chair' by Edward Lear (1812 - 1888) appeared in his collection 'Nonsense Songs' published in 1870. In the poem a table and a chair go for a walk around town, become lost, are taken back to their house by a group of small animals, and then dine and dance together.
$3.95
3.63 €
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Paul Burnell
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The Troubles of an Automaton, or The Table and the Chair
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Paul Burnell
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SheetMusicPlus
Summer Dances
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 5 - Digital Download SKU: A0.1…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 5 - Digital Download SKU: A0.1405409 Composed by Samuel A. Livingston. Contemporary,Contest,Festival,Folk. 52 pages. T.U.X. People's Music #988464. Published by T.U.X. People's Music (A0.1405409). Bring a great variety of folk-inspired styles and dances to your recital program with this wonderfully balanced, three-movement tone poem!
$30.00
27.55 €
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Clarinet Quartet: 4 clarinets
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Samuel A
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Summer Dances
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T.U.X. People's Music
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SheetMusicPlus
Summer Dances
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1405405 Composed…
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1405405 Composed by Samuel A. Livingston. Contemporary,Contest,Festival,Folk. 52 pages. T.U.X. People's Music #988462. Published by T.U.X. People's Music (A0.1405405). Bring a great variety of folk-inspired styles and dances to your recital program with this wonderfully balanced, three-movement tone poem!
$30.00
27.55 €
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String Quartet: 2 violins, viola, cello
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Samuel A
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Summer Dances
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T.U.X. People's Music
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SheetMusicPlus
Three Poems of W B Yeats (mixed choir with solo soprano, unaccompanied)
Choral SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1106987 Composed by…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1106987 Composed by Alan Bullard. 20th Century,A Cappella. Octavo. 15 pages. Colne Edition / BullardMusic #709854. Published by Colne Edition / BullardMusic (A0.1106987). Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. Three Poems of W. B. Yeats is one of the earliest works of Alan Bullard to enter the choral repertoire. Originally written for a college choir in 1973, it was soon taken up elsewhere, and later broadcast by the BBC Northern Singers. It sets three of Yeats’ best-known poems and shows a rich and colourful response to their heady and allusive character. The three poems are (1) The Wild Swans at Coole, (2) Running to Paradise, and (3) Sweet Dancer. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99
3.66 €
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Choral SATB
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Alan Bullard
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Three Poems of W B Yeats
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Colne Edition / BullardMusic
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SheetMusicPlus
The Stream of Life for TTBB voices and Piano
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1004797 Composed by Leslie…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1004797 Composed by Leslie Kleen. Contemporary. Octavo. 13 pages. Music From Riverside #4368548. Published by Music From Riverside (A0.1004797). The life-affirming poem by Rabrindranath Tagore is set for men's chorus (TTBB) and piano.The same stream of life that runs through my veins night and day runs through the whole world and dances in rhythmic measures.It is the same life that shoots in joy through the dust of the earth in numberless blades of grass, and breaks into tumultuous waves of leaves and flowers. It is the same life that is rocked in the ocean cradle of birth and death, of ebb and flow.I feel my limbs are made glorious by the touch of this world of life.And my pride is from the life-throb of ages dancing in my blood this moment..
$1.99
1.83 €
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Choral TTBB
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Leslie Kleen
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The Stream of Life for TTBB voices and Piano
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Music From Riverside
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SheetMusicPlus
Carson Cooman - In the Midst of Wild Being (2007) for SATB chorus, horn, and harp, full score
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.775985 Composed by Carson …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.775985 Composed by Carson Cooman. Contemporary,Instructional. Octavo. 22 pages. Musik Fabrik Music Publishing #2035131. Published by Musik Fabrik Music Publishing (A0.775985). In the Midst of Wild Being (2007) for SATB chorus, horn, and harp was commissioned by the King’s Chapel Concert Series, Heinrich Christensen, director, with the support of Choral Arts New England. The work was written in memory of American composer Daniel Pinkham (1923–2006), longtime director of music at King’s Chapel. The texts, written by American poet Elizabeth Kirschner, are directly inspired by the landscape of New England-though the sentiments reflected by the poems can apply to many places. Throughout, the focus is on the chorus, whose music is colored by the horn and harp. The Garden begins with an extended, unfolding introduction for horn and harp; the pace is that of a slow, steady walk. Though the pace remains, the music raises itself to rich climaxes in celebration of the verdant landscape. The Sea is a light and airy dance featuring a bouncy melodic theme that returns a number of times. The Forest is rich and expressive, reflecting true oneness with the landscape.
$19.95
18.32 €
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Choral SATB
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Carson Cooman
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Carson Cooman - In the Midst of Wild Being
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bagpipe music - instrumental improvisation based on the poem by Louis MacNeice (mp3)
Sampler - Level 4 - Digital Download SKU: A0.1354408 By David Warin Solomons. By Da…
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Sampler - Level 4 - Digital Download SKU: A0.1354408 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 261. David Warin Solomons #939127. Published by David Warin Solomons (A0.1354408). Instrumental version of my improvisation on Louis MacNeiceis Bagpipe MusicThe original poem is: It's no go the merry-go-round, it's no go the rickshaw,All we want is a limousine and a ticket for the peepshow.Their knickers are made of crêpe-de-chine, their shoes are made of python,Their halls are lined with tiger rugs and their walls with heads of bison.John MacDonald found a corpse, put it under the sofa,Waited till it came to life and hit it with a poker,Sold its eyes for souvenirs, sold its blood for whiskey,Kept its bones for dumb-bells to use when he was fifty.It's no go the Yogi-Man, it's no go Blavatsky,All we want is a bank balance and a bit of skirt in a taxi.Annie MacDougall went to milk, caught her foot in the heather,Woke to hear a dance record playing of Old Vienna.It's no go your maidenheads, it's no go your culture,All we want is a Dunlop tyre and the devil mend the puncture.The Laird o' Phelps spent Hogmanay declaring he was sober,Counted his feet to prove the fact and found he had one foot over.Mrs Carmichael had her fifth, looked at the job with repulsion,Said to the midwife 'Take it away; I'm through with overproduction'.It's no go the gossip column, it's no go the Ceilidh,All we want is a mother's help and a sugar-stick for the baby.Willie Murray cut his thumb, couldn't count the damage,Took the hide of an Ayrshire cow and used it for a bandage.His brother caught three hundred cran when the seas were lavish,Threw the bleeders back in the sea and went upon the parish.It's no go the Herring Board, it's no go the Bible,All we want is a packet of fags when our hands are idle.It's no go the picture palace, it's no go the stadium,It's no go the country cot with a pot of pink geraniums,It's no go the Government grants, it's no go the elections,Sit on your arse for fifty years and hang your hat on a pension.It's no go my honey love, it's no go my poppet;Work your hands from day to day, the winds will blow the profit.The glass is falling hour by hour, the glass will fall for ever,But if you break the bloody glass you won't hold up the weather.
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David Warin Solomons
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Bagpipe music - instrumental improvisation based on the poem by Louis MacNeice
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David Warin Solomons
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SheetMusicPlus
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