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Points - Soprano Sax
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Tango Fantasy - Alto Sax & Piano
Alto Saxophone and Piano
Piano Accompaniment, Alto Sax - Advanced Intermediate - Digital Download Composed by …
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Piano Accompaniment, Alto Sax - Advanced Intermediate - Digital Download Composed by Wayne Liesching. Jazz, Latin Jazz. Score, Solo Part. 4 pages. Published by The Composer Man
'Tango Fantasy - Alto Sax & Piano'?: (Duration: 2.12) Higher Intermediate to the Advanced student.<br> SAMRO, CAPASSO.<br> Tango, is a passionate union between two dancers. The musical effect that I worked on was exactly that, the passionate union between two musical instruments. Throughout the piece, I endeavored to keep the central theme of the Tango rhythm playing out between the two instruments. I know that at some points I have moved away from the Tango idea, which is why I included the word fantasy in the title. So’ for most of the piece, the Tango theme is foremost, and whatever may or may not be Tango material is indeed a fantasy, an idea, a leaning toward the real thing, that is the Tango in Latin Style.<br> https://www.facebook.com/thecomposerman/ <br> https://drooble.com/wayne.liesching<br> www.thecomposerman.com<br> psallo.academyofmusic@gmail.com
$10.00
9.13 €
#
Alto Saxophone and Piano
#
Wayne Liesching
#
Tango Fantasy - Alto Sax & Piano
#
The Composer Man
#
SheetMusicPlus
Points - Tenor Sax solo
Tenor Saxophone
Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.824472 Composed by Phil R…
(+)
Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.824472 Composed by Phil Rawle. Concert,Jazz. Individual part. 3 pages. Phillip Rawle #3628575. Published by Phillip Rawle (A0.824472). One of four pieces from Jazz Geometry with piano accompaniment. Can be played as written or used as a basis for jazz improvisation.
$3.00
2.74 €
#
Tenor Saxophone
#
Phil Rawle
#
Points - Tenor Sax solo
#
Phillip Rawle
#
SheetMusicPlus
Points - Alto Sax solo
Alto Saxophone
Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.824468 Composed by Phil Ra…
(+)
Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.824468 Composed by Phil Rawle. Concert,Jazz. Individual part. 3 pages. Phillip Rawle #3628567. Published by Phillip Rawle (A0.824468). One of four pieces from Jazz Geometry with piano accompaniment. Can be played as written or used as a basis for jazz improvisation.
$3.00
2.74 €
#
Alto Saxophone
#
Phil Rawle
#
Points - Alto Sax solo
#
Phillip Rawle
#
SheetMusicPlus
Mendelssohn: Wedding March for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix …
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
30.07 €
#
Alto Saxophone and Piano
#
Felix Bartholdy Mendelssohn
#
Mendelssohn: Wedding March for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix …
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.07 €
#
Alto Saxophone and Piano
#
Felix Bartholdy Mendelssohn
#
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Mendelssohn: Wedding March for Baritone Sax & Piano
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Fe…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
22.77 €
#
Baritone Saxophone, Piano
#
Felix Bartholdy Mendelssohn
#
Mendelssohn: Wedding March for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Fe…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.07 €
#
Baritone Saxophone, Piano
#
Felix Mendelssohn
#
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Mendelssohn: Wedding March for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix…
(+)
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
30.07 €
#
Tenor Saxophone and Piano
#
Felix Bartholdy Mendelssohn
#
Mendelssohn: Wedding March for Tenor Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camil…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.07 €
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Alto Saxophone and Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Fauré: Élégie Op. 24 for Baritone Sax & Piano
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549729 Composed by Ga…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
30.07 €
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Baritone Saxophone, Piano
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Gabriel Faure
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Fauré: Élégie Op. 24 for Baritone Sax & Piano
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jmsgu3
#
SheetMusicPlus
Fauré: Élégie Op. 24 for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549730 Composed by Gabri…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549730 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531411. Published by jmsgu3 (A0.549730). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
30.07 €
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Tenor Saxophone and Piano
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Gabriel Faure
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Fauré: Élégie Op. 24 for Tenor Sax & Piano
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jmsgu3
#
SheetMusicPlus
Fauré: Élégie Op. 24 for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549727 Composed by Gabrie…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531403. Published by jmsgu3 (A0.549727). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
30.07 €
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Alto Saxophone and Piano
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Gabriel Faure
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Fauré: Élégie Op. 24 for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Improvising Blues Saxophone
Saxophone
Saxophone - intermediate - Digital Download SKU: S9.Q585613 An Introduction to B…
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Saxophone - intermediate - Digital Download SKU: S9.Q585613 An Introduction to Blues Saxophone Styles, Techniques and Improvisation. Schott Pop-Styles. Downloadable. Schott Music - Digital #Q585613. Published by Schott Music - Digital (S9.Q585613). The latest addition to this popular series is designed for the intermediate saxophonist looking for an introduction to the blues. Experienced saxophone teacher and performer, Nick Beston, presents straightforward explanations of different playing styles and techniques, and covers topics such as basic blues harmony, chords, riffs, and effects like glissando and 'growling'. Original compositions support each chapter, and 'sax advice' sections offer guidance on the finer points of saxophone playing. High-quality demos and backing tracks encourage the reader to apply these techniques to their own improvisations.
