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Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 …
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - Digital Download SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
$19.95
18.21 €
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Musik Fabrik Music Publishing
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Carson Cooman: Concerto for Bass Trombone and Six Players
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Di…
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Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Digital Download SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 64 pages. Musik Fabrik Music Publishing #3038607. Published by Musik Fabrik Music Publishing (A0.533689). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score and parts. The score is also available for sale as a seperate item.
$32.95
30.07 €
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Carson Cooman
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Carson Cooman: Concerto for Bass Trombone and Six Players
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thème et Variations, 2nd variation, Op.73 in C♯ minor
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1508683 Composed by Gabriel Faure. …
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Piano Solo - Level 4 - Digital Download SKU: A0.1508683 Composed by Gabriel Faure. Arranged by Zellev. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Score. 3 pages. Zellev Music #1083948. Published by Zellev Music (A0.1508683). Key Signature: C♯ minorTime Signature: 4/4Tempo: Piu mosso (recommended at 88bpm. i choose 105bpm for the audio, to make it more interesting.)Difficulty: Advanced IntermediateThème et variations, for piano in C sharp minor, Op. 73 composed around 1895.Description by Robert Cummings,The Thème et variations here is a large piece, usually having a duration well over a quarter-hour. It came a year after Fauré's Nocturne in D flat major No. 6, which ended a six-year hiatus from writing piano music for the composer. Fauré was also in the process of evolving his keyboard style toward bolder harmonic and thematic means of expression, but this work is largely conservative, even exhibiting hints of Schumann, especially in the main theme. That theme, marked Quasi adagio, is stately and presented in short, somewhat repetitive-sounding phrases. It has an expressive depth in its mixture of the noble and gloomy, of elegance and splendor. The first variation does not stray far in mood or in thematic change, but the second is lively and playful, exuding brilliant, almost Rachmaninovian colors. The ensuing variant is moderately paced, but still quite playful in its greater muscle. The music in the Molto Adagio sixth variation may offer the greatest depth here, and that in the Andante molto moderato eighth variation, the dreamiest and most serene. With the tenth variation, the music turns quite lively and colorful, and in the concluding 11th, the mood shifts to a quiet, reserved manner at the outset to a serenely triumphant one at the end.
$5.99
5.47 €
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Piano solo
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Gabriel Faure
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Thème et Variations, 2nd variation, Op.73 in C♯ minor
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Zellev Music
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
21.89 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Up On The Housetop
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by Benjamin R. Hanby. Arranged by F. Leslie Smith. Christmas, Children's Music. S…
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Composed by Benjamin R. Hanby. Arranged by F. Leslie Smith. Christmas, Children's Music. Score, Set of Parts. 15 pages. Published by Sweetwater Brass Press (S0.89639). - Score,Set of Parts - Christmas,Children's Music - Sweetwater Brass Press
If you can afford only one ?Up On The Housetop? for your brass quintet, this is the one to get. It is a hoot! It starts with an introduction that is definitely in a hurry; Santa?s sleigh may even have a klaxon on board to blast loitering birds out of the way! The arrangement moves on at the same fast clip, having fun with the melody and never letting up. As it reaches the halfway point, the tempo seems to slow down, but this is just an illusion; tuba and horn keep it moving. Racing toward the end, the conclusion recalls the introduction and finishes with a great, upbeat wind-up. Click on the ?Listen? button, and get set for an exciting Christmas ride with Santa.Tempo is halfnote = 138 throughout. There are some high notes and jumps. Trumpet 1?s highest note is B-flat5 (high C); Trumpet 2, A-flat5 (B-flat above the staff); Horn, F5 (high C). Trombone?s highest jump is from B-flat2 to E-sharp4. Horn has several 6-note jumps. This arrangement was completed in 2012, and performance time runs about 1 minute, 41 seconds. The arranger, Les Smith, can be reached at lessmith@ufl.edu. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$4.00
3.65 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Benjamin R
