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1
Practical Directions
Piccolo
For thoroughly learningself the Piccolo. Composed by Ernesto Kohler (1849-1907). Thi…
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For thoroughly learningself the Piccolo. Composed by Ernesto Kohler (1849-1907). This edition: Sheet music. Piccolo-Flöte - Pädagogik - Selbstunterricht. Downloadable. Musikverlag Zimmermann #Q49617. Published by Musikverlag Zimmermann
$13.99
12.62 €
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Piccolo
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Ernesto Kohler
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Practical Directions
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SheetMusicPlus
Tristan und Isolde
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 …
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - Digital Download SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
43.28 €
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
How To Comp
Melody instruments (piano/keyboard/guitar/vibraphone) - Digital Download SKU: S9.Q48014…
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Melody instruments (piano/keyboard/guitar/vibraphone) - Digital Download SKU: S9.Q48014 A Study In Jazz Accompaniment. Jazz - music education - lessons. Downloadable, Textbook. Advance Music GmbH - Digital #Q48014. Published by Advance Music GmbH - Digital (S9.Q48014). English.This digital book/audio set presents a clear, comprehensive, one-step-at-a-time method for learning how to accompany an improvised jazz solo. As a sequel to Hal Crook’s text How to Improvise, How to Comp offers precise explanations, practical exercises, recorded musical examples, four play-along tracks, and daily practice routines. How to Comp organizes a vast amount of information that helped to make the author’s previous work a major contribution to jazz pedagogy. How to Comp is primarily for intermediate through advanced level players of harmonic instruments, e.g. piano (keyboard), guitar and vibraphone. However, drummers, bassists and horn players can also benefit from its study. Subject covered include: Voicing construction, preferred stock voicings, voiceleading, constant structure, non-harmonic voicings, single-note lines, rhythmic vocabulary, altering the harmonic rhythm, motive development, dividing and shifting attention, supportive and interactive comping styles, the soloist’s viewpoint, pacing, strolling, and much more. In How to Comp, the author, an accomplished jazz trombonist, pianist, composer, arranger and educator, looks deeply into the nature and challenge of artistic jazz accompaniment and puts into focus a direct, sure path toward mastery.A comprehensive, one-step-at-a-time method for learning how to accompany an improvised solo. It offers precise explanations, practical exercises, recorded examples, four play-along tracks, and daily practice routines. Intended for intermediate-to-advanced players of harmonic instruments (piano, guitar, vibraphone), it can also be used by drummers, bassists and horn players.
$33.99
30.66 €
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How To Comp
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Advance Music GmbH - Digital
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SheetMusicPlus
Come As You Are
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1170082 By Crowder. By Ben…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1170082 By Crowder. By Ben Glover, David Crowder, and Matt Maher. Arranged by Ken Litton. Celtic,Christian,Contemporary,Grunge,Irish,Praise & Worship. Octavo. 11 pages. Artist of Note, Inc. #770450. Published by Artist of Note, Inc. (A0.1170082). Past generations had Just As I Am and the Billy Graham crusades had Come Just As You Are, but this century may not have known a truly usable appeal/altar call song until the writing of Come As You Are by Ben Glover, David Crowder, and Matt Maher.This SATB arrangement offers practical vocal ranges and a comfortable fit for congregational participation. In addition to the consistency thoughout the stanzas that your choir/ensemble needs for ease of learning, a practical extended ending adds to the climactic appeal and gentle conclusion lingers in the heart and mind.The highly playable keyboard/piano accompaniment holds the door open for accompanists and directors to accept and benefit by playing a contemporary offering, while the precise chord symbols facilitate the inversions and superimposed chords that make for great use of a rhythm section. A faithful take on the original and one that your choir/ensemble will enjoy and find useful in worship leadership!Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard!Available via…Sheet Music Plushttps://www.sheetmusicplus.com/title/come-as-you-are-digital-sheet-music/22436819Sheet Music Directhttps://www.sheetmusicdirect.com/en-US/se/ID_No/1265741/Product.aspx.
$1.99
1.79 €
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Choral SATB
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Crowder
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Come As You Are
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Artist of Note, Inc.
