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Problem: Low Brass
Sheetmusic to print
26 sheet music found
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26
Problem: Low Brass & Woodwinds #2 - Bass Clef
Marching band
Marching Band - Digital Download SKU: AX.00-PC-0016976_LBW2BC Low Brass & Woodwi…
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Marching Band - Digital Download SKU: AX.00-PC-0016976_LBW2BC Low Brass & Woodwinds #2 - Bass Clef. By Ariana Grande. By Amethyst Ameila Kelly, Ariana Grande, Ilya, and Max Martin. Dance; Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016976_LBW2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016976_LBW2BC). UPC: 038081501659.Singer Ariana Grande's catchy dance-pop hit took the charts by storm in 2014. This big and bold Nick Baratta arrangement will be a lot of fun for every section of your band! (1:35).
$3.00
2.7 €
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Marching band
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Ariana Grande
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Pop
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Problem: Low Brass & Woodwinds #2 - Bass Clef
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Problem: Low Brass & Woodwinds #1 - Bass Clef
Marching band
Marching Band - Digital Download SKU: AX.00-PC-0016976_LBW1BC Low Brass & Woodwi…
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Marching Band - Digital Download SKU: AX.00-PC-0016976_LBW1BC Low Brass & Woodwinds #1 - Bass Clef. By Ariana Grande. By Amethyst Ameila Kelly, Ariana Grande, Ilya, and Max Martin. Dance; Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016976_LBW1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016976_LBW1BC). UPC: 038081501659.Singer Ariana Grande's catchy dance-pop hit took the charts by storm in 2014. This big and bold Nick Baratta arrangement will be a lot of fun for every section of your band! (1:35).
$3.00
2.7 €
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Marching band
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Ariana Grande
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Pop
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Problem: Low Brass & Woodwinds #1 - Bass Clef
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Problem: Low Brass & Woodwinds #1 - Treble Clef
Marching band
Marching Band - Digital Download SKU: AX.00-PC-0016976_LBW1TC Low Brass & Woodwi…
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Marching Band - Digital Download SKU: AX.00-PC-0016976_LBW1TC Low Brass & Woodwinds #1 - Treble Clef. By Ariana Grande. By Amethyst Ameila Kelly, Ariana Grande, Ilya, and Max Martin. Dance; Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016976_LBW1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016976_LBW1TC). UPC: 038081501659.Singer Ariana Grande's catchy dance-pop hit took the charts by storm in 2014. This big and bold Nick Baratta arrangement will be a lot of fun for every section of your band! (1:35).
$3.00
2.7 €
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Marching band
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Ariana Grande
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Pop
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Problem: Low Brass & Woodwinds #1 - Treble Clef
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Ave Verum Corpus for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Digital Download SKU: A0.810741 Composed by Wolfgang Amadeus Mozar…
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Brass Ensemble - Digital Download SKU: A0.810741 Composed by Wolfgang Amadeus Mozart. Arranged by Toomey, Daniel. Christian,Classical,Easter,Sacred. Score and parts. 7 pages. Gordon Cherry #2075367. Published by Gordon Cherry (A0.810741). Dated within the last six months of the composer's life, the Ave Verum Corpus, K. 618 is a profound example of the unrivaled beauty, elegance and simplicity of Mozart's style. It is a stand-alone choral work based on a sacred Latin text, probably written for a Corpus Christi service in Baden, near Vienna. Often cited as one of Mozart's most perfect works, it’s sublimity inspired the following remarks from Albert Einstein: the perfection of modulation and part-writing, lightly introducing polyphony as a final intensification, (is) no longer perceived. Here...ecclesiastical and personal elements flow together. The problem of style is solved. Originally scored for four-part chorus (SATB), organ and strings, this beautiful arrangement by Daniel Toomey preserves the original key and markings; the only additions are the molto cantabile marking in the solo voice and the suggested metronome marking of q=80.
$6.00
5.4 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Wolfgang Amadeus Mozart
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Ave Verum Corpus for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
Two Left Feet (Brass Quintet)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.903574 Composed by M. Stallwood…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.903574 Composed by M. Stallwood. Concert,Contemporary,Film/TV,Standards. Score and parts. 17 pages. Mel Stallwood #32949. Published by Mel Stallwood (A0.903574). I have no idea how (or why) I wrote this piece. It happened quite quickly and flowed from my fingers more than my head (or heart). I had an image of a man from Barcelona marching hysterically on a parade ground (1st section) and then the piece morphed into another man having an equally hilarious dance lesson on Strictly Come Dancing (2nd section) (John Seargent?) The main problem I have is packaging this number - is it a March?, Is it a Waltz?, Is it Novelty Piano? Is it Classical? It even has some Ragtime suggestions. This could be my publishers nightmare... I know? It's Super-marltz Anyway The thing is now born and off it went. (deliberate mixing of tenses).