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Up On The Housetop
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Sweetwater Brass Press
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SheetMusicPlus
The Ragtime Dance
Cello,Clarinet,Cornet,Double Bass,Drum Set,Flute,Piano,Trombone,Tuba,Viola,Violin - Level …
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Cello,Clarinet,Cornet,Double Bass,Drum Set,Flute,Piano,Trombone,Tuba,Viola,Violin - Level 4 - Digital Download SKU: A0.1396891 By Gazza's Razztime Orchestra. By Scott Joplin. Arranged by Gary Blake Peterson. Ragtime. 54 pages. Gary Blake Peterson #980224. Published by Gary Blake Peterson (A0.1396891). This arrangement of Scott Joplin's The Ragtime Dance is by Gary Blake Peterson and is from Gazza's Razztime Orchestra's Classic Rags Collection. It is from a compilation titled Standard High-Class Rags, but known informally as The Red Back Book which was published by John Stark around 1911. This was a collection of 15 rags that were arranged for bands of mixed instruments. Based on D. S. DeLisle's orchestration, it includes his added countermelodies.  These early orchestrations tended towards having all instruments playing all of the time, and had limited expressive markings.  This version adds a tuba and a viola, plus articulations and dynamics. Much is re-scored to add variety to the repeated sections - making it well suited to concert performance.  It is set for a 12-piece ragtime orchestra: String quartet, plus flute, clarinet in Bb, cornet, trombone, tuba, piano, drum set, and double bass.
$29.99
27.37 €
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Gazza's Razztime Orchestra
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The Ragtime Dance
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Gary Blake Peterson
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SheetMusicPlus
Doubt & Determination (An Epic Sonata of Indeterminacy)
Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - Digital Download…
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Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - Digital Download SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary. Score and parts. 5 pages. Dennis Garretson #4580777. Published by Dennis Garretson (A0.993652). Description:Doubt & Determination bridges the gaps between musical eras, as one would hear certain nuance that dates back to the Baroque era but possess a rather modern musical structure. The piece challenges both the listeners and the player themselves. For the public ears, one will have to adapt the performer's perspectives to 'feel' the piece. As the title suggests, both 'Doubt' and 'Determination' are two human perceptions that oppose each other, to understand the music is to find common grounds between them, through unexpected cadences and dynamic change. The performer will have to deliver the technicalities of bringing them together, through detail instructions on dynamics and tempo change. The piece is modeled in Sonata Form. however, it is to be approached with indeterminacy, occasionally granting the performer the freedom through Tempo Rubato and Breath Perceptions.Practice Suggestion:This music can only prevail through expression, thus the commitment for dynamic is of the utmost importance. It is highly suggested to understand what makes this piece unique, a score analysis is always a good start. Mark out the accents (Staccato and Emphasis) and the tempo change. Establish breathing points since the piece has very minimal instructions for that, it is hence highly dependent on the performer's capability to deliver.A proper mindset is essential for the perfect performance.Instrumentations:Certain instruments are optional if a soprano saxophone is proven unavailable. The permitted exceptions are Violins (high strings with nuance deliverance) and Woodwinds within the tenor and soprano range.About the ComposerDennis Garretson is young Pianist, Improviser and Composer.Born and raised in Hong Kong, he started as a self-taught composer in high school. and became increasingly influenced by Hollywood &Blockbuster sounds, which paved the way towards discovering his passion towards the realm of orchestral music & film scores. He produced his first soundtrack when he was 17 and secured his first Media Award in the 12th Annual Hong Kong Film Art Association for the best original composition.Currently pursuing a music degree in Nova Scotia Canada, Dennis has the honorable opportunity of studying under multi Juno nominated composer - Peter Togni. His style of writing could be described as - Adaptive Story Telling, allowing listeners to have their very own unique interpretations of what the music could be about while anchoring within reach of the composer's core idea. Dennis strives to be a composer of true versatility, albeit his primary interest remains committed to film scores. He has written in the styles of Schoenberg's 12-tone techniques and has gone as polar as modern movie and trailer music. His music has been commissioned for short films and could be heard on various media platforms.For work inquiry, please contact through social media.