$23.99
21.89 €
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Saxophone
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Improvising Blues Saxophone
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Schott Music - Digital
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SheetMusicPlus
Zacatecas March (for Saxophone Quartet SATB or AATB)
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.515063 Com…
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Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.515063 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,World. 18 pages. LINCOLN MUSIC PUBLICATIONS #4635425. Published by LINCOLN MUSIC PUBLICATIONS (A0.515063). Zacatecas March or, La Marche De Zacatecas by Genaro Codina arranged here for Saxophone Quartet by Kenneth Abeling. Zacatecas March is a Mexican Patriotic Song, the anthem of the state of Zacatecas and considered to be the second national anthem of Mexico. This is an advanced intermediate arrangement and this delightful march and is suitable for general performance as well as Mexican ethnic and patriotic events. The Playing time can range from 1:48 to 4:30 depending on repeats, the D.C. and which of the two possible end points is chosen. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$12.99
11.86 €
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Saxophone Quartet: 4 saxophones
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Genaro Codina
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Zacatecas March
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Zacatecas March (for Saxophone Quintet SATTB or AATTB)
Saxophone Quintet: 5 Saxophones
Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.515064 Com…
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Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.515064 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,World. 18 pages. LINCOLN MUSIC PUBLICATIONS #4635429. Published by LINCOLN MUSIC PUBLICATIONS (A0.515064). Zacatecas March or, La Marche De Zacatecas by Genaro Codina arranged here for Saxophone Quintet by Kenneth Abeling. Zacatecas March is a Mexican Patriotic Song, the anthem of the state of Zacatecas and considered to be the second national anthem of Mexico. This is an advanced intermediate arrangement and this delightful march and is suitable for general performance as well as Mexican ethnic and patriotic events. The Playing time can range from 1:48 to 4:30 depending on repeats, the D.C. and which of the two possible end points is chosen. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$13.99
12.77 €
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Saxophone Quintet: 5 Saxophones
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Genaro Codina
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Zacatecas March
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LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
LEARN TO PLAY 100 EASY TUNES and 10 EASY DUETS, for Bb TENOR SAXOPHONE
Tenor Saxophone
Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.1108013 By Various. By Va…
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Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.1108013 By Various. By Various. Arranged by Robert A KEATCH. 20th Century,Children,Christmas,Instructional,Multicultural,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #710630. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1108013). This book is perfect for beginners and those seeking to improve their SIGHT READING and musical skills. Boasting popular tunes like Happy Birthday and For He's A Jolly Good Fellow, it contains an impressive collection of easy-to-learn melodies and duets that make reading and playing the TREBLE clef a breeze.Created with beginner PLAYERS in mind, each page of the book is packed with teaching points, guidance notes for both students and teachers, a chart of note values, the Circle of Fifths for major keys, scales, simple technical exercises, and an alphabetical index of tunes.  Perfect collection for teacher-student play-along and makes playing the Treble Clef a breeze.ENDORSEMENTS. Professional musician Keith Walker endorses this book, wishing he had access to it 50 years ago. Its simplicity and versatility make it popular among elementary school instrumentalists and teachers, as it can be played on any instrument.This book is a great source of inspiration and motivation for people of all ages and classrooms. It comes in 10 different versions for all Western musical instruments, enabling unison or octave play.It is an excellent resource to have.
