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Press Toward the Mark - Piano
Sheetmusic to print
31 sheet music found
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1
26
Press Toward The Mark
Choral SATB
(SATB) - Digital Download SKU: HX.450790 Composed by Heather Sorenson. Sacred. Chor…
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(SATB) - Digital Download SKU: HX.450790 Composed by Heather Sorenson. Sacred. Choral. 14 pages. Duration 280. Published by Hal Leonard - Digital (HX.450790).
$2.25
2.08 €
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Choral SATB
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Heather Sorenson
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Press Toward The Mark
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Hal Leonard - Digital
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SheetMusicPlus
Press Toward the Mark
(Full Performance) - Digital Download SKU: HX.451748 Composed by Heather Sorenson. …
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(Full Performance) - Digital Download SKU: HX.451748 Composed by Heather Sorenson. Sacred. Choral. Duration 283. Published by Hal Leonard - Digital (HX.451748).
$1.99
1.84 €
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Heather Sorenson
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Press Toward the Mark
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Hal Leonard - Digital
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SheetMusicPlus
Press Toward the Mark
(Accompaniment Only) - Digital Download SKU: HX.451749 Composed by Heather Sorenson…
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(Accompaniment Only) - Digital Download SKU: HX.451749 Composed by Heather Sorenson. Sacred. Choral. Duration 283. Published by Hal Leonard - Digital (HX.451749).
$24.99
23.08 €
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Heather Sorenson
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Press Toward the Mark
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Hal Leonard - Digital
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SheetMusicPlus
The Trinity Service - Magnificat & Nunc dimittis
Choral SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1211209 Composed by…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1211209 Composed by Ivo Antognini. A Cappella,Contemporary,Latin,Sacred. Octavo. 24 pages. Ivo Antognini #808911. Published by Ivo Antognini (A0.1211209). In this Trinity Service (2021) I used the text of the Magnificat as if it were the storyboard of a film. I tried to describe in the utmost detail the emotion the words conveyed to me and the images they suggested. In this composition I have used word-painting, attempting to colour as many words, phrases and situations as possible; hence the score is full of expression markings such as ‘majestic’, ‘with vigour’, ‘lively’, ‘intense’, ‘with affection’ and ‘with verve’. The result is a piece that changes texture rather quickly, and its noble opening theme (‘My soul doth magnify the Lord’) returns only once in abbreviated form (‘He hath filled the hungry with good things’). The following Nunc dimittis has a much more meditative and intimate character with a sparser texture. There are some references to the themes presented in the Magnificat. A motif from the Magnificat, ‘Glory be to the Father, and to the Son’, recurs in almost the same form towards the close of the Nunc dimittis, but in a quieter vein and in 4 rather than the 43 of the Magnificat. The Magnificat and the Nunc dimittis may be performed individually.
$3.99
3.68 €
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Choral SATB
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Ivo Antognini
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The Trinity Service - Magnificat & Nunc dimittis
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Ivo Antognini
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SheetMusicPlus
Press Toward the Mark - Timpani
Percussion (band part)
Choral - Digital Download SKU: HX.451593 This edition: scorch. Sacred. Choral Instr…
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Choral - Digital Download SKU: HX.451593 This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Duration 280. Hal Leonard - Digital #314122. Published by Hal Leonard - Digital (HX.451593).
$7.00
6.46 €
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Percussion (band part)
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Press Toward the Mark - Timpani
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Hal Leonard - Digital
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SheetMusicPlus
Press Toward the Mark - Bb Trumpet 2
Trumpet (band part)
Choral - Digital Download SKU: HX.451587 This edition: scorch. Sacred. Choral Instr…
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Choral - Digital Download SKU: HX.451587 This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Duration 280. Hal Leonard - Digital #314122. Published by Hal Leonard - Digital (HX.451587).
$7.00
6.46 €
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Trumpet (band part)
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Press Toward the Mark - Bb Trumpet 2
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Hal Leonard - Digital
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SheetMusicPlus
Press Toward the Mark - Organ
Choral - Digital Download SKU: HX.451595 This edition: scorch. Sacred. Choral Instr…
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Choral - Digital Download SKU: HX.451595 This edition: scorch. Sacred. Choral Instrumental Pak. 6 pages. Duration 280. Hal Leonard - Digital #314122. Published by Hal Leonard - Digital (HX.451595).