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SheetMusicPlus
Two-Part Inventions
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1411457 Composed by Keaton Springfi…
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Piano Solo - Level 3 - Digital Download SKU: A0.1411457 Composed by Keaton Springfield. Baroque,Classical,Contemporary,Instructional. Score. 31 pages. Songburd Music #993724. Published by Songburd Music (A0.1411457). The Two-Part Inventions by Keaton Springfield take their inspiration from the Two-Part Inventions of J.S. Bach.  As students of music become familiar with the inventions of J.S. Bach in the course of their studies, it is unsurprising that they should come to admire and champion these works in music studios and performances. For composers, these works present an opportunity to learn from, model and at times emulate musical styles of the Baroque.  While these two-part inventions are Baroque in nature, musical elements are present that exceed their historical bounds such as the modulations found in No. 5 and No. 6.Performance considerations have been made for the sake of practical instruction, while still retaining a Baroque aesthetic.  For example, typical pieces of the Baroque era are without tempi or dynamic indications.  In keeping with this, the tempi provided in parenthesis should be viewed only as recommended approximations and not as fixed directives.  Liberty is also afforded to the performer and music teacher regarding dynamics, which are entirely absent in the score. Performers are encouraged to seek out their own inspiration on the matter of dynamics and tempi through experimentation and a judicious ear.  The provided ornamentation may be augmented or even done away with entirely depending on the needs and tastes of the performer. While the range of style and difficulty in this collection varies widely, it is suitable for use in music education, worship service, and public performance.  For piano instructors, the following order is recommended to fit a general progressive study: 8, 2, 4, 3, 1, 10, 9, 6, 5, 7, which may be adjusted to accommodate the skills and temperament of individual students.
$21.99
19.83 €
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Piano solo
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Keaton Springfield
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Two-Part Inventions
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Songburd Music
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SheetMusicPlus
Unser Vater
Choral SATB
Mixed choir and organ - intermediate - Digital Download SKU: S9.Q20945 For mixed…
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Mixed choir and organ - intermediate - Digital Download SKU: S9.Q20945 For mixed choir and organ. Composed by Stefan Heucke. This edition: score for voice and/or instruments. Schott Chamber Choir. Downloadable, Vocal and performing score. Op. 57 a. Duration 7 minutes. Schott Music - Digital #Q20945. Published by Schott Music - Digital (S9.Q20945). German.From his Pater noster for soloists, choir and orchestra, written in the form of a cantata, in which the original Latin text is combined with the new German translation of the former President of the Bundestag, Norbert Lammert, Stefan Heucke has taken an almost seven-minute German version for mixed choir and organ for practical use and newly arranged it. The text version of Norbert Lammert uses a direct and concise language which reinterprets several archaic expressions of the traditional translation: 'Dein Reich kommt, wenn dein Wille geschieht, auch auf Erden'. Stefan Heucke set the choral parts in major/minor-mode homophony in a deliberately simple way. The organ basically supports the choral setting and expands it rhythmically and harmonically now and then.
$7.99
7.21 €
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Choral SATB
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Stefan Heucke
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Unser Vater
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Schott Music - Digital
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SheetMusicPlus
A Child of Our Time
2 · 2 · ca · 2 · 2 · cbn - 4 · 3 · 3 · 0 - timp · perc (cym) (1…
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2 · 2 · ca · 2 · 2 · cbn - 4 · 3 · 3 · 0 - timp · perc (cym) (1 player) - str mixed choir (SATB/SATB), soloists (SATB) and orchestra - intermediate - Digital Download SKU: S9.Q21223 Oratorio. Composed by Sir Michael Tippett. This edition: study score. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 66' 0. Ernst Eulenburg & Co. GmbH - Digital #Q21223. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21223). English • German • French.The oratorio 'A Child of Our Time' was Tippett’s artistic and emotional response to the events that led to the 'Kristallnacht' pogrom of November 1938. For his oratorio Tippett used as his formal and historical models the Bach Passions and Handel’s Messiah which share with this contemporary morality the subject of the death of an individual set against the universal background of human suffering. Tippett’s use of the spiritual as a contemporary equivalent for the Lutheran chorale of the Bach settings draws his audience more closely into the drama through the spirituals’ ‘unique verbal and musical metaphor’. By 1941, when Tippett had completed the composition of his oratorio, the practicalities of staging a performance during wartime were difficult to say the least. It was, however, through the direct agency of his lifelong friends and professional colleagues, Benjamin Britten and Peter Pears, that the work was first performed in London on 19 March 1944 under the direction of the former Schoenberg pupil Walter Goehr, and with Pears himself as the tenor soloist.
$41.99
37.87 €
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1941, when Tippett had completed the composition of his oratorio, the practicalities of staging a performance during wartime were difficult to say the least
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Sir Michael Tippett
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A Child of Our Time
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Sixty-Second Service Solutions for Organ
Organ
Organ 2-staff - Moderately easy - Digital Download Short, versatile hymn arrangements…
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Organ 2-staff - Moderately easy - Digital Download Short, versatile hymn arrangements for the church organists. Arranged by Larry Shackley. Sacred. Organ. 72 pages. Lorenz Publishing Company #70/2311L. Published by Lorenz Publishing Company
ISBN 9780787772963.<br> <br> This highly practical volume by Larry Shackley contains 33 arrangements of popular hymns. Each is almost exactly 60 seconds in length and has various possible uses: as brief instrumental calls-to-worship, as interludes during communion, as filler between service elements, or as brief offertories for small congregations. Each one also has an optional introduction ending so that it can serve as a direct lead-in to congregational singing of the hymn.
$37.00
33.37 €
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Organ
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Sixty-Second Service Solutions for Organ
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SheetMusicPlus
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