$11.99
10.94 €
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Tenor Saxophone
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Various
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LEARN TO PLAY 100 EASY TUNES and 10 EASY DUETS, for Bb TENOR SAXOPHONE
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PARKLAND PUBLISHING WESTERN AUSTRALIA
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SheetMusicPlus
A LEARN TO PLAY book of 100 EASY TUNES and 10 EASY DUETS for Eb BARITONE SAXOPHONE
Saxophone (band part)
Baritone Saxophone Solo - Level 2 - Digital Download SKU: A0.1107900 By Various. By…
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Baritone Saxophone Solo - Level 2 - Digital Download SKU: A0.1107900 By Various. By Various. Arranged by Robert A KEATCH. 20th Century,Children,Christmas,Instructional,Multicultural,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #710515. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1107900). If you're a beginner or looking to enhance your musical skills, this book is just what you need. It features well-known tunes including For He's A Jolly Good Fellow and Happy Birthday, and is packed with an impressive collection of easy-to-learn melodies and duets that make reading and playing the TREBLE clef a breeze.The book is designed specifically for beginners, with each page containing useful teaching points, guidance notes for both teachers and students, a note value chart, the Circle of Fifths for major keys, scales, easy technical exercises, and an alphabetical index of tunes.It's perfect for teacher-student play-along. It's available in 10 different versions for all Western musical instruments, allowing for unison or octave play.ENDORSEMENTS. Professional musician Keith Walker highly recommends this book, wishing he had it 50 years ago.It's popular among Primary/elementary school instrumentalists and teachers because of its simplicity and versatility, as it can be played on any instrument.This book is a great source of inspiration and motivation for people of all ages and classrooms.It's definately an excellent resource to have!
$11.99
10.94 €
#
Saxophone (band part)
#
Various
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A LEARN TO PLAY book of 100 EASY TUNES and 10 EASY DUETS for Eb BARITONE SAXOPHONE
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PARKLAND PUBLISHING WESTERN AUSTRALIA
#
SheetMusicPlus
A LEARN TO PLAY book of 100 EASY TUNES and 10 EASY DUETS for Eb ALTO SAXOPHONE in Treble Clef.
Alto Saxophone
Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.1107899 By Various. By Var…
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Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.1107899 By Various. By Various. Arranged by Robert A KEATCH. 20th Century,Children,Christmas,Instructional,Multicultural,World. Individual part. 32 pages. PARKLAND PUBLISHING WESTERN AUSTRALIA #710514. Published by PARKLAND PUBLISHING WESTERN AUSTRALIA (A0.1107899). If you're a beginner or looking to enhance your musical skills, this book is just what you need. It features well-known tunes including For He's A Jolly Good Fellow and Happy Birthday, and is packed with an impressive collection of easy-to-learn melodies and duets that make reading and playing the TREBLE clef a breeze.The book is designed specifically for beginners, with each page containing useful teaching points, guidance notes for both teachers and students, a note value chart, the Circle of Fifths for major keys, scales, easy technical exercises, and an alphabetical index of tunes.It's perfect for teacher-student play-along.  It's available in 10 different versions for all Western musical instruments, allowing for unison or octave play.ENDORSEMENTS. Professional musician Keith Walker highly recommends this book, wishing he had it 50 years ago.It's popular among elementary school instrumentalists and teachers because of its simplicity and versatility, as it can be played on any instrument.This book is a great source of inspiration and motivation for people of all ages and classrooms.It's definately an excellent resource to have!
$11.99
10.94 €
#
Alto Saxophone
#
Various
#
A LEARN TO PLAY book of 100 EASY TUNES and 10 EASY DUETS for Eb ALTO SAXOPHONE in Treble Clef.
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PARKLAND PUBLISHING WESTERN AUSTRALIA
#
SheetMusicPlus
Talking Points
Large Ensemble Alto Saxophone,Clarinet,Drums,Flute,Horn,Multi-Percussion,Timpani,Trombone,…
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Large Ensemble Alto Saxophone,Clarinet,Drums,Flute,Horn,Multi-Percussion,Timpani,Trombone,Trumpet,Vibraphone - Level 5 - Digital Download SKU: A0.969849 Composed by Amy Dunker. Concert,Contemporary. Score and parts. 65 pages. Amy Dunker #5888201. Published by Amy Dunker (A0.969849). Talking Points was inspired by an American Society of Composers, Authors and Publishers (ASCAP) grassroots trip to Washington, D. C. While in Washington, ASCAP members from all corners of the musical spectrum representing Iowa met with Senator Charles Grassley to discuss internet and copyright laws. Duration: 4 ½ Minutes.