$6.99
6.38 €
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Dennis Garretson
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Doubt & Determination
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Dennis Garretson
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SheetMusicPlus
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
35.55 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Shining Space: Quintet for Horn and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Don't Stop Believin'
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.858391 By Journey. By Jonathan …
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Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.858391 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Stephen Bulat. Rock. Score. 3 pages. Stephen Bulat Publishing #4808131. Published by Stephen Bulat Publishing (A0.858391). The epic rock anthem arranged in lead sheet format. Don't Stop Believing has seen a resurgence in popularity several times since it was written in 1981 by the rock super-group Journey. It has been used in TV shows and movies that include The Sopranos, Glee, Monster, The Wedding Singer and was even the anthem for the Chicago White Sox rocketing them towards winning the World Series in 2005.The epic rock anthem arranged in lead sheet format. Don't Stop Believing has seen a resurgence in popularity several times since it was written in 1981 by the rock super-group Journey. It has been used in TV shows and movies that include The Sopranos, Glee, Monster, The Wedding Singer and was even the anthem for the Chicago White Sox rocketing them towards winning the World Series in 2005.A pop songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, additional musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical pop fakebook yet still condensed with minimal page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (violin, flute, singer)The perfect addition to the gigging musician's pop, dance, rock & Top 40 fake book. Please click on publisher to purchase this song in other keys as well as other easy to follow charts to add to your modern day gig book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569)Online: http://stephenbulat.com
$4.99
4.55 €
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Piano, Vocal and Guitar
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Journey
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Top 40 fake book
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Don't Stop Believin'
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Stephen Bulat Publishing
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SheetMusicPlus
How Far I'll Go
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1516165 By Alessia Cara. By Lin-Man…
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Easy Piano - Level 1 - Digital Download SKU: A0.1516165 By Alessia Cara. By Lin-Manuel Miranda. Arranged by Elizabeth Essex. 21st Century,Broadway,Children,Contemporary,Musical/Show,Pop. Score. 4 pages. Elizabeth Essex #1090394. Published by Elizabeth Essex (A0.1516165). Are you interested in joining my Outschool class 'Disney Music for New Pianists?' If you're new to Outschool, sign up with referral code ELIZABB2020 and get $20 to spend towards your first class.The chorus (only) of 'How Far I'll Go' from the Disney movie hit Moana is arranged in C position, for early primer or pre-school level with the lyrics as sung by Alessia Cara. Alpha-notes. Pre-staff / prestaff, pre-reader / prereader, pre-reading / prereading.Best for very young students in their first year of piano lessons, learning the keys CDE. Easy. One version for right hand; one version for left hand; one version that switches from left to right, mid-song. Three pages.See my other arrangements:Sheet Music Press (copyrighted music available)https://www.sheetmusicplus.com/publishers/elizabeth-essex-sheet-music/3018847Sheet Music Direct (copyrighted music available)https://www.sheetmusicdirect.com/en-US/Search.aspx?query=Elizabeth%20EssexTop Music Marketplace (piano studio licenses available)https://topmusicmarketplace.com/pages/seller-profile/elizabeths-music-artsTeachers Pay Teachers (classroom licenses available)https://www.teacherspayteachers.com/Store/Elizabeths-Music-And-ArtsTo commission an arrangement or set up Zoom piano or art lessons, contact Elizabeth: https://elizabethmusicnarts.wordpress.com.
