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Point of the Mountain: Flute
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You've selected:
Point of the Mountain: Flute
Sheetmusic to print
7 sheet music found
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1
Point of the Mountain: Flute
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Concert band
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Instructional
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Steve Hodges
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Point of the Mountain: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017016_F1 Flute. Composed by Steve Hodges. Instructional. Part. 2 pages. Alfred Music - Digital She...
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Concert Band - Digital Download SKU: AX.00-PC-0017016_F1 Flute. Composed by Steve Hodges. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017016_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017016_F1). UPC: 038081505671.Having many elements of a standard march but employing shifting meters from 5/4 to 3/4, give this piece a unique feel. Written while traveling through Utah, Point of the Mountain depicts the boldness and the rugged beauty of the Traverse Mountains, considered to be among the world's premier paragliding and hang gliding destinations in North America. (2:25)Concert/Contest.
$3.00
TRIPLE PACK of Flute Duets - contains over 50 duets including Christmas, classical and jazz
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2 Flutes (duet)
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INTERMEDIATE
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Christmas
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Newton, Meacham, Handel, Del
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Austin Ralphson
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TRIPLE PACK of Flute Duets - c
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Austin Ralphson
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SheetMusicPlus
Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremi...
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Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremiah Clarke, Mozart, Vivaldi, Tchaikovsky, Charpentier, J. Pierpoint, L. Mason, F. Gruber, J. Mohr, Trad. Arranged by Austin Ralphson. 20th Century, Classical Period, Baroque Period, Christmas, Wedding. Score. 101 pages. Published by Austin Ralphson
This is a book of popular pieces arranged for duet; it comprises both volumes from the '15 Duets for Fun' series, plus the '21 Christmas Duets for Fun' as well, making a total of 51 duets in this set. The difficulty levels range from early-intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that both parts are interesting throughout - they often interweave and take on many roles within the music. A duet score is provided for each piece, and the repertoire covers wedding music, slow melodies, traditional Welsh melodies, baroque classics, famous symphonic melodies, piano works, Christmas classics and other popular pieces. This is the full list:
1. Jingle Bells v1
2. Jingle Bells v2
3. Ding Dong Merrily On High v1
4. Ding Dong Merrily On High v2
5. Ding Dong Merrily On High v3
6. Joy To The World v1
7. Joy To The World v2
8. Joy To The World v3
9. Deck The Halls v1
10. Deck The Halls v2
11. Deck The Halls v3
12. O Christmas Tree v1
13. O Christmas Tree v2
14. Silent Night v1
15. Silent Night v2
16. Silent Night v3
17. O Little Town Of Bethlehem v1
18. O Little Town Of Bethlehem v2
19. O Little Town Of Bethlehem v3
20. God Rest Ye Merry, Gentlemen v1
21. God Rest Ye Merry, Gentlemen v2
22. All Through The Night (Welsh trad.)
23. Amazing Grace (Newton)
24. American Patrol (Meacham)
25. David of the White Rock (Welsh trad.)
26. Fanfare from ‘Water Music’ (Handel)
27. Happy Birthday
28. Largo from ‘Xerxes’ (Handel)
29. Myfanwy (Welsh trad.)
30. Pizzicati from ‘Sylvia’ (Delibes)
31. Prelude in C (Bach)
32. La Réjouissance from ’Music for the Royal Fireworks’ (Handel)
33. Rondo from ‘Abdelazer’ (Purcell)
34. Scherzo from Symphony No. 2 (Beethoven)
35. Suo Gan (Welsh trad.)
36. Concerto for Mandolin and Strings (Ugolino)
37. The Entertainer (Scott Joplin)
38. Highlights from Rhapsody In Blue (Gershwin)
39. The Blue Danube Waltz (Johann Strauss II)
40. Six Christmas Pieces, No.5 (Mendelssohn)
41. Für Elise (Beethoven)
42. In The Hall Of The Mountain King (Grieg)
43. Trumpet Voluntary (Jeremiah Clarke)
44. Eine Kleine Nachtmusik No.1 (Mozart)
45. The Londonderry Air / Danny Boy (trad.)
46. Symphony No.5, Mvt.1 (Beethoven)
47. Rondo Alla Turca (Mozart)
48. “Autumn” from ‘The Four Seasons’ (Vivaldi)
49. “Ode to Joy” from Symphony No.9 (Beethoven)
50. March of the Toy Soldiers from ‘The Nutcracker’ (Tchaikovsky)
51. Prelude from ‘Te Deum’ (Charpentier)
$39.99
Sonatina for Flute and Piano
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 p...