$30.00
27.38 €
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Amy Dunker
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Talking Points
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Amy Dunker
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SheetMusicPlus
Talking Points (Score Only)
Large Ensemble Alto Saxophone,Clarinet,Drums,Flute,Horn,Multi-Percussion,Oboe,Timpani,Trom…
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Large Ensemble Alto Saxophone,Clarinet,Drums,Flute,Horn,Multi-Percussion,Oboe,Timpani,Trombone,Trumpet,Vibraphone - Digital Download SKU: A0.969851 Composed by Amy Dunker. Concert,Contemporary. Score and parts. 36 pages. Amy Dunker #5888203. Published by Amy Dunker (A0.969851). Talking Points was inspired by an American Society of Composers, Authors and Publishers (ASCAP) grassroots trip to Washington, D. C. While in Washington, ASCAP members from all corners of the musical spectrum representing Iowa met with Senator Charles Grassley to discuss internet and copyright laws. Duration: 4 ½ Minutes.
$7.50
6.84 €
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Amy Dunker
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Talking Points
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Amy Dunker
#
SheetMusicPlus
Bell Dance Variations for alto saxophone and guitar
Alto Saxophone,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1464293
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Alto Saxophone,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1464293 Composed by David Warin Solomons. Classical,Jazz. 8 pages. David Warin Solomons #1043016. Published by David Warin Solomons (A0.1464293). A syncopated dance splitting the 4/4 bar into 3-3-2 at many points. The melody and accompaniment call to mind the pealing of bells.The music has also been used for my choral setting of It was a lover and his lassThe pdf contains score and parts.
$9.00
8.21 €
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David Warin Solomons
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Bell Dance Variations for alto saxophone and guitar
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David Warin Solomons
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SheetMusicPlus
Guthrie: Mystery Canon for Tenor Saxophone Trio
Woodwind Ensemble,Woodwind Trio Tenor Saxophone - Level 3 - Digital Download SKU: A0.13…
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Woodwind Ensemble,Woodwind Trio Tenor Saxophone - Level 3 - Digital Download SKU: A0.1382193 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. 10 pages. Jmsgu3 #966722. Published by jmsgu3 (A0.1382193). A meditation on infinity.Infinity is a concept that refers to something unlimited, endless, or larger than any natural number. In mathematics, infinity is often denoted by the symbol ∞∞. There are different types of infinity, such as mathematical, physical, and metaphysical infinities. Mathematical infinities occur, for instance, as the number of points on a continuous line or as the size of the endless sequence of counting numbers. In set theory, mathematicians have shown that some infinities are larger than others, and there are different sizes of infinity like ℵ0ℵ0​ (aleph-null), ℵ1ℵ1​ (aleph-one), and the continuum. Infinity is not a real number and does not behave like an actual number. It is an idea of something without an end and cannot be measured. We don't have anything like it in our world, so we imagine it as endless or boundless..
$27.95
25.51 €
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James M
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Guthrie: Mystery Canon for Tenor Saxophone Trio
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jmsgu3
#
SheetMusicPlus
Canticulum: 2nd E-flat Alto Saxophone
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0016419_AX2 2nd E-flat Alto Saxoph…
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Concert Band - Digital Download SKU: AX.00-PC-0016419_AX2 2nd E-flat Alto Saxophone. Composed by Mark D. Slater. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016419_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016419_AX2). UPC: 038081480329.Canticulum (Latin for Little Song) is a lovely and well-crafted lyrical piece for young bands. Numerous opportunities present themselves for teaching musicianship through phrase shaping and rubato playing, as well as tension and release points. A beautiful addition to any concert for first- or second-year bands. (3:10)Concert/Contest.
$3.00
2.74 €
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Concert band
#
Mark D
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Canticulum: 2nd E-flat Alto Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Canticulum: B-flat Tenor Saxophone
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0016419_TX1 B-flat Tenor Saxophone…
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Concert Band - Digital Download SKU: AX.00-PC-0016419_TX1 B-flat Tenor Saxophone. Composed by Mark D. Slater. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016419_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016419_TX1). UPC: 038081480329.Canticulum (Latin for Little Song) is a lovely and well-crafted lyrical piece for young bands. Numerous opportunities present themselves for teaching musicianship through phrase shaping and rubato playing, as well as tension and release points. A beautiful addition to any concert for first- or second-year bands. (3:10)Concert/Contest.
$3.00
2.74 €
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Concert band
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Mark D
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Canticulum: B-flat Tenor Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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