$8.00
7.19 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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M
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Two Left Feet
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Mel Stallwood
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SheetMusicPlus
March: Helping Hands (Rob Bushnell) - Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1203187 Composed by Rob Bushnell. 20th Century,Contest,Festival,March,Traditional. Brass Band. 41 pages. RBMusic #801860. Published by RBMusic (A0.1203187). Helping Hands is a march written for the British Bandsman March Composition Contest, entered into category 2 (marches for 3rd/4th section bands). It is dedicated to all the volunteers that make the Whit Friday March Contests possible, which is said to be the greatest free show on Earth. The piece is loosely programmatic in nature.The introduction is fanfare-like, announcing the date of the next Whit Friday Contests and the bands’ anticipation of and preparation for the event. The first section is the march of the volunteers, as they descend upon the many venues, ready to run the contests. There is the usual hustle and bustle before the second section sees the contests start. The bands strike up, march, finish and go from place to place, whilst the volunteers manage them, the audiences, and all manner of issues and problems thrown at them. The third section represents the bad weather which has, at times, presented itself on that particular Friday. But everyone carries on (possibly the sun comes out) and we enjoy the day.The trio uses the hymn St. Vincent by Sigismund Neukomm: St. Vincent de Paul is the patron saint of charities and volunteering, hence its use here. There is a small bridge that is reminiscent of previously used motifs and melodies before the hymn returns. The piece is influenced by marches that are commonly heard during the Whit Friday March Contests, using motifs, rhythms and harmonic progressions (sparingly) throughout the piece.This piece is for the UK-style brass band, includes march-card sized parts, with alternatives for horns in F and bass-clef lower brass.Other searchable terms: Delph, Denshaw, Diggle Dobcross, Friezland, Greenfield, Grotton, Lees and Springhead, Lydgate, Scouthead and Austerlands, Uppermill, Broadoak, Carrbrook, Denton, Droylsden, The Bush, Dukinfield, Tame Valley, Heyrod, Hurst Village, Ashton United FC, Stalybridge, Labour Club, Knight Templar, The Wizard, The President, Ravenswood, Honest Toil, Mephistopheles, Melphi, O.R.B., Castell Coch, Cornish Cavalier William Rimmer, T. J. Powell, W. E. Moyle, Charles Anderson, George Allan, William Gerrman, Shipley Douglas.
$44.99
40.45 €
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Rob Bushnell
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March: Helping Hands
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RBMusic
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SheetMusicPlus
Road Trip (for Brass Quintet)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158418 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158418 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 31 pages. Https://gildedmusicpress.com/ #758704. Published by https://gildedmusicpress.com/ (A0.1158418). Some of my fondest memories as a child were made during long, uncomfortable road trips. As a father, similar memories with my children are among my warmest. This three-and-a-half-minute piece of music aptly tells the title’s story. The excitement leading up to the anticipated day of departure is electric! The opening fanfare-ish intro reflects this buzz well. It is followed by a quirky rhythmic section as “helpful†kids load their poorly packed bags full of unnecessary items awkwardly into the vehicle. The fanfare returns as the family hits the road at last. As the rest of the music unfolds, imagine the alphabet game, off-key songs sung at the top of everyone’s lungs, rest stops (emergency or otherwise), spilled food, car problems, drowsiness, souvenirs, car sickness, and of course ultimate arrival at planned destinations. This soundtrack to a fun part of life can be anyone’s road trip! Work on this composition began on September 19, 2021 as a thoroughly sketched out fanfare in my manuscript notebook during a church youth activity in a park. It remained in that state until I contracted Covid-19 in July 2022 and was confined to a hotel room for a week. There, I entered this sketch into the computer, along with a dozen others. Throughout the summer, all of these works received some attention, but this one more than the rest. Much of the final work on “Road Trip†took place during a trip to Philadelphia.