$7.00
6.46 €
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Press Toward the Mark - Organ
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Hal Leonard - Digital
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SheetMusicPlus
Press Toward the Mark - Bb Trumpet 1
Trumpet (band part)
Choral - Digital Download SKU: HX.451586 This edition: scorch. Sacred. Choral Instr…
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Choral - Digital Download SKU: HX.451586 This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Duration 280. Hal Leonard - Digital #314122. Published by Hal Leonard - Digital (HX.451586).
$7.00
6.46 €
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Trumpet (band part)
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Press Toward the Mark - Bb Trumpet 1
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Hal Leonard - Digital
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SheetMusicPlus
Press Toward the Mark - Trombone 1
Trombone (band part)
Choral - Digital Download SKU: HX.451589 This edition: scorch. Sacred. Choral Instr…
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Choral - Digital Download SKU: HX.451589 This edition: scorch. Sacred. Choral Instrumental Pak. 3 pages. Duration 280. Hal Leonard - Digital #314122. Published by Hal Leonard - Digital (HX.451589).
$7.00
6.46 €
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Trombone (band part)
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Press Toward the Mark - Trombone 1
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Hal Leonard - Digital
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SheetMusicPlus
Press Toward the Mark - Trombone 2
Trombone (band part)
Choral - Digital Download SKU: HX.451590 This edition: scorch. Sacred. Choral Instr…
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Choral - Digital Download SKU: HX.451590 This edition: scorch. Sacred. Choral Instrumental Pak. 3 pages. Duration 280. Hal Leonard - Digital #314122. Published by Hal Leonard - Digital (HX.451590).
$7.00
6.46 €
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Trombone (band part)
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Press Toward the Mark - Trombone 2
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Hal Leonard - Digital
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SheetMusicPlus
Press Toward the Mark - Full Score
Choral - Digital Download SKU: HX.451585 This edition: scorch. Sacred. Choral Instr…
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Choral - Digital Download SKU: HX.451585 This edition: scorch. Sacred. Choral Instrumental Pak. 33 pages. Duration 280. Hal Leonard - Digital #314122. Published by Hal Leonard - Digital (HX.451585).
$7.00
6.46 €
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Press Toward the Mark - Full Score
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Hal Leonard - Digital
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SheetMusicPlus
Press Toward the Mark - Percussion
Percussion (band part)
Choral - Digital Download SKU: HX.451592 This edition: scorch. Sacred. Choral Instr…
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Choral - Digital Download SKU: HX.451592 This edition: scorch. Sacred. Choral Instrumental Pak. 2 pages. Duration 280. Hal Leonard - Digital #314122. Published by Hal Leonard - Digital (HX.451592).
$7.00
6.46 €
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Percussion (band part)
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Press Toward the Mark - Percussion
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Hal Leonard - Digital
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SheetMusicPlus
Press Toward the Mark - F Horn
French horn (band part)
Choral - Digital Download SKU: HX.451588 This edition: scorch. Sacred. Choral Instr…
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Choral - Digital Download SKU: HX.451588 This edition: scorch. Sacred. Choral Instrumental Pak. 3 pages. Duration 280. Hal Leonard - Digital #314122. Published by Hal Leonard - Digital (HX.451588).
$7.00
6.46 €
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French horn (band part)
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Press Toward the Mark - F Horn
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Hal Leonard - Digital
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SheetMusicPlus
Press Toward the Mark - Tuba
Tuba (band part)
Choral - Digital Download SKU: HX.451591 This edition: scorch. Sacred. Choral Instr…
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Choral - Digital Download SKU: HX.451591 This edition: scorch. Sacred. Choral Instrumental Pak. 3 pages. Duration 280. Hal Leonard - Digital #314122. Published by Hal Leonard - Digital (HX.451591).