$4.99
4.55 €
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Easy Piano
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Alessia Cara
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one version for left hand
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How Far I'll Go
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Elizabeth Essex
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SheetMusicPlus
Don't Stop Believin'
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.858426 By Journey. By Jonathan …
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Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.858426 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Stephen Bulat. Rock. Score. 3 pages. Stephen Bulat Publishing #5034215. Published by Stephen Bulat Publishing (A0.858426). The epic rock anthem arranged in lead sheet format. Don't Stop Believing has seen a resurgence in popularity several times since it was written in 1981 by the rock super-group Journey. It has been used in TV shows and movies that include The Sopranos, Glee, Monster, The Wedding Singer and was even the anthem for the Chicago White Sox rocketing them towards winning the World Series in 2005.A pop songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, additional musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical pop fakebook yet still condensed with minimal page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (violin, flute, singer)The perfect addition to the gigging musician's pop, dance, rock & Top 40 fake book. Please click on publisher to purchase this song in other keys as well as other easy to follow charts to add to your modern day gig book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569)Online: http://stephenbulat.com
$4.99
4.55 €
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Piano, Vocal and Guitar
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Journey
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Top 40 fake book
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Don't Stop Believin'
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Stephen Bulat Publishing
#
SheetMusicPlus
Don't Stop Believin'
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.859126 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Stephen Bulat. Film/TV. Score and parts. 3 pages. Stephen Bulat Publishing #6488029. Published by Stephen Bulat Publishing (A0.859126). The epic rock anthem arranged in lead sheet format. Don't Stop Believing has seen a resurgence in popularity several times since it was written in 1981 by the rock super-group Journey. It has been used in TV shows and movies that include The Sopranos, Glee, Monster, The Wedding Singer and was even the anthem for the Chicago White Sox rocketing them towards winning the World Series in 2005.A pop songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, additional musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical pop fakebook yet still condensed with minimal page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (violin, flute, singer)The perfect addition to the gigging musician's pop, dance, rock & Top 40 fake book. Please click on publisher to purchase this song in other keys as well as other easy to follow charts to add to your modern day gig book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569)Online: http://stephenbulat.com
$4.99
4.55 €
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Journey
#
Top 40 fake book
#
Don't Stop Believin'
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Stephen Bulat Publishing
#
SheetMusicPlus
Don't Stop Believin'
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.859134 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Stephen Bulat. Film/TV. Score and parts. 3 pages. Stephen Bulat Publishing #6488419. Published by Stephen Bulat Publishing (A0.859134). The epic rock anthem arranged in lead sheet format. Don't Stop Believing has seen a resurgence in popularity several times since it was written in 1981 by the rock super-group Journey. It has been used in TV shows and movies that include The Sopranos, Glee, Monster, The Wedding Singer and was even the anthem for the Chicago White Sox rocketing them towards winning the World Series in 2005.A pop songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, additional musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical pop fakebook yet still condensed with minimal page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (violin, flute, singer)The perfect addition to the gigging musician's pop, dance, rock & Top 40 fake book. Please click on publisher to purchase this song in other keys as well as other easy to follow charts to add to your modern day gig book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569)Online: http://stephenbulat.com
$4.99
4.55 €
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Journey
#
Top 40 fake book
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Don't Stop Believin'
#
Stephen Bulat Publishing
#
SheetMusicPlus
Don't Stop Believin'
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.859129 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Stephen Bulat. Film/TV. Score and parts. 3 pages. Stephen Bulat Publishing #6488409. Published by Stephen Bulat Publishing (A0.859129). The epic rock anthem arranged in lead sheet format. Don't Stop Believing has seen a resurgence in popularity several times since it was written in 1981 by the rock super-group Journey. It has been used in TV shows and movies that include The Sopranos, Glee, Monster, The Wedding Singer and was even the anthem for the Chicago White Sox rocketing them towards winning the World Series in 2005.A pop songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, additional musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical pop fakebook yet still condensed with minimal page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (violin, flute, singer)The perfect addition to the gigging musician's pop, dance, rock & Top 40 fake book. Please click on publisher to purchase this song in other keys as well as other easy to follow charts to add to your modern day gig book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569)Online: http://stephenbulat.com