$24.95
22.44 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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Road Trip
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https://gildedmusicpress.com/
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SheetMusicPlus
What Child is This? for Brass Trio
Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1327383 Composed by …
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Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1327383 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Traditional. 6 pages. Jmsgu3 #915417. Published by jmsgu3 (A0.1327383). Greensleeves is a traditional English folk song that has several interesting facts associated with it:Origin: The song's origin is uncertain, and there is no consensus on who composed it. It has been attributed to Henry VIII, the King of England, but this association is considered erroneous, and the song is more likely to be Elizabethan in origin.Christmas Carol: The tune of Greensleeves is used for the classic Christmas carol What Child Is This?Lyrics: The song's lyrics are about a painful romantic problem and include what some historians view as subtly salacious content. The lyrics deal with a spurned lover accusing Lady Greensleeves of casting him off discourteously despite his love for her. The song's scandalous twist is hidden in its title, and its exact meaning has been debated for centuries.Cultural References: The tune was used as the slow march of the London Trained Bands in the 16th and 17th centuries. It was adopted as the quick march of the 7th (City of London) Battalion London Regiment during World War I. Additionally, the tune has been referenced in literature, such as in Shakespeare's The Merry Wives of Windsor.Popularity: In some parts of the world, the Greensleeves tune is famous as a standard chime for ice cream vans.These facts make Greensleeves a fascinating and culturally significant piece of music with a rich history and diverse interpretations.
$24.95
22.44 €
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Traditional
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What Child is This? for Brass Trio
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jmsgu3
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SheetMusicPlus
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.15 €
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Brass quartet : 2 trumpets, trombone, tuba
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English Folk Song by way of American Appalachians
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
Ms. Grace
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SK…
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1202140 Composed by Johanna Hall and John Hall. Arranged by F. Leslie Smith. Contemporary,Disco,Hip-Hop,Pop,R & B,Rock. Score and parts. 27 pages. Sweetwater Brass Press #800795. Published by Sweetwater Brass Press (A0.1202140). John Hall and his then-wife Johanna had written several hit songs for John's group, Orleans.  Johanna wanted to create a song in the 1950s doo-wop style she so admired.  They did, and their composition described a certain Miss Grace who enchanted the lyricist with her “satin and perfume and lace.† The problem was: that song really did not fit in with Orleans' pop rock repertoire and image.  Meanwhile, The Tymes, a Philadelphia group, was looking for a number that might revive its popularity.  So when the Miss Grace song was suggested they decided to take it on. This was the mid-1970s, just when the honorific Ms. was growing in use.  So The Tymes changed the song's title to “Ms. Grace.† Released as a single, the song did very well in the UK, topping the chart at number one in January 1975.  Written in 4/4 time, this brass quintet version flows along at about 104 BPM.  Beginning notation instructs that eighth-note pairs are to be played so that the first note is about twice as long as the second; in other words, swing style.  It retains the original D major key, but gives most of the melody to Horn and Trombone an octave lower so that it stays within normal playing range of the group.  The nature of the song is such that there are a number of phrases that begin with off-beat pickup notes. Trumpets provide accents and flourishes and occasionally take over the melody for a few measures.  Tuba really does the most work, playing through almost the entire piece.  Completed in 2023, performance time runs about 3 minutes, 3 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
11.68 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Johanna Hall and John Hall
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in other words, swing style
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Ms. Grace
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Sweetwater Brass Press
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SheetMusicPlus
Monody
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. …
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Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
53.94 €
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Concert band
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Christian F
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Monody
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Stephen Cai
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SheetMusicPlus
Fired Up!
Concert band
Concert band - Grade 2 - Digital Download SKU: IZ.CBS1617-S Composed by Gary Gazlay…
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Concert band - Grade 2 - Digital Download SKU: IZ.CBS1617-S Composed by Gary Gazlay. Score. 11 pages. Imagine Music - Digital #CBS1617-S. Published by Imagine Music - Digital (IZ.CBS1617-S). 9 x 12 in inches.Composer's NotesFIRED UP! was written for my band students with the purpose of providing them with a fun song to play in the stands at football and basketball games as well as band concerts. Once the low brass and low woodwinds learn the first four measures of FIRED UP!, they should have no problem with the rest of the song. Careful attention to the dynamics and articulations will really make FIRED UP! an enjoyable musical experience for both the performer and listener.It is my hope that FIRED UP! will provide students with a song that they will enjoy learning to play and provide other music educators with a teaching tool that can be used to motivate and encourage their students.FIRED UP! is dedicated to my grandson, Adam Setser.
$8.00
7.19 €
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Concert band
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Gary Gazlay
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Fired Up!