$7.00
6.46 €
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Tuba (band part)
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Press Toward the Mark - Tuba
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Hal Leonard - Digital
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SheetMusicPlus
The Boar’s Head Carol
Level 3 - Digital Download SKU: A0.808669 Composed by English Traditional. Arranged…
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Level 3 - Digital Download SKU: A0.808669 Composed by English Traditional. Arranged by F. Leslie Smith. Christmas. 20 pages. Sweetwater Brass Press #3006801. Published by Sweetwater Brass Press (A0.808669). Everybody gets a turn on this Christmas favorite! On the first time through, Trombone opens, playing alone, then Trumpet 1 joins playing close harmony. The second time through, Trumpet 1 has the melody while Trombone plays an intricate contrapuntal figure; Tuba joins towards the end with a harmony part. The third time, Tuba takes the melody, while Trumpet 1 and Trombone play counterpoint; eventually Horn in F blends in with harmony. The fourth time through, Horn in F has the melody, and Trombone and Tuba play counterpoint; Trumpet 2 joins on the last phrase. The fifth time through, Trumpet 2 again starts with the melody, while Trumpet 1 adds fanfare embellishments. All wind up with a straightforward, triumphant finish. And a good time was had by all!This arrangement was completed in 2012, and performance time runs about 2 minutes, 41 seconds. The arranger, Les Smith, can be reached at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$4.00
3.69 €
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English Traditional
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The Boar’s Head Carol
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Sweetwater Brass Press
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SheetMusicPlus
Heather Sorenson: Press Toward the Mark (COMPLETE) - orchestra/band
Orchestra
Instantly printable sheet music by Heather Sorenson for orchestra/band of MEDIUM skill lev…
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Instantly printable sheet music by Heather Sorenson for orchestra/band of MEDIUM skill level. / sacred
$54.99
50.79 €
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Orchestra
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Heather Sorenson
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Virtualsheetmusic
Heather Sorenson: Press Toward The Mark - choir (SATB: soprano, alto, tenor, bass)
Choral SATB
Instantly printable sheet music by Heather Sorenson for choir (SATB: soprano, alto, tenor,…
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Instantly printable sheet music by Heather Sorenson for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / sacred
$6.23
5.75 €
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Choral SATB
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Heather Sorenson
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Virtualsheetmusic
On the Air (for Brass Quintet & Marimba)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158411 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158411 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Contemporary,Historic. 33 pages. Https://gildedmusicpress.com/ #758693. Published by https://gildedmusicpress.com/ (A0.1158411). The year 2022 marked a milestone for the United States Air Force, as the world’s greatest airpower celebrated 75 years of air and space dominance. Omaha’s classical radio station was also celebrating a milestone year with its 50th anniversary. The resulting composition, cleverly titled “On the Air,†was written to observe both momentous anniversaries. The introduction plays on a cleverly adapted four-bar rhythmic motif that repeats, each time growing in intensity, conjuring images of a radio newsroom about to air breaking news. This opening rhythm is derived from Morse code letters K, V, N, & O (__ . __ | . . . __ | __ . | __ __ __), which is Omaha’s classical radio station. The main melodic theme begins after the intense introduction, stemming from the KVNO motif, and exudes energy worthy of the greatest of celebrations, replete with trumpets punctuating the strains with fanfare-like figures. After the KVNO transition to an exciting new key, the theme occurs a second time in the trumpets before simmering down to the second theme in a slower tempo, intended to be retrospective of the last 75 and 50 years of the two celebrating entities. In homage to the conflicts, sacrifices, and losses during 75 years of Air Force history, this melancholy melody in the horn repeats in octaves with horn and tuba, contrasting with the opening jubilation. However, without starkly “snapping back†to a celebratory mood, the original theme gently makes its reentry in the form of a mellow waltz with duetting trumpets, as a hopeful look to the future. The second iteration of the waltz brings back hints of the Morse code letters in the introduction, as underlying accompaniment to build energy and drive. It pivots fully with the KVNO introductory motif that changes keys while exploding with the recapitulation of the original full theme, intensifying the celebratory mood for the present festivities. The waltz version of the theme comes back, fragmented, hinting toward a fugato treatment. The non-fugal fragmentation is laced with virtuosically ornamented accompanimental lines reminiscent of a British-style brass band, and quickly settles into a full climactic presentation of the waltz iteration. The work ends full circle, with repeated KVNO rhythmic statements, in grand fashion for a firework finale.