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
The Wounded Angel
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James d'Angelo
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The Wounded Angel
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Forton Music - Digital
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SheetMusicPlus
Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - Digital Download SKU: F2.FM557 Composed by James d'Angelo. Flute Quintet - Piccolo, 2 flutes, Alto Flute, ...
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Picc. 2 Fl. Afl. Bfl - Intermediate-Advanced - Digital Download SKU: F2.FM557 Composed by James d'Angelo. Flute Quintet - Piccolo, 2 flutes, Alto Flute, Bass Flute. Score and parts. 31 pages. Forton Music - Digital #FM557. Published by Forton Music - Digital (F2.FM557). ISBN 9790570484560.The Wounded Angel (2013) is written for piccolo, two flutes, alto flute and bass flute, and is dedicated to Christine Turellier, a professor of flute at the Lille Conservatory of Music (France) where the work was premiered. These pieces were inspired by a painting entitled The Wounded Angel (1967) by the visionary British artist Cecil Collins (1908-1990). His works have been the basis for a number of D'Angelo's compositions. For example, one of his latest pieces for orchestra takes its inspiration from Collins' painting The Angel of the Flowing Light (1968). In his extensive output the artist often used angels and fools as symbols of purity and wisdom. In the painting, the earthbound, winged, wounded angel is lying on its side with its eyes closed. Its colours blend in with the purplish colours of the earth. In the distance is a mountain shaped like a pyramid while the sky is filled with shades of orange. Just at the point where the mountain meets the bleak landscape we see the sun just rising. This angel has been injured and fallen to Earth and in its distress has to find a way of healing itself and ascending to its spiritual home. In this highly impressionistic piece the piccolo stands for the wounded angel. It has a three note motif and its wound is suggested by the semitone difference of the second note each time the motif is repeated. The piece is a voyage through all the states of mind the angel experiences. For example, there are moments of contemplation and peace where the alto and bass flutes play rocking rhythms in open fifths. The final bars of The Wounded Angel portray the gentle power of the angel to heal itself and return to the heavens. Here, following the motif of the gently rocking rhythms the piccolo plays two ascending fourths leading to a G sharp which has its resolution in the angels keynote A.
$12.95
For The Beauty Of The Earth
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Choral 3-part
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EASY
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Pierpoint, Kocher, Monk
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Laura G Cole
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For The Beauty Of The Earth
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Laura G. Cole
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SheetMusicPlus
Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1496024 Composed by Pierpoint, Kocher, Monk. Arranged by Laura G Cole. Christian,Reli...
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Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1496024 Composed by Pierpoint, Kocher, Monk. Arranged by Laura G Cole. Christian,Religious,Sacred,Traditional. 29 pages. Laura G. Cole #1072557. Published by Laura G. Cole (A0.1496024). This arrangement for SAB choir was written for my church choir at First Presbyterian Church of Spruce Pine in the beautiful mountains of North Carolina. We needed something simpler but with a beautiful accompaniment to use for an anthem during worship services. The flute adds a harmonic line and depth to the piece. I hope your choir enjoys singing this version of “For The Beauty Of The Earth”.
$2.99
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
Alto dos Schuenck - Waltz for Piccolo and Piano
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Thiago Osorio
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Alto dos Schuenck - Waltz for
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Thiago Osorio Music
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - Digital Download SKU: A0.946705 Composed by Thiago Osorio. Concert,Graduation,Instructional,Standards,World. ...
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Instrumental Solo,Piano,Piccolo - Level 3 - Digital Download SKU: A0.946705 Composed by Thiago Osorio. Concert,Graduation,Instructional,Standards,World. Score and individual part. 17 pages. Thiago Osorio Music #6440759. Published by Thiago Osorio Music (A0.946705). ''Alto dos Schuenck'' (in english: ''Schuenck's Altitude Lands'') is a gracious waltz for Piccolo and Piano in homage to the great flute player from Nova Friburgo, Rubem Schuenck. In the 19th century, Nova Friburgo received German settlers. Among these Germans, the Schuenck family settled in the district of Amparo to grow coffee. As it is a region in the mountains, the place was named Alto dos Schuenck (Alto refers to altitude).A composition that demands dexterity from Piccolo, mentioning the challenges of the road that leads to the location, but which at the same time has the lightness in its themes, piano counterpoints and dialogues between the instruments. A great opportunity to expand your repertoire with Piccolo soloist with piano accompaniment.
$10.00
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