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Imagine Music - Digital
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SheetMusicPlus
Fired Up!
Concert band
Concert band - Grade 2 - Digital Download SKU: IZ.CBS1617 Composed by Gary Gazlay. …
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Concert band - Grade 2 - Digital Download SKU: IZ.CBS1617 Composed by Gary Gazlay. Score and Parts. 28 pages. Imagine Music - Digital #CBS1617. Published by Imagine Music - Digital (IZ.CBS1617). 9 x 12 in inches.Composer's NotesFIRED UP! was written for my band students with the purpose of providing them with a fun song to play in the stands at football and basketball games as well as band concerts. Once the low brass and low woodwinds learn the first four measures of FIRED UP!, they should have no problem with the rest of the song. Careful attention to the dynamics and articulations will really make FIRED UP! an enjoyable musical experience for both the performer and listener.It is my hope that FIRED UP! will provide students with a song that they will enjoy learning to play and provide other music educators with a teaching tool that can be used to motivate and encourage their students.FIRED UP! is dedicated to my grandson, Adam Setser.
$40.00
35.97 €
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Concert band
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Gary Gazlay
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Fired Up!
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Imagine Music - Digital
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SheetMusicPlus
It's Hard To Be Humble
2 Euphoniums and 2 Tubas
Tuba Quartet Euphonium,Tuba - Level 2 - Digital Download SKU: A0.1215763 Composed b…
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Tuba Quartet Euphonium,Tuba - Level 2 - Digital Download SKU: A0.1215763 Composed by Mac Davis. Arranged by Tim Olt. Country,Pop. 13 pages. Olt Music #812494. Published by Olt Music (A0.1215763). This fun song by Mac Davis is sure to get your audience singing along! Not that we low brass players have any problem being humble....
$15.00
13.49 €
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2 Euphoniums and 2 Tubas
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Mac Davis
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It's Hard To Be Humble
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Olt Music
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SheetMusicPlus
Theme From "the A Team"
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.752332 Composed by Mike Post and Pete Carpenter. Arranged by Rob Bushnell. Contemporary,Film/TV. Brass Band. 28 pages. RBMusic #3570265. Published by RBMusic (A0.752332). The A-Team is an American television series that ran from 1983 to 1987. It opens with the infamous narration: ‘In 1972 a crack commando unit was sent to prison by a military court for a crime they didn't commit. These men promptly escaped from a maximum security stockade to the Los Angeles underground. Today, still wanted by the government, they survive as soldiers of fortune. If you have a problem, if no one else can help, and if you can find them, maybe you can hire the A-Team.’ The show revolves around four members of the fictitious United States Army Special Forces unit. These are the leader Colonel/Colonel John Hannibal Smith (played by George Peppard), smooth-talking Lieutenant Templeton Peck or Face (Dirk Benedict), pilot Captain H.M. Howling Mad Murdock (Dwight Schultz) and mechanic Sergeant First Class Bosco B.A. Baracus (Mr. T). The main theme was composed by Mike Post and Pete Carpenter, although the version they created was not the same as the theme heard on-screen (which is what this arrangement is of). The theme has been ranked among the best TV themes every written. Interesting, the French version of the theme has lyrics that mirror the spoken description of the English version of the show. In 2010, 20th Century Fox released a feature film based on the series starring Liam Neeson, Bradley Cooper, Quinton Jackson and Sharlto Copley as the A-Team. Alan Silvestri composed the soundtrack. This arrangement of the Main Theme is for the UK-style brass band, with alternative parts for piccolo trumpet, horns in F and bass-clef lower brass. It has been designed to work just as well for indoor performances as outdoor concerts. It also has the band parts reduced down to march-card size for use with a lyre as well as a music stand (making it ideal for events such as Durham Miners' Gala). A recording from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=_MVonyVSQoM.