$24.95
23.04 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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On the Air
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https://gildedmusicpress.com/
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SheetMusicPlus
Up On The Housetop
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by Benjamin R. Hanby. Arranged by F. Leslie Smith. Christmas, Children's Music. S…
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Composed by Benjamin R. Hanby. Arranged by F. Leslie Smith. Christmas, Children's Music. Score, Set of Parts. 15 pages. Published by Sweetwater Brass Press (S0.89639). - Score,Set of Parts - Christmas,Children's Music - Sweetwater Brass Press
If you can afford only one ?Up On The Housetop? for your brass quintet, this is the one to get. It is a hoot! It starts with an introduction that is definitely in a hurry; Santa?s sleigh may even have a klaxon on board to blast loitering birds out of the way! The arrangement moves on at the same fast clip, having fun with the melody and never letting up. As it reaches the halfway point, the tempo seems to slow down, but this is just an illusion; tuba and horn keep it moving. Racing toward the end, the conclusion recalls the introduction and finishes with a great, upbeat wind-up. Click on the ?Listen? button, and get set for an exciting Christmas ride with Santa.Tempo is halfnote = 138 throughout. There are some high notes and jumps. Trumpet 1?s highest note is B-flat5 (high C); Trumpet 2, A-flat5 (B-flat above the staff); Horn, F5 (high C). Trombone?s highest jump is from B-flat2 to E-sharp4. Horn has several 6-note jumps. This arrangement was completed in 2012, and performance time runs about 1 minute, 41 seconds. The arranger, Les Smith, can be reached at lessmith@ufl.edu. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$4.00
3.69 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Benjamin R
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Up On The Housetop
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Sweetwater Brass Press
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SheetMusicPlus
Doubt & Determination (An Epic Sonata of Indeterminacy)
Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - Digital Download…
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Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - Digital Download SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary. Score and parts. 5 pages. Dennis Garretson #4580777. Published by Dennis Garretson (A0.993652). Description:Doubt & Determination bridges the gaps between musical eras, as one would hear certain nuance that dates back to the Baroque era but possess a rather modern musical structure. The piece challenges both the listeners and the player themselves. For the public ears, one will have to adapt the performer's perspectives to 'feel' the piece. As the title suggests, both 'Doubt' and 'Determination' are two human perceptions that oppose each other, to understand the music is to find common grounds between them, through unexpected cadences and dynamic change. The performer will have to deliver the technicalities of bringing them together, through detail instructions on dynamics and tempo change. The piece is modeled in Sonata Form. however, it is to be approached with indeterminacy, occasionally granting the performer the freedom through Tempo Rubato and Breath Perceptions.Practice Suggestion:This music can only prevail through expression, thus the commitment for dynamic is of the utmost importance. It is highly suggested to understand what makes this piece unique, a score analysis is always a good start. Mark out the accents (Staccato and Emphasis) and the tempo change. Establish breathing points since the piece has very minimal instructions for that, it is hence highly dependent on the performer's capability to deliver.A proper mindset is essential for the perfect performance.Instrumentations:Certain instruments are optional if a soprano saxophone is proven unavailable. The permitted exceptions are Violins (high strings with nuance deliverance) and Woodwinds within the tenor and soprano range.About the ComposerDennis Garretson is young Pianist, Improviser and Composer.Born and raised in Hong Kong, he started as a self-taught composer in high school. and became increasingly influenced by Hollywood &Blockbuster sounds, which paved the way towards discovering his passion towards the realm of orchestral music & film scores. He produced his first soundtrack when he was 17 and secured his first Media Award in the 12th Annual Hong Kong Film Art Association for the best original composition.Currently pursuing a music degree in Nova Scotia Canada, Dennis has the honorable opportunity of studying under multi Juno nominated composer - Peter Togni. His style of writing could be described as - Adaptive Story Telling, allowing listeners to have their very own unique interpretations of what the music could be about while anchoring within reach of the composer's core idea. Dennis strives to be a composer of true versatility, albeit his primary interest remains committed to film scores. He has written in the styles of Schoenberg's 12-tone techniques and has gone as polar as modern movie and trailer music. His music has been commissioned for short films and could be heard on various media platforms.For work inquiry, please contact through social media.
$6.99
6.46 €
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Dennis Garretson
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Doubt & Determination
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Dennis Garretson
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SheetMusicPlus
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 …
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - Digital Download SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
$19.95
18.42 €
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Musik Fabrik Music Publishing
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Carson Cooman: Concerto for Bass Trombone and Six Players
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Musik Fabrik Music Publishing
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SheetMusicPlus
Three Latin Elegies to Lesbia
Choral SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.61 €
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Choral SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
35.97 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Shining Space: Quintet for Horn and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Di…
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Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Digital Download SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 64 pages. Musik Fabrik Music Publishing #3038607. Published by Musik Fabrik Music Publishing (A0.533689). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score and parts. The score is also available for sale as a seperate item.
$32.95
30.43 €
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Carson Cooman
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Carson Cooman: Concerto for Bass Trombone and Six Players
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Musik Fabrik Music Publishing
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
73.88 €
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Orchestra
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
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