$4.99
4.55 €
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Journey
#
Top 40 fake book
#
Don't Stop Believin'
#
Stephen Bulat Publishing
#
SheetMusicPlus
Don't Stop Believin'
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.859132 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Stephen Bulat. Film/TV. Score and parts. 3 pages. Stephen Bulat Publishing #6488415. Published by Stephen Bulat Publishing (A0.859132). The epic rock anthem arranged in lead sheet format. Don't Stop Believing has seen a resurgence in popularity several times since it was written in 1981 by the rock super-group Journey. It has been used in TV shows and movies that include The Sopranos, Glee, Monster, The Wedding Singer and was even the anthem for the Chicago White Sox rocketing them towards winning the World Series in 2005.A pop songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, additional musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical pop fakebook yet still condensed with minimal page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (violin, flute, singer)The perfect addition to the gigging musician's pop, dance, rock & Top 40 fake book. Please click on publisher to purchase this song in other keys as well as other easy to follow charts to add to your modern day gig book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569)Online: http://stephenbulat.com
$4.99
4.55 €
#
Journey
#
Top 40 fake book
#
Don't Stop Believin'
#
Stephen Bulat Publishing
#
SheetMusicPlus
Don't Stop Believin'
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.859131 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Stephen Bulat. Film/TV. Score and parts. 3 pages. Stephen Bulat Publishing #6488413. Published by Stephen Bulat Publishing (A0.859131). The epic rock anthem arranged in lead sheet format. Don't Stop Believing has seen a resurgence in popularity several times since it was written in 1981 by the rock super-group Journey. It has been used in TV shows and movies that include The Sopranos, Glee, Monster, The Wedding Singer and was even the anthem for the Chicago White Sox rocketing them towards winning the World Series in 2005.A pop songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, additional musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical pop fakebook yet still condensed with minimal page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (violin, flute, singer)The perfect addition to the gigging musician's pop, dance, rock & Top 40 fake book. Please click on publisher to purchase this song in other keys as well as other easy to follow charts to add to your modern day gig book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569)Online: http://stephenbulat.com
$4.99
4.55 €
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Journey
#
Top 40 fake book
#
Don't Stop Believin'
#
Stephen Bulat Publishing
#
SheetMusicPlus
Don't Stop Believin'
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.859128 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Stephen Bulat. Film/TV. Score and parts. 3 pages. Stephen Bulat Publishing #6488407. Published by Stephen Bulat Publishing (A0.859128). The epic rock anthem arranged in lead sheet format. Don't Stop Believing has seen a resurgence in popularity several times since it was written in 1981 by the rock super-group Journey. It has been used in TV shows and movies that include The Sopranos, Glee, Monster, The Wedding Singer and was even the anthem for the Chicago White Sox rocketing them towards winning the World Series in 2005.A pop songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, additional musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical pop fakebook yet still condensed with minimal page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (violin, flute, singer)The perfect addition to the gigging musician's pop, dance, rock & Top 40 fake book. Please click on publisher to purchase this song in other keys as well as other easy to follow charts to add to your modern day gig book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569)Online: http://stephenbulat.com
$4.99
4.55 €
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Journey
#
Top 40 fake book
#
Don't Stop Believin'
#
Stephen Bulat Publishing
#
SheetMusicPlus
Don't Stop Believin'
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.859130 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Stephen Bulat. Film/TV. Score and parts. 3 pages. Stephen Bulat Publishing #6488411. Published by Stephen Bulat Publishing (A0.859130). The epic rock anthem arranged in lead sheet format. Don't Stop Believing has seen a resurgence in popularity several times since it was written in 1981 by the rock super-group Journey. It has been used in TV shows and movies that include The Sopranos, Glee, Monster, The Wedding Singer and was even the anthem for the Chicago White Sox rocketing them towards winning the World Series in 2005.A pop songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, additional musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical pop fakebook yet still condensed with minimal page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (violin, flute, singer)The perfect addition to the gigging musician's pop, dance, rock & Top 40 fake book. Please click on publisher to purchase this song in other keys as well as other easy to follow charts to add to your modern day gig book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569)Online: http://stephenbulat.com