$39.99
35.96 €
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Mike Post and Pete Carpenter
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Theme From "the A Team"
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RBMusic
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SheetMusicPlus
Lua Branca
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 2 - Digital Download SK…
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Brass Quintet Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1258104 By Francisca Chiquinha Gonzaga. By Francisca Chiquinha Gonzaga. Arranged by Joel Scianna. Chamber,Classical,Multicultural,World. 13 pages. Joel William Music #851334. Published by Joel William Music (A0.1258104). Lua Branca (or White Moon in English) is one of the more well-known works by virtuosic Brazilian composer Francisca Chiquinha Gonzaga. This arrangement showcases the power in her typically gentle and somber melody.  Beginner brass quintets should have no problem with the ranges demanded by this arrangement. The instrumentation is also very flexible, allowing for atypical brass quintet rosters such as Trumpet/Trumpet/Trombone/Euphonium/Tuba or Trumpet/French Horn/French Horn/Trombone/Bass Trombone, etc.  This arrangement features great dynamic contrast, as well as the use of pedal point as a musical technique to add tension and direction. Definitely consider adding this to your repertoir to broaden your ensembles horizons. Enjoy! Â
$4.00
3.6 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Francisca Chiquinha Gonzaga
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Lua Branca
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Joel William Music
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SheetMusicPlus
Mercy
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Intermediate - Digital Download SKU: F2.FM460 Composed by Juan Mari…
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Brass Quintet - Intermediate - Digital Download SKU: F2.FM460 Composed by Juan Maria Solare. Brass Quintet. Score and parts. 10 pages. Forton Music - Digital #FM460. Published by Forton Music - Digital (F2.FM460). ISBN 9790570483594.For Brass Quintet, 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for woodwinds) with a homophonic texture, like a four part chorale. Rhythmically, this piece offers no problems. While the first part requires more experienced players, parts 2, 3 and 4 are relatively easy to play. Most groups would be able to master this piece after only a couple of rehearsals. Some would say that mercy is a virtue, others (following Nietzsche) that it is a weakness. Do not seek in this piece a one-to-one musical transcription of merciful feelings, but rather concentrate on the smoothness and tender sound quality associated with it. Rather than 'pity', mercy is about empathy, togetherness and support - this attitude can also show while performing music.
$10.95
9.85 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Juan Maria Solare
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Mercy
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Forton Music - Digital
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SheetMusicPlus
Beach Boys: California Girls - brass quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
By The Beach Boys. Arranged by Ray Thompson. Score, Set of Parts. 8 pages. Published by Ra…
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By The Beach Boys. Arranged by Ray Thompson. Score, Set of Parts. 8 pages. Published by RayThompsonMusic (H0.133793-111540). - Score,Set of Parts - - RayThompsonMusic
California Girls This is a song written by Brian Wilson and Mike Love for the American rock band, the Beach Boys featured on their 1965 album Summer Days. Wilson conceived the song during his first acid trip, later arranging and producing the song's recording. Upon its release as a single, "California Girls" reached #3 on the Billboard Hot 100. The song is considered emblematic of the 1960s Californian Sound. It is arranged for brass quintet. I have transposed it into Bb, a less problematic key, for playing the bass riff, which is shared amongst tuba, trombone and horn. The melody is shared amongst the 4 upper instruments, and I have given interesting harmony parts to the others, rather than following the melodic line. Hope you enjoy it.
$19.95
17.94 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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The Beach Boys
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Beach Boys: California Girls - brass quintet
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RayThompsonMusic
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SheetMusicPlus
Guide Me, O Thou Great Jehovah
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.965454 Composed by Wil…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.965454 Composed by William Williams. Arranged by Dr. Michael C. McDonough A.S.C.A.P. Sacred,Spiritual. Score and parts. 10 pages. Michael McDonough A.S.C.A.P. #5310607. Published by Michael McDonough A.S.C.A.P. (A0.965454). Considering the trouble our world is facing at the moment this seemed like a good arrangement to do. In this arrangement all 3 tenor trombones share the lead. The high note is a Bb above the staff in the 1st trombone part.and the low note is a C below the staff in the bass trombone staff. A good high school trombone choir or an college level trombone quartet should have no problems with this arrangement. .
$15.00
13.49 €
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William Williams
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Guide Me, O Thou Great Jehovah
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Michael McDonough A.S.C.A.P.
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SheetMusicPlus
Merry Widow Waltz
Brass Ensemble Trombone - Level 2 - Digital Download SKU: A0.965450 Composed by Ear…
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Brass Ensemble Trombone - Level 2 - Digital Download SKU: A0.965450 Composed by Earl Bostic and Franz Lehar. Arranged by Dr. Michael C. McDonough A.S.C.A.P. Contemporary. Score and parts. 9 pages. Michael McDonough A.S.C.A.P. #5223967. Published by Michael McDonough A.S.C.A.P. (A0.965450). This is an arrangement of a classic waltz. All three tenor trombones get to play lead. The 1st part goes up to an A above the staff. The bass trombone part has Eb below the staff and optional Bb below the staff. A good high school trombone quartet should have no problem with this arrangement. .