$4.99
4.55 €
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Journey
#
Top 40 fake book
#
Don't Stop Believin'
#
Stephen Bulat Publishing
#
SheetMusicPlus
Don't Stop Believin'
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.859135 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Stephen Bulat. Film/TV. Score and parts. 3 pages. Stephen Bulat Publishing #6488421. Published by Stephen Bulat Publishing (A0.859135). The epic rock anthem arranged in lead sheet format. Don't Stop Believing has seen a resurgence in popularity several times since it was written in 1981 by the rock super-group Journey. It has been used in TV shows and movies that include The Sopranos, Glee, Monster, The Wedding Singer and was even the anthem for the Chicago White Sox rocketing them towards winning the World Series in 2005.A pop songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, additional musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical pop fakebook yet still condensed with minimal page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (violin, flute, singer)The perfect addition to the gigging musician's pop, dance, rock & Top 40 fake book. Please click on publisher to purchase this song in other keys as well as other easy to follow charts to add to your modern day gig book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569)Online: http://stephenbulat.com
$4.99
4.55 €
#
Journey
#
Top 40 fake book
#
Don't Stop Believin'
#
Stephen Bulat Publishing
#
SheetMusicPlus
Don't Stop Believin'
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.859127 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Stephen Bulat. Film/TV. Score and parts. 3 pages. Stephen Bulat Publishing #6488031. Published by Stephen Bulat Publishing (A0.859127). The epic rock anthem arranged in lead sheet format. Don't Stop Believing has seen a resurgence in popularity several times since it was written in 1981 by the rock super-group Journey. It has been used in TV shows and movies that include The Sopranos, Glee, Monster, The Wedding Singer and was even the anthem for the Chicago White Sox rocketing them towards winning the World Series in 2005.A pop songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, additional musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical pop fakebook yet still condensed with minimal page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (violin, flute, singer)The perfect addition to the gigging musician's pop, dance, rock & Top 40 fake book. Please click on publisher to purchase this song in other keys as well as other easy to follow charts to add to your modern day gig book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569)Online: http://stephenbulat.com
$4.99
4.55 €
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Journey
#
Top 40 fake book
#
Don't Stop Believin'
#
Stephen Bulat Publishing
#
SheetMusicPlus
Don't Stop Believin'
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.859133 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Stephen Bulat. Film/TV. Score and parts. 3 pages. Stephen Bulat Publishing #6488417. Published by Stephen Bulat Publishing (A0.859133). The epic rock anthem arranged in lead sheet format. Don't Stop Believing has seen a resurgence in popularity several times since it was written in 1981 by the rock super-group Journey. It has been used in TV shows and movies that include The Sopranos, Glee, Monster, The Wedding Singer and was even the anthem for the Chicago White Sox rocketing them towards winning the World Series in 2005.A pop songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, additional musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical pop fakebook yet still condensed with minimal page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (violin, flute, singer)The perfect addition to the gigging musician's pop, dance, rock & Top 40 fake book. Please click on publisher to purchase this song in other keys as well as other easy to follow charts to add to your modern day gig book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569)Online: http://stephenbulat.com
$4.99
4.55 €
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Journey
#
Top 40 fake book
#
Don't Stop Believin'
#
Stephen Bulat Publishing
#
SheetMusicPlus
Peacherine Rag
A Clarinet,Cello,Cornet,Double Bass,Drum Set,Piano,Piccolo,Trombone,Tuba,Viola,Violin - Le…
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A Clarinet,Cello,Cornet,Double Bass,Drum Set,Piano,Piccolo,Trombone,Tuba,Viola,Violin - Level 4 - Digital Download SKU: A0.1396759 By Gazza's Razztime Orchestra. By Scott Joplin. Arranged by Gary Blake Peterson. Ragtime. 43 pages. Gary Blake Peterson #979632. Published by Gary Blake Peterson (A0.1396759). This arrangement of Joplin's wonderful Peacherine Rag is by Gary Blake Peterson and is from Gazza's Razztime Orchestra's Classic Rags Collection. It is based on D. S. DeLisle's orchestration and includes his added countermelodies. The early orchestration tended towards having all instruments playing all of the time, and had limited expressive markings. This version adds a tuba, and transposes the cornet part from A to Bb. Articulations and dynamics are added, and much is re-scored to add variety to the repeated sections - making it well suited to concert performance. It is set for a 12-piece ragtime orchestra: String quartet, plus piccolo, clarinet in A, cornet, trombone, tuba, piano, drum set, and double bass.
$29.99
27.37 €
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Gazza's Razztime Orchestra
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Peacherine Rag
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Gary Blake Peterson
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SheetMusicPlus
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