$12.99
11.68 €
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Earl Bostic and Franz Lehar
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Merry Widow Waltz
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Michael McDonough A.S.C.A.P.
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SheetMusicPlus
Ode to My Savior Beginner Trumpet Trio
Brass Ensemble Trumpet - Level 1 - Digital Download SKU: A0.1079739 Composed by Edd…
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Brass Ensemble Trumpet - Level 1 - Digital Download SKU: A0.1079739 Composed by Eddie Lewis. Classical,Instructional,Sacred. Score and parts. 6 pages. Tiger Music #683926. Published by Tiger Music (A0.1079739). I have said this in the description for other pieces, but it’s worth mentioning again. I believe that trumpet students should begin performing from the start of their careers. The problem with this belief is that there isn’t much good music written for the beginners to perform. Most of what is published is “dumbed down†and doesn’t sound like real music. I have been trying to fill that cap by composing pieces for the beginners that I would be proud to perform in public. My objective with these compositions is to write music that sounds like real music, but functions within the limitations of the beginners’ trumpet skills. My first compositions of this nature were the three bird solos, Bird March, Feathered Friends and The Purple Parrot (which I let my then current students name). One of those students performed the Bird March solo at a school assembly only three or four months after she started playing the trumpet. That student eventually quit trumpet to pursue a busy performance career in theater (she was an elementary school student) but performing the Bird March for her fellow students is a memory she will always fondly look back on. That is part of why performing early in the learning process is so important. You don’t know when students will continue, and which ones will not. For those students whose trumpet careers end up being no longer than a year, the one or two performances they have in that year are all they will have to look back on. Unfortunately, those who do not perform at all will only ever remember the drudgery of pointless practice and rehearsals. But there’s more to my early performance philosophy than just that. For those students who do continue their trumpet careers for many years, the earlier performances have a mental benefit that cannot be replaced in any other way. Their future progress on the trumpet is greatly enhanced by each performance they present in the first two years of their trumpet careers.
$5.08
4.57 €
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Eddie Lewis
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Ode to My Savior Beginner Trumpet Trio
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Tiger Music
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SheetMusicPlus
The Search for Hope
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1416191 Composed by Keiron Anders…
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Concert Band - Level 5 - Digital Download SKU: A0.1416191 Composed by Keiron Anderson. Classical,Contemporary. 88 pages. Songburd Music #997877. Published by Songburd Music (A0.1416191). The Search for Hope is a work for wind orchestra comprised of three distinct motifs that tell a story of looking for hope.  Beginning with a crisp and airy feeling, this intensive work gives us a sense of taking flight over a diverse human landscape in the time reflecting the global pandemic, and the ensuing personal struggles, economic problems and conflicts that continue to have lasting consequences for so many people in the world.  Opening with a “questioning phrase,†illustrated by using a rising minor third motif, the music develops into a more ominous melody that is carried by the bass instruments.  From that questioning phrase the music sharply transitions into a second motif where the music picks up the pace with its own distinctive phrase and musical features, suggesting a time of invasions and military clashes, while tugging and moving our emotions back and forth with a single impression, and raising the question:  Where is hope found? With the final motif the tempo begins to slow and express a more tempered and solemn course of thought, punctuated by the higher brass that takes the lead in carrying the phrase of the music by using a descending minor third to carry the mood.  Allowing the music to reflect and express the vocal inflections used as when a mother gently speaks the name of her child with love and support—the very essence of hope.
$115.00
103.41 €
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Concert band
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Keiron Anderson
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The Search for Hope
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Songburd Music
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trumpet
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.24 €
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Trumpet
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trumpet
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.24 €
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Trumpet
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Diamonds Are Forever
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774354 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774354 Composed by John Barry. Arranged by Brad Esbensen. Contemporary,Film/TV,Pop. Score and Parts. 53 pages. Brad Esbensen Music Services #3675993. Published by Brad Esbensen Music Services (A0.774354). This arrangement is written in the original Shirley Bassey key of B minor, as sung on the sound track of the James Bond film, Diamonds Are Forever, and follows the same form as the original recording. The key may present problems for less experienced players although the horn figures are fairly straightforward forward. Brass parts are all written within a comfortable range for most players. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.
$60.00
53.95 €
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Jazz Ensemble
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John Barry
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Diamonds Are Forever
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Brad Esbensen Music Services
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SheetMusicPlus
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